A few examples of appraisal values for
ETON

• Two Japanese scholar's objects:
  Two Japanese scholar's objects: blue and white porcelain, double-gourd ink stone, figures, buildings in a mountain landscape, two-character signature, 5-34 in., 2 in. hairline crack at base of smaller gourd, grinding area with cracks as made; table screen, rectangular with double Buddhist lion base, old man and boy under tree, verso with houses at lake, inscription and signature at left, base with partially faded red two-character mark, late 19thearly 20th century, 5 x 6 x 1-12 in., crazing, one lion with firing crack through brocade ball.
• Tenn
  Tenn
• Tenn
  Tenn
• After the antique narcissus
  After the antique narcissus Bronze, green and gold patina, modeled as a nude classical male, an animal skin across his shoulder. H: 22 in. PROVENANCE: Property of a private collector, Miami Beach FL ,000 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• OCTOBER (ENGLISH 2ND
  OCTOBER (ENGLISH 2ND QUARTER-19TH CENTURY). Etching with aquatint on paper ca.1832. Depicts a hunting dog in the foreground with the hunter behind. Engraved by H. Pyall after a painting by Francis Calcraft Turner (British 1782 to 1846). Framed with linen liner 31 1/2''h. 35 1/2''w. Some foxing on the linnen liner. Very slight toning of paper. samll surface scufs. Not examined out of frame.
• LARRY L'ARGENT (20TH CENTURY):
  LARRY L'ARGENT (20TH CENTURY): "TEN-HUT"depicting a standing otter; carved stone; unsigned; titled to plaque; mounted on a revolving wood base; the stone: 39 inches high; 33 inches high overall Condition:
• JAPANESE BRONZE ONI CENSER Late
  JAPANESE BRONZE ONI CENSER Late 19th century; demonic figure standing on rock, holding censer, 16 1/2 in. H.
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• 
• DAN MITRA 'WOLF TOOTH,' LIM.
  DAN MITRA 'WOLF TOOTH,' LIM. EDITION COLOR ETCHING Dan Mitra (American late 20th/early 21st century), 'Wolf Tooth,' limited edition color etching on paper, depicting a feathered headdress above a scene of wolves running in a landscape, signed at lower right, titled and editioned 10/2000 at lower left, framed under glass. Approx. h. 34", w. 23.25".; overall with frame h. 44", w. 33.5", d. 1.5".
• Borzoi dog pen holder mounted on
  Borzoi dog pen holder mounted on a green onyx base and seven other animals some cold painted.
• French oval oil on canvas
  French oval oil on canvas portrait of a standing young woman wearing a white dress and ermine trimmed scarlet wrap c.1860 and the ornate gilt frame bearing a plaque indicating the artist as Anton Einsle unsigned. 25"x29"
• Three porcelain whippets and two
  Three porcelain whippets and two other animals.
• ANTOINE PONCET, UNTITLED, BRONZE
  ANTOINE PONCET, UNTITLED, BRONZE SCULPTURE (Swiss, b. 1928). Small silvered bronze abstract form, signed "Poncet 335/1000," 6 1/2 in. H., mounted on circular black composite base.
• ALTON S. TOBEY (CONNECTICUT,
  ALTON S. TOBEY (CONNECTICUT, 1914-2005), OIL ON BOARD, DEPICTS WHITE AND GREY ANGULAR GEOMETRIC FORMS AND LINES AGAINST BLACK BACKGR...Alton S. Tobey (Connecticut, 1914-2005), oil on board, depicts white and grey angular geometric forms and lines against black background, signed in shape left center, not examined out of frame, wear consistent with age, 24" h. x 18" w.
• William Etty (1787-1849 British)
  William Etty (1787-1849 British) Odalisque (Nude Male)
• Dorsey Potter Tyson hand colored
  Dorsey Potter Tyson hand colored etching, woman feeding a parrot, signed in plate 'Tyson 11-1-30' and pencil signed in margin and numbered 20/100. Image: 5" x 4" Frame 16.25" x 12.75" Condition: not examined out of frame, good overall CT Transfer Fee $10
• A mixed lot.A sheet of moss agate
  A mixed lot.A sheet of moss agate in oval display frame a blue and white Rosenthal brushpot a decorated blue vase ''Scotch Ivory'' and an overglaze enamelled ginger jar. Also a pencil nude study the frame verso marked''Bob Weston Reclining Figure Study'' a white metal necklace a brooch and eight wartime U.S.A Ration Books in original protective leather slip.
• Fine Japanese elephant ivory
  Fine Japanese elephant ivory netsuke of Ashinaga and Tenaga late 18th century The latter seated on his companion's shoulders hand clasping a coiled octopus, as Ashinaga stands looking upwards, detailed carving and fine aged patina. PROVENANCE: Private Collection, Michigan ,200 minor age cracking-good patina 7 or 8/
• Excerpt from Hunt Prothro
  Excerpt from Hunt Prothro Pottery: "I studied with Marguerite Wildenhain at her Pond Farm CA studio/school during the 70's and I've been working as a potter ever since. Currently I fire to cone 10 working in porcelain using washes of stains and underglazes over a textured and sometimes manipulated form/surface. I glaze using a thin solution of pure Gerstley Borate which resembles a patina more than a glaze. The inside of the pot is often painted in counterpoint to the exterior related but distinct. The rim is a third area a point of transition; it's a zone of change with all the attendant hesitations and gestures of finality. I work within these parameters as a poet works within a narrow mythic form.'' ''Each piece represents a specific authoritative yet ambiguous point in time and space. There is no narrative save the one inculcate in the making of each piece. But this non-narrative tells a story an ancient story of beginnings and endings with the recapitulated density of material memory and the suggestion of consummated desire. Physicality matters and heft is important yet the work remains weightless like a bird leaving a nest.''''I follow my fingers reaching into the bones of the form beneath the encrusted surfaces through the layers of translucent washes to the point of a transient singularity where touch pushes back again like the wind in the trees.'' (Hunt Prothro)More information on Hunt Protho Pottery can be found at www.huntprothro.com
• RICHARD ERDMAN (AMERICAN, B. 1952),
  RICHARD ERDMAN (AMERICAN, B. 1952), “SONATA”, GREEN ONYX FREE-FORM SCULPTURE, DATED AND SIGNED ON BASE, ON BLACK SQUARE BASE, LIGHT WEAR CONSISTENT WITH AGE, 27 1/4" H. X 9" W. X 9" D.Richard Erdman (American, b. 1952), "Sonata", green onyx free-form sculpture, dated and signed on base, on black square base, light wear consistent with age, 27 1/4" h. x 9" w. x 9" d.
• Antal (Anton) Peczely (Hungarian,
  Antal (Anton) Peczely (Hungarian, 1891); market scene with women and children; oil on canvas; 16" x 20"; signed lower left.
• MONUMENTAL BRONZE SCONCE -
  MONUMENTAL BRONZE SCONCE - Magnificent Belle Epoch Solid Bronze Winged Gargoyle Architectural Mount fitted with a gas jet in the mouth and having a curled tail to hold a flagpole in remnants of the original gold finish excepting the nipples and teeth