A few examples of appraisal values for
EVENING GROSBEAK

• PAIR OF A.J. KING MINIATURE EVENING
  PAIR OF A.J. KING MINIATURE EVENING GROSBEAKS NORTH SCITUATE, RHODE ISLAND, 1881-1963 HEIGHT 4". BASE 2.5" X 2.5".PAIR OF A.J. KING MINIATURE EVENING GROSBEAKS, North Scituate, Rhode Island, 1881-1963, Perched together on a branch. Octagonal wooden base. Signed in white ink on side of base "A.J. King". Typewritten label on underside "Evening Grosbeak". Dimensions: Height 4". Base 2.5" x 2.5". Provenance: The Collection of Bob & Nancy Skinner.
• JOHN JAMES AUDUBON (AMERICAN,
  JOHN JAMES AUDUBON (AMERICAN, 1785-1851)John James Audubon (American, 1785-1851) , "Evening Grosbeak, Spotted Grosbeak", Plate 373, hand-colored aquatint with engraving, from The Birds of America, Havell edition, "J. Whatman 1837" watermark, sheet 35 in. x 24 in., framed . Provenance: Estates of George and Mary Beth Thomson, Franklin, LA
• John James Audubon (American
  John James Audubon (American 1785-1851) "Pine Grosbeak " Plate CCCLVIII #358 from Birds of America hand-colored aquatint engraving Havell edition sheet size 38 in. x 25 in.
• John James Audubon (American
  John James Audubon (American 1785-1851) "Rose-Breasted Grosbeak" Plate 127 hand-colored engraving with aquatint from Birds of America Havell edition sheet 38 1/2 in. x 26 1/2 in. attractively float-mounted and framed.
• After Mark Catesby (British,
  After Mark Catesby (British, 1683-1749) Three hand-colored etchings: The Purple Grosbeak and Poison Wood, The Blue Grosbeak and Sweet Flowering Bay, The Goldcrest Wren and Stewartia, by Johann Michael Seligmann (1720-1762), from [Sammlung verschiedener Ausl?ndischer und seltener vogel,] Nuremburg, 1749-1773, on laid paper, 14-7/8 x 8-3/4 in. (plate), 16 x 10 in. (page); gilt wood frames,
• LIFE-SIZE BLUE GROSBEAKFrank S.
  LIFE-SIZE BLUE GROSBEAKFrank S. Finney (b. 1947) Capeville, VA, c. 2020 6 in. long A grosbeak carving signed with the maker's incised "F" on the bottom of the base. Original paint with light wear.
• JOHN JAMES AUDUBON(New York,
  JOHN JAMES AUDUBON(New York, 1785-1851) Blue Grosbeak, Pl. 204 from The Birds of America, London, 1858-1860, Bien edition, chromolithograph on wove paper, 39-1/8 x 25-7/8 in.; unframed, matted Provenance: Collection of Bill Steiner Condition: lined with support fabric, strong color, some toning and small points of foxing, hinged in at top, faint smudging in margins
• After John James Audubon (New York,
  After John James Audubon (New York, 1785-1851) "Purple Grakle [sic] or Common Crow Blackbird", plate 221, from The Birds of America, J. Bien, New York, 1860, chromolithograph on wove paper, 38 x 25-3/4 in. (page); wood frame,
• MARK CATESBY ENGRAVING THE BLEW
  MARK CATESBY ENGRAVING THE BLEW GROSBEAKMark Catesby (England, 1683-1749). Hand colored ornithological engraving The Blew Grosbeak, plate 39 from Natural History of Carolina, Florida and the Bahama Islands, third edition. Sight size 15 3/4" x 11" (with frame 24 1/4" x 19"). Some foxing above bird and along right side.
• * (AUDUBON JOHN JAMES after) HAVELL
  * (AUDUBON JOHN JAMES after) HAVELL ROBERT Pine Grossbeak. Pyrrhula Enucleator. Plate CCCLVIII no. 72 from The Birds of America 1836. Engraving with etching aquatint and hand-coloring on J. Whatman paper watermark 1837. Evenly toned; mat burn; framed. 31 3/4 x 19 1/4 inches.
• Beswick Small Birds Whitethroat
  Beswick Small Birds Whitethroat 2106 (beak open (restuck) Greenfinch 2105 and Grey Wagtail (all first version (3)
• Boehm bird group: male indigo
  Boehm bird group: male indigo bunting with morning glories, black printed mark with feather and white horse head, circa 1970, 10 in.
• Two Audubon Royal Octavo prints:
  Two Audubon Royal Octavo prints: Plate 204, "Blue Long Grosbeak" and Plate 205, "Rose-breasted Grosbeak", both first edition, 1841, both marked in plate "Drawn from Nature by J. J. Audubon.FRSFLS" and "Lithd.Printed & Cold. By J. T. Bowen.Phil.", after John James Audubon, New York, 1785-1851, hand-colored lithographs, accompanied by texts and certificates, 6-1/2 x 10 in.; modern gilt wood frames. Light toning and foxing, hinged in, not examined out of frames; frames with abrasions.
• DIANE PIERCE GOUACHEDiane Pierce
  DIANE PIERCE GOUACHEDiane Pierce (American 1939- )- Rose Breasted Grosbeak Male and Female On A Branch- gouache on paper, 1971, signed Diane Pierce 1971 lower right, very good condition. 14 1/2 x 11''
• After John James Audubon (New York,
  After John James Audubon (New York, 1785-1851), Purple Grakle [sic] or Common Crow Blackbird, Plate 221," chromolithograph on wove paper, from The Birds of America, New York, John James Audubon, 1860, lithography by Julius Bien, double elephant folio edition, 39-1/4 x 26-3/4 in. (page), modern gilt wood frame,
• Joseph Rusling Meeker
  Joseph Rusling Meeker (American/Louisiana 1827-1889) "Great Horned Owl and Fledgling at Dusk" 1882 oil on canvas signed and dated lower left 21 in. x 17 3/4 in. later frame. Note: Joseph Rusling Meeker is famed for his atmospheric views of Louisiana's swamps and bayous. On a few rare occasions in his work he has placed a large exquisitely rendered bird such as an eagle or an egret prominently in the composition. In the work offered here a great horned owl and its fledgling stare intently at the viewer in the right foreground while the sun sets in the distance over a bayou landscape. The great horned owl is believed to be a symbol of divine wisdom by the Creek Indians. A very fierce bird the great horned owl will vigorously defend its nest and territory and has the reputation of being the only owl that has ever killed a man. During this period of westward expansion in the United States these attributes and themes would have resonated within American politics and society.
• Gould & Richter parrot print,
  Gould & Richter parrot print, Geopsittacus Occidentalis , night parrots, published by Gould & Richter, hand-colored lithograph, 13-1/4 x 21-1/4 in.; black-painted frame. Toning, foxing, water damage to side; frame with abrasions. North Carolina Private Collection
• * (ORNITHOLOGY ENGLISH) GOULD
  * (ORNITHOLOGY ENGLISH) GOULD JOHN A group of three lithographs with hand-coloring including two heightened with gum arabic from The Birds of Great Britain (London 1862-1873) comprising Mealy Redpole Asiatic Nuthatch and Cypselus Apus (The Common Swift). Size of largest 22 x 15 inches.
• Bien edition Audubon print, Plate
  Bien edition Audubon print, Plate 389, "Crested Grebe", after John James Audubon, New York, 1785-1851, chromolithograph by J. Bien, New York, 1860, image 19-1/8 x 28-5/8 in., page 26-1/4 x 37-1/2 in.; 19th century stained wood frame. Hinged at top, losses at all edges (chipping and small tears), toning, 7 in. tear lower right, 4-3/8 in. tear upper right, 9-3/8 in. tear lower left, cellophane tape on backs of tears, pencil marks in margin; frame with abrasions. Estate of Leon T. Norman, Jr., Hope Good, Georgia.
• Boehm Black Headed Grosbeak
  Boehm Black Headed Grosbeak marked on underside: #400-03. H10 1/2'' W13'' Provenance: Clanton Alabama private collection. Appears to be in good original condition we don’t see evidence of repairs restoration or breaks however it is difficult to examine these fragile objects.
• Two Boehm Porcelain Birds
  Two Boehm Porcelain Birds comprising Baby Blue Jay and Yellow Throated Warbler together with an associated Nightingale. Height of tallest 9 1/2 inches.
• Attributed to Francis Swaine
  Attributed to Francis Swaine (English, 1725-1782) The Evening Gun oil on copper unsigned 7 x 9 1/8 inches.
• Boehm bird figurine, blue
  Boehm bird figurine, blue grosbeak with oak leaves and acorns, limited edition of 750 issued in 1967, cartouche shaped printed mark with tassels and black horse head, circa 1967, 11-1/4 in. One leaf off but present.
• Gary Kapp (American, b. 1942)
  Gary Kapp (American, b. 1942) Evening Sing oil on canvas signed Gary Kapp (lower left) 30 x 40 inches Property from the Collection of Robert P. Hunter, Jr. and Barbara Hunter, Alpharetta, Georgia
• JESSE PATRICK ALLEN (AMERICAN B.
  JESSE PATRICK ALLEN (AMERICAN B. 1936), 'BIRDS FLOCKING: EVENING', COLOR LITHOGRAPH, NUMBERED 8/200, FRAME: 32 1/2 X 25 1/4 IN. (82.55 X 64.14 CM.)Jesse Patrick Allen (American b. 1936), 'Birds Flocking: Evening', Color Lithograph, Numbered 8/200,, Dimensions: Frame: 32 1/2 x 25 1/4 in. (82.55 x 64.14 cm.)
• DON BALKE (B. 1933) "OWL AND
  DON BALKE (B. 1933) "OWL AND GROSBEAK" W/CDon Balke (North Carolina, B. 1933) "Owl and Grosbeak" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 25c Owl and 25c Grosbeak Booklet Pair issue of May 28, 1988. Deep in America's forests, and high in her treetops, there is a world of wildlife -- birds with splendid songs, rich coloring and fascinating habits. They add greatly to America's riches and bring light to her natural beauty. Precious among them are the saw-whet owl and the rose-breasted grosbeak. The saw-whet owl is a tiny bird with nocturnal ways, with a call that sounds like a saw, and a mellow whistle to use at mating time. The rose-breasted grosbeak is a finch whose song brings joy to the heart. With a streak of rosy color to match his happy melody, this lovely bird is seen in the spring as he helps his mate build a nest. Image Size: 13 x 10.75 in. Overall Size: 22 x 19.75 in. Unframed. (B11653) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Two decorative coloured reprints
  Two decorative coloured reprints after Gould & H C Ritcher. Nectarinia Gouldle (Mrs Goulds Sun Bird) Trogon Ambiguus (Doubtful Trogon) approx 40 cm x 29 cm (2)
• BOEHM PORCELAIN BLUE GROSBEAK,
  BOEHM PORCELAIN BLUE GROSBEAK, HEIGHT: 11-1/4 INBoehm Porcelain Blue Grosbeak, Height: 11-1/4 in
• Charles Knight (1901-1990)
  Charles Knight (1901-1990) watercolour Evening after the rain Wharfdale signed Chris Beetles label verso 10 x 14in. Estimate ?400-600 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?600
• Audubon chromolithograph, "Purple
  Audubon chromolithograph, "Purple Grackle or Common Crow Blackbird", printed by J. Bien, New York, 1858, after John James Audubon, American, 1785-1851, signed in plate lower left "Drawn from nature by J.J. Audubon, F.R.S. F.L.S.", chromolithograph with some hand tinting on wove paper, plate 26-3/4 x 19-1/2 in., page 36 x 26-3/4 in.; gilt wood frame. Pin holes, possible registration marks, toning, fading; frame with abrasions.
• BIRD PRINT BY J. GOULD AND H.C.
  BIRD PRINT BY J. GOULD AND H.C. RICHTER. Handcolored engraving on paper. Large folio of yellow songbirds Parus Major. 29''h. 21''w.
• TWO BOEHM PORCELAIN BIRD
  TWO BOEHM PORCELAIN BIRD GROUPSDepicting a Western Meadowlark and a Black Headed Grossbeak. Heights 13 in., 9.75 in., respectively. (Cond: meadowlark with chips to beak)
• Boehm Blue Grosbeak marked on
  Boehm Blue Grosbeak marked on underside: #489. H11 1/2'' W9'' D7'' Provenance: Clanton Alabama private collection. Appears to be in good original condition we don’t see evidence of repairs restoration or breaks however it is difficult to examine these fragile objects.
• After John James Audubon
  After John James Audubon (American 1785-1851) "Willow Grouse or Large Ptarmigan" No. 39 Plate CXCI hand-colored engraving Havell edition from Birds of America the elephant folio paper watermarked "J. Whatman/ 1834" sheet size 25 in. x 37 3/4 in framed. Provenance: The Grove Tallahassee FL.
• Gould and Richter (British, 19th
  Gould and Richter (British, 19th Century) "Songbirds", pair of original hand-colored lithographs depicting Myceros Carnipes and Coccothraustes Icterioides, sight 20" x 14", legend lower margin, printed by Hullmandel. Glazed, French matted and presented in ebonized frames with gilt beaded liners.
• FRED BEAVER. "EVENING SONG,"
  FRED BEAVER. "EVENING SONG," GOUACHE ON BOARD Signed and dated lr, titled on verso, 4 3/4 x 9 3/4 in., framed.