A few examples of appraisal values for
GEIGER

• 4 WROUGHT IRON OYSTER KNIVES CA.
  4 WROUGHT IRON OYSTER KNIVES CA. 19TH & 20THcentury; all heavy square stock handle with ground down knife blades: signed "G. Geiger"; signed "Hood", reworked punch, machinist made; "J. Stortz & Son" (Phila); signed (?) with black paint; all 8 1/4"l; Condition: good
• A VINTAGE PAIR OF GEIGER
  A VINTAGE PAIR OF GEIGER UPHOLSTERED OFFICE CHAIRS From a New Jersey estate. Dimensions: 31" x 28" x 25" Condition: Good, lightly used.
• CONTEMPORARY GEIGER BRICKELL
  CONTEMPORARY GEIGER BRICKELL BLACK LEATHER UPHOLSTERED SWIVEL OFFICE CHAIRWith a label: 'Geiger BRICKELL Made in USA'. 35 1/2 x 25 3/4 x 25 3/4 in. Note: Geiger Brickell was associated with the designer Ward Bennett and was acquired by The Herman Miller Company in 1999. Condition In generally good condition. Structurally sound.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• THREE CONTEMPORARY SOUTHERN BASKETS
  THREE CONTEMPORARY SOUTHERN BASKETS The first, a Mary Jane Everett (Geiger, AL) Wing Nut basket, 2003, comprised of black walnut, black ash, and reed, applied oak swing handle, raised on four copper washers, signed dated and numbered to underside, retains retail tag, artist card, and receipt; the second, a Terry & Sandi Henry (Boone, N.C) buttocks berry basket with vegetable dyed weavers and twisted handle, retains artist card; the last, a Southern Appalachian miniature oak buttocks basket, unsigned.
• MID-CENTURY STYLE CAFE TABLE AND
  MID-CENTURY STYLE CAFE TABLE AND SIX CHAIRSMID-CENTURY STYLE CAFE TABLE AND SIX CHAIRS. The LEEWAY chairs are a Keiji Takeuchi (Japan, b. 1977) design for Geiger Co. (owned by Herman Miller), dated 2019. The round table has a wood top on four tubular black metal legs, dimensions: 29.25"H x 31.50"D.
• WARD BENNETT, H FRAME STORAGE
  WARD BENNETT, H FRAME STORAGE CABINET Ward Bennett, H Frame Storage Cabinet Geiger, USA, natural anigre finish, 26"h x 61.5"w x 14"d Time: August 2023 Place: CLARS AUCTION GALLERY, Oakland, CA, USA Sold for: $750.00 Imported successfully Replaced successfully Error: unknown error
• LARGE FRAMED VICTORIAN YARN WORK
  LARGE FRAMED VICTORIAN YARN WORK SAMPLER.Large Framed Victorian Yarn Work Sampler. Signed " Worked in 1856, by Mary E. Geiger". Chalice, potted flowers, trees, birds, and vine border. 34-1/2" x 33-1/2" overall. Condition: : Good with some fading, some losses to veneer wood on frame. Condition: Condition: : Good with some fading, some losses to veneer wood on frame.
• RICHARD GEIGER (AUSTRIAN,
  RICHARD GEIGER (AUSTRIAN, 1870-1945) OIL ON CANVASDESCRIPTION: Richard Geiger (Austrian, 1870-1945) Oil on Canvas. Features a reclining woman holding a cigarette being entertained by a suitor. Signed lower right "Geiger. R" CIRCA: 19th/20th Ct ORIGIN: Austria DIMENSIONS:H:28" W:35.5" (Framed), H:23.5" W:31" (Unframed) CONDITION: Great condition. Contains a cardboard backing. Does not appear to be relined. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• PHILIP GEIGER (AMERICAN B. 1956)
  PHILIP GEIGER (AMERICAN B. 1956) A PAINTING, "RAIN," 19...PHILIP GEIGER (American b. 1956) A PAINTING, "Rain," 1989, oil on board, signed and dated L/R, "Geiger '89," verso a gallery label, 24" x 18", framed, 28" x 21 3/4". Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• PHILIP GEIGER (AMERICAN B. 1956)
  PHILIP GEIGER (AMERICAN B. 1956) A PAINTING, "THE OPENI...PHILIP GEIGER (American b. 1956) A PAINTING, "The Opening," 1990, oil on canvas, signed and dated L/R, "Geiger '90," verso paper labels; 30 1/4" x 36", framed 31 1/4" x 38". Condition: Some minor losses most notably near canvas edges. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”
• RICHARD GEIGER (AUSTRIAN
  RICHARD GEIGER (AUSTRIAN 1970-1945)RICHARD GEIGER (AUSTRIAN 1970-1945) Columbine and Pierrot oil on canvas 99 x 73.5 cm (39 x 9 in.) signed lower right PROVENANCE Beaumount Galleries, Gallatin, July 6, 2019, lot 37 CONDITION Observed in frame, the work is in overall good condition. Surface dirt; would benefit from a light cleaning. Very fine, stable and age-appropriate craquelure. Minor warping apparent at the upper right corner. Scuff to the left edge, as apparent in photographs. Inspection under UV light shows an overall even layer of varnish with scattered retouching to perhaps 5% of the overall surface, most notably to Columbine's collar and Pierrot's sleeve. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• PHILIP GEIGER(Colorado/Virginia,
  PHILIP GEIGER(Colorado/Virginia, born 1956) The Designer, 2002, from the Sleeper series, signed lower left "Geiger", oil on Masonite, 18 x 24 in.; lattice type frame, 19-1/2 x 25-3/8 in. Provenance: Private Collection Condition: good condition
• A Mirsa short sleeved tailored
  A Mirsa short sleeved tailored dress, a Roger Brines Boutique knitted and tweed mix dress and jacket, a Geiger floral blouse and matching skirt, a Frank Usher skirt and matching blouse and various other clothes
• SEVEN LIMITED EDITION
  SEVEN LIMITED EDITION REPRODUCTION BEARS GERMANY, 20TH CENTURYSEVEN LIMITED EDITION REPRODUCTION BEARS, Germany, 20th Century, All with tags in original boxes. 1) 1907 Black Bear. 2) 1908 Muzzle Bear. 3) 1912 Otto Steiff Teddy Bear. 4) Teddy bear Modell 1902. 5) 1930 Dickey. 6) Geiger-Teddy bear set. 7) Friends of Christmas.
• FRITZ GEIGER (WI, 1882-1957),
  FRITZ GEIGER (WI, 1882-1957), RINGNECK Wisconsin, circa 1920, carved and painted wood, glass eyes.
• RACHEL V. HARTLEY, NEW YORK
  RACHEL V. HARTLEY, NEW YORK (1884-1955), UNTITLED, 1932, OIL ON BOARD, 19 1/2"H X 23 1/4"W (SIGHT), 28"H X 31"W (FRAME).Rachel V. Hartley, New York, (1884-1955) untitled, 1932, oil on board Signed and dated lower right. Exhibited: PPOW Gallery, NY Biography from the Archives of askART: Born into a family of artists in New York City on January 4, 1884, Rachel Hartley was the daughter of sculptor Jonathon Scott Hartley and Helen Inness Hartley. Her grandfather was George Inness, one of America's greatest 19th century painters. She was raised in Montclair, New Jersey, and educated in private schools there. At age 17, and with a letter of recommendation from her famous grandfather, Miss Hartley entered the Art Students League in New York City as a special student. After her studies at the League were over, she worked in a studio next to her father's and devoted herself to portraits. In 1916, she was invited to accompany her botanist brother on the first William Beebe expedition to South America. Hartley was the official artist on the expedition organized by the American Museum of Natural History. The team spent six months at the Tropical Research Station of the New York Zoological Society in British Guiana. During the trip, Hartley perfected a loose representational style and developed a keen interest in the pure landscape expressed through natural colors and dramatic use of light. An important untitled Florida painting of a large and impressive tree that dominates a riverine landscape, now in the Percy-Geiger Collection in Tallahassee, Florida, is representative of this phase in her career. Here, Hartley also reflects the influence of the independent movement in American art led by Robert Henri and John Sloan but in a Florida-based landscape with possible religious reference to the Tree in the Garden of Eden. This painting hovers between 19th century academic painting and the work of the 20th century Realists. Rachel Hartley often said that her "artistic career really began on a train bound for Tarpon Springs, Florida, with her grandparents," who maintained a vacation home there. Florida was to play an important role in the life of this suffragette artist throughout her long and prolific career. Hartley maintained residences in New York City and Southampton, Long Island. Typically, she spent summers partly in Southampton and partly in Provincetown, Gloucester, or elsewhere in New England. She also spent part of the year painting in Florida and other southern states, especially Virginia and the Carolinas. She exhibited her popular works, including Florida-themed works, principally in the Northeast in Boston and New York, including exhibitions at the Ainslie and MacBeth Galleries. Her paintings are included in many North and South American collections, including the National Gallery in Georgetown, British Guiana, and the Museum of Arts and Sciences in Daytona Beach, Florida. Hartley is included in a number of standard reference works including Modernism in the South, Impressionism and Post-Impressionism Transformations 1885-1945, the Dictionary of American Artists, and Reflections II :Watercolors of Florida 1835 – 2000. Hartley's important "Peacock paintings" are based on a well-known farm located at the southeast corner of Haines Road or U.S. 19 and Gulf to Bay Boulevard in Clearwater, Florida. The Seville Farm produced peacocks that eventually inundated the area of Greenbriar in north Clearwater where this farm was founded and run by African-American farmers in the 1920s who collected the peacock feathers to sell for use in the fashion industry. The Great Depression signaled the end of the Seville Farm and the fowl were released into the area. Over the years many of the peafowl have been trapped and relocated, yet many still roam the area today. In the painting represented here, Hartley unites the African-American farmers with their fowl. She presents a marginal location and cultural moment previously ignored as inappropriate for the subject of a painting until the revolution prompted by the so-called Ashcan Group of painters at the Art Students League prior to the Armory Show of 1913 where a new style of relaxed realism and personal expression was formally introduced to contemporary American art. In doing so, she creates a canvas of visual interest in her characteristic style of relaxed realism and local color, as she captures a bit of Black ethnic life and history which was a subject of great interest to northern artists and thinkers working in the South because of the exotic and symbol-laden peacock with its rich associations of sainthood, vice, and the mysteries of the East. Excerpt from essay submitted to askART titled Out of the Shadows: Women and the Florida School of Art, by Gary R. Libby, Art Historian and author of book Reflections II: Watercolors of Florida 1835-2000. oil on board Dimensions: 19 1/2"H x 23 1/4"w (sight), 28"H x 31"W (frame).
• WARD BENNETT ENVELOPE CHAIR FOR
  WARD BENNETT ENVELOPE CHAIR FOR GEIGERWard Bennett (Washington Heights, NY, 1917-2003). Envelope chair for Geiger. American, 20th century. Brown leather seating and back and tubular chrome legs and frame. Marks and spotting throughout chrome frame. Cracking and tears to leather on seat. Leather is heavily worn. 30 1/2" H x 20 1/4" L x 20" W
• KURT GEIGER CLOTH PURSEKurt
  KURT GEIGER CLOTH PURSEKurt Geiger Cloth Purse,
• RICHARD GEIGER (1870 - 1945): WOMAN
  RICHARD GEIGER (1870 - 1945): WOMAN WITH PARROToil on canvas; signed lower left; Condition: a small patch verso; 21 3/4 x 26 3/4 inches; 29 x 34 1/4 inches frame Condition:
• PAIR JOHN GEIGER BUMPER SWIVEL
  PAIR JOHN GEIGER BUMPER SWIVEL LOUNGE CHAIRS WITH FOUR LEG BASEPair John Geiger Bumper Swivel Lounge Chairs with Four Leg Base
• RICHARD GEIGER (1870 - 1945): WOMAN
  RICHARD GEIGER (1870 - 1945): WOMAN WITH PARROToil on canvas; signed lower left; Condition: a small patch verso; 21 3/4 x 26 3/4 inches; 29 x 34 1/4 inches frame Condition:
• PAIR JOHN GEIGER BUMPER SWIVEL
  PAIR JOHN GEIGER BUMPER SWIVEL LOUNGE CHAIRS WITH FOUR-LEG BASES, 31-1/2 X 27-3/4 X 28-1/2 HWD"Pair John Geiger Bumper Swivel Lounge Chairs with Four-Leg Bases, 31-1/2 x 27-3/4 x 28-1/2 HWD"
• PHILIP GEIGER (AMERICAN, B.
  PHILIP GEIGER (AMERICAN, B. 1956)Philip Geiger (American, b. 1956), "Megan", 1997, oil on panel, signed lower right, signed, titled, dated and inscribed en verso, 16 in. x 12 in., framed
• THREE ROSENTHAL PORCELAIN STREET
  THREE ROSENTHAL PORCELAIN STREET MUSICIANSTHREE ROSENTHAL PORCELAIN STREET MUSICIANS, German, early 20th Century, green printed crowned marks, model nos. 196, 197 and 96,designed by Karl Himmelstoss, circa 1910, the trio composed of a clarinet player and his dog, 'Klarinettenspieler mit Hund', a French horn player, 'wald Hornblaser' and a base player, 'Bassgeiger', on circular green bases, edged with gilt lines, h: 8 in. (the tallest) (3)
• Naoto Fukasawa Saiba Lounge Chair
  Naoto Fukasawa Saiba Lounge Chair for Geiger Furniture. Dimensions: H: 34 inches: W: 30.5 inches: D: 28.5 inches - Seat Height: 18 inches --- Condition: Small blemishes.
• Geiger International Side Chair
  Geiger International Side Chair Dimensions: H: 30.5 inches: W: 22 inches: D: 21 inches - Seat Height: 19 inches --- Condition: Light wear.
• Ward Bennett for Geiger Bumper
  Ward Bennett for Geiger Bumper Rolling Chair Dimensions: H: 37 inches: W: 27 inches: D: 25 inches - Seat Height: 20 inches --- Condition: Light wear.
• 200+ BOX LOT OF CONTEMPORARY
  200+ BOX LOT OF CONTEMPORARY COMIC BOOKS A grouping of over 200 contemporary comic books, including mostly DC Universe, some Marvel, Barbaric, Geiger, and others. Includes DC vs. Vampires and The Avengers War Across Time.
• MID-CENTURY STYLE CAFE TABLE AND
  MID-CENTURY STYLE CAFE TABLE AND FOUR CHAIRSMID-CENTURY STYLE CAFE TABLE AND SET OF FOUR CHAIRS. The four LEEWAY chairs area a Keiji Takeuchi (Japan, b. 1977) design for Geiger Co. (owned by Herman Miller), dated 2020. Round table dimensions: 29.25"H x 31.75"D.
• A Mirsa short sleeved tailored
  A Mirsa short sleeved tailored dress, a wool jacket, a Roger Brines Boutique knitted and tweed mix dress and jacket, a Geiger floral blouse and matching skirt, another matching blouse and skirt and a three-piece costume decorated daffodils
• CANVASBACK DECOY BY FRITZ GEIGER.
  CANVASBACK DECOY BY FRITZ GEIGER. Wisconsin, 1882-1957. Carved head detail and original paint. Repaired neck. 16.5"l. Impressed "Kangas CB4" for Gene and Linda Kangas (Ohio) and pictured in their book "Decoys, A North American Survey", pl. 339.
• Pr GEIGER Cross Hatch Lounge
  Pr GEIGER Cross Hatch Lounge Chairs. HERMAN MILLER, distributor. Ash frame. "By using a minimum of common materials in a maximally inventive way, Crosshatch Chair creates a feeling of being enveloped in a protective nest. Its distinctive Parachute cord and graceful curved frame is the work of Austrian design firm EOOS." Label. $3-4,000 each, when new. Dimensions: H: 26 inches: W: 30 inches: D: 30 inches - Seat Height: 15 inches --- Condition: Very Good Condition. Light wear.
• (10) Vintage sweaters to include
  (10) Vintage sweaters to include peach boiled wool Geiger sweater, monochrome embroidery at shoulders, made in Austria,34, ballet slipper pink Geiger knit wool sweater, made in Austria, 34, Geiger style Eagles Eye boiled wool navy sweater, silver tone bauble buttons, 6, Fisher Hill hand embroidered pink and floral wool swewater, 34, The Eagles Eye floating floral garland trimmed wool sweater of Shetland Wool, S, Tangerine magenta acrylic sweater, M, The Eagles Eye multi-banded cardigan cotton and ramie, hand loomed, 36, earlier Ralph Lauren Chaps selburose wool sweater, M, wool acrylic camo sweater, M/L and Hilda Ltd Icelandic ladies sweater, S
• The Hunt garment group to include
  The Hunt garment group to include Inger McCabe 60's yellow cotton coat, 8, J. Christopher conversational horse and jockey skirt and blouse ensemble, 6, flared wool trousers, 27" waist, 70's Wrangler cord skirt and jacket suit, vintage 8, 26" waist, vintage button front velvet cullottes, 24" waist, patterned golf trousers in raccoon and duck patterns, sz 8 and 26" waist, each with discoloration, Talbots suede jacket and full skirt, St. Simon cotton hunt scene over houndstooth dress, 6, JG Hook horn and hunt scene trimmed skirt, 6, Geiger camel wool sweater blazer, 36, Pitlochry made in Scotland mohair and wool sweater, S, Lady Norman mallard print cord skirt, 26" waist, Cullinane lipstick red hunt scene trimmed cord skirt, 8, Talbots horse and rider over houndstooth pleat skirt, 4, Austin Hill bird patterned skirt, 26" waist and Talbots silk houndstooth dress, 6
• POSTLE, Joy, (American, 1896-1989):
  POSTLE, Joy, (American, 1896-1989): Geiger Tree, Florida Keys, Gouache/Board, 16'' x 20'', signed lower right, titled lower left, Postle stamp verso.
• EARLY 19TH CENTURY ENGLISH YELLOW
  EARLY 19TH CENTURY ENGLISH YELLOW GOLD MOUNTED RARE RED BALTIC AMBER CABOCHON LINK CHOKER WITH COORDINATING BRACELET Necklace constructed of five round amber cabochons spaced by two triangular cabochons and six smaller round cabochon accents centered by flexible oval link chain. Bracelet has six oval amber cabochons joined by interlocking crescent shape bridges. Accompanied by purchased receipt from Sac Fr?res London dated October 29 1963 and appraisal from Costigane and Geiger Inc. Jewelers Chicago Il 1964.