A few examples of appraisal values for
FISHING VILLAGE

• A CHINESE BLUE & WHITE PORCELAIN
  A CHINESE BLUE & WHITE PORCELAIN TEAPOT.Qianglong (1735-1796).Painted with fishing village landscape, bordered with various blossoming flowers. 11 x 17.5cm More Information AF - missing knop, and small chip to spout.
• Li Huasheng (1944-2018), Fishing
  Li Huasheng (1944-2018), Fishing Village in Chongqing ??? (1944-2018) ???? ???? ?? Ink and colour on paper, hanging scroll mounted ??? ?????? ??? ??? ? image 26.8 x 17.9 in — 68 x 45.5 cm
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) "GOING TO PASTURE" Oil on canvas. Signed 'Chas P. Gruppe' (lower left). Original giltwood frame.Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) LOW TIDE, MASSACHUSETTS Oil on canvas. Signed 'Chas P. Gruppe' (lower right). Giltwood frame. Paper label inscribed 'Low Tide ... (illegible)'. Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas P. Gruppe' (lower left).Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) "MEDITATION AT TWILIGHT" Oil on canvas. Signed (lower left). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) OLD LANDMARKS, CALEDONIA CREEK Oil on canvas. Signed 'Chas. P. Gruppe' (lower right). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas. P. Gruppe' (lower left). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• Frederick T.W. Cook (1907-1982) -
  Frederick T.W. Cook (1907-1982) - Cornish Fishing Village, signed, oil on board, 29 x 34cm More Information Good condition
• CHRISTIAN BENJAMIN OLSEN (DANISH,
  CHRISTIAN BENJAMIN OLSEN (DANISH, 1873-1935) "RETURNING HOME, 1918" Oil on canvas. Signed 'Chr. Benjamin Olson 1918' (lower right). Catalogue Note: The Danish people have an intimate relationship with the sea dating back to the rapacious Vikings who settled on the peninsula situated between the North Sea and Kattegat in Northern Europe. Throughout the country's history ship building, fishing and trade have been the primary industries; with most natives having some sort of ties to the trades, including Danish artists. Christian Benjamin Olsen is one such artist who was fascinated with ships and the various temperaments of the sea. Spending much of his time in the fishing village of Skagen, located at the northern most point of Denmark, Olson would paint the many ships coming and going in the harbor. Judging from the detail in Returning Home, Olsen must have been familiar with shipbuilding. He also shows sensitivity to the effects of atmosphere and light. He meticulously paints the rosy reflections of the setting sun on the evening clouds and calm harbor waters and portrays the shadows caste from the tall ships onto the water. His skills as a Marine painter are undoubtedly equal to his contemporaries Frederick Sorenson, Fritz Melby, and Vilhelm.
• JAPANESE MEIJI SATSUMA CERAMIC BOWL
  JAPANESE MEIJI SATSUMA CERAMIC BOWL Japanese Meiji Satsuma ceramic bowl, hand painted scenes with birds & ducks, flowers and fishing villages, the inside upper border with butterflies and leaves, hand signed and inscribed on the bottom. 6.75" H x 13" Diameter.
• MABEL DWIGHT (1876-1955) PENCIL
  MABEL DWIGHT (1876-1955) PENCIL SIGNED LITHOGRAPHMabel Jacque Williamson Dwight (1876-1955)Fishing Village, Nova Scotia (1931)The lithograph from what is believed to be an edition of only 24 prints pulled is signed by the artist in pencil below the image lower right.Mabel Dwight was a female American artist of note. She began creating art in 1895 and beginning in 1935 worked under the WPA and FAP Depression-era programs for artists.Image size 9 x 11, frame measures 17.75 x 19.5 inches.Very good to fine condition, the full untrimmed sheet, not laid down, no damage, stain, puncture or repair; framed to archival standards in acid free mounts. Because this print is from a collection well-known by this auction firm for more than twenty years, it has not been removed from its framing for inspection. As with all lots we offer, the condition is guaranteed to be as stated or a full refund will be issued.Provenance: A private Kansas collection.
• FRAMED OIL ON CANVAS OF A FISHING
  FRAMED OIL ON CANVAS OF A FISHING VILLAGEFramed oil on canvas painting, Continental Fishing Village, signed illegibly lower right, sight: approx 20.5"h, 28.5"w, overall: approx 27.25"h, 32.25"w, 11.5lbs **Provenance- From the Estate of Claude and Zenobia Nantz**
• (PR) CHINESE BLUE & WHITE PORCELAIN
  (PR) CHINESE BLUE & WHITE PORCELAIN BOWLS(pair) Chinese blue and white porcelain bowls, depicting fishing village scene, each retaining seal underfoot, approx 3.75"h, 8"diam, 3.25lbs total
• KID KOSOLAWAT, OIL ON CANVAS Kid
  KID KOSOLAWAT, OIL ON CANVAS Kid Kosolawat (Thai, 1917-1988), Fishing village, impasto oil and sand on canvas, signed "KID" lower right, gallery label verso, 16.5"h x 29"w (sight), 22.5"h x 35"w (frame)
• Maurice Sarthou (French, 1911-2000)
  Maurice Sarthou (French, 1911-2000) "Village de Pecheurs" or "Fishing Village", oil on masonite, signed "M. E. Sarthou", lagel on reverse from Galerie Moderne at Brentano's NY, 9-1/2" x 13", framed 16-7/8" x 20-5/8", very good condition
• CHINESE VINTAGE SNUFF BOTTLE,
  CHINESE VINTAGE SNUFF BOTTLE, FISHING VILLAGE & MOUNTAI...Opaque glass with a highly detailed colorful encircling image of flora, houses. Attractively shaped and spectacularly decorated, with a violet spoon stopper top.#Tobacciana #SnuffBottles #VintageSnuffBottles Issued: c. 1970 Dimensions: 3.25"H x 1.75"W Country of Origin: China
• CHINESE INSIDE DECORATED SNUFF
  CHINESE INSIDE DECORATED SNUFF BOTTLE, FISHING VILLAGEVintage opaque glass, Guardian Lion badges. A pastoral scene with fishing boat, structure. #SnuffBottles #VintageSnuffBottles #Tobacciana #GuardianLions #FooDogs Issued: c. 1970 Dimensions: 3"H x 2.5"W Country of Origin: China
• OIL PAINTING ON CANVAS OF
  OIL PAINTING ON CANVAS OF PORTOFINOA beautiful painting depicting the fishing village on the Italian Rivera. Housed in a brown and gilded wooden frame. Frame size: 28.25in W x 22.25in H x 1.5in D. Sight size: 23.5in W x 17.25in H. Condition: Age related wear.
• FRANE MLINAR "ADRIATIC VILLAGE"
  FRANE MLINAR "ADRIATIC VILLAGE" LIMITED AP SIGNED SERIG...DESCRIPTION: A Frane Mlinar (Croatian,1959) "Adriatic VIllage" AP signed serigraph depicting a fishermen rural scene with houses as backdrop and a boat. It is numbered 9 from a limited edition of 50, and it is framed with plexiglass and gold frame. Mlinar was born in 1959 in Split, Croatia. His 1994 suite, "Seasons of the Adriatic", exclusively published by Wentworth Gallery, mirrors the traditions of the ancient fishing villages along the Adriatic Sea where life remained unchanged for the last 100 years. CIRCA: 20th Century. ORIGIN: Croatia. DIMENSIONS: Frame is W: 43 1/2" H: 37 3/4". Serigraph is W: 30" H: 24". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Good vintage condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• PAIR OF ANTIQUE AUSTRIAN
  PAIR OF ANTIQUE AUSTRIAN VASESDESCRIPTION: Pair of Antique Austrian vases. Embellished with hand painted renderings of a fishing village with boats and mountainous background. Decorated with light mint green base color and gilded accents. Flanked by gilded handles on each side. CIRCA: Early 20th Century ORIGIN: Austria DIMENSIONS:H:13.5" W:9" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• 4 JAPANESE PORCELAIN ITEMS &
  4 JAPANESE PORCELAIN ITEMS & SCROLL1st item: Japanese blue and white porcelain teapot having a bronze handle and landscape decoration depicting an Asian fishing village near a river. 12" H. 19th century. 2nd item: Chinese blue and white porcelain ginger jar. 6" H. 19th century. 3rd item: Japanese blue and white rice bowl with interior line decoration and blue 4-character mark to base. 5 1/2" dia. Late 19th/Early 20th century. 4th item: Japanese blue and white porcelain rice bowl. 6 1/4" dia. 20th century. 5th item: Watercolor and ink landscape scroll painting depicting a house atop mountainous cliff, calligraphy with red seals upper margin, red seal lower right. Chinese or Japanese, early to mid 20th c. Sight - 10 1/2" H x 20 1/4" W. Overall - 30 1/2" H x 14 3/4" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: 1st item: Shallow chip to base. 2nd item: Chips to inner rim. 5th item: Likely cut down. Light grime to silk.
• PAUL LECOMTE WATERCOLOR,
  PAUL LECOMTE WATERCOLOR, CONCARNEAUPaul Lecomte (French/American, 1877-1950) watercolor painting titled "Concarneau". Depicts a street scene beside the harbor of Concarneau, a fishing village and fortified town in the Finistere area of Brittany in northwestern France. Signed and titled lower left. Housed in an American 20th century style frame. Sight - 9 1/2" H x 11 1/2" W. Framed - 18" H x 20 1/2" W. Early/mid 20th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: Toning line across top of image. Not examined out of frame.
• JOZEF ISRAELS, WATERCOLOR, VIEW
  JOZEF ISRAELS, WATERCOLOR, VIEW OF TANGIERJozef Israels (Dutch, 1824-1911) Souvenir de Tanger watercolor on paper signed Jozef Israels lower right signed again J Israels and inscribed with title on the reverse Souvenir de Tanger H.T.M. 16809 (Hollandse Teeken Maatschappij) 19 7/8 x 28 1/2in (50.5 x 72.5cm)Provenance: Kunsthandel Francois Buffa et Fils, Amsterdam. Collection F. Tessaro, Amsterdam. sold Frederik Muller & Co, Amsterdam, 11 April 1916. sold De Zon, Amsterdam, 19 September 1978, lot 4031. sold Christies, Amsterdam, 29 October 1997, lot 2349. Property from the Collection of Kate Edelman Johnson sold to benefit The Johnson Charitable Remainder Unitrust and the Deane F. Johnson Alzheimers Research Foundation.Exhibitions: Kampen, Gemeentelijke Expositie ruimte, Jozef Israels, 20 June 6 September 1987, cat. no. 38.Literature: Jozef Israels, Spanje-een reisverhaal , 1899. W. Steenhoff, Onze kunst 3 (1904) Jozef Israels, p. 29-51 (illus. op p. 36.). Footnote: Jozef Israels (27 January 1824 - 12 August 1911) was a leading member of the group of landscape painters referred to as the Hague School and, during his lifetime compared to Jean-Francois Millet., considered the most respected Dutch artist of the second half of the nineteenth century and even hailed as a second Rembrandt by some. In 1855, after spending time in various art academies including the ecole des Beaux Arts in Paris and working as an academic history and landscape painter, after an illness he spent time convalescing in the fishing village of Zandvoort near Haarlem. It was there he witnessed the poverty of the fishermen and their families and his style changed dramatically. Israels work took on a poignant sense of empathy with the subjects and moments of life he captured. In May 1894 Jozef Israels traveled to Spain and North Africa with his son Isaac, also a painter, and the writer Frans Erens. Working often with his son, Israels paintings became more luminous, resembling Isaacs style. The piece offered here captures the artists late oeuvre with glowing light, subtle brushwork and a very sensitive approach to his subject matter. Condition: There is frame abrasion along the edges and corners. The corners are slightly bumped. There is a pinhole in each of the corners. There is some buckling to the paper.
• J. W. GIES FISHING VILLAGEJoseph W.
  J. W. GIES FISHING VILLAGEJoseph W. Gies, American, 1860-1935. Oil on board depicting a fishing village. Signed "J. W. Gies" lower right. A very small spot of paint loss in the upper left corner; light surface grunge. Image 13 1/2 x 10 1/2" high, in a gilded wood frame, 18 1/2 x 15 1/2" high overall. ESTIMATE $400-600 Condition: A very small spot of paint loss in the upper left corner; light surface grunge.
• BRUNO COTE SEASIDE VILLAGEBruno
  BRUNO COTE SEASIDE VILLAGEBruno Cote, Canadian, 1940-2010. Oil on Masonite depicting a fishing village in varying shades of blue, red, orange, green, and white. Signed "Bruno Cote" lower right, signed again on the reverse and entitled "Barachois", with a label for Balzac Fine Arts of Toronto, Canada adhered to the stretcher. Condition: appears to be good. Image 24 x 20", framed 31 x 27" high overall. ESTIMATE $2,000-3,000 Condition: Condition: appears to be good.
• GEORGES DOMINIQUE ROUAUALT, FISHING
  GEORGES DOMINIQUE ROUAUALT, FISHING VILLAGE W/C(Fr. 1904-2002) signed lower left. Frame size: 18 1/4" high, 23 1/2" wide. Property of a New Jersey collector. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• J. SPAERING (EUROPEAN 19TH
  J. SPAERING (EUROPEAN 19TH CENTURY)J. SPAERING (EUROPEAN 19TH CENTURY) Small Fishing Village , oil on canvas 56 x 46 (22 x 18 in.) signed lower left CONDITION Observed in frame, the painting appears in good orignial condition. There is light scuffing to the right tree branches. The canvas has warped slightly. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• MODEL OF THE LIFESAVING BOAT "SD 37
  MODEL OF THE LIFESAVING BOAT "SD 37 GALILEE", 19TH CENT...Model of the Lifesaving Boat "SD 37 Galilee", 19 th , carved and painted wood with mixed media, inscribed A. Semple on the bow and Sunderland on the stern, on cradle stand. Boat Height 29 in. Length 26 in. Width 5 ¾ in. Height with stand 31 ½ in. Note: Galilee is a fishing village on Point Judith within the town of Narragansett, Rhode Island. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• VINTAGE LIMITED EDITION WOOD
  VINTAGE LIMITED EDITION WOOD BLOCK PRINT, "FISHING VILL...Vintage Limited Edition Wood Block Print, "Fishing Village" , Ed. 7/10, signed indistinctly in pencil lower right, titled lower middle, edition # lower left 12 in. x 20.25 in. Overall 19.25 in. x 28 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• LUNEVILLE PLATTER AND MATCHING
  LUNEVILLE PLATTER AND MATCHING COVERED DISH, HAVING PAI...Luneville Platter and Matching Covered Dish, having painted fishing village scene with fruit and vegetable motif handle, height of covered dish 10 inches, width of platter 21 inches. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• GROUP OF THREE FRAMED
  GROUP OF THREE FRAMED PAINTINGSGroup of Three Framed Paintings, to include fishing village woman by water, circular piece, unsigned, 7" x 7"; a pencil sketch bust of a soldier, signed illegibly lower right, 7" x 5 1/2"; along with a gouache on paper of a standing woman wearing a bonnet and black dress, London watermark, 9" x 8". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• JEANNETTE SWING LEWIS(American,
  JEANNETTE SWING LEWIS(American, 1867-1942) Ketchikan Harbor, 1938, signed lower left "J. Swing Lewis 1938", labeled board verso "Fishing Village, Ketchikan, Alaska, 1938", oil on canvas board, 12 x 16 in. Condition: surface dirt layer, small area of paint loss at upper left side; frame with wear
• FIVE-PIECE PRINT LOT TO INCLUDE: 1.
  FIVE-PIECE PRINT LOT TO INCLUDE: 1. Asa Cheffetz AAA Wood ''Covered Bridge'', complete with original label, 9.50'' x 12.25'', pencil signed lower right, mounted to matte with tape in the corners, 14'' x 18'' overall. 2. Grace Albee Wood Engraving ''A Peaceful Afternoon'', 8'' x 9.50'', pencil signed lower right titled lower mid-margin, marked edition of 300 lower left, taped to matte 14'' x 18'', with original label. 3. Gordon Grant Lithograph ''The Little Harbor'', 11'' x 14'' with margins, pencil signed lower right, titled lower left, affixed to matte with tape 14'' x 18'' with original AAA label. 4. William Maclean Etching ''Silent Night'', 13'' x 15'' with margins, pencil signed lower right, titled lower left, hinge mounted to matte 16'' x 20''. 5. Jack Markow Lithograph for the Federal Art Project ''Fishing Village'', 11.50'' x 16'' with margins, pencil signed lower right, titled lower left, marked mid-margin Federal Art Project NYCWPA, unframed. CONDITION: 5. Surface abrasion lower right, scattered handling creases, minor tear in upper mid-margin, some scattered staining.
• CHINESE ROSE MEDALLION LAMP:
  CHINESE ROSE MEDALLION LAMP: Chinese Rose Medallion lamp having windows with figural palace court scenes & birds in foliate scenes. Attached dragons at neck & Foo dog handles. Mounted on a metal base with an encompassing figural fishing village scene. Surmounted by a pierced ship finial. Dome shaped shade. Approx. 30.25'' h x 12'' w. CONDITION: Soiling & tears to shade, wear consistent with age and use.,
• Terence McCaw (1913-1978)/Fishing
  Terence McCaw (1913-1978)/Fishing Village, possibly Hout Bay, Cape Town/with figures and boat by houses/signed and dated lower right Terence McCaw '77/oil on canvas board, 50cm x 60cm