A few examples of appraisal values for
FAIRCHILD

• PRINT, DOUGLAS FAIRCHILD Douglas
  PRINT, DOUGLAS FAIRCHILD Douglas Fairchild (American, 20th century), "The Violet Penstermyn (1988)," 1994, transfer print laid down on board, signed in plate, signed verso with artist label, overall (with frame): 25"h x 29.5"w
• WATERCOLOR, DOUGLAS FAIRCHILD
  WATERCOLOR, DOUGLAS FAIRCHILD Douglas Fairchild (American, 20th century), "Mountain Spring near Carson's Pass," 1986, watercolor on paper, signed and dated lower right, inscribed verso, sight: 28.5"h x 21"w, overall (with frame): 36.5"h x 28.5"w
• WATERCCOLOR, DOUGLAS FAIRCHILD
  WATERCCOLOR, DOUGLAS FAIRCHILD Douglas Fairchild (American, 20th century), "Zinnias and Violet Flowers," 1986, watercolor on paper, signed and dated lower right, sight: 21.5"h x 29"w, overall (with frame): 30.5"h x 36"w
• PAINTING, DOUGLAS FAIRCHILD Douglas
  PAINTING, DOUGLAS FAIRCHILD Douglas Fairchild (American, 20th century), "Swift Water in Pearvine Creek," acrylic on canvas, signed and dated lower right, inscribed verso, canvas: 24"h x 32"w, overall (with frame): 28.75"h x 37"w
• Fairfield Porter (American
  Fairfield Porter (American 1907-1975) oil on canvas titled White Lilacs 1964 signed upper right labeled verso Gross McCleaf... ?
• LARGE ROY FAIRCHILD WOODARD "ONLY
  LARGE ROY FAIRCHILD WOODARD "ONLY THE STARS" 1997 Roy Fairchild Woodard (American, born 1953). "Only the Stars" -1997, serigraph. Pencil signed lower right and numbered 16 of 385, framed.
• ROY FAIRCHILD-WOODARD, 'BRIGHT
  ROY FAIRCHILD-WOODARD, 'BRIGHT COLORS', GICLEE, UNFRAMED: 24-7/8 X 18-3/4 INRoy Fairchild-Woodard, 'Bright Colors', Giclee, Unframed: 24-7/8 x 18-3/4 in
• ROY FAIRCHILD (BRITISH, B. 1953)
  ROY FAIRCHILD (BRITISH, B. 1953) 37" x 28" "Cafe Cresp". Color serigraph on paper, signed in pencil lower right, numbered 45/350 lower right, titled in pencil center, double matted and framed, overall
• Fairfield Porter (American
  Fairfield Porter (American 1907-1975) watercolor landscape with rooftops signed lower left 8" x 9". ?
• Rufus Fairchild Zogbaum (American
  Rufus Fairchild Zogbaum (American 1849-1925) Fresh Shot color lithograph 12 x 18 inches.
• ROY FAIRCHILD-WOODWARD (UNITED
  ROY FAIRCHILD-WOODWARD (UNITED KINGDOM, B. 1953), “HARLEQUIN”., LIMITED EDITION SERIGRAPH, 34.5” X 25.5”. FRAMED 45.5” X 35.5”.ROY FAIRCHILD-WOODWARD, United Kingdom, b. 1953, "Harlequin". Signed in pencil lower right "Fairchild". Numbered 336/385 lower left. Titled lower center. Dimensions: Limited edition serigraph, 34.5" x 25.5". Framed 45.5" x 35.5".
• HURLSTONE FAIRCHILD(1893-1966)
  HURLSTONE FAIRCHILD(1893-1966) Castle Cliffs, Arizona, 1951, signed lower right "Hurlstone Fairchild '51" oil on canvas, 25 x 30 in.; possibly original period carved wood frame, 33-1/4 x 38-1/4 in. Provenance: Gallery of Southwestern Art, Tucson, Arizona, label verso; Private Collection Condition: small area of paint loss at cloud upper center; frame with wear
• PAINTING, DOUGLAS FAIRCHILD Douglas
  PAINTING, DOUGLAS FAIRCHILD Douglas Fairchild (American, 20th century), "Breakfast on the Outskirts of Town," 1990, gouache on board, initialed and dated lower right and signed and titled verso, overall (with frame): 14.75"h x 16.75"w
• HURLSTONE FAIRCHILD(American,
  HURLSTONE FAIRCHILD(American, 1893-1966) Arizona Desert, signed lower right "Hurlstone Fairchild", oil on canvas, 25-1/4 x 30 in.; possibly original period carved wood frame, 32-3/4 x 37-3/4 in. Provenance: Private Collection Condition: surface dirt layer, uneven varnish; frame with wear at corners and edges
• ATTRIBUTED TO MARY FAIRCHILD LOW
  ATTRIBUTED TO MARY FAIRCHILD LOW (AMERICAN)Attributed to Mary Fairchild Low (American/Connecticut, 1858-1946), "Portrait of a Young Lady", oil on canvas, unsigned, 24 1/4 in. x 18 1/4 in., framed, overall 30 1/4 in. x 24 1/2 in. x 3 in. Condition: Overall fair condition.
• Mary Louise Fairchild Low
  Mary Louise Fairchild Low (1858-1946) oil on canvas, of a young boy dressed in white, seated on dresser with mirror behind, signed lower right, Mary Fairchild Low 1928. Canvas 36” x 26” Overall in a period frame 40” x 30” Condition: estate as found, original dry surface, frame with some loss (see photos) CT Transfer Fee $20
• Artist Unknown TOWN OF FAIRFIELD
  Artist Unknown TOWN OF FAIRFIELD Hand-colored lithograph Estimate:$50-$75
• Fairfield Porter (American
  Fairfield Porter (American 1907-1975) color lithograph ''South Meadow'' edition 58/75 pastel palette shore scene and blind stamp ''BSA'' LR matted simple gilt and black frame ss: 22'' h. x 31 1/2'' w. [Sold to benefit a New England Museum/Institution]
• Fairfield Porter 1907–1975. Sun and
  Fairfield Porter 1907–1975. Sun and Sea from the 1776 USA 1976: Bicentennial Prints portfolio. 1975 / 1976, color lithograph on white wove paper. 30 h × 22 w in. result: $1,500. estimate: $300–500. Signed and numbered to lower margin ‘IV/XII Fairfield Porter’. This work is number 4 from the gift edition of 12 printed by Yann Samson and published by Special Projects Group, Chicago.
• James Fairman, 1826-1904,
  James Fairman, 1826-1904, Scottish American, o/c, Sunset over the Skyline of Jeruselem, 32" x 45", burlap liner behind the canvas, 1 2/" x 1 1/4" area of damage in right center of painting, 1/2" x 1/4" slight puncture in upper left corner above clouds, the stretcher with iron corner braces with 1885 patent date. Generally excellent "As Found" condition, James Fairman worked as a landscape painter, critic, lecturer, musician, and teacher. Born in Glasgow, Scotland in 1926. Fairman came to the U.S. with his family in 1832. studied at the National Academy of Design in 1842, and exhibited drawings at the American Institute in 1846. After serving as a colonel in the Civil War, he opened a studio in New York City. George Herbert McCord (1848-1909), who later become known for his watercolors, oils, and pastels, is said to have studied with James Fairman in 1866. In 1871 he returned to Europe and spent ten years studying in Italy, France, Germany, and England. In 1891 he was a resident of Los Angeles and, while there, made a trip north to paint the Golden Gate and exhibit at the Mechanics' Institute. Fairman was one of the many artists who painted in the White Mountains of New Hampshire in the late 1800s. In 1871, he went to Europe where he spent the next nine years. In the 19th century, many Americans traveled abroad, and often visited, depicted, or wrote about the Holy Land, where they often found corroboration of just about any ideological or aesthetic viewpoint they chose to maintain. Fairman returned and became a teacher at Olivel College beginning 1880. His works were shown at the National Academy of Design and the Pennsylvania Academy of the Fine Arts. Biographahical notes from Askart.com. Estimate $10,000-15,000
• ROY FAIRCHILD-WOODARD (B. 1953): DO
  ROY FAIRCHILD-WOODARD (B. 1953): DO YOU REMEMBER ME?Roy Fairchild-Woodard (b. 1953): Do you Remember Me?, serigraph; signed, titled and numbered to lower margin, 320 out of an edition 465 Dimensions: 29 x 21 in. (73.7 x 53.3 cm.), Frame: 50 1/2 x 40 1/2 in. (128.3 x 102.9 cm.) Condition: Matted, glazed and framed under acrylic.
• Fairfield Porter (American
  Fairfield Porter (American 1907-1975) The Bridge 1928 watercolor signed Fairfield Porter and dated (lower right) 12 3/4 x 19 1/2 inches.
• LESLIE'S ILLUSTRATION - FAIRFIELD
  LESLIE'S ILLUSTRATION - FAIRFIELD PLOUGHING MATCHfrom Frank Leslie's Newspaper as found in the Estate of Philip Roth framed 11x14 Property from the estate of Philip Roth. Philip Roth was born in Newark New Jersey on 19 March, 1933. The second child of second-generation Americans Bess and Herman Roth, Roth grew up in the largely Jewish community of Weequahic, a neighborhood that he was to return to time and again in his writing. After graduating from Weequahic High School in 1950, he attended Bucknell University, Pennsylvania and the University of Chicago where he received a scholarship to complete his M.A. in English Literature. In 1959, Roth published Goodbye Columbus - a collection of stories and a novella for which he received the National Book Award. Ten years later, the publication of his fourth novel Portnoy's Complaint brought Roth both critical and commercial success, firmly securing his reputation as one of America's finest young writers. Roth was the author of thirty-one books including those that were to follow the fortunes of Nathan Zuckerman and a fictional narrator narrator named Philip Roth through which he explored and gave voice to the complexities of the American experience in the twentieth and twenty-first centuries. Roth's lasting contribution to literature was widely recognized in his lifetime, both in the United States and abroad. Among other commendations he was the recipient of the Pulitzer Prize, the International Man Booker Prize, twice the winner of the National Book Critics Circle Award and the National Book Award and presented with the National Medal of Arts and the National Humanities Medal by Presidents Clinton and Obama respectively. Philip Roth died on 22 May 2018 at the age of eighty-five having retired from writing six years previous. (PROTH8206)(TC)
• Lot of two Franklyn Fairchild
  Lot of two Franklyn Fairchild colored engravings from the ''America's Cup'' series. Includes 1885 ''Puritan vs. Genesta'' and 1934 ''Rainbow vs. Endeavor''. Both are pencil signed ''Franklyn Fairchild'' lower right corner. Sold along with two Joseph Walters ''Liverpool from the Mersey'' colored lithographs one inscribed lower right with personal note. Condition: all are unframed the two Joseph Walters lithographs are bent from being rolled minor discoloration from age to all margins slight creases and wrinkles to ''Puritan vs. Genesta'' engraving see images. Franklyn Fairchild engravings measure 14'' tall x 16'' wide (plate) and 18.5'' tall x 21'' wide (total paper). Shipping weight 2 lbs. Please note: poster frame is not included (display purposes only).
• SHEPARD FAIREY (AMERICAN, B.
  SHEPARD FAIREY (AMERICAN, B. 1970) 36" x 24" "Liberté, Egalité, Fraternité". Offset lithograph in colors, signed in pencil lower right, unframed.
• FRED FARR (1914-1973): UNTITILED
  FRED FARR (1914-1973): UNTITILED (WARRIOR) Ink and wash on paper 31 x 25 in. signed and dated '61. With label on verso from the John F. Kennedy Memorial Union Art Gallery Dayton. Provenance: Chrysler Museum of Art Norfolk Virginia proceeds to benefit the Acquisitions Fund.
• Mary Louise Fairchild (American
  Mary Louise Fairchild (American 1858-1946) "Blind Woman (Still Life en verso)" 1935 watercolor and gouache on paper signed and dated lower right handwritten note en verso 15 1/4 in. x 11 1/4 in. framed. Provenance: Handwritten note references Terra Museum of American Art Chicago. Note: Mary Fairchild the American-born French-trained artist from Connecticut is best known for her mural Primitive Woman the companion work to Mary Cassatt's Modern Woman for the World's Columbian Exposition in Chicago in 1893. Sometimes known as Mary MacMonnies (wife of sculptor Frederick MacMonies) she eschewed her first husband's name after their divorce. She is generally known for her bright impressionistic palette; Fairchild occasionally painted in darker hues for portraits as is evidenced in the current lot.
• Fairfield Porter 1907–1975.
  Fairfield Porter 1907–1975. Street Scene. 1969, lithograph in colors on Arches. 22¼ h × 29¾ w in. result: $875. estimate: $800–1,200. Signed and numbered to lower edge ‘20/100 Fairfield Porter’. This work is number 20 from the edition of 100 printed by Mourlot, New York and published by Brooke Alexander, Inc., New York.
• John Ward (1917-2007) - Limited
  John Ward (1917-2007) - Limited edition coloured lithograph - ''Flora Gave Me Fairest Flowers'' 21ins x 30ins No. 196 of edition of 200 signed in full in pencil and with presentation inscription in artist's hand ''Presented to John and Imi Simpson by the Countess of Mountbatten of Burma on behalf of the Paul Carr Trust'' in gilt moulded frame and glazed
• HURLSTONE FAIRCHILD(American,
  HURLSTONE FAIRCHILD(American, 1893-1966) Tanque Verde, Near Tucson, 1952, signed lower right "Hurlstone Fairchild '52", titled pencil stretcher verso, oil on canvas, 30 x 36 in.; carved gilt wood frame, 37-1/4 x 43-1/4 in. Provenance: Private Collection Condition: areas of crackle; frame with wear
• SHEPARD FAIREY (B. 1970):
  SHEPARD FAIREY (B. 1970): CURElithograph, unframed; pencil-signed lower right, numbered 34/200 lower left; 24 1/4 x 18 inches sheet Condition:
• SHEPARD (SHEPPARD) FAIREY (B.
  SHEPARD (SHEPPARD) FAIREY (B. 1970): AMERICAN DEMOCRACYlithograph, unframed; pencil signed and dated "20" lower right; 24 x 18 inches Condition:
• STEVE FERGUSON (B. 1946) "CURTISS
  STEVE FERGUSON (B. 1946) "CURTISS F8C-1 HELLDIVER"Steve Ferguson (American, B. 1946) "Curtiss F8C-1 Helldiver Airplane" Signed lower right. Original Mixed Media on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover with the U.S. 29c Flag stamp issued November 1, 1991. Between the World Wars, America was able to make much progress in its military technology. One fine example of this was the F8C Helldiver, the first production Navy aircraft designed for dive bombing. The biplane soon replaced the DH-4 Liberty Plane. The Helldiver could pull off steep dives upon target ships, dropping a single 500-pound bomb or twin 116-pound bombs. At the time, the plane was the only two-seat aircraft in the Navy's fighter squadrons. Some, like those delivered to the carrier U.S.S. Saratoga in August 1930 were welcome additions to the ship's arsenal. The plane could hit targets far out at sea and return to the carrier. The importance of its part in aircraft development cannot be denied since sea-launched planes would play a crucial role in the coming Second World War. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B13274) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• SHEPARD FAIREY (AMERICAN, B.
  SHEPARD FAIREY (AMERICAN, B. 1970) 24" x 18" "Obey Face Collage". Pair of offset lithograph in colors, each signed and dated lower right, unframed.
• SHEPARD (SHEPPARD)
  SHEPARD (SHEPPARD) FAIREY(California/South Carolina, born 1970) Jasper Johns (Cream on Wood Panel), 2010, signed and dated lower right, Printed Matters-L.A., silkscreen on wood, 24 x 18 in.; wood frame 24-3/4 x 18-5/8 in. Condition: good condition
• MICHAEL FAIRCLOUGH,
  MICHAEL FAIRCLOUGH, FOOTHILLSMichael Fairclough, (British, b. 1940) Foothills, etching, edition 2 of 200 graphite editioned lower left: 2/200 graphite signed lower right: Michael Fairclough etching, edition 2 of 200 Dimensions: 10 1/2 x 13 1/2 in. (26.67 x 34.29 cm.), Frame: 20 5/8 x 23 1/8 x 1 in. (52.39 x 58.74 x 2.54 cm.) Provenance: Private Collection, California