A few examples of appraisal values for
FARMERS

• FOUR ACE GALLERY EXHIBITION
  FOUR ACE GALLERY EXHIBITION POSTERSFour Ace Gallery exhibition posters, two signedLauren Bon signedLaurie Lipton signedEd Moses unsignedDate Farmers unsignedlargest 75 x 36 in. (191 x 91 cm)
• 1764 FREDERICK, MARYLAND LAND
  1764 FREDERICK, MARYLAND LAND DEED1764 Frederick, Maryland land deed signed by John Dickson and Thomas Price, members of the first landowning families of Frederick, between Daniel Dulany, Esquire, of Annapolis, and Conrad Road. Dulany (1685-1753) was the founder of Frederick, a large landowner who offered new immigrants, mostly German farmers, plots of land at very low prices. Competitive in-house shipping is available for this lot.
• Antique collapsible top hat
  Antique collapsible top hat retailed by Farmers Sydney in later canvas card box
• FRAMED COLORIZED PRINTED MAHANTONGO
  FRAMED COLORIZED PRINTED MAHANTONGO VALLEY GEBURTSca. 1838 record date; uncommon form printed by Werner, Pottsville, PA with tombstone arch textbox and farmers on either side of box, record of Elias Kaufman, son of Jonas & Sara (Mayer) Kaufman, born in Mahantongo Twp., Schuylkill Co., May 26, 1838, in a wide molded black painted frame, 20"x 24" framed; Condition: extensive folds and roll creasing
• VICTOR OCHOA (20TH C.) OIL ON
  VICTOR OCHOA (20TH C.) OIL ON CANVASVictor Ochoa, Dominican (20th Century) "Farmers" Oil on Canvas, Signed Lower Left. Inscribed en verso. Unframed and presented on a stretcher measuring 16-1/8" x 12-1/8". Condition: Good condition. Est
• COLLECTION OF LEAD FIGURES
  COLLECTION OF LEAD FIGURES BRITAINS, EIRE, TOOTSIELarge lot of lead figures. Approximately 115 figures, plus accessories, including Tedtoy, Eire, Crescent England, Barclay, Britains. Including animals, Native Americans, farmers, police, marching band, men and women in various professional attire, with trees, fence sections, telephone poles. With 3 Tootsie Toy cars. Tedtoy tree 4 5/8"H, trombone player 2 7/8"H. All with paint loss.
• 11PCS MASSACHUSETTS CENTINEL
  11PCS MASSACHUSETTS CENTINEL NEWSPAPERS 1787-1791 Historically important collection of 11 different dates of the Massachusetts Centinel, chronicling the birth of the nation. Many important articles on the Constitution, strongly written letters from farmers and countrymen discussing the facts of the day and reporting of state conventions towards ratifying the constitutions of the US and the states themselves, plus much local, news and advertisements. The following dates are represented: in 1787 they are, April 28, June 20, October 24, 27 and 31st, November 28th, December 12. In 1788 we have the following dates: February 20, June 21, August 23. 1791: June 2.
• THIRTEEN (13) 19TH CENTURY SOUTH
  THIRTEEN (13) 19TH CENTURY SOUTH CAROLINA UNIFACE BANKNOTES To include: Three State Bank of South Carolina $5 notes (1857, 1860, blank date) Bank of the State of South Carolina $5 (1861) with Francis Marion vignette; Bank of Camden, $5 (1857?) and $10 (no date); Office of the South Carolina Rail Road $1, (1850s?), railroad vignette, perforated; Commercial Bank of South Carolina $5 (1859), Agriculture with Seated America vignette; Bank of Chester $5, Surrender scene (two notes, one dated 1853, the second illegible); Farmers & Exchange Bank of Charleston $5 (cotton field scene) and $20 (wharf scene); Bank of Hamburg $20 with Industry and Agriculture vignette (1859), an historical note from a town that never recovered from hosting a massacre of its black inhabitants in 1876.
• ARTHUR WAAGEN (GERMAN, 1833-1898)
  ARTHUR WAAGEN (GERMAN, 1833-1898) 10 ?" x 12" x 4 ?" "Pferd Mit Jungs." Cast bronze equestrian grouping, depicting two boys trying to climb on a stallion tied to a wooden fence. The horse curiously watches their attempts. Warm brown patina with gilt highlights; on oval bronze base with natural ground and one boy's draped hat. Signed "Waagen", cast on the front right; wood panel with old paper backing attached underneath. Provenance: acquired by current owner from an old prominent private collection, Pittsburgh, PA; gifted to current owner's mother in mid. 1970's from Elizabeth Braun Ernst (her father Arthur E. Braun was president of the Farmers Deposit National Bank in 1919 and publisher of the Pittsburgh Post and the Pittsburgh Sun, and became a chairman of the advisory committee of the Mellon Bank in 1950; Warwick Terrace Estate, Morewood Heights, Pittsburgh; contemporaries of Andrew Carnegie).
• Eclectic collectors grouping to
  Eclectic collectors grouping to include a Wallace Bros. Wallingford double handled urn, 14 1/2"H, a silver tone woven metal basket, a silver plated carpet trade golf association trophy tray, 13 1/4" dia, a hammered brass wall plaque, (2) monoscopes, an Art Nouveau candlestick, 8 1/4" H, gilt metal ormolu piece, a sterling woven Evans cigarette case, 4.9 TO, and an 1883 trophy dish etched presented to Miss Vernon by the Farmers of Hanbury Aug 18 1883, 5 1/4"H
• PRINTED COTTON FARMERS ALMANACS
  PRINTED COTTON FARMERS ALMANACS HANDKERCHIEFScarce printed cotton Farmers Almanacs handkerchief, 1816 and 1817 , for Maryland, Pennsylvania, Virginia, Kentucky, and Tennessee, 21" x 24 1/2". For identical examples, see Herbert Collins Threads of History , plate 52; Winterthur; Pook & Pook, October 1, 2021, lot 297. Competitive in-house shipping is available for this lot. Condition: Very good condition.
• A COLLECTION OF STAFFORDSHIRE
  A COLLECTION OF STAFFORDSHIRE CERAMICS. INCLUDING TOBY JUG, STAFFORDSHIRE 'HIGHLAND' FLATBACK, 'FARMERS ARMS' CUP AND LOVING CUP.
• Largest backpack picking basket
  Largest backpack picking basket with brown straps 19"H x 14" W x 11"D, dusty but looks to not have been used. Farmers market basket with green straps, signed on bottom Marlene Mah???, 12"H, with wear, structurally sound. Round two handled floor basket 13"H, with wear and loss. Condition: see descriptions CT Transfer Fee $10
• THOMAS HART BENTON "PLANTING"
  THOMAS HART BENTON "PLANTING" LITHOGRAPH Thomas Hart Benton (American, 1889-1975) "Planting," circa 1939, lithograph on paper, Regionalist depiction of farmers in field, signed in image lower right, signed in pencil in lower right margin. Image: 10" H x 12.75" W; frame: 18.25" H x 21.75" W.
• HERMES SILK "SOUS LE CEDRE" SILK
  HERMES SILK "SOUS LE CEDRE" SILK SHIRT Herm?s silk shirt, exuberantly decorated with mosaic motifs around a scene of farmers under a cedar tree, pattern designed by Dimitri Rybaltchenko, with labels "Herm?s - Paris" and "Made In France", marked size 36. Collar to hem 30.5", across shoulders 16.5", across chest 16.5", shoulder to cuff 23.5". Provenance: Removed from a 157 East 57th street estate.
• SITZENDORF PORCELAIN CHINOISERIE
  SITZENDORF PORCELAIN CHINOISERIE FIGURES, PAIR Pair of German Sitzendorf paint decorated porcelain figures, early 20th century, modeled as two seated fruit farmers in Chinoiserie attire, bases with blue crown over 'S' mark. 5.5? H x 4? diameter. Provenance: Removed from a 157 East 57th Street estate.
• SITZENDORF PORCELAIN CHINOISERIE
  SITZENDORF PORCELAIN CHINOISERIE FIGURES, PAIR Pair of German Sitzendorf paint decorated porcelain figures, early 20th century, modeled as two fruit farmers in Chinoiserie attire, bases with blue crown over 'S' mark. 9.25? H x 5.5? diameter. Provenance: Removed from a 157 East 57th Street estate.
• CHINESE CARVED CINNABAR LACQUER
  CHINESE CARVED CINNABAR LACQUER ROUND BOX Chinese Cinnabar lacquer round box and cover, the cover carved in high relief of a scene with farmers and animals in a field amongst trees and a village, all raised above a dense lower ground of geometric motifs mimicking the earth and sky, the sides are delicately carved in a tight geometric coffered pattern, the base and interior with black lacquer. 2.75? H x 7? diameter. Provenance: Property removed from a residence at the Pierre Hotel
• ADAMS ENGLAND THE FARMERS ARMS
  ADAMS ENGLAND THE FARMERS ARMS LARGE CUP & SAUCER Adams English "The Farmers Arms" oversized cup and saucer, marked to underside "Warranted Staffordshire Adams England. Mug: 3.75" H x 6.125" W x 4.75" D; plate: 7.5" diameter.
• MARTIN GAMBEE, OIL ON MASONITE,
  MARTIN GAMBEE, OIL ON MASONITE, 1934 Martin Gambee (American, 1905-1969), Untitled, genre scene with farmers, signed and dated "Martin Gambee, '34" at lower left, 8.75"h x 10.5"w (Masonite), unframed
• BLACKBEAR BOSIN (KANSAS
  BLACKBEAR BOSIN (KANSAS 1921-1980) BRONZE SCULPTUREFrancis Blackbear Bosin (1921-1980)Keeper of the Plains (Second quarter of the 20th century.)The cast bronze sculpture on wood base with brass plaque is modeled after the artist's forty-four feet tall Corten steel public installation of the same name situated at the confluence of the Arkansas river and Little Arkansas river in Wichita, Kansas. This tabletop bronze sculpture is signed in the casting and numbered 6 from an edition of 250. The work is titled on a brass plaque mounted to the walnut base.Exhibitions: Festival of Arts, White House, Wash., DC, 1965; Whitney Gallery of Western Art, 1966; Nat. Indian Ann., Philbrook Art Ctr., 1967; Heard Mus., 1967; Wichita Art Assn., 1971. Awards: Grand award, Philbrook Art Ctr., 1959-1963; Waite Phillips Special Indian Artists Award, 1967.Member: Wichita Artists Guild (v. pres., 1963-1966); Wichita Advertising Assn.Work: Wichita Art Mus.; Wichita Art Assn.; Philbrook Art Ctr.; Heard Mus., Phoenix; Whitney Gallery of Western Art, Cody, WY. Commissions: sculpture design for city, Kansas Gas & Electric, Wichita, 1969; mural, commissioned by Schafer, Schirmer & Eflin for Farmers Credit Land Bank, Wichita, 1972; painting, Southern Plains Mus., Anadarko, 1972.Measures 11.5 x 3 x 3 inches.Very good condition throughout, no damage, repair or heavy wear.Provenance: The Susan Koehn Estate Trust Newton, Kansas
• GROUP OF ENGLISH EARTHENWARE.
  GROUP OF ENGLISH EARTHENWARE. Mid-19th century. Including eight floral decoration 8" plates, gaudy decorated pitcher, soft paste "Queens Rose" saucer and soft paste pitcher with Farmers Arms transfer and hand decoration, 5.75"h. Varying wear and loss.
• FOUR ASIAN SCROLLS. Possibly 2nd
  FOUR ASIAN SCROLLS. Possibly 2nd half 19th century. Gouache, ink and traces of gilding on silk. Four scenes of farmers working in rice paddies. Good detail. Brocade borders. Varying wear, tears and some loss. All have folds at the top end, three have those folds held by packaging tape. 81"l. 25"w.
• ASSORTED GROUPING OF SATSUMA,
  ASSORTED GROUPING OF SATSUMA, CLOISONNE AND ENAMEL Items. Including a signed miniature huluping Satsuma vase with (8) decorated panels; a signed miniature meiping style Satsuma vase decorated with figures; a signed miniature meiping style Satsuma vase decorated with flowers; a signed miniature Satsuma vase with (8) decorated panels; a signed miniature Satsuma vase decorated with a pair of farmers; a signed miniature cobalt blue Satsuma vase with a tapered neck, landscape scene, and gold accents; a square signed miniature cobalt blue Satsuma vase with (4) decorated panels containing beauty's and flora; a repaired miniature cobalt blue Satsuma vase with (2) decorated panels containing flora; a Japanese cloisonne ginbari style pigeon blood vase with a floral motif; a Japanese ginbari style blue cloisonne vase with a floral motif; a Japanese ginbari style blue cloisonne vase with a floral motif; a pair of Asian cloisonne lidded vessels; an Asian cloisonne censor of a dragon/turtle on a wood base; (3) Asian cloisonne vases; an Asian lidded cylindrical form box; and an Asian cloisonne jardiniere with (2) panels decorated with cranes. From a Yonkers, NY estate. Dimensions: jardiniere measures approx. 8" in dia. Condition: Good with light surface scratches and minor dings/dents.
• MENELAOS KATAFYGIOTIS
  MENELAOS KATAFYGIOTIS (GREECE,1926-1997). Oil on Canvas. Farmers. Signed to lower right. From an Astoria, Queens, NY estate. Dimensions: 30" h x 24" w. Condition: Good. Craquelure throughout.
• 1792 GEORGE WASHINGTON LETTER, TO
  1792 GEORGE WASHINGTON LETTER, TO JOHN SINCLAIR, UNFRAMED In secretarial hand other than Washington's signature at end, on thin blue paper. Written from Philadelphia on October 20th, 1792. Thanking the recipient for pamphlets sent about livestock breeding, saying he has no time to deal with such things, but that he will pass them along to those who might. Farmers commiseration. 11" x 8" bifold sheet, glued to album page, wrinkled. Loose, in folio.
• ANTIQUE CHINESE CELADON JADE
  ANTIQUE CHINESE CELADON JADE 3-PANEL SCREEN Likely Qing Dynasty (1644 - 1912), parcel gilt carved pale green semi-translucent jade, gilt bronze frame, the obverse decorated with a vast landscape with river barge, farmers and scholar with child, the reverse with poetic inscriptions, 9.5"h x 12"w (total)
• 2 CHINESE WATERCOLOR ON SILK
  2 CHINESE WATERCOLOR ON SILK PAINTINGS Two Chinese watercolor on silk paintings, including a well costumed noblewoman and a dual panel work depicting farmers with oxen fording a river; 20"H 14"W and 16"H 21"W
• ITHACA DOUBLE-DIAL CALENDAR SHELF
  ITHACA DOUBLE-DIAL CALENDAR SHELF CLOCKITHACA DOUBLE-DIAL CALENDAR SHELF CLOCK, Ithaca Calendar Clock Co., Ithaca, New York, 'Farmers No. 10' model, c. 1880, walnut case with crest, 26-1/8"H. Lot includes pendulum and key.
• (5) Pcs from local artists
  (5) Pcs from local artists including Delaware and Pennsylvania, "Memorial Hall University of Delaware", watercolor, signed "H.C. Meier"; "Farmers Bank, Wilmington, DE", ink and watercolor, signed "Wm. Renzulli"; "Diamond Rock School", offset lithograph, signed "Edward L. Loper"; largest framed size 16-1/2" x 41-3/4", good condition
• CONTINENTAL SCHOOL (19TH CENTURY,),
  CONTINENTAL SCHOOL (19TH CENTURY,), LANDSCAPE WITH FARMERS AND OTHER FIGURES., OIL ON UNSTRETCHED CANVAS, 31.5” X 38.5”. UNFRAMED.CONTINENTAL SCHOOL, 19th Century, Landscape with farmers and other figures. Unsigned. Dimensions: Oil on unstretched canvas, 31.5" x 38.5". Unframed.
• ARTHUR BURDETT FROST
  ARTHUR BURDETT FROST (1851-1928)Autumn Woodcock Shooting, 1895 signed "A.B. Frost" lower right watercolor and gouache, 13 1/2 by 21 1/2 in. titled on The Old Print Shop, New York label on back Charles Porter Schutt, known to friends and family as Porter, was an avid sportsman with a keen appreciation for sporting art. Born in 1911 in Wilmington, Delaware, in 1935, he married Phyllis Moxham du Pont, daughter of Eugene E. du Pont. Under her father’s champion tutelage, she became an accomplished shot at an early age. Together, Porter and Phyllis shared a profound love of the outdoors, respect for nature, and enjoyment of the sport of shooting. They spent countless days hunting quail, woodcock, dove, duck, and wild turkey at her parents’ two expansive sporting properties, Kinloch Plantation, on the Santee River outside Charleston, South Carolina, and Napley Green, on the Chester River near Rock Hall, Maryland. In addition to attending and hosting organized shooting parties on the East Coast, the couple regularly traveled to Scotland and Spain to enjoy “walked up” days flushing out partridge, pheasant, and woodcock with other experienced guns. In the late 1960s, the Schutts purchased a large tract of land in Alabama where they envisioned a shooting plantation of their own. “Gallio,” the result, is a pristine forested property, shaped over forty years into a shooting paradise, and designed to provide and protect a perfect natural habitat for game birds. Though the walls at Gallio and at Dogwood, in Wilmington, were covered with Audubons and Frosts, “Autumn Woodcock” had a place of pride in Porter’s library above his desk as his favorite and most prized work of art. It was the perfect painting to appreciate while sitting, nursing a scotch, and planning the next shooting party or yearly trip to Scotland. To Porter and Phyllis, Frost’s incredible eye for detail and ability to capture the spirit of the moment trumped all others. Porter Schutt died in 1999, and “Autumn Woodcock” descended in the family until being offered today. A. B. Frost was born in Philadelphia in 1851, but spent his most prolific years in New Jersey. Considered one of the great illustrators of the “Golden Age of American Illustration,” he illustrated more than ninety books and produced thousands of illustrations for “Harper’s Weekly,” “Scribner’s,” and “Life” magazines. Frost’s illustrative work chronicles the mood and details of the daily life of farmers, hunters, and fishermen, as well as barnyards and pastoral motifs. By 1876, he was on Harper’s staff working on many books including “Tom Sawyer,” “Uncle Remus,” and “Mr. Dooley.” He also illustrated Theodore Roosevelt’s sporting book, "Hunting Trips of a Ranchman." Frost was an ardent sportsman who spent his summers and autumns fishing, rowing, and hunting ducks and snipe. He is best known for his hunting and shooting prints which capture the drama of sport in realistic, detailed settings. Frost lived much of his life at his estate, Moneysunk, in Convent Station, New Jersey. This work, “Autumn Woodcock,” is the original watercolor reproduced by Charles Scribner’s Sons in Frost’s "Shooting Pictures," a portfolio of twelve chromolithograph prints. It is considered one of the artist's most iconic and recognized works. Of the thousands of works that Frost is known to have produced, "Autumn Woodcock," with its excellent composition and superb condition, ranks right at the top. The work reveals Frost as one of the greatest illustrators of his generation. The hunter is perfectly positioned as the setters come across the woodcock by a brook, a Frost masterwork in every sense. As Henry M. Reed notes, “Every scene portrayed is one that each of us who has hunted with dog and gun has experienced - the setter staunchly on point, the gun ready, thumb on the safety, and heart pounding as we await the explosive fluttering of wings as the bird flushes...all of these are situations which the artist handles with such realism and familiarity that the viewer is placed squarely in the center of the adventure...The pointing dogs are magnificent - sneaky, noses moist and low, and their weightless balance, with forefoot raised, is perfection. The landscape backgrounds for the shooting pictures signify autumn, with grey morning mist behind the birches, the fallen leaves wet with morning dew...” Provenance: Charles Porter Schutt Collection, acquired from The Old Print Shop, New York Sarah S. Harrison Collection, by descent Renee du Pont Harrison Collection, by descent Literature: Henry M. Reed, "The A. B. Frost Book," Charleston, SC, 1993, p. 87, illustrated. Henry M. Reed, "The A. B. Frost Book," Rutland, VT, 1967, illustrated. Henry W. Lanier, "A. B. Frost The American Sportsman's Artist," New York, 1933, illustrated.
• ARTHUR BURDETT FROST
  ARTHUR BURDETT FROST (1851-1928)"With One Final Puff He Rolled Into the Trench," 1917 estate stamp "A B Frost" lower right ink wash, 17 1/2 by 12 1/2 in. Arthur B. Frost was born in Philadelphia in 1851, but spent his most prolific years in New Jersey. Considered one of the great illustrators of the Golden Age of American Illustration, he illustrated more than ninety books and produced thousands of illustrations for “Harper’s Weekly,” “Scribner’s,” and “Life” magazines. Frost’s illustrative work chronicles the mood and details of the daily life of farmers, hunters, and fishermen, as well as barnyards and pastoral motifs. By 1876, he was on Harper’s staff working on many books, including “Tom Sawyer,” “Uncle Remus,” and “Mr. Dooley.” He also illustrated Theodore Roosevelt’s sporting book, "Hunting Trips of a Ranchman." Frost was an ardent sportsman who spent his summers and autumns fishing, rowing, and hunting ducks and snipe. He completed hundreds of watercolors and oils of the New Jersey seaside. Frost is best known for his hunting and shooting prints which capture the drama of sport in realistic, detailed settings. Frost lived at his estate, Moneysunk, in Convent Station, New Jersey. A.B. Frost created this drawing as an illustration for the story "Wamble: His Day Out," which appeared in "Collier's Weekly" in 1917. Provenance: The Estate of the Artist Sotheby Parke Bernet, New York, Sale 3834, item 405, January 29, 1976 The Estate of Ann Dickinson Dale Literature: Samuel Hopkins Adams, "Wamble: His Day Out," Collier's Weekly, January 13, 1917, pp. 16-18, illustrated.
• Three Vietnamese Painted Panels,
  Three Vietnamese Painted Panels, 20th Century Consisting of a pair of lacquered 'birds and flowers' panels, signed 'Hoang Ngoc' (active mid 20th century); and a large lacquered panel of buffalo and farmers at sunset, signed largest 23.9 x 48 in — 60.8 x 122 cm
• VICTOR COOCHWYTEWA SILVER OVERLAY
  VICTOR COOCHWYTEWA SILVER OVERLAY CUFF FROM KOPAVIA sterling overlay wide sterling cuff by Native American Hopi artisan Victor Coochwytewa. The sterling overlay depicts a scene with a mesa in front of mountains with several farmers and a Kachina in the center. The bracelet is stamped on the interior with Victor Coochwytewa raincloud mark along with the Kopavi shop mark. Victor Coochwytewa (1922-2011) was one of the premier ground breaking Hopi artists. He used his knowledge of leather working to add additional texture to the newly developing Hopi overlay process which has become a feature of signature Hopi jewelry known today. Coochwytewa won top awards throughout his life that included the Heard Museum, the Santa Fe Indian Market, the Gallup New Mexico Intertribal Ceremonial, and the Museum of Northern Arizona. He started a working relationship with Kopavi in 1974 who went on to open Kopavi Gallery in 1976 in Sedona, Arizona. Victor Coochwytewa was a staple craftsman and many of his pieces were presented in the shop. Victor Coochwytewa has been quoted saying "Jewelry is my hobby; Corn is my work!” as he spent most of his time as a farmer. He knew the dependence that his crops had on rain and had a fascination with the rainclouds. He often drew on inspiration from his own life to depict the scenes in his jewelry. Metal: Sterling silver. Weight: 81.3 dwt. Measurements: The interior measures 2 1/4" x 1 11/16". It is 2" wide at the widest point. Markings: Raincloud hallmark, Kopavi Gallery hallmark, C symbol and Sterling. Condition Excellent condition.
• VICTOR COOCHWYTEWA SILVER OVERLAY
  VICTOR COOCHWYTEWA SILVER OVERLAY NECKLACE FROM KOPAVIA silver overlay necklace by Native American Hopi artisan Victor Coochwytewa. The necklace features five panels and a smooth oval chain link with a hook clasp. The silver overlay pictorials scenes depict farmers and growing corn / maize. The center panel depicts Kachin Mana; the Kachina Corn Maiden who purifies the women that grind corn for ceremonies. The necklace is stamped on the reverse with Victor Coochwytewa raincloud mark along with the Kopavi shop mark. Victor Coochwytewa (1922-2011) was one of the premier ground breaking Hopi artists. He used his knowledge of leather working to add additional texture to the newly developing Hopi overlay process which has become a feature of signature Hopi jewelry known today. Coochwytewa won top awards throughout his life that included the Heard Museum, the Santa Fe Indian Market, the Gallup New Mexico Intertribal Ceremonial, and the Museum of Northern Arizona. He started a working relationship with Kopavi in 1974 who went on to open Kopavi Gallery in 1976 in Sedona, Arizona. Victor Coochwytewa was a staple craftsman and many of his pieces were presented in the shop. Victor Coochwytewa has been quoted saying "Jewelry is my hobby; Corn is my work!” as he spent most of his time as a farmer. He knew the dependence that his crops had on rain and had a fascination with the rainclouds. He often drew on inspiration from his own life to depict the scenes in his jewelry. Clasp Type: Hook. Metal: Sterling silver. Weight: 69.3 dwt. Measurements: 17" long. The largest panel is 1 5/8" wide. Markings: Raincloud hallmark, Kopavi Gallery hallmark and C symbol. Condition Excellent condition