A few examples of appraisal values for
EVENING GLOOM

• ELIZA J EVENING GOWNEliza J Evening
  ELIZA J EVENING GOWNEliza J Evening Gown
• ROI CLARKSON COLMAN: "EVENING HAZE,
  ROI CLARKSON COLMAN: "EVENING HAZE, LAGUNA"oil on canvas signed lower right 20 x 30 inches Condition:
• ELIZABETH BORGLUM, "EVENING
  ELIZABETH BORGLUM, "EVENING STORM" O/C LANDSCAPE Elizabeth Janes Putnam Borglum (American 1848-1922), "Edge of the Mountains" or "Evening Storm" or "Sunset, Sycamore Mountains", late 19th/early 20th century, oil on canvas depicting a dark landscape with a mountain in the distance, signed at lower right, gallery tag from Maxwell Galleries Fine Paintings located en verso, framed. Provenance: Private Collection, Clarendon, TX; acquired at Coeur d'Alene Galleries March in Montana Auction, 2019; Maxwell Galleries Fine Paintings, San Francisco, CA. Note: Elizabeth Borglum was married to Gutzon Borglum, best known for his stone portrait carvings on Mount Rushmore, from 1889-1908. Elizabeth studied with Emil Carlsen, Felix Hidalgo, and J. Foxcroft Cole. Approx. h. 16", w. 20"; overall h. 23", w. 26.75", d. 1.5".
• Malcolm Ashman (born
  Malcolm Ashman (born 1957)/Evening clouds towards Bristol/oil on board, 15cm x 15cm
• OOP - 'Evening Glow' by Frederick
  OOP - 'Evening Glow' by Frederick Winthrop Ramsdell (MI/CT/UK 1865-1915) signed lower left with original label in the artist's hand verso giving title and location of 'Island of Monhegan off the coast of Maine' depicting the fish houses in the harbor
• GLADYS GOFFE (AMERICAN, EARLY
  GLADYS GOFFE (AMERICAN, EARLY 20TH CENTURY) 12" x 16" "Winter Evening", 1928. Oil on paper board, signed lower right, in a wooden frame, overall 18 ¾" x 14 ½". Exhibition label verso Associated Artists of Pittsburgh Eighteenth Annual Exhibition, 1928 verso. Painted in the luminous tradition of the Pennsylvania impressionists and New Hope School.
• OOP - 'Evening Glow' by Frederick
  OOP - 'Evening Glow' by Frederick Winthrop Ramsdell (MI/CT/UK 1865-1915) signed lower left with original label in the artist's hand verso giving title and location of 'Island of Monhegan off the coast of Maine' depicting the fish houses in the harbor
• VERYL GOODNIGHT (1947- ), BACK FROM
  VERYL GOODNIGHT (1947- ), BACK FROM THE BRINK Fine Art
• Morris Graves (1910-2001
  Morris Graves (1910-2001 Washington) ''Evening Light'' 1993 Lithograph in Colors 26''x44.5'' Image. An impressive large still life composition with his signature mystic glowing flowers. Pencil signed and numbered 32 of 120 edition lower margin. Gallery framing 35''x53''. Excellent condition with strong colors.
• William Galen Doss (1873-1957
  William Galen Doss (1873-1957 Laguna Beach CA) Evening Glow Pasadena
• EMILE ALBERT GRUPPE (MASSACHUSETTS,
  EMILE ALBERT GRUPPE (MASSACHUSETTS, 1896-1978), “EVENING GLOW, VERMONT”., OIL ON CANVAS, 25” X 30”. FRAMED 30.5” X 35.5”.EMILE ALBERT GRUPPE, Massachusetts, 1896-1978, "Evening Glow, Vermont". Signed lower right "Emile A. Gruppe". Titled verso. Dimensions: Oil on canvas, 25" x 30". Framed 30.5" x 35.5".
• EVELYN BYRNES BLACK EVENING GOWN.
  EVELYN BYRNES BLACK EVENING GOWN. Sheer polka dot material draped over solid black unfinished ruffle hem; spaghetti straps; empire waist
• EMILE ALBERT GRUPPE (MASSACHUSETTS,
  EMILE ALBERT GRUPPE (MASSACHUSETTS, 1896-1978), “EVENING GLOW, VERMONT”., OIL ON CANVAS, 25” X 30”. FRAMED 30” X 35”.EMILE ALBERT GRUPPE, Massachusetts, 1896-1978, "Evening Glow, Vermont". Signed lower right "Emile A Gruppe". Titled on Rockport Art Association label verso. Dimensions: Oil on canvas, 25" x 30". Framed 30" x 35".
• SMALL COLLECTION OF EVENING GOWNS
  SMALL COLLECTION OF EVENING GOWNS AND DRESSESSmall Collection of Evening Gowns and Dresses,
• Henry Dietrich Gremke painting
  Henry Dietrich Gremke painting (California, 1860-1933), titled verso canvas "Evening California", signed lower right "H.D. Gremke", oil on canvas, 22 x 27 in.; 20th century gilt and painted wood and composition French style frame. Original stretcher and tacking edge, craquelure; frame with abrasions. Private Collection
• GUY COHELEACH (1933-), GRIM EVENING
  GUY COHELEACH (1933-), GRIM EVENING Title: Guy Coheleach (1933-), Grim Evening Medium: oil on canvas Dimensions: 28 x 48 Frame dimensions: 29 1/4 x 53 1/8 x 2 Notes: “I saw three wolves’attention on some bison some years ago and I imagined how grim that evening would have been for the bison, had those wolves been larger in number. That change is easily taken care of by an artist. This is how I envisioned that scene. It must be a fairly common one in today’s Yellowstone area.” — Guy Coheleach
• HIRAM PEABODY FLAGG (MASSACHUSETTS,
  HIRAM PEABODY FLAGG (MASSACHUSETTS, 1858-1937), "EVENING GLOW", C. 1911, OIL ON CANVAS, DEPICTING A LANDSCAPE WITH A SHEPHERD HERDING HIS SHEEP AT DUSK, SIGNED AND DATED IN PAINT LOWER LEFT, NAMEPLATE WITH ARTIST AND ...Hiram Peabody Flagg (Massachusetts, 1858-1937), "Evening Glow", c. 1911, oil on canvas, depicting a landscape with a shepherd herding his sheep at dusk, signed and dated in paint lower left, nameplate with artist and title names center on frame, ornate frame with overhead light, wear consistent with age, light fixture not guaranteed working condition, sold as-is, ss: 11 1/2" h. x 15 3/4" w.
• A Halston Sequin Evening Gown
  A Halston Sequin Evening Gown iridescent sequins on black chiffon with a nude slip.
• Attributed to Francis Swaine
  Attributed to Francis Swaine (English, 1725-1782) The Evening Gun oil on copper unsigned 7 x 9 1/8 inches.
• MARTIN GRELLE (1954- ), MORNING
  MARTIN GRELLE (1954- ), MORNING GLOW Fine Art
• David Ballew (American b. 1955)
  David Ballew (American b. 1955) "Hazy Evening". Oil on linen mounted to masonite support signed and with the artist's monogram at the lower right corner framed in a wide brightly gilt frame overall 18-1/2" x 15-1/4". Signed and titled verso two labels with calligraphy attached to the back.
• GENE KLOSS (NM/CA, 1903-1996)
  GENE KLOSS (NM/CA, 1903-1996) "Shadows of the Evening", etching on paper, pencil signed, titled and numbered 39/50, depicting a Califonia valley farm, in silver and black molded frame, matted under glass, OS: 19" x 21", impresssion: 11" x 13 3/4".
• BLACK VELVET EVENING SHAWL with
  BLACK VELVET EVENING SHAWL with ruffles.
• RON HOEKSEMA, EVENING AURARon
  RON HOEKSEMA, EVENING AURARon Hoeksema, (20th Century) Evening Aura, serigraph, edition 16 of 115 titled in pastel lower left: Evening Aura editioned in pastel lower center: 16/115 signed in pastel lower right: R. Hoeksema serigraph, edition 16 of 115 Dimensions: 19 1/2 x 28 5/8 in. (49.53 x 72.71 cm.) Provenance: Private Collection, Colorado
• ? JOHN ATKINSON GRIMSHAW (BRITISH
  ? JOHN ATKINSON GRIMSHAW (BRITISH 1836-1893) EVENING IN KNOSTROP Signed and dated 1881, oil on board34cm x 44cm (13.5in x 17.25in)Provenance: Thos Agnew & Sons Ltd, London, No.28603John Atkinson Grimshaw’s innovation was to apply Ruskin’s tenet of ‘truth-to-nature’ to scenes of Britain’s burgeoning industrial centres. Owing to his sensitive portrayal of the atmosphere and ‘feeling’ of urban life, he has been considered the artistic equivalent of the great Victorian novelists Charles Dickens and Elizabeth Gaskell. Lyon & Turnbull are delighted to be offering two paintings by one of the most accomplished British artists of the nineteenth century.Atkinson Grimshaw was born in Leeds in 1836. By 1860 he had left his position as a Northern Railway clerk to become a full-time painter, much to his parents’ dismay. His early artworks were generally landscapes and still lifes of fruit, flowers and birds rendered with a detailed intensity inspired by the Pre-Raphaelites. He also worked from photography, a relatively new medium, and is believed to have implemented camera obscura projections onto his canvases to refine his compositions.His career breakthrough came in 1867 when a painting of Whitby harbour at night was received to great acclaim. The urban nocturne dominated Atkinson Grimshaw’s output forthwith, as he pursued ever-more subtle and complex ways to illuminate his compositions. Contemporary urban audiences identified with his nighttime streetscapes lit by gas lamps, which effectively evoked the dynamism and isolation of the industrialised town.Atkinson Grimshaw travelled to various towns and harbours to study their architecture and imbibe their atmosphere. The locales he most frequently painted (Glasgow, Leeds, Liverpool, Whitby, Scarborough and London) reflect the distribution of his market. In the mid-nineteenth century innovative contemporary art was generally patronised by wealthy industrialists in the north of England and Scotland. Such was the case with the Pre-Raphaelites, whose aesthetic initially proved too challenging for traditional London tastes but flourished in northern industrial centres. Atkinson Grimshaw’s market developed along similar lines, and it was not until the 1870s that London collectors began to invest in his work in earnest.By 1870 he was successful enough to rent Knostrop Hall, a seventeenth-century mansion represented in Evening in Knostrop. The Hall was built for Adam Baynes (1622-1671), the first Member of Parliament for Leeds, and its Jacobean architecture would prove an enduring inspiration which Atkinson Grimshaw would continue to paint for the rest of his life. Evening in Knostrop depicts a solitary, fashionably-dressed figure waiting at the gate to the house. The shadowy landscape under the pale sky successfully evokes the ambience of Knostrop’s grounds in twilight.Between 1885 and 1887 Atkinson Grimshaw lived in Chelsea, London near the studio of the American artist James McNeill Whistler. The pair became good friends and bonded over their shared interest in painting city living, although Whistler implemented a more impressionistic technique. Whistler would later comment ‘I thought I had invented the nocturne, until I saw Grimmy’s moonlights’.
• WINSTON ROETH "EVENING" PIGMENT
  WINSTON ROETH "EVENING" PIGMENT ON PAPER, 1985 Winston Roeth (American, b. 1945) "Evening" pigment painting on paper, 1985, consisting of three horizontal chromatic bands in red, green, and blue, signed and dated lower left, titled lower right. Image: 30" H x 44" W; frame: 34" H x 48.5" W.
• CARL J. SMITH (AMERICAN B. 1928)
  CARL J. SMITH (AMERICAN B. 1928) A PAINTING, "THE EVENI...CARL J. SMITH (American b. 1928) A PAINTING, "The Evening Stage," oil on canvas, signed L/R, verso titled on tape on stretcher and a paper gallery label. 11" x 14" Provenance: Country Store Gallery, Austin, Texas. Private Collection, Washington State. Condition: Minor dust debris within corners, mild expected surface wear but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• J H Boel, 19th / 20th c - In the
  J H Boel, 19th / 20th c - In the Highlands - Morning; Evening, a pair, both signed and dated 1899, oil on canvas, 19 x 39.5cm (2) More Information Evening - torn
• THREE BRIGHT PINK EVENING DRESSES .
  THREE BRIGHT PINK EVENING DRESSES .
• Philip Joseph (American
  Philip Joseph (American Contemporary) "Evening Shadows". Oil on canvas signed in the lower left corner framed the canvas size apprx. 23-1/2" x 29-1/2" and with the framing overall apprx. 23" x 34-3/4".
• ED NUNNERY: "EVENING RAIN"1988; oil
  ED NUNNERY: "EVENING RAIN"1988; oil on canvas; unsigned; titled and dated to gallery label; Provenance: Ovsey Gallery, Los Angeles label verso; 66 x 96 inches; 76 x 106 inches frame Condition:
• THREE ASSORTED EVENING BAGSThree
  THREE ASSORTED EVENING BAGSThree Assorted Evening Bags,
• Charles Knight (1901-1990)
  Charles Knight (1901-1990) watercolour Evening after the rain Wharfdale signed Chris Beetles label verso 10 x 14in. Estimate ?400-600 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?600
• FRANK WILLIAM CUPRIEN: "EVENING
  FRANK WILLIAM CUPRIEN: "EVENING SHADOWS, LA JOLLA"oil on canvas signed lower left 24 x 28 inches Condition:
• GRANVILLE REDMOND (1871 - 1935): "A
  GRANVILLE REDMOND (1871 - 1935): "A HAZY EVENING"1918; oil on board; signed lower right; signed again, titled and dated verso; Provenance: partial Redmond label verso; 7 x 10 inches; 10 x 12 3/4 inches frame Condition:
• J. GORA (LATE 19TH CENTURY),
  J. GORA (LATE 19TH CENTURY), EVENING ENTERTAINMENT, OIL ON BOARD, FRAME: 22 X 28 INJ. Gora (Late 19th Century), Evening Entertainment, Oil on Board, Frame: 22 x 28 in