A few examples of appraisal values for
GALT

• Charles Galt (American b. 1884) oil
  Charles Galt (American b. 1884) oil on canvas impressionist painting. Depicts a rural landscape with leafless trees and houses. Circa 1927. Signed and dated ''CG 27'' in lower right. Framed in gilt frame. Visible canvas measures 26'' wide x 23'' tall. Frame measures 31.5'' wide x 21.25'' tall. Condition: signs of wear and age to canvas minor stretch indent on left side scuffs scratches to frame one joint on frame is coming loose some paint loss to frame see images. Shipping weight 7.6 lbs.
• PRINT OF GENTLMAN'S PORTRAIT. Most
  PRINT OF GENTLMAN'S PORTRAIT. Most likely European 20th century. Three-quarter length portrait print of gentleman holding vegetables and a beer stein. Artist signature in lower right corner reads ''A. Galt''. 16''h 13''w in frame 24''h. 21''w. Radiating cracks located in central part of board.
• Gil
  Gil
• Gil
  Gil
• James Everett Stuart California
  James Everett Stuart California (1852-1941) A BREEZY SUNSET NEAR GALT SACRAMENTO VALLEY CALIFORNIA oil on canvas framed signed: lower left James E. Stuart and dated Sept. 25 1915; verso titled signed & dated H24'' W42'' Provenance: Manitou Galleries 16 March 2007 Lot 157. Upstate South Carolina private collection. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• HENRY GILPIN FOUR GELATIN SILVER
  HENRY GILPIN FOUR GELATIN SILVER PRINTSHENRY GILPIN (California, 1922-2011) four gelatin silver prints: "Colton Hall," interior of California's first capitol in Monterey, CA.; an abstract; mountains reflected in a lake; a farmhouse in winter. Each photograph with artist's stamp on verso, 8" x 10" (paper).
• B. GOUDETT OIL ON CANVAS
  B. GOUDETT OIL ON CANVAS (California active in Berkeley in the 1920's.) A late summer landscape 21.50'' by 26.50'' signed B. Goudett lower right. In period gilt wood and gesso frame. N.B. Recently professionally cleaned.
• 1928 Saint Gaudens
  1928 Saint Gaudens
• G
  G
• Margrethe Mather (Am. 1885-1952)
  Margrethe Mather (Am. 1885-1952) Photographportrait of Jetta Goudal and Harold Grieve platinum print signed and dated in pencil on the mount. Unframed.Image 6 7/8 x 8 5/8 in.; Mount 17 7/8 x 14 1/8 in.Jetta Goudal and Harold Grieve were married in 1930 - she an actress from the silent film era and he an art director and founding member of the Academy of Motion Picture Arts and Sciences.Collection of Clyde Nolan Jr. Greensboro NC
• HENRY GLINTENKAMP (AMERICAN,
  HENRY GLINTENKAMP (AMERICAN, 1887-1946) GAMLA UPPSALA-DRINKING MJOD, PLATE FROM A WANDERER IN WOODCUTS, 1932, FRAME: 12 ¼ X 10 1/4 INHenry Glintenkamp (American, 1887-1946) Gamla Uppsala-Drinking Mjod, Plate from A Wanderer in Woodcuts, 1932, Frame: 12 1/4 x 10 1/4 in
• GLENN GANT URBAN & LANDSCAPE
  GLENN GANT URBAN & LANDSCAPE WATERCOLOR (2)Glenn Gant (Arkansas/Missouri, 1911 - 1999) watercolor on paper depicting a young girl with red hat and dog, walking on a neighborhood street, possibly Hermann, MO. Signed upper right, "Glenn Gant". Unframed. Reverse side depicts a watercolor landscape of a figure fishing by the shore of a river. 17 3/4" H x 22 1/4" W. 20th century. Provenance: Private Arkansas collection. Condition: Urban landscape scene in very good condition. Landscape verso appears to have washed out colors.
• BARRY GEALT, AMERICAN / INDIANA
  BARRY GEALT, AMERICAN / INDIANA (20TH CENTURY), DINNER SCENE, 1983, PASTEL ON COLORED PAPER, 21 3/4"H X 29 1/2"W (SIGHT), 29"H X 37"W (FRAME)Barry Gealt, American / Indiana, (20th Century) dinner scene, 1983, pastel on colored paper Signed with initials and dated lower left. Biography: Barry Gealt retired from IU in 2009 after almost 40 years as a fine-arts professor. Gealt, 70, has spent his working life inventing a visual language in oil paint. About his own formative years and those of other artists of his generation, Gealt says, "We were from a time of epic-ness. Born during World War Two, I started Yale grad school in '63. Kennedy was murdered, there were race riots, big wars, big paintings, everything was big around us. We were just young kids, but we went to art school and all our teachers painted big and we painted big." Gealt's studio is on the grounds of the 120-acre property near Spencer where he lives with his wife, Adelheid Gealt, an art historian and the director of the IU Art Museum. She gardens, he paints. For years he took his imagery from the glens and waterfalls on the property. Then a few years ago a residency at Giverny, France, led to a side trip to Étretat on the Normandy coast where the ocean captured his imagination and where he painted many seascapes. "To be an artist you have to dig deep into what's important to you," Gealt says. "Life's a struggle, a long horizon line, and you often don't see past it. Right behind the horizon line is change and you can't be afraid of that." pastel on colored paper Dimensions: 21 3/4"H x 29 1/2"W (sight), 29"H x 37"W (frame)
• GALEN ROWELL, (1940-2002, BISHOP,
  GALEN ROWELL, (1940-2002, BISHOP, CA), YOSEMITE, 1970, COLOR PHOTOGRAPH ON PAPER UNDER PLEXIGLAS, SIGHT: 17" H X 25.75" WGalen Rowell, (1940-2002, Bishop, CA) Yosemite, 1970 Color photograph on paper under Plexiglas Edition 15/300; signed, dated and numbered in pencil, lower right, on the overmat Sight: 17" H x 25.75" W Color photograph on paper under Plexiglas Dimensions: Sight: 17" H x 25.75" W
• GOULD, John (1801-1881) Merlin.
  GOULD, John (1801-1881) Merlin. Falco aesalon. Lithograph with hand-coloring, matted and framed.
• 1925 Saint Gaudens
  1925 Saint Gaudens
• 1922 Saint Gaudens
  1922 Saint Gaudens
• GUSTAV GOLDBERG IMPRESSIONIST
  GUSTAV GOLDBERG IMPRESSIONIST LANDSCAPE PAINTING Germany,1848-1911Depicts a small stream lined by tall grass and partially bare trees with the remaining red and orange leaves clinging to their branches.
• MATHIAS JOSEPH ALTEN
  MATHIAS JOSEPH ALTEN (GERMAN-AMERICAN, 1871-1938)Mathias Joseph Alten German-American, 1871-1938 Valencia , 1912 Oil on board, signed, dated, and titled lower right Oxen and drivers with a boat in the Mediterranean surf, framed. Proclaimed a "Second Generation-Impressionist" by William H. Gerdts, preeminent authority on American regional painting, Alten's range and prolificity - having produced over 3,000 works in a wealth of subject and style - spoke of the nomadic German's drive for traditional success in an artistic world on the brink of evolution. Alten's education in the craft began at the acclaimed Académie Julian and at the Académie Colarossi - his first accolade a gold medal awarded by the school for the best figure drawing. As early as 1905, Alten was fielding invitations from museum exhibits, among these, the National Academy in New York, the Art Institute of Chicago, the Corcoran Gallery in Washington, D.C., the Pennsylvania Academy of the Fine Arts, and the Detroit Institute of Art. According to Gerdts, "By 1898 Alten appears to have felt the need for greater professional training and exposure…to more cosmopolitan experience in artistic craftsmanship and association." Alten spent the first years of the century conquering Europe by ship, train, carriage, and sometimes mule: Paris in 1899, then the Hague School of Dutch artists, then the Netherlandic realms of the Maris brothers, Jozef Israëls, Willem Roelofs, van Gogh, and Piet Mondriaan, before touring Spain in the pursuit of the influence of Joaquín Sorolla. An exhibit of Alten's sun-drenched canvasses from the 1920s was held at the Holt Galleries in New York City. The Literary Digest for October 12, 1929, featured the showing with an article and a reproduction of one of the Spanish marine scenes on its front cover. The esteem of his national recognition in tow, Alten never ceased to frequent noted art colonies such as Étaples, France; Old Lyme, Connecticut; Taos, New Mexico; Laguna Beach, California and Tarpon Springs, Florida, though never settling in colony nor school or style. Fastidiously retained was a freedom of subject and style, from still lifes to animals, portrait commission to southwestern scenes such as Valencia . Alten never succumbed to the encroaching Modernist fervor of his peers, and this conviction paid him handsomely, earning him gallery space alongside the likes of Childe Hassam, Edward Henry Potthast, Charles Russell, H.O. Tanner, Frederic Remington, Oscar E. Berninghaus, George Bellows, J.S. Sargent, E.L. Blumenschein, Thomas Eakins, William Merritt Chase, and William Wendt. Sight: 11.1 x 15 1/4 in. (28.2 x 38.7 cm.), frame: 15 1/2 x 19 3/4 in. (39.4 x 50.2 cm.) Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• Mark Geller (American, b. 1947)
  Mark Geller (American, b. 1947) Barn in Golden Hills Oil on Board signed Geller lower left 15 1/2 x 19 1/2 inches
• GLENN GANT LANDSCAPE
  GLENN GANT LANDSCAPE WATERCOLORGlenn Gant (Arkansas/Missouri, 1911 - 1999) watercolor on paper depicting an Ozark mountain landscape with white clapboard house in the foreground. Signed lower right. Unframed but matted. Sight - 18 1/8" H x 25 1/2" W. Mat: 24" H x 30 3/4" W. 20th century. Provenance: Private Arkansas collection. Condition: Very good condition.
• GARY NIBLETT (1943- ), RULERS OF
  GARY NIBLETT (1943- ), RULERS OF THE PLAINS Fine Art
• GAUL, August, (German,
  GAUL, August, (German, 1869-1921): Sheep Grazing Grouping, Bronze, 5.5'' h., 11.5'' w., affixed to marble plinth, 6.5'' h., 12.5'' w., signed on base, H. Noack Friedenau, Berlin Foundry mark.
• 1927 Saint Gaudens
  1927 Saint Gaudens
• Benson Bond Moore (American
  Benson Bond Moore (American 1882-1974) "Gallaudet College from the Hills". Oil on canvas apprx. 8" x 9-1/2" signed and dated 1919 in the lower left corner framed in a wide gilt frame with a linen liner overall apprx. 14" x x 15-3/4".Gallaudet is the world leader in liberal education and career development for deaf and hearing impaired students. The school enjoys an international reputation for its outstanding programs and for the quality of the research it conducts on the history language culture and other topics related to the hearing impaired.
• Ransome Gillet Holdredge (1836-1899
  Ransome Gillet Holdredge (1836-1899 San Francisco CA) Indians in Yosemite Valley
• HENRY GLINTENKAMP (AMERICAN
  HENRY GLINTENKAMP (AMERICAN 1887-1946), GANGWAY, WOODCUT, FRAMED, 16-1/2 X 13 INCHESHenry Glintenkamp (American 1887-1946), Gangway, Woodcut, Framed, 16-1/2 x 13 inches
• GATTEN, INDUSTRIAL SHEET METAL
  GATTEN, INDUSTRIAL SHEET METAL ABSTRACT ART, 24 X 65 INGatten, Industrial Sheet Metal Abstract Art,
• GAYLE BLAIR TATE (American b.
  GAYLE BLAIR TATE (American b. 1944). A BALANCED ECONOMY signed lower left. Oil on panel - Framed 13 1/2 in. x 18 in.
• 3PC CLASSICAL CONTINENTAL
  3PC CLASSICAL CONTINENTAL ENGRAVINGS, FRAMED ALIKE Hendrick Goltzius (German/Dutch, 1558-1617). Figural etching depicting two putti embracing before a country villa; Lucas van Uden (Belgian, 1595-1672). ?Landscape with a House and a Well? (Holl. 30), etching on laid paper, final state; Allaert van Everdingen (Dutch, 1621-1675). ?The Man Between the Two Fir trees? (Holl. 93), etching on laid paper, final state. Provenance for Goltzius work: Private Collection, Cashiers, North Carolina; Sotheby?s New York, February 1988. Approx. of Goltzius 13.25? x 12.75? (frame), 5.25? x 5.25? (sheet); Approx. of van Uden 10? x 10.875? (frame), 3.5? x 4? (sight); Approx. of van Everdingen 10.75? x 11.5? (frame), 4.875? x 6.125? (sheet)
• JIM GOLDBERG (AMERICA, B. 1953),
  JIM GOLDBERG (AMERICA, B. 1953), UNTITLED (“TO MY DISCOMFORT I AM OFTEN CONSIDERED A GRAND DAME…”)., GELATIN SILVER PRINT, SHEET SIZE 14" X 11". FRAMED 16.25” X 14.5”.JIM GOLDBERG, America, b. 1953, Untitled ("To my discomfort I am often considered a grand dame…"). From the "Rich and Poor" series, circa 1985. Signed and numbered on reverse. Dimensions: Gelatin silver print, sheet size 14" x 11". Framed 16.25" x 14.5".
• 1908 Saint Gaudens
  1908 Saint Gaudens
• A late 19th/early 20th Century
  A late 19th/early 20th Century Austrian painted and gilt slip cast figure in the ''Goldscheider'' manner - Young woman sowing seed on octagonal base 35ins high
• GARY KAPP (UTAH, BORN 1942) OIL
  GARY KAPP (UTAH, BORN 1942) OIL ON BOARD, WELLS FAGARY KAPP (Utah, born 1942) oil on board, Wells Fargo & Co. stagecoach driving through the mountains at sunset. Signed lower left. Image measures 24" x 48". In a wide wood frame; 33.25" x 57.25" overall.
• Ransom Gillet Holdredge
  Ransom Gillet Holdredge (American/California 1836-1899) "Grazing by the Lake" oil on board signed lower right 9 1/2 in. x 23 1/2 in. framed.
• Helen Gapen Oehler (1893-1979
  Helen Gapen Oehler (1893-1979 Mill Valley CA) New Jersey Winter