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Saying Farewell to a Sailor. 23'' H
Saying Farewell to a Sailor. 23'' H x 41'' W.
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1 vol. Chandler, Raymond. Farewell
1 vol. Chandler, Raymond. Farewell My Lovely. New York: Knopf, 1940. First edition. 12mo, orig. blue-stamped orange-brown cloth; light to moderate edge wear, other wear. Lacking d/j.
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ENGLISH WOOLWORK PICTURE OR
ENGLISH WOOLWORK PICTURE OR "WOOLIE": FAREWELLlate 19th century; depicting a sailor's farewell, with a navy ship in the distance; Provenance: The Estate of Sally W. Rhodes, Corona Del Mar CA 13 x 20 inches sight; 17 x 24 inches frame Condition:
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2 Chilmark Pewter Figurines ''The
2 Chilmark Pewter Figurines ''The Farewell'' and ''The Return'' by Francis J. Barnum 3'' plus wooden bases.
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RAPHAEL SOYER SOCIAL REALIST
RAPHAEL SOYER SOCIAL REALIST FAREWELL ETCHING New York,1899-1987Depicts a young woman looking into the distance with another young woman and soldier embracing behind her.
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Oil on panel painting 19th c. of
Oil on panel painting 19th c. of a farewell to a sea captain returning to his ship. 19.75"x14.75"
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SAILORS FARWELL Depicting a
SAILORS FARWELL Depicting a three-masted American ship worked in silk and metallic thread; 19 x 21 in. (sight). Provenance: Cowen's OH.
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Thomas deDecker (American, b. 1951)
Thomas deDecker
(American, b. 1951)
Farewell Song
oil on board
signed deDecker (lower left)
10 x 8 inches
The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
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ALFONSO (ALONSO) PEREZ (SPAIN,
ALFONSO (ALONSO) PEREZ (SPAIN, 1881-1914), "THE FAREWELL"., OIL ON BEVELED PANEL, 29” X 37”. FRAMED 40” X 48”.ALFONSO (ALONSO) PEREZ, Spain, 1881-1914, "The Farewell". Signed lower right "Alonso-Perez". Titled on frame plaque. Dimensions: Oil on beveled panel, 29" x 37". Framed 40" x 48". Provenance: Christie's, London, March 17, 1994, Lot #182.Private Collection, Florida.
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THREE VOLUMES: HAIL & FAREWELL, A
THREE VOLUMES: HAIL & FAREWELL, A TRILOGYMoore, George "Hail and Farewell" comprising "Ave", Salve" and "Vale" London: William Heinemann, 1911 - 1914 [3 volumes] Condition: each with box sleeve Condition:
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1 vol. Hemingway, Ernest. A
1 vol. Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's Sons, 1929. First edition, #182/510 signed by Hemingway. 8vo, orig. green paper bds., vellum spine & corners, black morocco spine label; occasional light edge wear, some discoloration to head of covers. In custom 1/2 green morocco, gilt fall-down box with raised bands. Hanneman A8b ,000-6,000 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.
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RUSSIAN SCHOOL: FAREWELL TO THE
RUSSIAN SCHOOL: FAREWELL TO THE DEPARTING SOLDIER Oil on canvas relined 13 3/4 x 11 3/4 in. signed and dated lower right.
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Peter Dean 1934–1993. Farewell.
Peter Dean 1934–1993. Farewell. 1968, oil on panel. 9? h × 7? w in. result: $1,188. estimate: $400–600. Signed, titled and dated to verso 'Farewell P. Dean 1968 N.Y.C.'. Provenance: The Artist | Allan Stone Gallery, New York
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1 vol. Hemingway, Ernest. A
1 vol. Hemingway, Ernest. A Farewell To Arms. London: Jonathan Cape, (1929). First English edition. 8vo, orig. magenta cloth, gilt-lettered spine; scattered light to moderate dust soiling, d/j (some edge wear - no loss of lettering or design elements, slightly dusty, a little darkened). Light discoloration to gutters of endpapers, 1/2 title & back blanks. Presumed 2nd state with "serious" on p. 66, line 28. VG/VG+. Hanneman 35a
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WALT WHITMAN, GOOD-BYE MY FANCY,
WALT WHITMAN, GOOD-BYE MY FANCY, 1ST ED. 1891together with November Boughs, 1st edition, 1888. Both Philadelphia, David McKay. Maroon cloth with gilt title and spine. Both tall 8vo, 9 1/4" high, 6" wide. Good Bye My Fancy with split and damage to spine, scuffs and scattered wear to covers, title page detached but present. Both bindings loose.
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FAREWELL THE FLEET PAINTING AFTER
FAREWELL THE FLEET PAINTING AFTER WALTER LANGLEYFramed oil on canvas painting, "Farewell the Fleet," initialed lower left WL, dated 1881, after Walter Langley (English, 1852-1922), The Cooling Galleries Ltd. label verso, sight: 29.25"h, 49.5"w, overall: 37.25"h, 57.25"w
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5 Chilmark Pewter Civil War
5 Chilmark Pewter Civil War Figurines all by Francis Barnum including ''The Farewell'' mostly 3 1/2'' plus wooden bases all signed excellent.
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CHRISTINA HOLOWCHUK, WOODCUT PRINT,
CHRISTINA HOLOWCHUK, WOODCUT PRINT, UKRANIANOriginal woodcut print by Christina Holowchak Debarry (Ukranian American, b. 1943). Titled "Farewell". Signed, titled and limited (72/150). Overall framed size is 13" x 16". Excellent condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
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Photographique print after the
Photographique print after the painting by Arthur Elsley 1894, titled Goodbye, in a period gilt frame. Image 21” x 15” Overall 33” x 26” Condition: stain in margins, cuffs to frame CT Transfer Fee $20
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1 vol. Hemingway, Ernest. A
1 vol. Hemingway, Ernest. A Farewell To Arms. New York: Scribner's, 1929. First edition, second printing. 12mo, orig. black cloth, gold paper labels; edge wear, labels scuffed, front hinge slightly tender. Lacking d/j. Hanneman 8a
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JAMES MCBEY(Scottish, 1883-1959)
JAMES MCBEY(Scottish, 1883-1959)
Two Venetian etchings: Distant Salute (H. 250), 1930, LVII, plate 7-1/4 x 15-7/8 in.; Farewell to Venice (H. 256), 1930, LXXIII, plate 10 x 17-7/8 in., both signed lower right "James McBey"; unframed
Provenance: Private Collection, Charlottesville, Virginia
Condition:
hinged in, light toning, some handling grime, pencil inscriptions in margins, "Farewell" with small stain lower left margin
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PHILIP ROTH. 'GOODBYE,
PHILIP ROTH. 'GOODBYE, COLUMBUS'PHILIP ROTH. 'GOODBYE, COLUMBUS', Roth, Philip 'Goodbye, Columbus'. Boston: Houghton Mifflin, (1959). 8vo, publisher's black cloth, original dust. First edition of Roth's first novel. Light soiling and minor edgewear to jacket. Provenance: Robert McNamara Estate and Diana Byfield McNamara Book Collection
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F Silver after F HartwickWELCOME
F Silver after F HartwickWELCOME ARRIVALENGLAND FAREWELLpublished by Beckman Brostwo steel engravings in maple frames 66cm x 51cm (26" x 20")
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Robert William Wood American
Robert William Wood American 1889-1979 ''A Farewell to the Year'' oil on canvas signed ''Robert Wood'' lr titled on verso 24 x 35 3/4 in. framed Estimate $ 2 000-4 000 Paintings have not been examined by blacklight.
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* HEMINGWAY ERNEST A Farewell to
* HEMINGWAY ERNEST A Farewell to Arms. New York: Charles Scribner's Sons 1929. 8vo publisher's black cloth title to gold pastedown label. First edition first issue without the disclaimer notice on p. [x]. Boards worn; lacking dust jacket; spine label chipped; intermittent foxing; hinges tender. [Together with:] For Whom the Bell Tolls. New York: Charles Scribner's Sons 1940. 8vo publisher's cloth spine lettered in black to red label. First edition first printing with ''A'' to the copyright page. Soiling to boards; lacking dust jacket; ephemera tipped to rear endpaper.
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TWO EARLY 19TH CENTURY HAND COLORED
TWO EARLY 19TH CENTURY HAND COLORED PRINTS.Two Early 19th Century Hand Colored Prints Titled "The Farewell" and "Tom Going to School" by Turner & Fisher, New York & Philadelphia. In a painted frames 9-1/4" x 8" and 9-3/4" x 7-3/4" overall. Condition: : Good with minor foxing.
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ENGLISH WOOLWORK PICTURE OR WOOLIE:
ENGLISH WOOLWORK PICTURE OR WOOLIE: SAILOR'S FAREWELLEnglish Woolwork Picture or Woolie: Sailor's Farewell, 19th century; depicting a sailor with wife and child on a path leading to a cottage, with a ship off shore Dimensions: Sight: 13 1/4 x 16 1/4 in. (33.7 x 41.3 cm.), Frame: 18 1/2 x 21 1/2 in. (47 x 54.6 cm.) Provenance: The Estate of Sally W. Rhodes, Corona Del Mar, California Condition:
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EDWIN THOMAS ROBERTS (ENGLISH,
EDWIN THOMAS ROBERTS (ENGLISH, 1840-1917), SAILOR'S FAREWELL Oil on canvas, signed at lower left, presented in a reeded gilt frame.
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SCHOOLWORK “THE SAILOR’S FAREWELL.”
SCHOOLWORK “THE SAILOR’S FAREWELL.” 19TH CENTURY 10” X 8” SIGHT. FRAMED 14.5” X 11.5”.SCHOOLWORK "THE SAILOR'S FAREWELL.", 19th Century, Pen and ink calligraphy and decorative elements on paper. Dimensions: 10" x 8" sight. Framed 14.5" x 11.5".
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A 'Sailor's Adieu' Hand Colored
A 'Sailor's Adieu' Hand Colored Lithograph
American, Mid-19th Century
first printed and published by James S. Baillie, New York.
housed in a period tiger maple frame.
16 1/2 x 12 1/2 inches.
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(SIGNED) HEMINGWAY ERNEST. "A
(SIGNED) HEMINGWAY ERNEST. "A FAREWELL TO ARMS" New York Charles Scribner's Sons 1929. First edition first issue 8VO. Black cloth with gold paper labels lettered in black. Spine of dust jacket faded; minor chips at top and bottom of spine; other minor rubs and chips. Signed by Hemingway on the front free endpaper. First issue points: no disclaimer on verso of dedication page. Dust jacket has mispelling of "Catherine Barcley" as "Katherin Barclay" on the front flap.
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2 vols. Modern First Editions:
2 vols. Modern First Editions: Hemingway, Ernest. A Farewell to Arms. New York: Charles Scribner's, 1929. 1st ed., 2nd ptg. 12mo, orig. black cloth, gilt paper cover & spine labels; light edges wear, labels occasionally scuffed & creased. Lacking d/j. Internally generally clean. Hanneman A8a. * Dickey, James. Deliverance. Boston: Houghton Mifflin, 1970. 1st ed., 1st ptg. 8vo, orig. beige cloth, top edge stained green, d/j (some creasing & minor chipping, edges often worn). VG-.
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RUSSIAN BRONZE "THE FAREWELL
RUSSIAN BRONZE "THE FAREWELL KISS" AFTER EUGENY LANCERAY RUSSIAN BRONZE OF KOZAK RIDER ON HORSEBACK GIVING GOODBYE KISS TO HIS LOVER, AFTER MODEL BY EUGENY LANCERAY TITLED "THE FAREWELL KISS"; 16"H X 13"W
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''GOODBYE TO TRAVIS'' BY ARTHUR
''GOODBYE TO TRAVIS'' BY ARTHUR BURDETT FROST (CALIFORNIA 1851-1928). Watercolor and gouache on paper en grisalle. An illustration of the story of Major Johathan Wilby and his ex-slave Travis. Signed and dated lower left ''A.B. Frost 1889''. Framed 21'' X 28''. Provenance H. George Bicklemann Antiques in Birmingham(Michigan). As an illustrator A.B. Frost specialized in Southern subject matter and is considered one of the best artists of the Golden Age of American illustration. The story of Wilby and his ex-slave was famous after the Civil War. This image was published in The Century magazine vol. 40 (1) May 1890 with the caption ''You think Travis didn't cry when I told him goodbye?'' The story told of how Major Wilby left his plantation in the hands of his foreman so that he could go to the city and find work in order to pay his depts. The story of Travis and Wilby is included in many anthologies and works on the South. See Michael E. Price. 2000. Stories with a Moral: Literature and Society in Nineteenth Century Georgia. As an illustrator A.B. Frost specialized in Southern subject matter and is considered one of the best artists of the Golden Age of American illustration. His work appears in over 90 books and periodicals. He is perhaps best known for his paintings of hunting fishing and birding and he produced several calendars for Winchester based on these works. He also created humorous images of rural life and depictions of African Americans that were typical of his time period.
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Cincinnati Hamilton Perian Railroad
Cincinnati Hamilton Perian Railroad Plaque Plus a Parian fiigural plaque in relief "Goodbye-God Spare You" depicting a soldier going to war with printed railway map and arch "Cincinnati Hamilton Dayton RR"; ht. 19 wd. 15.5: Plus a Cincinnati to Milwaukee railway poster depicting soldiers at campfire printed by the E.O. McCormick Ticket Agent Cincinnati; ht. 16 wd 21 in.
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COPY AFTER GELI KORZHEV (RUSSIAN,
COPY AFTER GELI KORZHEV (RUSSIAN, 1925-2012) FAREWELL, FROM THE SERIES "SCORCHED BY THE WAR FIRE" OIL ON CANVAS: 24 X 24 IN.COPY AFTER GELI KORZHEV, (RUSSIAN, 1925-2012) FAREWELL, FROM THE SERIES "SCORCHED BY THE WAR FIRE", Oil on canvas: 24 x 24 in. Framed; verso inscribed on canvas: Korzhev Provenance: Estate of Ronald Sperling