A few examples of appraisal values for
FULVIO

• FULVIO BIANCONI (1915-1996), A
  FULVIO BIANCONI (1915-1996), A PEZZATO GLASS VASE FOR VENINI, 1994; VENICE, ITALYFulvio Bianconi (1915-1996)A pezzato glass vase for Venini, 1994; Venice, ItalyAcid etched to underside: Venini / 94 / Fulvio BianconiThe Murano glass vase with patchwork panels of red, green, blue, a
• FULVIO BIANCONI (1915-1996), A
  FULVIO BIANCONI (1915-1996), A "RITAGLI" IRIDESCENT GLASS VASE FOR VENINI, 1992; VENICE, ITALYFulvio Bianconi (1915-1996)A "Ritagli" iridescent glass vase for Venini, 1992; Venice, ItalyAcid etched to underside: Venini / Fulvio Bianconi / 1992/197; with sticker to side: Venini Murano
• FULVIO BIANCONI (1915-1996), A
  FULVIO BIANCONI (1915-1996), A FASCE SOMMERSO GLASS VASE FOR VENINI, 1998; VENICE, ITALYFulvio Bianconi (1915-1996)A fasce sommerso glass vase for Venini, 1998; Venice, ItalyAcid etched to underside: Venini / Fulvio Bianconi / 1998/4The vase with "orizzontale" bands of blue, te
• FULVIO BIANCONI (1915-1996), A
  FULVIO BIANCONI (1915-1996), A FASCE SOMMERSO GLASS VASE FOR VENINI, 2001; VENICE, ITALYFulvio Bianconi (1915-1996)A fasce sommerso glass vase for Venini, 2001; Venice, ItalyAcid etched to underside: Venini / Fulvio Bianconi / 2001/10; with sticker to side: Venini Murano / Made in ItalyT
• FULVIO BIANCONI (1915-1996), A
  FULVIO BIANCONI (1915-1996), A "DONNA" VASE FOR VENINI, 2003; VENICE, ITALYFulvio Bianconi (1915-1996)A "Donna" vase for Venini, 2003; Venice, ItalyAcid etched to underside: Venini / 2003 / Fulvio Bianconi; sticker to side: Venini Murano / Made in ItalyThe clear ir
• FIVE COFFEE TABLE BOOKS ON LIGHTING
  FIVE COFFEE TABLE BOOKS ON LIGHTING AND DESIGN Lot of five coffee table books on lamps, lighting and design, including 1000 Lights: 1879-1959, printed 2005 by Taschen; 1000 Lights: 1960-Present, printed 2005 by Taschen; Light: Lamps 1968-1973: New Italian Design by Fulvio Ferrari and Napoleone Ferrari, printed 2002 by Umberto Allemandi; Il Modo Ialiano: Italian Design and Avant-garde in the 20th Century, printed 2006 by Skira; Palazzetti: The Classics of Modern Furniture, printed 1991 by Stocchiero Grafica. Approximate Dimensions:Palazzetti: h. 11.5", w. 11.5" Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• VENINI MURANO COBALT GLASS COLUMN /
  VENINI MURANO COBALT GLASS COLUMN / LAMP BASEVenini Murano Cobalt Glass Column / Lamp Base, from the Commedia dell'Arte series by Fulvio Bianconi, model 9055, 1947-48; signed to underside "Venini / Murano / Italia" Dimensions: 12 5/8 x 6 in. (32.1 x 15.2 cm.) Condition: Not wired for electricity.
• FULVIO BIANCONI FOR VENINI
  FULVIO BIANCONI FOR VENINI "PEZZATO" ART GLASS VASE ITALY, 2002 HEIGHT 9.25”.FULVIO BIANCONI FOR VENINI "PEZZATO" ART GLASS VASE, Italy, 2002, Green, blue, red and clear patchwork. Signed and dated 2002. Dimensions: Height 9.25". Provenance: Shatz Collection.
• FULVIO BIANCONI FOR VENINI
  FULVIO BIANCONI FOR VENINI PEZZATO GLASS VASE Fulvio Bianconi (Italian, 1915-1996) for Venini "Pezzato" patchwork glass vase, mid-century modern multicolor design circa 1950, acid-stamped signature underside: "Venini Murano Italia." 7" H x 6.25" W x 5.25" D.
• FULVIO BIANCONI FOR VENINI
  FULVIO BIANCONI FOR VENINI PEZZATO GLASS VASE Fulvio Bianconi (Italian, 1915-1996) for Venini "Pezzato" patchwork glass vase, mid-century modern multicolor design circa 1950, acid-stamped signature partially visable and overlaid with original paper label. 8.25" H x 4.75" W x 3.5" D.
• Venini 'Informale' Green Glass
  Venini 'Informale' Green Glass Vase, Fulvio Bianconi, c.1968 height 14.8 in — 37.5 cm
• TOM ECKERT (AMERICAN, 20TH CENTURY)
  TOM ECKERT (AMERICAN, 20TH CENTURY) 27" x 23" "Micrurus Fulvious". Carved and painted wood, signed on the underside.
• FULVIO BIANCONI FOR VENINI, VASE
  FULVIO BIANCONI FOR VENINI, VASE Fulvio Bianconi for Venini, vase glass, four-sided, thick-walled vase with multi-colored bands cased in clear glass, signed and dated on underside, 2000, 12"h Time: November 2021 Place: CLARS AUCTION GALLERY, Oakland, CA, USA Sold for: $600.00 Imported successfully Replaced successfully Error: unknown error
• Fulvio Bianconi. Fazzoletto
  Fulvio Bianconi. Fazzoletto vases, collection of twelve. 1948, incamiciato glass, glass with alternating glass rods. 10½ h × 12 w × 11 d in. estimate: $3,000–5,000. Incised signature to underside of two examples ‘Venini Italia’. Three-line acid stamp to underside of four examples ‘Venini Murano Italia’. Signed with circular three-line acid stamp to underside of one example ‘Venini Italy Murano‘.
• Fulvio Bianconi. Fazzoletto vase.
  Fulvio Bianconi. Fazzoletto vase. c. 1950, blown glass canes. 11½ h × 12 dia in. result: $512. estimate: $700–900.
• FULVIO BIANCONI, A Fasce
  FULVIO BIANCONI, A Fasce Orizzontali bottles model 4399, collection of three 11½ h × 2¼ dia in (29 × 6 cm)
• Fulvio Bianconi. Fasce Verticali
  Fulvio Bianconi. Fasce Verticali bottle with stopper. 1950, polychrome glass. 18¼ h × 4½ dia in. result: $2,250. estimate: $2,000–3,000. Three-line acid stamp to underside 'Venini Murano Italia'.
• ALFREDO VOLPI "FACHADA" 1970
  ALFREDO VOLPI "FACHADA" 1970 TEMPERA ON PAPERAlfredo Volpi (Italy/Brazil, 1896 - 1988) tempera on paper depicting four different building facades in bright colors. Signed lower right "A Volpi", & verso lower right "A.Volpi '70", unframed, & measuring 21-1/2" in height with width of 17-1/2". Comes complete with certificate of authenticity (see photographs). In overall good condition with toning to back of paper due probably to previous acidic backing & pinholes to corners from previous mount. Provenance: from a prominent Texas collector. Alfredo Volpi was born in Lucca, Italy on April 14, 1896 but less than two years later migrated to Brazil where he became a Brazilian citizen & lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clovis Graciano, Mario Zanini, Rossir Osir e Bonadei, Fulvio Pennachi, & others. He was a prominent painter of the artistic & cultural Brazilian Modernist Movement, even though he was self-taught. Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time. The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil. More recent exhibitions (MAM São Paulo 2006, Curitiba 2007) have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters. He died April 28, 1988 at age 92 in Brazil.
• ALFREDO VOLPI "FACHADA DAS CASAS"
  ALFREDO VOLPI "FACHADA DAS CASAS" MIXED MEDIAAlfredo Volpi (Italy/Brazil, 1896 - 1988) mixed media entitled "Fachada Das Casas", depicting nine (9) different windows/facades (one of his more familiar & famous themes) in bright colors with a deep & vibrant blue background, executed in 1970. Framed in a white frame with plexiglass front & measuring 25-1/4" in height with width of 19-5/8", & having a sight image height of 23-1/2" with width of 17-5/8". Signed verso "A. Volpi 70". Comes complete with Certificate of Authenticity & letter of provenance (see photographs). In overall good condition, all measurements are approximate. Further Provenance: comes from the estate of a prominent Texas collector, who purchased it directly from the artist, a personal family friend. Alfredo Volpi was born in Lucca, Italy on April 14, 1896 but less than two years later migrated to Brazil where he became a Brazilian citizen & lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clovis Graciano, Mario Zanini, Rossir Osir e Bonadei, Fulvio Pennachi, & others. He was a prominent painter of the artistic & cultural Brazilian Modernist Movement, even though he was self-taught. Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time. The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil. More recent exhibitions (MAM São Paulo 2006, Curitiba 2007) have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters. He died April 28, 1988 at age 92 in Brazil.
• ALFREDO VOLPI "BANDEIRINHAS"
  ALFREDO VOLPI "BANDEIRINHAS" MIXED MEDIAAlfredo Volpi (Italy/Brazil, 1896 - 1988) "Bandeirinhas" (1970) unframed tempera on paper depicting orange, blue, and rose colored flags. Signed verso with artist signature and dated '70, measures 20" in height with width of 16". Comes complete with certificate of authenticity (see photographs). In overall good condition, all measurements are approximate. Provenance: from a prominent Texas collector. Alfredo Volpi was born in Lucca, Italy on April 14, 1896 but less than two years later migrated to Brazil where he became a Brazilian citizen & lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clovis Graciano, Mario Zanini, Rossir Osir e Bonadei, Fulvio Pennachi, & others. He was a prominent painter of the artistic & cultural Brazilian Modernist Movement, even though he was self-taught. Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time. The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil. More recent exhibitions (MAM São Paulo 2006, Curitiba 2007) have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters. He died April 28, 1988 at age 92 in Brazil.
• ALFREDO VOLPI "FACHADA DAS CASAS"
  ALFREDO VOLPI "FACHADA DAS CASAS" TEMPERA ON PAPERAlfredo Volpi (Italy/Brazil, 1896 - 1988) "Fachada Das Casas" (1970) unframed tempera on paper depicting four windows on multi-colored background. Unframed, & measuring 20" in height with width of 16". Artist signature in verso. Comes complete with certificate of authenticity (see photographs). In overall good condition. Provenance: from a prominent Texas collector, who was also friends of the artist. Alfredo Volpi was born in Lucca, Italy on April 14, 1896 but less than two years later migrated to Brazil where he became a Brazilian citizen & lived for the majority of his life. He was one of the most important artists of the so-called Grupo Santa Helena, formed in the 1930s with Francisco Rebolo, Clovis Graciano, Mario Zanini, Rossir Osir e Bonadei, Fulvio Pennachi, & others. He was a prominent painter of the artistic & cultural Brazilian Modernist Movement, even though he was self-taught. Volpi started painting façades of houses in a highly stylized and colorful manner (these paintings were later named the "historical façades" by art critics) and this recurrent theme became pervasive all through the 1950s, after a brief "concretist" period (even though the artist himself never acknowledged being part of the concretist movement as such). The 1960s witnessed the development of his trademark "bandeirinhas" (small flags) for which Volpi became famous and which originated from Brazilian folklore (small flags are a regular fixture of the popular festa junina, held every year during the month of June): the artist would use the small-flag pattern to show an increasing sense of color combination and balanced composition which would eventually place him among the major Brazilian artists of his time. The painter gained national renown with his participation at the second São Paulo Art Biennial, winning the Grand Prix for Brazilian painting, an award he shared with Di Cavalcanti. Di Cavalcanti publicly dismissed Volpi's art as being that of a "flag painter". Soon he became known as one of the most important 20th century painters in Brazil. More recent exhibitions (MAM São Paulo 2006, Curitiba 2007) have shown how Volpi, far from being the isolated self-made artist he was once thought to be, actually absorbed various influences during his career, especially that of Josef Albers. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters. He died April 28, 1988 at age 92 in Brazil.
• FULVIO BIANCONI FOR GINO CENDESE
  FULVIO BIANCONI FOR GINO CENDESE & CO. GLASS VASE(Italian, 1915-1996) circa 1958, Lady Vase, orange peel ground, of stylized figural form, hand painted facial features and buttons, uneven lip, etched signature to base "Cendese & C./F. Bianconi", 12-3/4 in. . Provenance: Modernism Gallery, Coral Gables, Florida for $2,000; Estate of Sally Kennedy, Asheville, North Carolina Condition: residue to interior, wear to base, mild scratching, anomalies (as made)
• FULVIO DI SORRENTO, ITALIAN 20TH
  FULVIO DI SORRENTO, ITALIAN 20TH CENTURYLake Scene with Rocky Shore Signed lower left. Oil on Canvas. Sight Size: 24 x 36 in. Overall Framed Size: 30.5 x 43 in. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• 4 FULVIO BIANCONI MURANO QUATTRO
  4 FULVIO BIANCONI MURANO QUATTRO STAGIONI PERFUMESFulvio Bianconi (Italy, 1915-1996). Fulvio Bianconi for Gi. Vi. Emme Venini Murano glass perfume bottles, complete 4 bottle Quattro Stagioni (Four Seasons) set. Ricordo d'Estate, Ricordo d'Autunno, Ricordo di'Primavera and Ricordo d'Inverno. Each with original profumo GI. VI. EMME flacone Venini - Murano disegno Bianconi paper labels. Ricordo d'Inverno and di'Primavera with additional original Gi. Vi. Emme Milano foil / paper labels. Marked Bottle Made in Italy on undersides. Stoppers all frozen with perfume residue and have not been examined out of the bottles, all four bottles partially full. Tallest bottle 7 3/4" H including stopper.
• FULVIO BIANCONI, (ITALIAN,
  FULVIO BIANCONI, (ITALIAN, 1915-1996), FIVE GROTTESCHI SERIES FIGURINES, LATTIMO GLASS, HEIGHT OF TALLEST: 9 IN.FULVIO BIANCONI, (Italian, 1915-1996) Five Grotteschi Series Figurines, lattimo glass height of tallest: 9 in. Other Notes: Each with Venini Murano sticker on base. Condition: Condition: Overall good condition; some surface dirt and minor roughness/abrasions on the top rim of two of the hats on two of the figures - but these abrasions to the glaze are original to the pieces - not damage.
• BIANCONI (1915-1996) VENINI PEZZATO
  BIANCONI (1915-1996) VENINI PEZZATO ART GLASS VASEItalian Murano art glass "Pezzato" vase, Fulvio Bianconi (Italian, 1915-1996) for Venini Glassworks, 1992, tapered neck over bulbous body, four-color patchwork pattern, engraved signature underfoot, approx 8"h, 5.5"diam, 1.75lbs **Provenance: A fine Santa Fe, New Mexico estate collection**
• FULVIO BIANCONI, VENINI ITALY HEAVY
  FULVIO BIANCONI, VENINI ITALY HEAVY SOMMERSO VASE Fulvio Bianconi (Italian, 1915-1996), 1998. "Sommerso" glass vase, in red, yellow, green, and blue. Marked to underside, signed, dated, and editioned number 2. Provenance: The Private Collection of Mr. Noel F. Parris, Fayetteville,
• Fulvio Testa (Italian, b. 1947)
  Fulvio Testa (Italian, b. 1947) Framed Landscape II, 1985 watercolor and ink on nineteenth-century manuscript paper signed Fulvio Testa and dated (lower right) 12 1/4 x 18 1/4 inches. Property from the Collection of Judith Weiss
• 4 FULVIO BIANCONI MURANO QUATTRO
  4 FULVIO BIANCONI MURANO QUATTRO STAGIONI PERFUMESFulvio Bianconi (Italy, 1915-1996). Fulvio Bianconi for Gi. Vi. Emme Venini Murano glass perfume bottles, complete 4 bottle Quattro Stagioni (Four Seasons) set. Ricordo d'Estate, Ricordo d'Autunno, Ricordo di'Primavera and Ricordo d'Inverno. Each with original profumo GI. VI. EMME flacone Venini - Murano disegno Bianconi paper labels. Ricordo d'Inverno and di'Primavera with additional original Gi. Vi. Emme Milano foil / paper labels. Marked Bottle Made in Italy on undersides. Stoppers all frozen with perfume residue and have not been examined out of the bottles, all four bottles partially full. Tallest bottle 7 3/4" H including stopper.
• FULVIO BIANCONI ATTRIBUTED MURANO
  FULVIO BIANCONI ATTRIBUTED MURANO TABLE LAMPS, PR Fulvio Bianconi (Italian, 1915-1996) attributed Mid-Century Modern blown color Murano glass monumental table lamps, raised on a square metal base, apparently unsigned. 45.5" H x 14" Diameter.
• FULVIO BIANCONI 'RITAGLI' EMERALD
  FULVIO BIANCONI 'RITAGLI' EMERALD VASE FOR VENINIEmerald green pearly iridescent handcrafted vase by Fulvio Bianconi for Venini. Alternating rows of rectangular strips of glass creates the illusion of a blooming flower. Signature, date and number etched on base, 1992, #244. Measures 12.50"H x 9"W.
• VENINI 'RITAGLI' AMETHYST VASE BY
  VENINI 'RITAGLI' AMETHYST VASE BY FULVIO BIANCONIAmethyst pearly iridescent handcrafted vase by Fulvio Bianconi for Venini. Alternating rows of rectangular strips of glass creates the illusion of a blooming flower. Signature, date and number etched on base, 2000, #3/199. Measures 11"H x 9.5"W.
• FULVIO BIANCONI FOR VENINI, FASCE
  FULVIO BIANCONI FOR VENINI, FASCE PITCHER c. 1960, handblown red glass with white stripe, distributor paper label to underside "BC Murano", 10.5"h x 4.5"dia
• FULVIO BIANCONI FOR VENINI,
  FULVIO BIANCONI FOR VENINI, FAZZOLETTO VASE Mid 20th c., red and green canne glass vase / bowl, three-line acid stamp to underside "Venini Murano Italia", 6.75"h x 12.5"w x 6.5"d
• GUCCI STERLING SILVER NAPKIN RING
  GUCCI STERLING SILVER NAPKIN RING SET, 12 Gucci sterling silver napkin ring set, twelve, each formed of round openwork "G" and each struck to rim "Gucci / Made in Italy" and with marks " *302 FI" for Bigiotterie Il Giardino di Casamonti Fulvio, Florence, before 1971, and "925" for sterling. Weight; 18.70 ozt. 1.75" diameter
• FULVIO BIANCONI VENINI MURANO GLASS
  FULVIO BIANCONI VENINI MURANO GLASS VASE Murano Art Glass tall bottle shaped vase by Fulvio Bianconi for Venini Vetri, made in 1984, with canne verticali technique in blue and gray glass, incised on base "Murano Italia 84". 15.25" H x 3.75" Diameter.