A few examples of appraisal values for
FRANK WHITING

• Frank Charl
  Frank Charl
• Frank Charl
  Frank Charl
• FRANK P. WHITING, AMERICAN 20TH
  FRANK P. WHITING, AMERICAN 20TH CENTURY, NAPOLEON BRIDGE, PARIS, ETCHING, FRAMED: 15 X 18 INFrank P. Whiting, American 20th Century, Napoleon Bridge, Paris, Etching, Framed: 15 x 18 in
• An American Sterling Silver Carving
  An American Sterling Silver Carving Set Frank M. Whiting of typical form together with an associated cake server. Length of carving knife 13 1/2 inches.
• FRANK WHITING STERLING SILVER
  FRANK WHITING STERLING SILVER SERVING TONGS, 1.8 OZFrank Whiting Sterling Silver Serving Tongs, 1.8 oz
• FRANK WHITING CO. STERLING
  FRANK WHITING CO. STERLING DISHDESCRIPTION: A sterling silver dish by American silversmith Frank M. Whiting Co. features a grove patterned rim, centered by a Monogram. Stamped along the underside with Whiting hallmark. CIRCA: Early 20th Cent. ORIGIN: USA DIMENSIONS: H: .75" W: 4.25" L: 7" CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Richard J. Frank (Swiss/American,
  Richard J. Frank (Swiss/American, 1947-2014) Untitled watercolor on paper Image 44 x 38 inches. Deaccessioned from the Boca Raton Museum of Art to benefit the Acquisitions Fund
• Wilfred H Frank (20th
  Wilfred H Frank (20th Century)/The Boatyard/watercolour, 32cm x 50cm and/Moorland Landscape/oil on board, 30cm x 40cm
• Frank Whiting ''Lily'' Sterling
  Frank Whiting ''Lily'' Sterling Berry Spoonor mashed potato spoon excellent no monogram 9 1/4'' circa 1930 105 grams.
• Frank W Wood (1862-1953)/HMS
  Frank W Wood (1862-1953)/HMS Powerful Oct 1905-Jan 1907, Midshipman/signed and dated 1911, inscribed on the mount/watercolour, 16.5cm x 25cm
• FRANK M. WHITING & CO. STERLING
  FRANK M. WHITING & CO. STERLING SILVER PORRINGER CUP, L: 6-7/8 IN, 3.8 OZ (DEDICATED)Frank M. Whiting & Co. Sterling Silver Porringer Cup, L: 6-7/8 in, 3.8 oz (dedicated)
• FRANK FLEMING (AMERICAN/ALABAMA,
  FRANK FLEMING (AMERICAN/ALABAMA, 1940-2018)Frank Fleming (American/Alabama, 1940-2018), "Penguin with Goat Head Staff", bronze, incised signature on proper right foot, h. 17 in., w. 12 in., d. 14 in.
• FRANKLIN P. WHITING NAPOLEON BRIDGE
  FRANKLIN P. WHITING NAPOLEON BRIDGE ALONG WITH ANOTHER ETCHING Etching: 12 3/4 x 15 3/4 in. and published by American Association of Artists
• RINEHART, FRANK A. (1861-1928)
  RINEHART, FRANK A. (1861-1928) White Whirlwind. Estimate:$1,000-$1,500
• PRINT, FRANK HARDING Frank
  PRINT, FRANK HARDING Frank Harding (British, 1935-1990), "Rye," etching, pencil signed to lower right, titled to lower left, overall (with frame): 11.5"h x 18.5"w
• Frank English (American
  Frank English (American 1854-1922) watercolor landscape initialed lower left together with an oil coastal scene by Harrington... ?
• FRANK M. WHITING & CO. SILVER ICE
  FRANK M. WHITING & CO. SILVER ICE BUCKETFRANK M. WHITING & CO. SILVER ICE BUCKET, with a pair of lion masks and loose ring handles, marked '1960' on underside, 76 ozt - h:10in.
• Frank F. English (American, 1854
  Frank F. English (American, 1854 - 1922) framed and matted watercolor landscape with farmer watering horses at a stream, signed lower left, sight 17"h x 27 1/2"w
• Jim Woodring color lithograph
  Jim Woodring color lithograph verso on front ''Frank in the Pond'' 1/50 matted and framed 11'' h. x 14'' w.; along with Jim Woodring ''Frank'' print ed. 147/199 signed in pencil LR worn edges 20'' h. x 15 1/2'' w.; along with a ''Cartoon Constitution'' signed poster and a Mother Goose and Grimm cartoon print signed in pencil by artist Mike Peters.
• FRANK WRIGHT (AMERICAN B 1932), MR.
  FRANK WRIGHT (AMERICAN B 1932), MR. DEORO, 1968-1969, OIL ON CANVAS, FRAME: 14 X 16 INFrank Wright (American b 1932), Mr. DeOro, 1968-1969, Oil on Canvas, Frame: 14 x 16 in
• Frank Nelson Wilcox (American
  Frank Nelson Wilcox (American 1887-1964) Brittany Coast. Watercolor on paper signed at the lower right corner matted and framed in a gilt frame under glass overall 17" x 20-1/2". ACA Galleries New York verso.
• William Whit
  William Whit
• Frank Guild (PA fl. 1880-1900)
  Frank Guild (PA fl. 1880-1900) Young Girloil on academy board signed and dated ''F. S. G. '84'' in lower right presented in gilt wood and composition frame.Frank Guild is known for his work with the Ladies Home Journal. His illustrations graced the magazine's interior several times during the 1890s. After the turn of the century Guild's paintings were used as cover art.SS 16.5 x 11.5 in; DOA 21.5 x 16.5 in.
• FRANK REED WHITESIDE (american,
  FRANK REED WHITESIDE (american, 1866 - 1929) SEASCAPE WITH ROCKS Signed and dated 'FRANK REED WHITESIDE 1912' bottom left, oil on artist's board 11 x 14 in.
• FRANK HOWELL, NEW MEXICO, IOWA
  FRANK HOWELL, NEW MEXICO, IOWA (1937 - 1997), WHITE HUMMINGBIRD, 1994, LITHOGRAPH, 151/225, 49"H X 31"W (SIGHT), 62"H X43"W (FRAME)Frank Howell, New Mexico, Iowa, (1937 - 1997) White Hummingbird, 1994, lithograph, 151/225 signed and dated lower right, titled lower center, numbered lower left. Biography from the Archives of askART: Frank Howell's work is described as a fusion of the physical and spiritual worlds, the continuum of life. Whether he is painting an Indian face or a landscape, there is a sense of evolving; an evolution of past, present, and the dawning of the future. "My work is very representational in some respects, and it's kind of explosive and expansive in other respects. I combine these directions, and, really, that's what has been accepted as the uniqueness in my work—it's at the same time contemporary and traditional." Subtle earthy colors and sensitive draftsmanship bring to life this philosophical reality. Howell views lithography as a painter's print medium because of its ability to reproduce the kinds of subtle gradation of values and tonality which are most similar to the variations drawing and paint can provide. "…my first concepts of a print were in terms of painterly processes. Progressively, as I have gained experience and knowledge, my ideas and approaches to conceptualizing those ideas are more in keeping with the qualities particular to lithography. The delicate washes, crayon textures and soft pencil lines so unique to the medium have become useful and integral ingredients in the formation of my images. I believe that through the communion between the tools, materials, and qualities of lithography and my sensibilities, beauty may be born. It is the communion and my awareness of its potential that perpetuates my search." Howell's list of credits is extensive. A drawing series, "Past Winds," created in 1975, captured the attention of viewers in galleries, universities and museums throughout the nation. He has had over 30 one man shows including a display of lithographs at the Museum of Modern Art in Guadalajara, Mexico. Howell has been the subject of profiles on television, radio and in newspapers and magazines. The oldest of three children, Howell spent his childhood in Iowa and Texas. As an ex-marine at eighteen, he enrolled in the University of Northern Iowa where he studied ceramics and jewelry making. He has had no formal training in painting, for which he is most widely known. For six years Howell stopped painting altogether and devoted his time and energy to writing. The technical aspects of his painting may not have progressed during those years, but, his ideas moved forward, he explains, because the source for his poetry and painting are the same. He feels that getting in touch with this motivating force from within is the key to his success as an artist. Many of Howell's current lithographs and paintings incorporate his poetry within the image, thus, allowing the viewer a more sensitive insight into his creative mind. Howell taught art for 11 years in high schools and on the college level, before moving to Colorado in 1968 to devote his life to painting, sculpting and printmaking. lithograph, 151/225 Dimensions: 49"H x 31"W (sight), 62"H x43"W (frame)
• FRANK M WHITING STERLING ART
  FRANK M WHITING STERLING ART NOUVEAU CARVING SET 11 1/8 in. to 13 1/2 in. L.
• (5 PC) "FRANK M. WHITING AND CO."
  (5 PC) "FRANK M. WHITING AND CO." STERLING & GLASS ARTI...DESCRIPTION: (5 Pc) Sterling and Glass "Frank M. Whiting and Co." ashtray set. This set includes one (1) large coaster and four (4) small matching coasters. All coasters are designed in circular form shape and made of pressed glass with a stardust design and with an ornate sterling silver rim. All coasters are stamped "Frank M. Whiting and Co. Sterling" and numbered (the large coaster is numbered "6" and small coasters are numbered "4"). CIRCA: 20th Century. ORIGIN: USA. DIMENSIONS: W: 6 3/4" and W: 3 3/4". CONDITION: Good condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• Frank M. Whiting ''Josephine''
  Frank M. Whiting ''Josephine'' Sterling Punch Ladlecirca 1895 the elegant elongated bowl with double spout no monogram.13 in.6.25 troy oz.
• FRANK M. GREGORYAmerican b.
  FRANK M. GREGORYAmerican b. 1848Girl in a pink dress. Signed lower right F.M. Gregory 84''.Provenance: James Graham & Sons New York.Collection of Estelle and Raymond J. Saulnier.Christie's New York.Private Collection Cape Cod Massachusetts.Oil on canvas 12'' x 18''. Framed.''
• Frank Weston Benson
  Frank Weston Benson (American/Massachusetts, 1862-1951) "Lone Yellowlegs", dry point, sight 13-1/2" x 8", signed in pencil lower left. Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann.
• Pr. Frank Whiting Co. sterling
  Pr. Frank Whiting Co. sterling lidded servers each having detachable handles and monogrammed ''ES''. Both marked for Frank Whiting Co. ''2512 Sterling'' with retailer's mark for Bailey Banks and Biddle Co. Philadelphia. 57.4 ozt. 5''H x 12''W Circa - First half 20th C.
• NINE FRANK M. WHITING STERLING
  NINE FRANK M. WHITING STERLING SILVER DIGESTIF GLASSES 3 ¼" Each piece marked on the bottom with Frank M. Whiting hallmark, numbered and Sterling; monogrammed with crest on the bowl. Total weight 6.42 toz. Butler's inventory number. Provenance: old prominent private collection, Louisville, KY; by descend in the family to the current owner.
• Wildfowler by Frank Weston Benson
  Wildfowler by Frank Weston Benson Frank Weston Benson (American 1862-1951) ?1923. Etching on paper from an edition of 150 signed in graphite l.l. catalogue raisonn? Paff 220; 8 x 11.75 in. (plate). Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Slight mat burn.
• FRANK SHORT AFTER J. M. W.
  FRANK SHORT AFTER J. M. W. TURNER, MEZZOTINT Frank Short (British, 1857-1945), mezzotint on paper, published 1887 by Robt. Dunthorne, pencil signed lower right, loose in mat, 12.5"h x 17.5"w (sheet), 14"h x 19"w (mat)
• FRANK HOWELL, NEW MEXICO, IOWA ,
  FRANK HOWELL, NEW MEXICO, IOWA , FACE OF THE WATERS, 1990, LITHOGRAPH, 3/140, 30"H X 42 1/2"W (SIGHT), 42 1/2"H X 55"W (FRAME)Frank Howell, New Mexico, Iowa Face of the waters, 1990, lithograph, 3/140 signed and dated lower right, titled lower center, numbered 3/140 lower left. Biography from the Archives of askART: Frank Howell's work is described as a fusion of the physical and spiritual worlds, the continuum of life. Whether he is painting an Indian face or a landscape, there is a sense of evolving; an evolution of past, present, and the dawning of the future. "My work is very representational in some respects, and it's kind of explosive and expansive in other respects. I combine these directions, and, really, that's what has been accepted as the uniqueness in my work—it's at the same time contemporary and traditional." Subtle earthy colors and sensitive draftsmanship bring to life this philosophical reality. Howell views lithography as a painter's print medium because of its ability to reproduce the kinds of subtle gradation of values and tonality which are most similar to the variations drawing and paint can provide. "…my first concepts of a print were in terms of painterly processes. Progressively, as I have gained experience and knowledge, my ideas and approaches to conceptualizing those ideas are more in keeping with the qualities particular to lithography. The delicate washes, crayon textures and soft pencil lines so unique to the medium have become useful and integral ingredients in the formation of my images. I believe that through the communion between the tools, materials, and qualities of lithography and my sensibilities, beauty may be born. It is the communion and my awareness of its potential that perpetuates my search." Howell's list of credits is extensive. A drawing series, "Past Winds," created in 1975, captured the attention of viewers in galleries, universities and museums throughout the nation. He has had over 30 one man shows including a display of lithographs at the Museum of Modern Art in Guadalajara, Mexico. Howell has been the subject of profiles on television, radio and in newspapers and magazines. The oldest of three children, Howell spent his childhood in Iowa and Texas. As an ex-marine at eighteen, he enrolled in the University of Northern Iowa where he studied ceramics and jewelry making. He has had no formal training in painting, for which he is most widely known. For six years Howell stopped painting altogether and devoted his time and energy to writing. The technical aspects of his painting may not have progressed during those years, but, his ideas moved forward, he explains, because the source for his poetry and painting are the same. He feels that getting in touch with this motivating force from within is the key to his success as an artist. Many of Howell's current lithographs and paintings incorporate his poetry within the image, thus, allowing the viewer a more sensitive insight into his creative mind. Howell taught art for 11 years in high schools and on the college level, before moving to Colorado in 1968 to devote his life to painting, sculpting and printmaking. lithograph, 3/140 Dimensions: 30"H x 42 1/2"W (sight), 42 1/2"H x 55"W (frame)
• An American Sterling Silver
  An American Sterling Silver Lorgnette Frank M. Whiting Co. decorated in the Aesthetic taste with insects leaves and flowering vines. Length 8 1/4 inches.