A few examples of appraisal values for
FIRST DAYLIGHT

• BRUCE CHEEVER (1958-), FIRST
  BRUCE CHEEVER (1958-), FIRST LIGHT Title: Bruce Cheever (1958-), First Light Medium: oil on linen on panel Dimensions: 30 x 42 1/8 Frame dimensions: 38 3/4 x 50 5/8 x 2 5/8 Notes: “The golden light of dawn strikes the highest ramparts of a foreboding world, as a hunting party readies themselves in camp for a new day ahead. This painting is about catching the sweet light, that is all too fading.” — Bruce Cheever
• CRAIGHEAD & KINTZ "DAYLIGHT"
  CRAIGHEAD & KINTZ "DAYLIGHT" LAMPCraighead & Kintz "Daylight" Lamp, 19th c., font marked "THE DAYLIGHT/C&K", chipped-ice jeweled shade, griffin handles, scroll base, electrified, h. 16 1/2 in., w. 9 in., d. 8 in
• Sundry First Day covers, two albums
  Sundry First Day covers, two albums and loose
• T. ALLEN LAWSON (1963- ), FIRST
  T. ALLEN LAWSON (1963- ), FIRST MORNING LIGHT Title: T. Allen Lawson (1963- ), First Morning Light Medium: oil on board Dimensions: 12 x 16 Framed dimension: 16 3/4 x 20 1/2 x 1 3/4
• CLEM BEDWELL, "THE FALL OF
  CLEM BEDWELL, "THE FALL OF DAYLIGHT" A/C ABSTRACT Clem Bedwell (American / Georgia 20th/21st century), "The Fall of Daylight", 2009, abstract colors of cream white, and brown, acrylic on canvas, signed lower right, signed, dated, and tilted en verso, unframed. Provenance: From the Private Collection of Ruth West, Atlanta, Georgia. Approx. h. 24", w. 24" (canvas).
• CHARLES BILLICH (B. 1934): "IF
  CHARLES BILLICH (B. 1934): "IF THERE'S NO DAY LIGHT, LIGHT CANDLES"pastel and wash on paper; signed and dated "Billich MMXI" lower right; titled lower left; Condition:
• ESTEFAN VINCENTE, (1903-2001),
  ESTEFAN VINCENTE, (1903-2001), "DAYLIGHT", SCREENPRINT IN COLORS ON PAPER, IMAGE: 29" H X 22.25" W; SHEET: 33" H X 26" WEstefan Vincente, (1903-2001) "Daylight", Screenprint in colors on paper Edition: 10/50 Signed, titled, and numbered in pencil in the lower margin: Estefan Vincente Screenprint in colors on paper Dimensions: Image: 29" H x 22.25" W; Sheet: 33" H x 26" W Provenance: Property from Frances Luban Fine Art, Burbank, CA
• Robert Blair (American, b. 1937)
  Robert Blair (American, b. 1937) Waitin' for Day Break oil on board signed Robert Blair (lower right) 11 x 14 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• DAY, Stephen, (American, 1954):
  DAY, Stephen, (American, 1954): ''Glowing Sky'', Oil/Canvas Board, 30'' x 40'', signed lower left, signed titled and dated 1995 verso, framed 40'' x 50''.
• Larry Day (American 1921-1998)
  Larry Day (American 1921-1998) oil on canvas of First Christ Church 54" x 60". ?
• Maxfield Parrish ''When Day is
  Maxfield Parrish ''When Day is Dawning'' complete 1954 calendar mint.
• Box First Day Cover and Gold Stamps
  Box First Day Cover and Gold Stamps etc.
• Franklin Boggs (American 1914-2009)
  Franklin Boggs (American 1914-2009) "Daybreak". Acrylic and collage on canvas signed and inscribed verso dated 1968 framed overall 17-1/2" x 10-7/8".
• Maxfield Parrish Print ''Daybreak''
  Maxfield Parrish Print ''Daybreak'' image area 30'' x 17'' all original.
• MARC CHAGALL, "DAY BREAK" SIGNED
  MARC CHAGALL, "DAY BREAK" SIGNED LITHO, ED. 12/50 Marc Chagall (French/Russian 1887-1985), "Day Break" color lithograph depicting an abstract figure holding a red bird and a bouquet of flowers, pencil signed at lower right, edition 12/50 noted at lower left, framed under glass. Provenance: From the Private Collection of Joel A. Katz, Atlanta, Georgia. Approx. sight h. 16", w. 13"; overall h. 27.75", w. 23.75, d. 1.5".
• Oil head lamp lot: ''Morning Star''
  Oil head lamp lot: ''Morning Star'' and ''The Everlit''.
• Album of First Day of Issue
  Album of First Day of Issue Covers 1970's story book album
• 11 Albums of First Day Stamp Covers
  11 Albums of First Day Stamp Covers mostly 1970's including special issues hundreds over covers.
• Maxfield Parrish Print ''Daybreak''
  Maxfield Parrish Print ''Daybreak'' 6'' x 10'' all original.
• UNITED STATES FIRST DAY COVERS.
  UNITED STATES FIRST DAY COVERS. Includes covers from 1950s through 1980's.
• AFTER SIR EDWARD BURNE-JONES DAYS
  AFTER SIR EDWARD BURNE-JONES DAYS OF CREATION, DAY ONE AND DAY FIVE, CIRCA 1900 fine pyrography and ink on timber, later framed(2)65cm x 24cm
• Maxfield Parrish print ''Daybreak''
  Maxfield Parrish print ''Daybreak'' published by House of Art ss: 17 1/2'' h. x 29 1/2'' w.
• MAXFIELD PARRISH COLOR PRINT
  MAXFIELD PARRISH COLOR PRINT ''Daybreak.'' Image measures 18'' x 30'' c. 1925 after the painting executed in 1922. In a period gilt wood.
• * (POETRY) A group of five
  * (POETRY) A group of five titles. The Morning Road. By Thomas Wood Stevens and Alden Charles Noble. Chicago: The Blue Sky Press 1902. Number 122 of 200 copies. Fumes of Formation. By Amanda M. Ross. Belfast: R. Carswell 1933. Revolution. A Poem. By Ebon Dooley. Chicago: Third World Press (1968). The Circus and Other Essays. By Joyce Kilmer. New York: Laurence J. Gome 1916. [Housed in slipcase with:] Trees and Other Poems. By Joyce Kilmer. New York: George H. Doran (1914).
• DAVID RYAN (BRITISH, B. 1956),
  DAVID RYAN (BRITISH, B. 1956), "FIRST LIGHT, 2006", ACR...David Ryan (British, b. 1956), "First Light, 2006", acrylic on canvas, signed, titled, and dated on the reverse, 'David Ryan, 2006, First Light', 48" x 60", retails for $12,000. Provenance: Purchased directly from the artist, 2005. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Al Cornett Lithograph ''First
  Al Cornett Lithograph ''First Light'' bear & cubs 18'' x 22'' #127 of 1600.
• STEPHEN DAY (B.1954) OIL PAINTING
  STEPHEN DAY (B.1954) OIL PAINTING 'WINTER EVENING'Framed oil on board painting, "Winter Evening - Last Light," signed lower right Stephen Day (New Mexico/ Colorado, b.1954), title and additional signature verso, dated 1999 verso, retaining Charlene Cody Gallery, Santa Fe label verso, sight: approx 8.5"h, 11.5"w, overall: approx 14.5"h, 17.5"w, 1.9lbs
• MAXFIELD PARRISH "DAYBREAK"
  MAXFIELD PARRISH "DAYBREAK" LITHOGRAPHMaxfield Parrish "Daybreak" lithograph, signed in the plate lower right with "House of Art NY" lower left. Slight chip to lower left corner of frame. Sight size: 17 1/2" x 29 1/2". Frame size: 21 1/2" x 33 1/2".
• MAXFIELD FREDERICK PARRISH
  MAXFIELD FREDERICK PARRISH (AMERICAN, 1870 - 1966), "DAYBREAK", POLYCHROME LITHOGRAPH, SIGNED IN BLOCK AT CENTER, "THE HOUSE OF ART,...Maxfield Frederick Parrish (American, 1870 - 1966), "Daybreak", polychrome lithograph, signed in block at center, "The House of Art, NY" at lower left, framed, not examined out of frame, wear consistent with age including toning and foxing, etc., small damages to frame, ss: 17 1/2" h. x 29 3/4" w.
• Dale DeArmond ''And Then Raven
  Dale DeArmond ''And Then Raven Spread the Box of Daylight'' 1970 Woodblock Framed 24''x16''
• An album of sixty first day covers,
  An album of sixty first day covers, a few loose first day covers and four albums of modern Christmas and other stamps
• English School early 20th c. "The
  English School early 20th c. "The Fairies Greet the Dawn" pen and ink on paper unsigned framed. [ Provenance: Private New York City Collector.
• Two albums forty-four pieces
  Two albums forty-four pieces sterling silver medals with First Day covers 1974 and 1975
• EIGHT VOLUMES OF U.S. FIRST DAY
  EIGHT VOLUMES OF U.S. FIRST DAY COVERSEight Volumes of U.S. First Day Covers,
• SEVEN VOLUMES OF U.S. FIRST DAY
  SEVEN VOLUMES OF U.S. FIRST DAY COVERSSeven Volumes of U.S. First Day Covers,
• 1 vol. Pleasanton, Gen. A.J. The
  1 vol. Pleasanton, Gen. A.J. The Influence of The Blue Ray of The Sunlight... in Developing Animal and Vegetable Life. Philadelphia, 1876. First edition. 8vo, orig. gilt-lettered green cloth; edges rather worn & frayed. Frontis. printed in blue. Page 5/6 loose, some chipping to its edges. One of the earliest books to examine the influence of light on plants and animals. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.