FOUR WINDSOR CHAIRS, LATE 18TH/EARLYFOUR WINDSOR CHAIRS, LATE 18TH/EARLY 19TH C.Four Windsor chairs, late 18th/early 19th c.
NO in-house shipping for this lot.
Condition:
#1 - leg joints slightly loose. #2 - armchair - age crack to end of arm support. #3 - fan back - repairs to feet and crest rail. #4 - seat repaired. All chairs have overall wear consistent with age and use.
LALIQUE CRYSTAL "LUCCA" VASE. Tall clearLALIQUE CRYSTAL "LUCCA" VASE. Tall clear glass vase with frosted wrapping on base. "Lalique France" on base. Inscriptions on vase read "To Billie with Love, Four Winds 1993". From a New York City Collection. Dimensions: 11" h x 4" w x 4" w. Condition: Good.
FOUR WINDSOR CHAIRS 18TH CENTURY BACKFOUR WINDSOR CHAIRS 18TH CENTURY BACK HEIGHTS TO 43”. SEAT HEIGHTS APPROX. 17”.FOUR WINDSOR CHAIRS, 18th Century, Three armchairs and one side. Differing styles. Painted green-black. Dimensions: Back heights to 43". Seat heights approx. 17".
TIMOTHY RICHARDS PLASTERWORK MODEL OFTIMOTHY RICHARDS PLASTERWORK MODEL OF THE TEMPLE OF THE FOUR WINDS, CASTLE HOWARD Circa 2000, limited edition number 39/50, the architectural model raised on a round terrace with brass gallery plaque, after the original design by the English architect Sir John Vanbrugh (1664-1726) and commissioned by the 3rd Earl of Carlisle, Charles Howard located in North Yorkshire, England, labeled to underside.
MICHAEL NARANJO (B. 1944, SANTA CLARAMICHAEL NARANJO (B. 1944, SANTA CLARA PUEBLO-TEWA), "SECRET"Michael Naranjo, (b. 1944, Santa Clara Pueblo-Tewa) "Secret", Patinated bronze with granite base Edition: 4/10 Signed and numbered to the left heel: Naranjo © Patinated bronze with granite base Dimensions: 29.5" H x 9" W x 9" D Provenance: Four Winds Gallery, Pittsburgh, PA Private Collection, San Francisco, CA
LECOULTRE STAINLESS MEMOVOX 37 mm headLECOULTRE STAINLESS MEMOVOX 37 mm head Original Radial brushed inner ring, vertically brushed outer ring, of the exceptionally clean original dial. Rectangular grooved, polished chapter markers, except six the location of the non quick date window; with all second/minute hash marks, on the interior edge of the outer ring, bold at chapters. Polished stick type minute/hour hands, polished sweep indicator with marquee. Utilizes Caliber 911 (1962-1979) 17 jewel manual wind movement. Crown at four winds mainspring and sets hands. Crown at two sets alarm and winds barrel for alarm. Original case finish, no rebuff.
PRINTS, TIM YANKE (lot of 4) Tim YankePRINTS, TIM YANKE (lot of 4) Tim Yanke (American, b. 1962), "Four Winds Standing Bear," "Four Winds Lone Eagle," "Four Winds Lone Wolf," "Four Winds Trickster Coyote," 2017, caldographs, each signed lower left or lower right, each from an edition of 130, largest image: 15"h x 11.25"w, largest overall (with frame): 26.25" h 22.25"w. Note: each accompanied by a certificate of authenticity from Park West Gallery, Southfield, MI.
DAVID LAZARUS OIL ON CANVAS "LONE FISHERMANDAVID LAZARUS OIL ON CANVAS "LONE FISHERMAN IN CANOE"David Lazarus (British-American, b. 1952) Oil on Canvas "Lone Fisherman in Canoe" , depicted on a lake in a mountainous wooded lakescape, signed lower right D. Lazarus.
15 ¾ in. x 19 ¼ in. Overall 21 in. x 25 in.
David Lazarus (British-American, b. 1952) David Lazarus was born in London, England, and counts among his early artistic experiences a fascination with the art of scrimshaw. The miniature scale of this medium suited him well, as it enabled him to travel with a studio the size of a cigar box. Eventually settling on Nantucket, Lazarus established himself as one of the island's premier artists.
During the last 20 years, Lazarus has devoted more time to painting in oils. "The looseness of pushing paint around, after having engraved miles of tiny lines, has been liberating as well as challenging." Lazarus explains.
David's work recalls a modern-day Frank W. Benson in terms of his brushwork. His work is bright, vivid and full of light. His impressionist style allows him to move the paint around the canvas and place it just so. His paintings are a high-wire act with risks and rewards. Sometimes the paint can get a little muddied and he literally discards those works into the trash. But when he nails them, which is more often than not, the results are amazing. ~ Stephen O'Brien, Stephen O'Brien Jr. Fine Arts, LLC, Boston.
Lazarus studied at the Bath Academy of Art in England. He came to Nantucket to do scrimshaw in the 1970s, having spent time working with the scrimshanders in Bellingham, Washington. He first scrimmed for the Four Winds Craft Guild. Lazarus continues to expand his oeuvre with meticulous copper engravings, watercolor and oils. He has exhibited at the (X) Gallery, the Old Spouter Gallery and the South Wharf Gallery, and continues to be represented by Four Winds Craft Guild. His work is in numerous private and public collections.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
DAVID LAZARUS OIL ON CANVAS "VIEW OFDAVID LAZARUS OIL ON CANVAS "VIEW OF THE TOWN OF NANTUC...David Lazarus (British-American, b. 1952) Oil on Canvas "View of the Town of Nantucket from Monomoy" , signed lower right D. Lazarus, sans frame.
36 in. x 60 in.
David Lazarus was born in London, England, and counts among his early artistic experiences a fascination with the art of scrimshaw. The miniature scale of this medium suited him well, as it enabled him to travel with a studio the size of a cigar box. Eventually settling on Nantucket, Lazarus established himself as one of the island’s premier artists.
During the last 20 years, Lazarus has devoted more time to painting in oils. “The looseness of pushing paint around, after having engraved miles of tiny lines, has been liberating as well as challenging,” Lazarus explains.
Lazarus studied at the Bath Academy of Art in England. He came to Nantucket to do scrimshaw in the 1970’s, having spent time working with the scrimshanders in Bellingham, Washington. He first scrimmed for the Four Winds Craft Guild. Lazarus continues to expand his oeuvre with meticulous copper engravings, watercolor and oils. He has exhibited at the (X) Gallery, the Old Spouter Gallery and the South Wharf Gallery, and continues to be represented by Four Winds Craft Guild. His work is in numerous private and public collections.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
DAVID LAZARUS OIL ON CANVAS "THREE FISHERMANDAVID LAZARUS OIL ON CANVAS "THREE FISHERMAN IN A CANOE...David Lazarus (British-American, b. 1952) Oil on Canvas "Three Fisherman in a Canoe" , depicted in a mountainous wooded lake-scape, unsigned, in gilt frame
23 ½ in. x 29 ¼ in.
David Lazarus was born in London, England, and counts among his early artistic experiences a fascination with the art of scrimshaw. The miniature scale of this medium suited him well, as it enabled him to travel with a studio the size of a cigar box. Eventually settling on Nantucket, Lazarus established himself as one of the island's premier artists. During the last 20 years, Lazarus has devoted more time to painting in oils. ‰ÛÏThe looseness of pushing paint around, after having engraved miles of tiny lines, has been liberating as well as challenging,‰Û Lazarus explains. David‰Ûªs work recalls a modern-day Frank W. Benson in terms of his brushwork. His work is bright, vivid and full of light. His impressionist style allows him to move the paint around the canvas and place it just so. His paintings are a high-wire act with risks and rewards. Sometimes the paint can get a little muddied and he literally discards those works into the trash. But when he nails them, which is more often than not, the results are amazing.‰Û ~ Stephen O‰ÛªBrien, Stephen O‰ÛªBrien Jr. Fine Arts, LLC, Boston Lazarus studied at the Bath Academy of Art in England. He came to Nantucket to do scrimshaw in the 1970‰Ûªs, having spent time working with the scrimshanders in Bellingham, Washington. He first scrimmed for the Four Winds Craft Guild. Lazarus continues to expand his oeuvre with meticulous copper engravings, watercolor and oils. He has exhibited at the (X) Gallery, the Old Spouter Gallery and the South Wharf Gallery, and continues to be represented by Four Winds Craft Guild. His work is in numerous private and public collections.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
DAVID LAZARUS OIL ON CANVAS "TWO EGRETS"DavidDAVID LAZARUS OIL ON CANVAS "TWO EGRETS"David Lazarus (British-American b. 1952) Oil on Canvas "Two Egrets" , signed lower right D. Lazarus, in molded gilt frame
30 in. x 40 in. Overall 37 ½ in. x 47 in.
David Lazarus was born in London, England, and counts among his early artistic experiences a fascination with the art of scrimshaw. The miniature scale of this medium suited him well, as it enabled him to travel with a studio the size of a cigar box. Eventually settling on Nantucket, Lazarus established himself as one of the island's premier artists.
During the last 20 years, Lazarus has devoted more time to painting in oils. "The looseness of pushing paint around, after having engraved miles of tiny lines, has been liberating as well as challenging" Lazarus explains.
Lazarus studied at the Bath Academy of Art in England. He came to Nantucket to do scrimshaw in the 1970's, having spent time working with the scrimshanders in Bellingham, Washington. He first scrimmed for the Four Winds Craft Guild.
Lazarus continues to expand his oeuvre with meticulous copper engravings, watercolor and oils. He has exhibited at the (X) Gallery, the Old Spouter Gallery and the South Wharf Gallery, and continues to be represented by Four Winds Craft Guild.
His work is in numerous private and public collections.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
FOUR WINDSOR CHAIRSFour Windsor Chairs,FOUR WINDSOR CHAIRSFour Windsor Chairs, height 38 inches, width 17 inches
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
A bleached oak gateleg table, 20th Century,A bleached oak gateleg table, 20th Century, the oak drop leaf top on turned legs and stretchers, and four Windsor style chairs with crinoline stretchers
Mrs. Molesworth (Mary Louisa), 9 VolumesMrs. Molesworth (Mary Louisa), 9 Volumes of Childrens' Books by Mrs Molesworth illustrated by Walter Crane including The Girls & I, 1892, The Oriel Window, 1896, Four Winds Farm, 1886, The Rectory Children, 1889, Rosy, 1882, A Christmas Posy, 1888, The Cuckoo Clock, 1905, The Children of the Castle, 1890, Mary, 1893, The Tapestry Room, 1879
EDWARD S. CURTIS, BY THE ARROW I HAVEEDWARD S. CURTIS, BY THE ARROW I HAVE SAID IT, 1909Edward S. Curtis, (1868 - 1952) By the Arrow I Have Said It, 1909, silver gelatin border print signed in black ink, lower right: Curtis LA dated lower left: -09 inscribed verso: By the Arrow I have said it / cjc 1481 silver gelatin border print Dimensions: 7 5/8 x 5 1/2 in. (19.37 x 13.97 cm.), Frame: 9 7/8 x 7 7/8 in. (25.08 x 20 cm.) Provenance: Edward S. Curtis Studio, Seattle Private Collection(s) Four Winds Gallery The Christopher G. Cardozo Collection, 2005
SET OF FOUR WINDSOR WOODEN ARMCHAIRSSET OF FOUR WINDSOR WOODEN ARMCHAIRS Likely English, 20th century. Set of four continuous bow back wooden Windsor armchairs in the Georgian taste, having pierced splats, and rising on turned legs with stretchers. Unmarked.
EUGENE BAATSOSLANII JOE (NEW MEXICO/ARIZONA,EUGENE BAATSOSLANII JOE (NEW MEXICO/ARIZONA, B. 1951), “GIVING HARMONY”., SAND PAINTING WITH TURQUOISE CABOCHONS, 23” X 18” SIGHT. FRAMED 35” X 29”.EUGENE BAATSOSLANII JOE, New Mexico/Arizona, b. 1951, "Giving Harmony". Signed lower left "Baatsoslanii". Titled, signed and dated 1988 verso. Inscribed "In the Four Winds I heard music It was the flute playing… The flute player was dancing He came to me and sing … his flute I became Harmony again.". Dimensions: Sand painting with turquoise cabochons, 23" x 18" sight. Framed 35" x 29".
LARGE SCRIMSHAW WHALE'S TOOTH WITH MYTHOLOGICALLARGE SCRIMSHAW WHALE'S TOOTH WITH MYTHOLOGICAL SCENES 19TH CENTURY LENGTH 7.5".LARGE SCRIMSHAW WHALE'S TOOTH WITH MYTHOLOGICAL SCENES, 19th Century, Obverse depicts a figure carrying a scythe and a curved-blade weapon riding on the back of a lion through a desert landscape, with a volcano, mountains and palm trees in the distance. Reverse depicts two figures carrying a goddess atop their shoulders, trailed by Cupid readying an arrow to shoot with his bow. Some exceptionally detailed elements, particularly the lion. Dimensions: Length 7.5". Provenance: Four Winds Craft Guild, Nantucket, Massachusetts, November 2012.
D.R. DIMES, SET OF FOUR WINDSOR SIDED.R. DIMES, SET OF FOUR WINDSOR SIDE CHAIRS Second half 20th century, pine, oak and mixed woods, continuous crest rail, nine-spindle back, saddle seat, turned legs and stretcher base, labeled.
THREE STUDIO ART GLASS VASES, SIGNEDTHREE STUDIO ART GLASS VASES, SIGNED Contemporary, in creams and browns, each blown, two vases by Four Winds Glass Studio and one by Craig Zweifel Art Glass.
SET OF FOUR WINDSOR STYLE CHAIRS VirginiaSET OF FOUR WINDSOR STYLE CHAIRS Virginia Craftsmen, mid 20th century; Includes two arm chairs and two side chairs.
NAVAJO WOOL RUGwith four winds designNAVAJO WOOL RUGwith four winds design 54 1/2 x 40 1/2 inches Condition:
NAVAJO WOOL RUGfour winds motif in brown,NAVAJO WOOL RUGfour winds motif in brown, grey and red on cream ground within a brown serrated border Condition: hokes and repairs, including repairs in mismatched colors. Wear to selvedges and ends. 46 x 27 inches Condition:
EARLY AMERICAN STYLE STAINED FRUITWOODEARLY AMERICAN STYLE STAINED FRUITWOOD EXTENSION DROP-LEAF DINING TABLE AND FOUR WINDSOR STYLE CHAIRS TABLE: 30 X 40 1/2 X 32 1/2 IN. (76.2 X 102.9 X 82.6 CM.)Early American Style Stained Fruitwood Extension Drop-Leaf Dining Table and Four Windsor Style Chairs, Dimensions: Table: 30 x 40 1/2 x 32 1/2 in. (76.2 x 102.9 x 82.6 cm.)
SET OF FOUR WINDSOR STYLE CHERRY DININGSET OF FOUR WINDSOR STYLE CHERRY DINING CHAIRSSet of Four Windsor Style Cherry Dining Chairs
PINE PEDESTAL BASE DINETTE TABLE ANDPINE PEDESTAL BASE DINETTE TABLE AND FOUR WINDSOR STYLE FRUITWOOD SIDE CHAIRSPine Pedestal Base Dinette Table and Four Windsor Style Fruitwood Side Chairs
FOUR WINDSOR STYLE OAK SACK-BACK CHAIRSFOUR WINDSOR STYLE OAK SACK-BACK CHAIRS (PAIR OF ARM, PAIR OF SIDE)Four Windsor Style Oak Sack-Back Chairs (pair of arm, pair of side),
FOUR WINDSOR SIDE CHAIRS BY WARREN CHAIRFOUR WINDSOR SIDE CHAIRS BY WARREN CHAIR WORKS, 20TH C., NATURAL FINISH, CONTINUOUS CREST RAIL, TURNED SPINDLE BACK AND BASE, CARVED...Four Windsor side chairs by Warren Chair Works, 20th C., natural finish, continuous crest rail, turned spindle back and base, carved saddle seat, "H" form stretcher bar, wear consistent with age and use including scratches and wear to raised areas, 37 1/2" h. x 19 1/2" w. x 21 1/4" d.
FOUR WINDSOR STYLE CHAIRS BY D.R. DIMES.FOUR WINDSOR STYLE CHAIRS BY D.R. DIMES. American, late 20th century, mixed woods. All have distressed black over red paint and impressed and paper labels. Pair of bowback side chairs, 38.5"h., fanback armchair with knuckle arms, 47"h., and a sackback armchair, 41.5"h.
FOUR WINDSOR STYLE CHAIRS BY DAVID T.FOUR WINDSOR STYLE CHAIRS BY DAVID T. SMITH. Ohio, 21st century, mixed woods. Paper labels. Bowback side chairs with distressed black paint. 17.5" seat, 39.5"h.
FOUR WINDSOR STYLE CHAIRS BY DAVID T.FOUR WINDSOR STYLE CHAIRS BY DAVID T. SMITH. Ohio, 21st century, mixed woods. Paper labels. Continuous armchairs with distressed green paint and grained seats imitating bird's eye maple. 18" seats, 37.5"h.
VICTORIAN STYLE OAK DINING TABLE & FOURVICTORIAN STYLE OAK DINING TABLE & FOUR WINDSOR CHAIRS 2nd half, 20th century; comprising an oak split-pedestal dining table with parquetry top and one extension leaf, 29 1/4 in. H., 70 in. W.; and a set of four Ethan Allen hoop-back Windsor chairs, two armchairs 40 1/4 in. H., 24 3/4 in. W.; and two sides, 38 1/4 in. H., 18 1/2 in. W.
EDWARD S. CURTIS, UNTITLED (SOUTHWESTEDWARD S. CURTIS, UNTITLED (SOUTHWEST CAMP), CA. 1900Edward S. Curtis, (1868 - 1952) Untitled (Southwest Camp), ca. 1900, platinum print signed in black ink lower right: Curtis studio blind stamp, lower left on mount recto: THE CURTIS STUDIO SEATTLE studio copyright sticker at lower left on mount verso negative date: ca. 1900 print date: ca. 1907 platinum print Dimensions: 5 3/4 x 7 9/16 in. (14.61 x 19.21 cm.), Single Mount: 10 15/16 x 11 15/16 in. (27.78 x 30.32 cm.) Provenance: Edward S. Curtis Studio, Seattle Beth Curtis Magnuson Collection Iris Forrest Collection Four Winds Gallery, Colorado The Christopher G. Cardozo Collection, 2005 Private Collection, Texas
THREE CHRISTINE SIBLEY CERAMIC ARTICLESTHREE CHRISTINE SIBLEY CERAMIC ARTICLES Three Christine Sibley (American/Georgia 1948-1999), hand thrown and built ceramic articles comprising, a tall 'Four Winds' vase with four female masks flanked by leaves above trailing tendrils, signed Sibley underneath, h. 19.75", w. 9"; a grey oval mirror having a female mask flanked by shells, h. 13.5", w. 9", d. 3"; and a wall hanging cream coat hook with a female mask, a shell, and stamped flowers, with incised signature at lower left, h. 6.25", w. 5", d. 1.5". Provenance: From the Estate of Joyce Lowenstein, Atlanta, Georgia. Approximate dimensions:
PAUL F. WHITTEN NANTUCKET BASKET PURSEPAUL F. WHITTEN NANTUCKET BASKET PURSE MASSACHUSETTS, 1908-1997 HEIGHT 7”.PAUL F. WHITTEN NANTUCKET BASKET PURSE, Massachusetts, 1908-1997, Circa 1970. Signed on base "Made for the Four Winds". Dimensions: Height 7".
SET OF FOUR WINDSOR CONTINUOUS ARMCHAIRSSET OF FOUR WINDSOR CONTINUOUS ARMCHAIRS 20TH CENTURY BACK HEIGHTS 37.5”. WIDTHS 24.5”. DEPTHS 24”.SET OF FOUR WINDSOR CONTINUOUS ARMCHAIRS, 20th Century, Antiqued black-painted finish. Unmarked. Dimensions: Back heights 37.5". Widths 24.5". Depths 24".