A few examples of appraisal values for
EVENING SHADOWS

• Philip Joseph (American
  Philip Joseph (American Contemporary) "Evening Shadows". Oil on canvas signed in the lower left corner framed the canvas size apprx. 23-1/2" x 29-1/2" and with the framing overall apprx. 23" x 34-3/4".
• FRANK WILLIAM CUPRIEN: "EVENING
  FRANK WILLIAM CUPRIEN: "EVENING SHADOWS, LA JOLLA"oil on canvas signed lower left 24 x 28 inches Condition:
• Morris Graves (1910-2001
  Morris Graves (1910-2001 Washington) ''Evening Light'' 1993 Lithograph in Colors 26''x44.5'' Image. An impressive large still life composition with his signature mystic glowing flowers. Pencil signed and numbered 32 of 120 edition lower margin. Gallery framing 35''x53''. Excellent condition with strong colors.
• Harold Altman 'Afternoon Shadows'
  Harold Altman 'Afternoon Shadows' S/N Lithograph Framed- 27x36''
• JOSEPH ELIOT ENNEKING, (AMERICAN,
  JOSEPH ELIOT ENNEKING, (AMERICAN, 1881-1942), AFTERNOON SHADOWS, OIL ON BOARD, 8 X 10 IN., FRAME: 9 1/4 X 11 1/4 IN.JOSEPH ELIOT ENNEKING (American, 1881-1942) Afternoon Shadows oil on board signed J. Eliot Enneking lower right; inscribed and titled verso 8 x 10 in., frame: 9 1/4 x 11 1/4 in. oil on board Dimensions: 8 x 10 in., frame: 9 1/4 x 11 1/4 in. Provenance: Exhibitions: Gloucester Society of Artists, 1931, First Exibition, Little Picture Exhibit (label verso). Other Notes: Inscribed verso Afternoon Shadows / To my good friend George Rand, from old man sunshine himself, J. Eliot Enneking Condition:
• GENE KLOSS (NM/CA, 1903-1996)
  GENE KLOSS (NM/CA, 1903-1996) "Shadows of the Evening", etching on paper, pencil signed, titled and numbered 39/50, depicting a Califonia valley farm, in silver and black molded frame, matted under glass, OS: 19" x 21", impresssion: 11" x 13 3/4".
• FRED MACNEILL (AMERICAN, 20TH /21ST
  FRED MACNEILL (AMERICAN, 20TH /21ST C.), "MORNING SHADOWS", OIL ON PANEL, DEPICTS FLOWERING SHRUBS ON A CLIFF OVERLOOKING A BEACH AT...Fred MacNeill (American, 20th /21st C.), "Morning Shadows", oil on panel, depicts flowering shrubs on a cliff overlooking a beach at low tide, signed lower left, gilt wood frame, paper label verso, wear consistent with age, some dings in frame, not examined out of frame, ss: 29 1/2" h. x 29 1/2" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• ROBERT KIPNISS (AMERICAN, B. 1931),
  ROBERT KIPNISS (AMERICAN, B. 1931), "AFTERNOON SHADOWS", 1979, UNFRAMED LITHOGRAPH, DEPICTS STRONGLY SHADED LANDSCAPE WITH SOLITARY TREE IN BRIGHT LIGHT IN MID-GROUND, SIGNED AND NUMBERED IN GRAPHITE IN LOWER MARGIN, ...Robert Kipniss (American, b. 1931), "Afternoon Shadows", 1979, unframed lithograph, depicts strongly shaded landscape with solitary tree in bright light in mid-ground, signed and numbered in graphite in lower margin, no.105/250, hinged at top to folded mat, wear consistent with age including waving of paper, light even toning, front of mat detached from back of mat, etc., paper size approximately: 17" h. x 13" w. [PROVENANCE: Copy of document with edition details available to successful bidder.]
• Leonard C. Lane (American
  Leonard C. Lane (American 1910-1978) Splendor of Evening Tide oil on canvas signed Leonard C. Lane (lower left) 25 1/4 x 35 3/4 inches.
• DAVID CHAPPLE (B. 1947): "AFTERNOON
  DAVID CHAPPLE (B. 1947): "AFTERNOON SHADOWS"oil on board, signed lower left 12 x 16 inches; 18 1/2 x 22 3/4 inches framed Condition:
• Attributed to Francis Swaine
  Attributed to Francis Swaine (English, 1725-1782) The Evening Gun oil on copper unsigned 7 x 9 1/8 inches.
• Jean Coval Garro (American,
  Jean Coval Garro (American, b.1922), "Afternoon Shadows"; oil on canvas; 15 1/2" x 19 1/2"; signed lower right. Jean Garro, lifelong Indiana resident, studied with Elmer Taflinger, Lois Sinnett, Francis Brown, and others. The prize winning artist has exhibited at numerous shows and salons. Her works hang in a number of prominent private and corporate collections.
• STEPHEN LYMAN COLOR LITHOGRAPH
  STEPHEN LYMAN COLOR LITHOGRAPH (American 1957-1996) titled ''Evening Light'' 18'' by 41''. Signed in ink Stephen Lyman 1218/2500 lower right. Unframed in original folio.
• SHAY RIEGER (AMERICAN 1923 - 2015),
  SHAY RIEGER (AMERICAN 1923 - 2015), EVENING SONG, OIL ON CANVAS, IMAGE SIZE: 16 X 20 IN. (40.64 X 50.80 CM.), FRAME: 16 3/4 X 20 3/4 IN. (42.55 X 52.71 CM.)Shay Rieger (American 1923 - 2015), Evening Song, Oil on Canvas,, Dimensions: Image Size: 16 x 20 in. (40.64 x 50.80 cm.), Frame: 16 3/4 x 20 3/4 in. (42.55 x 52.71 cm.)
• CINDY BARON, "EVENING SHOW" OIL
  CINDY BARON, "EVENING SHOW" OIL ON CANVAS BOARD Cindy Baron (American, active 20th-21st century), "Evening Show," late 20th-early 21st century, oil on canvas board depicting the sky above an ocean and waves coming on to a sandy beach, signed at lower right, attribution and title located en verso, framed. Approx. sight h. 9.5", w. 19.5"; overall h. 15.5", w. 26", d. 2.25".
• Paul Shively (American 1897-1987)
  Paul Shively (American 1897-1987) "Spring Evening". Oil on canvas board signed in the lower left apprx. 10" x 14" framed in a narrow carved wood frame overall apprx. 11-1/2" x 15-1/2". Titled verso.
• CHARLES MORGAN MCILENNEY,
  CHARLES MORGAN MCILENNEY, (1858-1904), "THE SHADOWS OF TWILIGHT FALL SILENT AND GRAY," CIRCA 1889, OIL ON CANVAS, 16.25" H X 20.25" WCharles Morgan McIlenney, (1858-1904) "The Shadows of Twilight Fall Silent and Gray," circa 1889 Oil on canvas Signed lower right: C. Morgan McIlhenney 16.25" H x 20.25" W Provenance: Property of William M. Bunn Private Collection, Los Angeles, CA Oil on canvas Dimensions: 16.25" H x 20.25" W Provenance: Property of William M. Bunn Private Collection, Los Angeles, CA
• Artist Unknown Evening Stroll oil
  Artist Unknown Evening Stroll oil on board 31 1/2 x 23 1/4 inches.
• David Ballew (American b. 1955)
  David Ballew (American b. 1955) "Hazy Evening". Oil on linen mounted to masonite support signed and with the artist's monogram at the lower right corner framed in a wide brightly gilt frame overall 18-1/2" x 15-1/4". Signed and titled verso two labels with calligraphy attached to the back.
• CARL J. SMITH (AMERICAN B. 1928)
  CARL J. SMITH (AMERICAN B. 1928) A PAINTING, "THE EVENI...CARL J. SMITH (American b. 1928) A PAINTING, "The Evening Stage," oil on canvas, signed L/R, verso titled on tape on stretcher and a paper gallery label. 11" x 14" Provenance: Country Store Gallery, Austin, Texas. Private Collection, Washington State. Condition: Minor dust debris within corners, mild expected surface wear but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• KARL JULIUS HEINRICH YENS
  KARL JULIUS HEINRICH YENS (CALIFORNIA/GERMANY, 1868-1945), "EVENING SHADOW. LAGUNA BEACH, 1924"., WATERCOLOR ON PAPER, 9.75" X 7.5". FRAMED 14" X 11.5".KARL JULIUS HEINRICH YENS, California/Germany, 1868-1945, "Evening Shadow. Laguna Beach, 1924". Signed lower left "Karl Yens". Titled on mat. Dimensions: Watercolor on paper, 9.75" x 7.5". Framed 14" x 11.5".
• ''Desert Twilight'' cowboys and
  ''Desert Twilight'' cowboys and mules in the desert at sunset oil on canvas laid to canvas. 18'' H x 24'' W.
• ''Evening on the Yangtze''
  ''Evening on the Yangtze'' watercolor and gouache on paper under glass. sight size: 15'' H x 22'' W.
• ELIZABETH BORGLUM, "EVENING
  ELIZABETH BORGLUM, "EVENING STORM" O/C LANDSCAPE Elizabeth Janes Putnam Borglum (American 1848-1922), "Edge of the Mountains" or "Evening Storm" or "Sunset, Sycamore Mountains", late 19th/early 20th century, oil on canvas depicting a dark landscape with a mountain in the distance, signed at lower right, gallery tag from Maxwell Galleries Fine Paintings located en verso, framed. Provenance: Private Collection, Clarendon, TX; acquired at Coeur d'Alene Galleries March in Montana Auction, 2019; Maxwell Galleries Fine Paintings, San Francisco, CA. Note: Elizabeth Borglum was married to Gutzon Borglum, best known for his stone portrait carvings on Mount Rushmore, from 1889-1908. Elizabeth studied with Emil Carlsen, Felix Hidalgo, and J. Foxcroft Cole. Approx. h. 16", w. 20"; overall h. 23", w. 26.75", d. 1.5".
• Joseph Henry Sharp (New
  Joseph Henry Sharp (New Mexico/Ohio, 1859-1953) Evening in Blackfoot Country, unsigned, oil on canvas, 12 x 18 in.; modern gilt wood frame,
• BIRGER SANDZEN "TOWARD EVENING"
  BIRGER SANDZEN "TOWARD EVENING" (1942 LINOCUT)Birger Sandzen (Swedish-American, 1871-1954) Toward Evening , 1942 Linocut on paper 9" x 12" Pencil-signed and titled to the bottom margin. Presented behind glass in a frame that measures 16 1/4" x 20 1/4". Literature : Charles Pelham Greenough, The Graphic Work of Birger Sandzen , Birger Sandzen Memorial Foundation, 2001, B-88. Condition The sheet has several linear abrasions (scraped but not torn) that run vertically: two at the top of the image, one at the bottom, and one to the right. Even overall toning.
• MIGUEL OSUNA , "EVENING WAITS ALL
  MIGUEL OSUNA , "EVENING WAITS ALL DAY"MIGUEL OSUNA, "Evening Waits All Day", Oil on canvas Oil on canvas Dimensions: 30" H x 30" W Provenance: Donated by the artist
• PETER POSKAS (AMERICAN 1939-)
  PETER POSKAS (AMERICAN 1939-) JOHNSON'S FARM SHADOWS EDGE INTO EVENING 1986 Oil on canvas: 29 x 60 in. Framed; lower right signed: Poskas; verso; label Sherry French 41 W 57 NYC and Walsh Art Gallery Provenance: Private Collection Connecticut
• SHINN, Everett, (American, 1876 -
  SHINN, Everett, (American, 1876 - 1953): NYC Nocturnal Street Scene, Pastel, 11'' x 7'', signed lower right, dated '35, framed, 19'' x 15''.
• Emil Eugen Holzhauer
  Emil Eugen Holzhauer (American/Georgia 1887-1986) "Morning Shadows Macon Georgia" 1950 oil on masonite signed and dated en verso 21 7/8 in. x 33 7/8 in. framed.
• DAVID CHAPPLE (B. 1947):
  DAVID CHAPPLE (B. 1947): AFTERNOON SHADOWSDavid Chapple, B. 1947 Afternoon Shadows, oil on canvasboard signed lower right, titled verso oil on canvasboard Dimensions: 11 x 14 in. (27.9 x 35.6 cm.), Frame: 16 3/4 x 19 3/4 in. (42.5 x 50.2 cm.) Condition:
• "EVENING TIME" BY WILLIAM H.
  "EVENING TIME" BY WILLIAM H. WEST. Pennsylvania (1881-1975). Acrylic on artist board, signed and dated 1968. Labeled on the back. River with buildings and holly wreath. Board has warp. 18"h. 24"w., framed, 19"h. 24.75"w.
• EUGENE HIGGINS (1874-1958): "TOWARD
  EUGENE HIGGINS (1874-1958): "TOWARD EVENING" Oil on canvas signed and dated '46 lower left; 29 x 22 in.
• JOHN CHARLES TERELAK
  JOHN CHARLES TERELAK (MASSACHUSETTS, B. 1942), "EVENING INTO NIGHT"., OIL ON CANVAS, 20" X 30". FRAMED 26" X 36".JOHN CHARLES TERELAK, Massachusetts, b. 1942, "Evening into Night". Signed and dated lower left "J.C. Terelak 80". Titled verso. Dimensions: Oil on canvas, 20" x 30". Framed 26" x 36".
• TOM MOSTYN (1864-1930): EVENING
  TOM MOSTYN (1864-1930): EVENING ON THE TERRACE Oil on canvas 20 x 27 in. signed lower right. Provenance: From the collection of Mr. Gordon Getty San Francisco CA.
• TOM KENNETH ENMAN (1928 - 2012):
  TOM KENNETH ENMAN (1928 - 2012): EVENING LIGHTTom Kenneth Enman (1928 - 2012): Evening Light, oil on canvas; 1978; signed and dated lower right, signed and dated again and titled verso Dimensions: Sight: 11 3/8 x 15 3/8 in. (28.9 x 39.1 cm.), Frame: 17 1/8 x 21 in. (43.5 x 53.3 cm.) Condition: