A few examples of appraisal values for
FELLER

• AFTER ALBERTO GIACOMETTI BRONZED
  AFTER ALBERTO GIACOMETTI BRONZED RESIN FLOOR LAMP After Alberto Giacometti (Swiss, 1901-1966) Bronzed Resin Floor Lamp, after the 1978 design for Nelson Rockefeller. 70" H x 8" Diameter. Keywords: Giacometti, Designer, Bronze, Floor lamp, 20th Century sculpture
• STUMPWORK AND NEEDLEWORK PICTURE,
  STUMPWORK AND NEEDLEWORK PICTURE, 19TH C.Stumpwork and needlework picture, 19th c. , depicting formal gardens surrounding a mansion, 9 1/2" x 12 1/2". A note taped to the back notes it was from the Rockefeller estate in Tarrytown, New York. Competitive in-house shipping is available for this lot. Condition: Losses to frame. Overall good condition
• 1. -The Flowering of American
  1. -The Flowering of American Folk Art, Jean Lipman and Alice Winchester, 1987, hard cover with dust jacket (excellent) 2. -The Index of American Design, Erwin O. Christensen, 1950, hardcover with plain dust jacket (good) 3. -American Folk Painters of Three Centuries, Hudson Hill Press/Jean Lipman & Tom Armstrong, 1st ed, 1980, soft cover (excellent) 4. -American Folk Painters of Three Centuries, Hudson Hill Press/Jean Lipman&Tom Armstrong, 1st ed, 1980, hard cover, no dust jacket (good/excellent) 5. -Young Faces, Hirshl & Adler Folk, 1987, soft cover, excellent 6. -Images of Childhood- An Illustrated Social History, Anita Schorsch, 1979, 1st ed, hard cover, (dust jacket with some tears and losses) 7. -Little by Little, Nina Fletcher Little, 1998, soft cover (excellent) 8. -Michigan Folk Art, It’s Beginnings to 1941, Michigan State University, 1976, soft cover, 104pp (1 1?4 inch “bite” out of lower corner front cover) 9. -Metalworking Early America, Donald Fennimore, 1996, hardcover with dust jacket (small tear to dust jacket) 10.-American Expressions of Liberty, Mingel International Museum, 1996, hard cover with dust jacket (excellent) 11.-Young America, A Folk Art History, Lipman, Warren and Bishop, 1986, soft cover (excellent) 12.-American Folk Art, Expressions of a New Spirit, Museum of America Folk Art, 1982, hard cover with dust jacket (good) 13.-American Painted Furniture, Dean Fales, 1972, 1st ed, hardcover no dust jacket, occasional underlining of text in pen 14.-American Folk Portraits, Paintings and Drawings from the Abby Aldrich Rockefeller Folk Art Center, 1981, hard cover with dust jacket (good/excellent) 15.-American Folk Portraits, Paintings and Drawings from the Abby Aldrich Rockefeller Folk Art Center, 1981, hard cover with dust jacket (excellent)(another copy) 16.-America’s Quilts and Coverlets, Carleton Safford and Robert Bishop, 1972, hard cover with dust jacket (excellent) 17.-Folk Art in Maine, Uncommon Treasures 1750-1925, Kevin Murphy ed, 2008, hard cover with dust jacket (good/excellent) 18.-American Naïve Paintings of the 18th and 19th Centuries, 111 Masterpieces from the Collection of Edgar William and Bernice Chrysler Garbisch, 1969, soft cover (good) 8/28/2023 19.-Weathervanes, Charles Klamkin, 1973, hardcover, no dust jacket (good) 20.-Weathervanes, Charles Klamkin, 1973, hardcover with dust jacket with minor losses 21.-Yankee Weathervanes, Myrna Kaye, 1975, 1st ed, hard cover with dust jacket (good) 22.-Yankee Weathervanes, Myrna Kaye, 1975, 1st ed, hard cover with dust jacket (good), (another copy) 23.-A Gallery of American Weathervanes and Whirligigs, Bishop and Coblentz, 1984, hard cover with dust jacket (excellent) 24.-American Antique Weathervanes, The Complete Illustrated Westervelt Catalog of 1883, A.B. & W.T. Westervelt, Dover, 1982, soft cover (2 page loose) 25.-Illustrated Catalog/Pricelist, Copper Weathervanes Manufactured by Thomas Jones, soft cover, 80 pp (excellent) 26.-Horsing Around, 19th Century Cast Iron Hitching Posts, Collection of Bill and Bunny Savino, 2008, soft cover (excellent) 27.-Northeast Auctions Catalog: The Collection of John Howland Ricketson III, May 29, 1993, soft cover (excellent) 28.-Litchfield County Furniture, 1730-1850, Litchfield Historical Society, 1969, soft cover (excellent) 29.-Pennsylvania Clocks and Clockmakers, George H. Eckhardt, 1955, hard cover with dust jacket with minor tear 30.-A Treasury of American Clocks, Brooks Palmer, 1967, hard cover with dust jacket (excellent) 31.-The Book of American Clocks, Brooks Palmer, 1974 printing, hard cover with dust jacket (excellent) 32.-English Sliver, Judith Banister, 1966, hardcover with dust jacket (excellent) 33.-Chinese Export Porcelain, An Historical Survey, Elinor Gordon ed, Antiques Magazine CT Transfer Fee $20
• GIACOMETTI STYLE GILT-RESIN
  GIACOMETTI STYLE GILT-RESIN 'LAMPADAIRE MODE LE GRANDE FEUILLE' FLOOR LAMPUnmarked. 5 ft. 9 1/2 in. x 7 1/2 in. diam. Note: This circa 1933-1934 design by Alberto Giacometti was reissued by Nelson Rockefeller in the late 1970's-1980's under the Nelson Rockefeller Collection (CNR) name, made by Excaliber Bronze (foundry). Rockefeller had only pieces from his collection reproduced. Condition In generally good condition. WiIl need to be rewired for use. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ALBERTO GIACOMETTI GILT BRONZE
  ALBERTO GIACOMETTI GILT BRONZE ANDIRONS Alberto Giacometti (Swiss, 1901-1966) pair of gilt bronze andirons, in a Modernist abstract shape, the original pair made in 1939 for the apartment of Nelson Rockefeller in Manhattan, impressed with manufacturers marks on back, dated 1985. 13" H x 12.5" W.
• BILL JACKLIN "ROCKEFELLER
  BILL JACKLIN "ROCKEFELLER SKATERS" OIL ON CANVAS Bill Jacklin (British, b. 1943) "Rockefeller Skaters VII," oil on canvas, 2006, signed and titled on canvas reverse, winter scene depicting ice skaters in New York City, bearing Marlborough Gallery label on reverse. Image: 20.25" H x 24" W; frame: 24" H x 28" W x 2" D.
• AMERICAN FOLK ART TEETER TOTTER.
  AMERICAN FOLK ART TEETER TOTTER. First quarter 20th century. Tin and wood with original paint. Two figures identified as "Ford" and "Rockefeller" with penciled comments about both on the base. 7"h. 9"w.
• (44) SPECTACULAR VENETIAN
  (44) SPECTACULAR VENETIAN ENAMELED GLASS SERVICE(lot of 44) Venetian enameled glass table service, early 20th c., an authorized replica after the original owned by Prince Torlonia of Rome, hand-blown thin glass, parcel gilt, with finely hand-painted polychrome enamel, depicting a procession of figures, a Roman emperor rides in a horse-drawn chariot, an attendant holding a sign reading S.P.Q.R (Senatus Populusque Romanus, The Senate and People of Rome), including: (11) tall chalices, 5.75"h, 3"diam, (12) short chalices, (one) with repair at top of stem, 5.25"h, 2.75"diam, (17) champagne saucers/ coupes, 4.5"h, 4"diam, (3) tazze, 7.25"h, 6.75"diam, (1) center or punch bowl, 10"h, 11"diam; 12.25lbs total * Provenance: "Paintings & Art, Property from the Estate of the Late Walter Jennings" at Public Auction, October 25, 26, 1949, Parke-Bernet Galleries, lot 14-17, held on the premises of Burrwood at Cold Spring Harbor, Long Island; to J.A. Moore, College Station, Texas, October 1949, to our consignor. *Note: The princes Torlonia are an Italian noble family from Rome who acquired a huge fortune in the 18th and 19th centuries through administering the finances of the Vatican. *Notes: "The Parke-Bernet auction catalog states: "The original of this exquisite service is owned by the family of Prince Torlonia of Rome, who gave his authorization to have this replica made". Walter Jennings (1858-1933), Vice President Standard Oil Company, nephew of John D. Rockefeller. Two photos of the Jennings "Burwood" home, built in 1899, are included in this listing**
• RAVENNA MOSAIC CO. COLORED GLASS
  RAVENNA MOSAIC CO. COLORED GLASS AND FOIL PANEL, ATTRIBUTED TO ARNO HEUDUCKPreviously mounted as a table, now fitted with a hanging implement. 31 x 30 1/2 in. Note: Paul Heuduck (1882-1972) and his son Arno (1917-1989) emigrated from Germany to American in 1923 at the behest of his employer, the Berlin mosaic and art glass firm Puhl-Wagner. The Heuducks were the mosaicists responsible for the manufacture and installations of most of the mosaics in the Basilica in St. Louis, MO. The Ravenna Company was founded primarily to work on the Byzantine glass mosaics which were to fill the new St. Louis Basilica. Many of Ravenna's important early commissions were executed in New York and St. Louis. The early commissions in New York include Rockefeller Center, St. Bartholomew's Episcopal Church and Temple Emanu-El. Condition Nicks, wear and minor losses and replacements throughout. Chips and wear to the frame. Holes on the reverse to accommodate the former table legs with minor oxidation. Good quality. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• PAIR OF GEORGE III MAHOGANY
  PAIR OF GEORGE III MAHOGANY ARMCHAIRS, IN THE CHINESE CHIPPENDALE NEO-GOTHIC TASTEFitted with upholstered needlepoint seats. 37 3/4 x 25 x 24 in., height of seat 18 in. Note: A similar set of chairs with carved gothic arches and quatrefoil decoration were sold at Christie's, NY, The Collection of Peggy and David Rockefeller, May 8, 2018, Lot 128. This is the lot essay which accompanied the lot: 'These chairs were likely inspired by the designs of Thomas Chippendale, the most influential cabinet-maker of the 18th century. The third edition of Chippendale's pattern book for furniture design, The Gentleman & Cabinet-Maker's Director , 1762, includes illustrations for chair backs with related pierced gothic arches (plate XVII0, and similar blind fret-carved legs (plate XXVII). Additional patterns for chairs uniting classical and gothic elements were published by Robert Manwaring in The Cabinet and Chair-maker's Real Friend and Companion, 1765 and The Chair-Maker's Guide, 1766 as well as in his contribution to A Society of Upholsterers, Genteel Household Furniture in the Present Taste, circa 1765 (E. White, Pictorial Dictionary of British 18th Century Furniture Design, Woodbridge, 1990 pp. 69, 72-74 and 77-81). Other features, such as the use of bold nailing patterns, are featured in Thomas Malton's Compleat Treatise on Perspective, 1775 (e. White, op cit. , p. 85). A set of six dining chairs with similar pierced backs, probably from the collection of the Meade Walso family of Hever Castle, Kent, sold Christie's, New York, February 7-8, 2017, lot 10. Condition Handsome and beautifully carved model. On both chairs seams are slightly separating between crest rail and back splat. The blocks on either side of the splats where they meet the seat are lifting. There are wormholes on underside of seats. One chair has an old break to the two uprights approx. 5 inches down from the crest which have been repaired. Old repaired break to the arms where they join the upright, scroll and seat on same chair. The two side fretwork brackets have been damaged. The other chair with evidence of the crest having been repaired approx. 2 1/2 inches down, with arms also having been repaired and two side fretwork brackets are broken. Structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• AFTER ELI NADELMAN: BULLBronze on
  AFTER ELI NADELMAN: BULLBronze on marble base, unsigned, 1982; together with a certificate of reproduction from the Nelson Rockefeller Collection, numbered '53/200'. 8 1/4 x 11 x 4 1/4 in. Condition Minor wear and in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JEWELRY. IBRAM LASSAW (EGYPT/NEW
  JEWELRY. IBRAM LASSAW (EGYPT/NEW YORK, 1913-2003). Signed Ibram Lassaw pendant on necklace. With etched signature of Lassaw verso. By Lassaw estate provenance, "Lot 544 appears to have several metals - because it is so oxidized its hard to be exact but I would say there is bronze, silicon bronze, and perhaps phosphor bronze and nickel-silver... The only similar pendant I can find is a necklace (with chain) create for Mary Rockefeller in 1952. So it is most likely that 544 was originally sold by Kootz Gallery in the early 50s". From a Westchester, NY estate. Dimensions: pendant measures approx. 4" w x 3.5" h. Condition: Good. Needs to be cleaned/polished with several areas with blue residue.
• GROUP OF BOOKS RELATING TO THE
  GROUP OF BOOKS RELATING TO THE ROCKEFELLER FAMILYComprising: Two biographies of Abby Aldrich Rockefeller Two copies Affectionately Yours, The Personal Letters of John D. Rockefeller Jr. and Marilyn Milton Simpson Memories of David Meriwether Milton, February 22, 1900-July, 6, 1976 Toward the Well-Being of Mankind, 50 Years of The Rockefeller Foundation Catalog of The Nelson A. Rockefeller Collection, Masterpieces of Primitive Art Catalog of The David and Peggy Rockefeller Collection, vol. V Catalog of 20th Century Art From the Nelson Aldrich Rockefeller Collection Catalog of American Art, An Exhibition from the Collection of Mr. and Mrs. John D. Rockefeller 3rd 12 1/2 x 9 in., (9 pcs). Condition Various levels of wear, scattered staining. Most in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• MISCELLANEOUS GROUP OF MUSEUM AND
  MISCELLANEOUS GROUP OF MUSEUM AND EXHIBITION CATALOGUESApproximately 30 books. Including: Sotheby's New York, Contemporary Art Evening Auction, May 12, 2015 Christie's, The Collection of Peggy and David Rockefeller, Volume I, May 8, 2018 Art & Science: Works from the Collection of the Museu Nacional de Arte Antiga The Barakat Gallery: A Catalogue of the Collection, Volume I Pinault Collection, Numero 9, Octobre 2017/Mars 2018 The largest 12 x 9 1/4 x 1 1/4 in. Condition Overall good condition with some losses and nicks to the spines and covers. No additional information available for this lot.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• MISCELLANEOUS GROUP OF BOOKS ON ART
  MISCELLANEOUS GROUP OF BOOKS ON ART AND DESIGNApproximately 15 books. Including: Marc Vellay and Kenneth Frampton, Pierre Chareau Oberto Gili and Marella Caracciolo Chia, Domus: A Journey into Italy's Most Creative Interiors Noritsugu Oda, Danish Chairs Kathryn Smith, Frank Lloyd Wright's Taliesin and Taliesin West Anne Rockefeller Roberts, The Rockefeller Family Home, Kykuit The largest 12 1/4 x 9 3/4 x 1 1/4 in. Condition Various levels of wear, some with losses and soft creasing to the pages and the covers. A few with scattered foxing or tiny nicks to edges. No further information is available for this lot.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HENRY SUGIMOTO (1900-1990): PINE
  HENRY SUGIMOTO (1900-1990): PINE TREES AND SUNWoodcut in colors on Japan, signed, titled and numbered 87/200 in pencil, with label from Collection Nelson A. Rockefeller. 20 1/2 x 15 in. (sight), 23 x 17 3/4 in. (frame). Condition A small stain lower right. Otherwise apparently in good condition. Not examined out of frame.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• FINE AND UNUSUAL GEORGE II MAHOGANY
  FINE AND UNUSUAL GEORGE II MAHOGANY WINDSOR ARMCHAIR40 x 30 1/4 x 26 1/2 in., height of seat 16 in. Note: A fine pair of George II Mahogany Hall Armchairs were sold in The Collection of Peggy and David Rockefeller, Christie's NY, May 9, 2018, lot 646 and sold for $52,500 hammer price. This is the essay which accompanied the chairs in the Christie's catalog: "This pair of hall armchairs relates very closely to a chair illustrated in Michael Harding-Hill, Windsor Chairs , London, 2003, p. 76, and to another similar chair exhibited by Whitney Antiques at the 1997 Grosvenor House Art and Antiques Fair. Although these chairs share similar constructional characteristics with provincial Windsor chairs, including turned spindles and solid seats, Windsor chairs are associated with more rural areas, such as the Thames Valley, where they would have commonly been fashioned from timbers such as ash, yew and elm. The use of finest mahogany for these grand chairs, coupled with the high quality of construction, suggests that these chairs were likely made by a major London cabinetmaker of the period. These chairs are similar to a group of armchairs with vase-capped splats which probably formed part of a larger set, one from the Collection of Professor Sir Albert Richardson, P.R.A., sold Christie's London September 18-19, lot 31 (32,500 GPB) and another sold Christie's London, April 22, 2004, lot 29, (45,410 GPB). These chairs are based on the designs of the Windsor chair and are related to a 1750s patter executed by Richard Hewett at Slough, (see N. Goyne Evans, 'A History and Background of English Windsor Furniture', Furniture History, 1979, pp. 24-53, pl. 84), although he is unlikely their enigmatic maker. A closely related set of fine mahogany armchairs, conceivably by the same maker, line the marble hall at Holkham Hall, the Norfolk seat of the Earls of Leicester. A further pair of related George II mahogany armchairs was sold Sotheby's New York, April 11-12, 1997, lot 751 ($46,000)." Condition Small repair to the top crest, one spindle replaced. Old repair to the right armrest support with age cracks, staining and scuffing to the seat. Old repairs to the seat on the front corners. Structurally sound, grand in scale. Fine quality.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JOHN D. ROCKEFELLER, AUTOGRAPHED
  JOHN D. ROCKEFELLER, AUTOGRAPHED PHOTOGRAPH c. 1933, signed "John D. Rockefeller" on verso and inscribed "A very fine likeness of a friend of many years--taken in his ninety fourth year--yours cordially J. [illegible]", with the stamp of Rockefeller's personal press cameraman, "C [Curt]. E. Engelbrecht, Ormond Beach, Fa.", signature has not been authenticated and is not guaranteed, 9.625"h x 7.5"w
• JOHN JOSEPH ENNEKING 'SPRING
  JOHN JOSEPH ENNEKING 'SPRING LANDSCAPE O/CB John Joseph Enneking (American 1841-1916), 'Spring Landscape', 1901, oil on canvas laid to board, depicting a spring scene of blossoming trees in the foreground and a small valley in the background, signed and dated to lower right, in a gilt frame. Pierce Galleries label en verso indicating artwork appears in the Pierce Catalogue Raisonne, number IV-A-183.1. Provenance: Christie's Rockefeller Center, September 15, 2005, Lot 1554; Pierce Galleries, North Abington, MA. Approximate dimensions: canvas h. 22.375", w. 30.125"; frame h. 28.5", w. 36.25", d. 2.375" to canvas
• HUGH BOLTON JONES 'SHEEP IN THE
  HUGH BOLTON JONES 'SHEEP IN THE VALLEY' O/C Hugh Bolton Jones (American, 1848-1927), 'Sheep in the Valley', oil on canvas, depicting a pond in the foreground with sheep in a valley amongst a mountain background, signed to lower left, in an ornate frame. Provenance: Christie's New York, Rockefeller Center, Fine American Paintings, Drawings & Sculpture, September 15, 2005, Lot 80. Approximate dimensions: canvas h. 20", w. 30"; frame h. 25.125", w.35.125", d. 2.25" to canvas
• THOMAS SULLY 'PORTRAIT OF A
  THOMAS SULLY 'PORTRAIT OF A CHILD' O/C Thomas Sully (American / English 1783-1872), 'Portrait of a Child', oil on canvas, depicting a seated child next to an urn with flowers, signed with initials 'ES' and dated indistinctly 18** to lower left, framed. Provenance: The Estate of Fred Bentley Sr.; Acquired Christie's Rockefeller Center, January 19, 2000, Lot 5; The Collection of the late Elsa Woolworth Miller, Cleveland, Ohio; Kende Galleries at Gimbel Brothers, New York, October 14, 1944, lot 77; R.C. and N.M. Vose, Boston. Approximate dimensions: canvas h. 29.5", w. 24.75"; frame h. 36.5", w. 31.5", d. 2.75"
• EASTMAN JOHNSON 'SUGARING OFF: A
  EASTMAN JOHNSON 'SUGARING OFF: A STUDY' MM/PAPER Eastman Johnson (American 1824-1906), 'Sugaring Off: A Study', ca. 1861-1864, pencil and chalk on laid paper, initialed to lower left, framed. Provenance: Christie's New York, Rockefeller Center, May 20, 2009, American Paintings, Lot 77. Approximate dimensions: sight h. 12", w. 18.25"; frame h. 26.5", w. 30", d. 1.375"
• Percival Rosseau sporting
  Percival Rosseau sporting lithograph print of two retrievers, pencil signed, signed verso "To James Stillman Rockefeller Engagement Print Xmas 1927, PCR". 14" x 22.5" ss / 23.5" x 30" oa Condition: Not examined out of frame.
• LATE LOUIS XVI PROVINCIAL
  LATE LOUIS XVI PROVINCIAL BRASS-MOUNTED MAHOGANY COMMODEFitted with a molded marble top with rounded corners. 33 x 39 x 18 1/2 in. The Collection of a Rockefeller Family’s Parish-Hadley Designed Home Condition Scattered staining and scuffing to the marble top. Evidence of old worming and age splits to the side panels. Handles replaced with a patch on the top drawer with scattered scuffing and staining. Drawers lined with paper. Structurally sound. Charming model. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• WILLIAM ZORACH, (AMERICAN,
  WILLIAM ZORACH, (AMERICAN, 1887-1966), FATHER AND SON, PRESSED TERRACOTTA, HEIGHT: 6 1/2 IN., LENGTH: 9 IN., WIDTH: 4 1/4 IN.WILLIAM ZORACH, (American, 1887-1966) Father and Son, pressed terracotta signed Zorach on base pressed terracotta Dimensions: height: 6 1/2 in., length: 9 in., width: 4 1/4 in. Provenance: The Downtown Gallery; The Collection of Laurance Rockefeller; by descent within the family. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• WILLIAM ZORACH, (AMERICAN,
  WILLIAM ZORACH, (AMERICAN, 1887-1966), COMING STORM, 1948, WATERCOLOR ON PAPER, 14 1/2 X 21 1/2 IN., FRAME: 28 1/4 X 33 1/2 IN.WILLIAM ZORACH, (American, 1887-1966) Coming Storm, 1948, watercolor on paper signed William Zorach lower right and titled verso 1948, watercolor on paper Dimensions: 14 1/2 x 21 1/2 in., frame: 28 1/4 x 33 1/2 in. Provenance: The Downtown Gallery, New York; The Collection of Laurance Rockefeller; by descent within the family. Other notes: The Downtown Gallery, New York, label verso. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• WILLIAM ZORACH, (AMERICAN,
  WILLIAM ZORACH, (AMERICAN, 1887-1966), MOUNTAIN STREAM, 1920, WATERCOLOR ON PAPER, 20 X 13 1/8 IN., FRAME: 29 1/4 X 22 3/4 IN.WILLIAM ZORACH, (American, 1887-1966) Mountain Stream, 1920, watercolor on paper signed William Zorach lower right 1920, watercolor on paper Dimensions: 20 x 13 1/8 in., frame: 29 1/4 x 22 3/4 in. Provenance: The Collection of Laurance Rockefeller; by descent within the family. Condition: Somewhat faded. Minor mat burn. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Sterling Dorado Beach Golf and
  Sterling Dorado Beach Golf and Tennis Club Medal, Medallic Art Co., Laurance S. Rockefeller Trophy Event, 5.8 TO 2 7/8" dia in fitted case
• NEWBOLD HOUGH TROTTER
  NEWBOLD HOUGH TROTTER (1827-1898)Three Dogs on Point signed "N.H. Trotter" lower right oil on canvas, 18 by 24 in. Depicting a pointer, Irish setter, and Gordon setter with haystacks in the background. An excellent example of the artist's work, Three Dogs on Point represents one of the artist's master dog works. Provenance: Collection of Geraldine Rockefeller Dodge, Sotheby Parke Bernet, October 31, 1975, Sale 3802, Lot 40 The Estate of Ann Dickinson Dale
• PERCIVAL ROSSEAU (1859-1937)Pair of
  PERCIVAL ROSSEAU (1859-1937)Pair of Aces, 1921 signed and dated "Rosseau 1921" lower right oil on canvas, 12 1/2 by 19 1/2 in. Percival Rosseau was born near Baton Rouge, Louisiana, in 1859. Although considered a premier painter of sporting dogs, he did not pick up a paintbrush until the age of thirty-five. After leaving an eclectic business career, including stints as a cowboy and a lumberjack, he sailed to Paris to attend the Académie Julian. His entry at the 1904 Paris Salon, a painting of a pair of Irish wolfhounds, gained him pivotal acclaim. He returned to the United States where he found a ready market for his work among wealthy sportsmen and received many commissions from first-rate breeders of pointers and setters. Rosseau’s best works capture the tense action of hunting dogs and depict them in romantic landscapes. Among these patrons was Percy Rockefeller, nephew of oil tycoon John. D. Rockefeller and a successful businessman in his own right. Along with several investors, Rockefeller built Overhills, a private hunt and country club with stables and kennels in Cumberland County, North Carolina. He kept a cottage on the property for Rosseau to use when he traveled to the state, and the artist painted there throughout the 1920s and 1930s. Dog historian A. F. Hochwalt writes, “Eventually such men as Samuel G. Allen, Harry D. Kirkover and others who own high class shooting dogs began to cultivate his acquaintance, for artists who can portray the pointer and the setter, as he really appears in the field, those who are able to transfer to canvas an actual hunting scene where the dog is not a mere caricature, are few and far between the world over, but particularly so here in America." Rosseau’s debt to the Barbizon tradition is apparent in “Pair of Aces" with its softly defined brushstrokes, rich colors, and pastoral setting. This exceptional, small work is one of the artist's true gems.
• 4pcs FELLERMAN Art Glass Pendant
  4pcs FELLERMAN Art Glass Pendant Lamps. Glass Shades. Dimensions: H: 14 inches: W: 9 inches: D: 9 inches --- Condition: Dusty could use some cleaning.
• CHINESE PROSPERITY FIGURES PAIR,
  CHINESE PROSPERITY FIGURES PAIR, ROCKEFELLER COLLECTIONA pair of Chinese carved wooden figures of prosperity, measuring 21" x 10" x 5" and 17" x 10" x 4 1/2". Both carvings bear a metal plaque to the underside noting that they were a part of the 2018 Christie's "Sale of the Century": the estate of Peggy and David Rockefeller. The pair of figures were a gift from ambassador Everett Drumright to the Rockefellers on their 1958 trip to China. When the 2018 Rockefeller auctions concluded, the Rockefeller estate set the world record for the highest total price achieved at auction by any single collection. Condition One of the figures has a chipped corner to the base and a small area of rubbing to the back. Some cracking to each as is inherent to the material.
• SCOTT MUTTER (AMERICAN,
  SCOTT MUTTER (AMERICAN, 1944-2008) 14 ¼" x 9 ¼" image size Rockefeller with car, #7, 1986. Photomontage, gelatin silver print, signed and numbered in pencil under image, matted under glass in thin metal frame, overall 22-1/14" x 18".
• THREE SHELVES OF CASED AND SIGNED
  THREE SHELVES OF CASED AND SIGNED BASEBALLS INCLUDING ALBERT PUJOLS Three shelves of cased and signed baseballs including Albert Pujols, Coco Crisp, Mark Piazza, Mark Kotsay, Bud Selig, one ball with signatures by Bob Feller, Gaylord Perry, Tony LaRussa, David Bell, etc., one ball signed by Peter Ueberroth, and A. Bartlett Giamatti, signed on an official 1988 World Series baseball, etc. Provenance: Louise Irvin Jones Estate, the most senior ticket holder at The Colosseum, since 1973
• (LOT OF APPROX. 30) BASEBALL
  (LOT OF APPROX. 30) BASEBALL GROUP (lot of approx. 30) Baseball group, many bearing signatures including Wade Boggs, Mike Stanley, Jason Kendall, Mike Soioscia, Sandy Alomar, 2004 A's Golf Torny, Mark Mulder, Barry Zito, Peter Gammy, Andy Duddlec, Tod Von Popel, Pacbell Giants 2000 opening day, several blanks including (2) labeled 1989 Regulation Blank World Series, Pete Rose, Retired As players, Pat Olsen, Walt Weiss, Jim Kaat, Johnny Mize, Bob Feller, Hank Sauer, Bob Montgomery, etc, together with a Topps Stadium Club Special Stadium Set 1992 edition Provenance: Louise Irvin Jones Estate, the most senior ticket holder at The Colosseum, since 1973
• FOUR SHELVES OF REFRENCE BOOKS Four
  FOUR SHELVES OF REFRENCE BOOKS Four shelves of refrence books, including Silks of Central Asia, Rockefeller Collection of The Asmat, Indonesian textiles, The Art of East Asia, To Speak With Cloth, etc.