A few examples of appraisal values for
FANNIE PRINT

• Lot 2 early Fashion prints.
  Lot 2 early Fashion prints.
• TWO CURRIER & IVES COLOR
  TWO CURRIER & IVES COLOR LITHOGRAPHS, THE YOUNG MOTHER AND FANNIETwo Currier & Ives Color Lithographs, The Young Mother and Fannie
• TEWKSBURY Fannie. Watercolor
  TEWKSBURY Fannie. Watercolor Cottage.Signed lower right. Fannie Tewksbury Massachusetts 1852-1934. From a Riverside NY estate. Dimensions: 30'' high x 21'' wide. Condition: Good - not examined out of frame. Original gilded frame with rough edges.
• SERIES OF PRINTS OF AUTHORS'
  SERIES OF PRINTS OF AUTHORS' HOMES BY J. FAGAN (AMERICAN EARLY 20TH CENTURY). Handcolored etchings on paper titled and signed in pencil. Seven prints including the homes of James Fennimore Cooper Nathaniel Hawthorne John Greenleaf Whittier Ralph Waldo Emerson Oliver Wendell Holmes Edgar Allan Poe and John Howard Payne. Identically matted and framed 15 1/2''h. 19''w.
• Lot two framed fashion prints.
  Lot two framed fashion prints.
• Lot 4 framed fashion prints.
  Lot 4 framed fashion prints.
• FIVE FRAMED PRINTS Includes Annie
  FIVE FRAMED PRINTS Includes Annie Benson Muller baby prints.
• A print of a country lane signed in
  A print of a country lane signed in the print and on the margin ''Fred Slocombe'' 25 x 44cm.
• Sundry prints
  Sundry prints
• Fannie F. MacPherson Lady Holroyd
  Fannie F. MacPherson Lady Holroyd (British 1864/5-1924) "Seated Male" 1886 dated lower right sheet 22 in. x 12 in. matted.
• FRANCIS CHAPIN (1899-1965) TWO
  FRANCIS CHAPIN (1899-1965) TWO PRINTS. Lithographs signed 10.5''x14'' Condition: No Specific Condition Recorded - Sold As Is
• FRENCH 1920 EMPRUNT NATIONAL
  FRENCH 1920 EMPRUNT NATIONAL PROPAGANDA POSTER France,1920Titled "Emprunt National 5% 1920," depicts a grinning man leaning on a scythe in front of a hay filled wagon while industrial structures spew smoke in the background.
• LOUELLA Fannie (American 20th
  LOUELLA Fannie (American 20th C.): Seated Female nude OIL/Canvas 36'' x 26'' signed verso framed 41 1/2'' x 31 1/2''.
• Vintage French style print.
  Vintage French style print.
• 19th c. Ben Franklin print (hand
  19th c. Ben Franklin print (hand colored ?) in high quality frame. Sight 25'' x 38 1/2''.
• PRINT, A VIEW OF THE AMERICAN
  PRINT, A VIEW OF THE AMERICAN FRIGATE, CONSTELLATION "A View of the American Frigate, Constellation, Capturing the French National Frigate, L'Insurgente," 1800, engraving with hand coloring, published by John Fairburn, London, overall (with frame): 12"h x 16"w. Provenance: Estate of Joanna Barnes and Jack Warner (Santa Barbara, California). Ms. Barnes was a Hollywood film actress featured in movies such as "Auntie Mame (1958)" and "The Parent Trap (1961)". Mr. Warner was a prominent architect.
• FANNIE HILLSMITH, NEW YORK, NEW
  FANNIE HILLSMITH, NEW YORK, NEW HAMPSHIRE, MASSACHUSETTS (1911-2007), DESIGN NO. 1, 1946, WOODCUT BLOCK PRINT, 17”H X 12”WFannie Hillsmith, New York, New Hampshire, Massachusetts, (1911-2007) Design No. 1, 1946, woodcut block print Numbered 3/30 lower left, titled lower middle, signed and dated lower right. Biography from The Johnson Collection: A Bostonian by birth and artistic heritage, Fannie Louise Hillsmith distinguished herself as a painter of Cubist-inspired still lifes and interiors. Like her European counterparts, she used tabletop and furniture arrangements to explore spatial dynamics. In a statement for the landmark 1944 book, Abstract and Surrealist Art in America, Hillsmith described her aesthetic ambition: "I endeavor to find a personal way to express in painting the basic qualities of nature. I try to combine the structural with the intimate and to secure simplicity by using few colors and shapes, to acquire variation by using these in diverse ways throughout the canvas." Hillsmith's early art training took place at the conservative Boston Museum School, following in the footsteps of her grandfather Frank Hill Smith, one of its founders. Because of the similarity in their names, the two artists' work is often confused. Committed to a career in art, Hillsmith relocated to New York, where she took classes at the Art Students League under John Sloan, Alexander Brook, William Zorach, Yasuo Kuniyoshi, and Vaclav Vytlacil, who emerged as her true mentor. Between 1946 and 1950, Hillsmith worked at Stanley Hayter's Atelier 17 printmaking studio alongside such figures as Joan Miró, Yves Tanguy, Alexander Calder, and Marc Chagall. At times, her work displayed a surrealist bent and the influence of Paul Klee and, later, Henri Matisse. An active member of the city's vibrant art scene, Hillsmith showed her work at the Norlyst Gallery owned by Jimmy Ernest and at Peggy Guggenheim's Art of This Century Gallery, known for its promotion of Jackson Pollock, Robert Motherwell, and Willem de Kooning. The noted critics Clement Greenberg and Elaine de Kooning mentioned her work in their reviews. Josef Albers invited Hillsmith to teach in the 1945 summer session at Black Mountain College, where her students were largely teachers attempting to brush up on their own skills. She was enthralled by the international diversity of the faculty, many of whom spoke French and German at dinner, a fact made poignant by the nightly news report from Europe in the waning days of World War II. Albers' Saturday seminars in which he critiqued student work were an inspiration for her own teaching. Hillsmith supported herself by caring for a mentally ill relative and by making toys and jewelry, which were sold at the Museum of Modern Art. She was awarded the 1958 Alumni Traveling Scholarship from the Boston Museum School, which funded a trip abroad to Paris, Vienna, Spain, and England. She taught at Cornell University for the fall semester of 1963. Hillsmith's work is represented in the collections of the Museum of Fine Arts, Boston, the Modern Museum of Art, and the Smithsonian American Art Museum, among other prestigious institutions. The Johnson Collection, Spartanburg, South Carolina thejohnsoncollection.org woodcut block print Dimensions: 17"H x 12"W
• PRINT, FRED STEPANIAN Fred
  PRINT, FRED STEPANIAN Fred Stepanian (American, 20th century), Woman's Profile, embellished serigraph, signed in pen lower left, edition 48/250, overall (with frame): 56.5"h x 46.25"w
• Theodore "Fonville" Winans
  Theodore "Fonville" Winans (American/Louisiana 1911-1992) "Dixie Belles" silver gelatin print signed and dated "1938" on ink lower left 20 in. x 24 in. Note: The image of two young women dressed in their Sunday clothes staring at the camera with intensity has become an iconic example of Fonville photography. The 1938 image depicts Fonville's familiarity with capturing the various expressions on the faces of native Louisianians. Although the mood greatly differs from the jovial expression on the face of the oyster shucker in The Oysterman or the rough nature of Pierre Lombas in Native Shrimpman the similarities between these three famed images are displayed through Fonville's ability to see into his sitter's emotional state of mind and capture it through the camera.
• A vintage colored print of kittens,
  A vintage colored print of kittens, printed signature in upper right, Susie A Winn. Image 8” x 16” Frame 16.5” x 24” Condition: some separation on frame joints, minor losses to frame decorations CT Transfer Fee $10
• A TREASURY OF AMERICAN PRINTSThomas
  A TREASURY OF AMERICAN PRINTSThomas Craven ed. (New York: Simon & Schuster 1939) small folio a collection of 100 etchings GBC bound for easy removal of art for framing as desired.Light shelf wear else fine condition.
• 20 plus printed automobile
  20 plus printed automobile brochures for Fisher Body, Studebaker, Nash, Oldsmobile, Lincoln, Cadillac, Ford, Chrysler, Mercedes, Lincoln, Hudson Estimate $50-100
• TWO EARLY 19TH CENTURY HAND COLORED
  TWO EARLY 19TH CENTURY HAND COLORED PRINTS.Two Early 19th Century Hand Colored Prints Titled "Fanny Elssler" and "The Little Florist" by W.N. Stevens, Philadelphia. In a painted frames 9-1/4" x 8" and 9" x 7-3/4" overall. Condition: : Good with minor foxing.
• Large folio Currier & Ives print,
  Large folio Currier & Ives print, "Low Water in the Mississippi", after Fannie Palmer, 1868 or later edition, published by Currier & Ives, hand-colored lithograph, unframed, image 18-1/4 x 28-1/16 in., page 23 x 33-1/8 in. Foxing and toning mainly visible in margins, 1/2 in. tear top middle margin, crease upper left corner with 1/4 in. tear, 1/2 in. tear top right at edge, faded, not laid down, toning verso from backing. Collected by consignor's grandfather, 1930s or 1940s.
• 20th c. print woman. 25 1/2'' x
  20th c. print woman. 25 1/2'' x 26 1/2''.
• FANNIE WOODRUFFAmerican Late
  FANNIE WOODRUFFAmerican Late 19th/Early 20th CenturyLush garden path. Signed lower right Fannie S. Woodruff''.Watercolor on paper 15'' x 11''. Framed.''
• Lot four early framed fashion
  Lot four early framed fashion prints. 6 1/4'' x 4 1/2''.
• 1895 Amos R. Wells Illustrated,
  1895 Amos R. Wells Illustrated, very rare colored poster, likely created by Maurice Prendergast for the book titled, Foreman Jennie. A Young Woman Of Business. Image 11.25”H x 15.75”W Frame 19”H x 23.5”W Condition: staining to upper right corner, paper has likely slipped hinges and is now slightly lower in mat than intended CT Transfer Fee $10
• CAROL SUMMERS (american b.
  CAROL SUMMERS (american b. 1925) "DREAM" Pencil signed and numbered 42/50 in the image. Color woodcut. 36 x 37 in. (sheet) Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
• PRINT, DONALD FARNSWORTH Donald
  PRINT, DONALD FARNSWORTH Donald Farnsworth (American, b. 1952), Untitled, lithograph in colors with gold leafing, pencil signed lower right, edition 25/40, sheet: 29.5"h x 21"w, overall (with frame): 37.75"h x 28.75"w
• Nancy Ford Cones (1869-1962) The
  Nancy Ford Cones (1869-1962) The New Calf Silver gelatin print ca 1910 signed but covered by matte with label on verso from Walt Burton Galleries; 8 x 10 in.
• Fannie F. MacPherson Lady Holroyd
  Fannie F. MacPherson Lady Holroyd (Australian 1864/5-1924) a pair of academic drawings of standing men black chalk one partial signature upper right the other signed and dated lower left both sheet approx. 24 in. x 9 1/2 in. matted.
• TWO POSTERS URGING THE AMERCIAN
  TWO POSTERS URGING THE AMERCIAN PUBLIC TO BUY WAR BONDS Both U. S. Government issues, 1944; the first poster touts the Fifth War Loan with a vivid pictorial analogy of fascism being swept away by the broom of democracy (20 x 14-3/8 in.); the second poster also promotes the Fifth War Loan by remembering the U.S.S. Dorado, a 1943 submarine lost under in the Caribbean under mysterious circumstances (20 x 28 in.).
• FRAMED LITHOGRAPH, TUG "FANNIE
  FRAMED LITHOGRAPH, TUG "FANNIE LENOX"signed James Mitchell, numbered 60/100. Frame Size: 29 1/2" long x 20 1/4" high. with toning throughout, some staining/white spots. Not examined out of the frame, image slightly skewed in matting. Provenance:Estate of George E. Ratcliffe, Darien, CT. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• A vintage color lithograph poster
  A vintage color lithograph poster 'Before Sunset, Buy a U.S. Government Bond of the 2nd Liberty Loan of 1917' artwork by Eugenie De Land, ca. 1917. 30” x 20” Condition: behind plastic, minor tears to edges CT Transfer Fee $10
• PRINT, CHARLES GILL Charles Gill
  PRINT, CHARLES GILL Charles Gill (American, b. 1933), "F.D.R.'s Breakfast, Sunday, May 4, 1941," 1983, lithograph, initialed and dated lower right, edition 8/14 EV, overall (with frame): 19.25"h x 23.75"w