A few examples of appraisal values for
FERN COPPEDGE

• FERN ISABEL COPPEDGE (american
  FERN ISABEL COPPEDGE (american 1883-1951) FARM BUILDINGS WITH A TREE IN THE FOREGROUND Signed 'F. Coppedge' bottom right, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Buckner's Art Shop, Topeka, Kansas. ,000-12,000 Condition Summary: The painting is in very good condition both aesthetically and structurally. It has very little restoration. UV reveals one small area of retouching that corresponds to a paper label or patch attached to the back of the canvas. There is a discolored natural resin varnish on the painting and the paint layer has a fine network of age cracks that correspond to quilting on the back of the canvas. The paint layer is currently stable. The stretcher is period and likely original.
• Fern Isabel Coppedge (Pennsylvania,
  Fern Isabel Coppedge (Pennsylvania, 1868-1951) Prague, Summer 1925, signed lower left "Fern I. Coppedge", oil on canvas board, 10-1/8 x 12 in.; original 20th century gilt wood frame,
• PAINTING, FERN COPPEDGE Fern
  PAINTING, FERN COPPEDGE Fern Coppedge (American, 1883-1957), "Autumn," oil on canvas, signed and titled on upper stretcher bar, title label affixed verso, accompanied by period Newcomb Macklin frame, canvas: 20"h x 18"w, overall (with frame): 23.5"h x 21.5"w
• Fern I Coppedge Oil Painting
  Fern I Coppedge Oil Painting Landscape On BoardDepicting a snowscape scene with houses on hills and a river in the foreground signed LR Fern I. Coppedge 1883 - 1951 American artist 19'' H x 17.5'' W sight 24.5'' H x 22.5'' W frame
• FERN ISABEL COPPEDGE (american
  FERN ISABEL COPPEDGE (american 1888-1951) "PIGEON COVE" Signed 'Fern I Coppedge' bottom center left, signed on frame verso, inscribed with title on stretcher verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Private Collection, Virginia. ,000-40,000 Excellent original condition.
• FERN ISABEL COPPEDGE (american
  FERN ISABEL COPPEDGE (american 1883-1951) HOUSES IN THE SNOW Signed 'FERN I. Coppedge' bottom right, oil on canvas 13 3/4 x 15 5/8 in. (34.9 x 39.7cm) provenance: Private Collection, New York. ,000-15,000 Minor puncture in canvas between branches of tree upper left (just visible in photo). Minor pinhead sized losses in tallest tree in background upper right (just visible in photo). Minor cracking. Surface is dirty. Generally in excellent original condition.
• FERN ISABEL COPPEDGE (american
  FERN ISABEL COPPEDGE (american 1883-1951) 'THE PAUNNACUSSING CREEK AT CARVERSVILLE' Signed 'Fern Coppedge' bottom right, inscribed and dated 'The Paunnacussing Creek at Carversville, Pa, Bucks County, Jan, 1924' verso, oil on canvas laid on board 12 1/4 x10 1/4 in. (31.1 x 26cm) in a Gill & Lagodich frame provenance: Private Collection, Main Line, Pennsylvania. ,000-50,000 Appears to have been cleaned. Excellent original condition.
• Robert Fowler (Scottish,
  Robert Fowler (Scottish, 1853-1926), Knar
• Ben Foster (Connecticut/New York,
  Ben Foster (Connecticut/New York, 1852-1926), \"Flock of Sheep at Dusk\", signed lower left \"Ben Foster\", oil on canvas, 17 x 23-1/8 in., fine 19th century gilt wood and composition frame,
• FRED HOLSCHUH, BRUTALIST STYLE
  FRED HOLSCHUH, BRUTALIST STYLE COPPER FROG 1969 George Frederick Holschuh (America, 1902-1995). "Frog" -1969, copper. Signed and dated on back foot. Approx. h. 9.25", w. 21", d. 14".
• COPLEY FIELDING 1787-1855
  COPLEY FIELDING 1787-1855 "NORWEGIAN GORGE" W/CCopley Fielding, British, 1787 - 1855, "Norwegian Gorge", watercolor, signed faintly lower left. (JTEX9694)(TC) Dimensions: 8 x 11, framed 19x22 Condition: obviously faded, a little rubbing upper right
• * (FORE EDGE PAINTING) FOSTER
  * (FORE EDGE PAINTING) FOSTER BIRKET illust. Poems by Thomas Hood. London: E. Moxon Son 1872. 4to red morocco decorated and lettered in gilt a.e.g. Fore edge painting of pastoral scene. Illustrated with numerous engravings throughout. Rubbing to boards with chipping to edges; intermittent foxing; offsetting from engravings.
• Floyd D. Hopper (American,
  Floyd D. Hopper (American, 1909-1984) cool landscape; watercolor on paper; 21 1/2" x 29 1/2"; signed lower right.
• FRED HOLSCHUH, BRUTALIST STYLE
  FRED HOLSCHUH, BRUTALIST STYLE COPPER FROG 1969 George Frederick Holschuh (America, 1902-1995). "Frog" -1969, copper. Signed and dated on back foot.
• George Cope, American, 1855-1929,
  George Cope, American, 1855-1929, o/b, Florida Lake Landscape, 6" x 9 1/4", signed and dated '98, 3 corners of the board had damage at one time that has been restored. Those areas have been painted in on the front. The upper right corner shows the most, a triangular area about 5/8" x 3/8" on the sides. No inpainting through the center apparent under blacklight. In an appropriate c. 1900 frame. Estimate $10,000-15,000
• G. Howard Hodge wide-brimmed hat
  G. Howard Hodge wide-brimmed hat
• ATTRIBUTED TO FERN ISABEL
  ATTRIBUTED TO FERN ISABEL COPPEDGE (AMERICAN, 1883 - 1951) 6" x 5" Pair of Winter Landscapes. Oil on board paintings, unsigned, in gold tone frames, overall 7 ½" x 6 ½". Provenance: From the Estate of Blanche Greer (American artist, labels verso). Each frame stamped with the Blanche Greer stamp in the upper left.
• (MOUNTAINEERING) GROVE F. C. The
  (MOUNTAINEERING) GROVE F. C. The Frosty Caucasus. London: Longmans Green 1875. 8vo quarter morocco over pebbled boards title in gilt to spine. With frontispiece four wood engravings folding color map and single advertisement leaf at rear. First edition. Rebound; rubbing to boards with loss to edges and corners; hinges cracked; brownspotting heaviest at title page and endpapers; bookplates tipped to f.f.e.p and front pastedown.
• FREDY HOPF (SWISS, 1875 - 1943),
  FREDY HOPF (SWISS, 1875 - 1943), CASTLE FOYER, OIL ON C...Fredy Hopf (Swiss, 1875 - 1943), Castle Foyer, oil on canvas laid on Masonite, signed lower right: F. Hopf; 18 1/2" x 14 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• PEGGE HOPPER, RECLINING WOMAN
  PEGGE HOPPER, RECLINING WOMAN WITH FANPegge Hopper (California/Hawaii, 1936-)Reclining woman with fanscreen print in colors on wovelimitation and signed 184/284 Pegge Hopper in pencil to lower print surface; printer's chop mark to to rig
• FERN ISABEL KUNS COPPEDGE
  FERN ISABEL KUNS COPPEDGE (AMERICAN/NEW HOPE SCHOOL, 1883 - 1951) 14 ¼" x 13 ¼" "First Snow". Oil on canvas, signed lower left corner, titled verso of stretcher, in gilt wood frame. Newman Galleries, Philadelphia, label verso, overall 20" x 19".Provenance: Newman Galleries Philadelphia, New York private collection.
• Fern Isabel Coppedge (American
  Fern Isabel Coppedge (American 1883-1951) oil on canvas winter landscape titled The Delaware Valley signed lower right 24" x 24". ?
• STEVE FERGUSON (B. 1946) "PIPER
  STEVE FERGUSON (B. 1946) "PIPER CUB"Steve Ferguson (American, B. 1946) "Piper Cub" Signed lower left. Original Mixed Media on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 32c Cub Classic Collection Series stamp issued July 19, 1997. In 1937 the Taylor Aircraft Company was reorganized as the Piper Aircraft Corporation at Lock Haven, Pennsylvania, with William T. Piper as president. The company was soon producing a light, high-wing monoplane called the Piper Cub. By the end of 1941, Piper had manufactured 10,000 of the popular side-by-side, two-seater planes. During World War II, the Cub, which could fly at grasstop height and land almost in its own length, was turned out by the thousands to meet the demand for frontline observation aircraft. Known in the military as L-4Bs -- or Grasshoppers -- the 65hp Cubs were even being fitted with bazooka rockets by 1944 for use as "tankbusters." Image Size: 16.25 x 14 in. Overall Size: 20 x 15 in. Unframed. (B15609) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• F.K. Hoppe (Dutch early 20th c.)
  F.K. Hoppe (Dutch early 20th c.) "Children Playing on the Frozen River" oil on canvas 19 3/4 in. x 27 3/4 in. framed; together with Dutch School late 19th/early 20th c. "Cottage by the Windmill Stream" oil on canvas illegibly signed lower right 16 in. x 19 3/4 in. in a cove molded carved and gessoed wood frame.
• FRED FELLOWS (1934- ), WINTER
  FRED FELLOWS (1934- ), WINTER CAMP ON BEAVER CREEK Fine Art
• Tom Ferguson (20th century) Star
  Tom Ferguson (20th century) Star Flowers silver gelatin print 10 x 13 1/2 inches.
• Francis M Trappes (fl. 1868-1885)
  Francis M Trappes (fl. 1868-1885) oil on canvas Haymaking near Theydon Bois Essex monogrammed and dated 1879 20 x 36in. Estimate ?1 200-1 800 Oil on canvas which has been cleaned relined approx 20-30yrs ago canvas still in good tight condition with a fine but stable craqleur running through the paint. Possibly a v.small area of blue overpainting on the horizon on the left side but otherwise no other over painting noted. Monogrammed and dated lower left. In a later gilt scroll frame which is in good order. Comes for sale of the estate of a local picture dealer. FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?1 600
• 20th c. folk art drawing. Sight
  20th c. folk art drawing. Sight 10'' x 10''.
• Francis E. Getty (American
  Francis E. Getty (American 1861-1945) gouache landscape with covered bridge signed lower right elaborate gilt Foster Brothers frame with maker's plaque #64/5049 (4'' deep frame) ss: 27 1/2'' h. x 22 1/2'' w.
• Woody Gruber American "Edward
  Woody Gruber American "Edward Hopper Landscape" etching signed "Woody Gruber" lr 8 1/2 x 11 3/4 in., framed
• George Cope, 1855-1929, Chester
  George Cope, 1855-1929, Chester County, PA, 9" X 12" O/C, Florida Lake Landscape, excellent condition, inscription verso Estimate $3,000-5,000
• CHARLES GEORGE COPELAND
  CHARLES GEORGE COPELAND (1858-1945)Fox, 1907 signed "Charles Copeland" lower right charcoal and pencil, 15 1/2 by 10 3/4 in titled "Standing with One Forefoot Raised, Listening Intently" on label on back Provenance: The Estate of Ann Dickinson Dale Literature: William J. Long, "Whose Home in the Wilderness," Boston: Ginn & Co., 1907, p. 127, illustrated.
• Early double footman (Hubley)
  Early double footman (Hubley) painted doorstop signed ''Fish''. 13'' Ht.
• GENE KLEBE (ME, 1907-2009) Foggy
  GENE KLEBE (ME, 1907-2009) Foggy Harbor with Lobster Boats, watercolor on paper, signed lower right, in cove 'barnwood' frame wth white liner, linen mat, glazed, OS: 23" x 28", SS: 13" x 18 1/4", good condition.
• C. 1900's painted wooden folk art
  C. 1900's painted wooden folk art grasshopper garden figure. Found in Springfield Mass. 17'' Length 9'' Ht.
• BEVERIDGE I. MOORE (1915-2004)
  BEVERIDGE I. MOORE (1915-2004) "FOXGLOVES" Signed bottom right, 1989, oil on canvas 24 X 36 3/4 in. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.