A few examples of appraisal values for
GEORGE SQUARE

• GEORGE FREDERICK CASTLEDEN
  GEORGE FREDERICK CASTLEDEN (BRITISH/LOUISIANA)George Frederick Castleden (British/Louisiana, 1861-1945), "Jackson Square, New Orleans", 1927, oil on canvas board, signed lower left, inscribed and dated en verso, 9 7/8 in. x 7 7/8 in., framed, overall 12 1/2 in. x 10 1/2 in. x 3/4 in.
• John O'Hara II Cosgrave (American
  John O'Hara II Cosgrave (American 1908 - 1968) Washington Square Park in Greenwich Village. Watercolor ink and graphite on paper signed lower right circa 1930's image size apprx. 9-1/2" x 27-1/2" framed under glass in black wood frame overall apprx. 17" x 34-1/2".
• Circle of George Peter Alexander
  Circle of George Peter Alexander Healy (American, 1813-1896) "Portrait of a Gentleman", oil on canvas, tondo, 27" x 23", unsigned. Presented in a handsome period giltwood frame.
• PAINTING, GEORGY TOTIBADZE Georgy
  PAINTING, GEORGY TOTIBADZE Georgy Totibadze, (Russian b. 1967), "City Square," oil on canvas, signed lower right; sight: 19"h x 39"w, overalll (with frame): 27.75"h x 47.5"w
• CIRCLE OF GEORGE GOWER, (BRITISH,
  CIRCLE OF GEORGE GOWER, (BRITISH, C.1540-1596). Portrait of a Gentleman, Dressed in Black, Three-Quarter Length, Surrounded by Heraldic Emblems . Oil on panel. Reverse with labels one reading 'Churchill' and Christie's stencils. From a Scarsdale estate Dimensions: 33" h x 23.875" w. Condition: Fair. Several areas of paint loss and lifting throughout, losses to edges, two vertical cracks in middle, one crack extending most of the length, panel cradled.
• GEORGE GREGORY (1849-1938) - A
  GEORGE GREGORY (1849-1938) - A PROVINCIAL TOWN STREET SCENE with pedestrians to foreground, 36cm x 27cm, signed and dated 1901, in Florentine style carved gilt wood frame
• Circle of George Jamesone
  Circle of George Jamesone (c.1589-1644)/Portrait of a Man wearing a Ruff/oil on canvas, 61cm x 47cm
• George Robert Vawser (British
  George Robert Vawser (British 1800-1888)/Street Scene with View of a Cathedral/Street Scene/a pair/signed and dated/watercolour, 20cm x 14cm
• GEORGE III "DAVIS QUADRANT" OR
  GEORGE III "DAVIS QUADRANT" OR BACKSTAFFBritish, late 18th century, boxwood frame with pearwood scales and inlaid plate reading "H. GREGORY near ye India House LONDON/Jean Gremon", 25 x 14 in. Condition: good overall, light rubbing to surfaces, minor chipping
• George Gray (fl. 1880-1910
  George Gray (fl. 1880-1910 Scotland) Scottish Landscape Watercolor. Signed lower edge. A large Scottish landscape depicting the Tweed River; handwritten inscription on verso notes 'The Neuk, Levenhall, Musselburgh'. Image 18x29'', in antique, likely original frame 26x38''. Strong colors, excellent condition.
• George III Silver Circular Dish,
  George III Silver Circular Dish, William Grundy, London, 1762 diameter 12.8 in — 32.5 cm
• CIRCLE OF GEORGE STUBBS (ENGLISH
  CIRCLE OF GEORGE STUBBS (ENGLISH 1724-1806) A CONVERSAT...circle of GEORGE STUBBS (English 1724-1806) A CONVERSATION PAINTING, "Thomas Cochrane, 8th Earl of Dundonald with his Sons, Wife and Horses," CIRCA 1755, oil on canvas, verso an old paper label identifying sitter. 8 1/2" x 29 1/4" Note: The Earl is seated with another nobleman at far right. Servants and locals mingle in the countryside attending casually to the aristocratic family. The Earl's second wife, Jane Stuart, dressed in yellow is perhaps having her palm read by a fortune-teller, while her nursemaid pulls her arm back. Country folk sit with infants and an old man is seated by the horses. An unusual landscape scene that fits into the British conversation tradition, but also excitingly includes portraits of two very fine horses, varying from formal portraits of the same period slightly. One horse is shown from the rear with a rider that appears to riding sidesaddle and wearing a cropped red riding habit. The sex of the rider arguable for the mystery seems intentional. The 8th Earl had one daughter who died unmarried. The brown horse is awaiting a saddle held by a female groom. The viewer should note the sandy and rocky landscape, the lack of leafy trees is curious for the period and distinctly consistent with George Stubbs oeuvre. George Stubbs, best known for his horse and animal paintings, also painted portraits of noble families. A self-taught artist, his works have a distinct minimalistic background and landscapes are somewhat abstracted when compared to his contemporaries, examples of which can be seen here in the present work. Interpreting the work of art is complex as social norms of 18th century aristocracy would have seen this commingling as taboo. Condition: Lined canvas, expected darkening of paint, frame rubbing, minor losses, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
• T. George - Watercolour - Officer
  T. George - Watercolour - Officer in uniform seated beneath a tree 8.5ins x 6.75ins signed and dated 1822 and 19th Century Continental School - Watercolour - Young lady standing against a mountainous landscape 8.25ins x 7ins both in gilt moulded frames and glazed
• Arthur George Bell (1849-1916)
  Arthur George Bell (1849-1916) watercolour Continental town square signed 14 x 21in. Estimate ?250-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?220
• 18TH C. KNELLER CIRCLE, FAMILY
  18TH C. KNELLER CIRCLE, FAMILY GEORGE I, LARGE OIL British School, circle of Sir Godfrey Kneller (German/English, 1646-1723), "His Most Sacred Majesty King George, Their Royal Highness's The Prince And Princess of Wales", 18th century, oil on canvas, large scale oil depicting King George I wearing the chain of the Order of the Garter, with the future George II wearing the chain of the Order of the Garter, and future Queen Caroline of Brandenburg-Ansbach, all in robes of state with St. Edward's crown and the Sovereign's orb on a table, with Westminster Abbey in the distance, having no apparent signature, framed. Note: A circa 1714-1727 mezzotint of similar composition engraved by Jean Simon (British circa 1675-1751) is in the British Royal Collection (RCIN 603773). Provenance: : From the Private Collection of William R. Collins, JR., Milton, Georgia. Approximate measurements: Canvas h. 60", w. 72"; Overall h. 66. 5", w. 78. 25", d. 3".
• Circle of George Morland/Figures By
  Circle of George Morland/Figures By A Cottage/at the edge of the wood/oil on canvas, 29cm x 37cm
• GEORGE THE SUPREME MASTER OF
  GEORGE THE SUPREME MASTER OF MAGIC.George, Grover. George the Supreme Master of Magic. Cleveland: Otis Litho., ca. 1926. Color lithograph magic poster heralding the magician's American tour. 40 x 26 ". Linen-backed. A.
• George Izvolsky
  George Izvolsky (American/Louisiana, Contemporary) "French Quarter Courtyard", oil on board, 20" x 24", signed lower right. Framed.
• Circle of George Morland/A Sad
  Circle of George Morland/A Sad Boy/pen and grey wash, 10cm x 8.5cm/Provenance: The Estate of Anthony J Beeson
• George I style d
  George I style d
• A white opaque moulded glass
  A white opaque moulded glass profile portrait of George III on red glass oval panel 4ins x 3ins in modern ebonised oval frame (chipped)
• A circular silver sugar basin and
  A circular silver sugar basin and matching jug George Fox London 1874 engraved and with beaded ovals approximately 280gm
• George Vertue after Giosep
  George Vertue after Giosep Grisoni/Richardus II Rex Angliae/dated 1718/engraving, 49cm x 26.5cm/L Sailliar after R Cosway/ HRH George Prince of Wales/engraving, 24cm x 14cm/and three other pictures/Provenance: Little Sodbury Manor, Property from the Estate of Lady Killearn
• Good English Oval Wax Portrait
  Good English Oval Wax Portrait Silhouette of a Bewigged George III, third quarter 18th century, presented in an antique red eglomise backplate within a black-painted glazed shadowbox, bearing the later embossed gold foil label of Chicago antiquarian W. Russell Button, h. 7", w. 6".
• GEORGE'S CROSS SHIRVAN Worked
  GEORGE'S CROSS SHIRVAN Worked with three crosses on cobalt octagons and ivory field primary red and two guard borders; 5 ft. 2 in. x 4 ft. 2 in.
• Greek Isles Street Scene with
  Greek Isles Street Scene with Figure 20th c.oil on canvas signed at lower left ''McGinn '' depicting an elderly woman in blue dress standing in a doorway presented in a gilt composition frame.SS 17.5 x 23.5 in.
• George Tattersall (1817-1849)/Douro
  George Tattersall (1817-1849)/Douro Terrace, Highbury Park, Islington/inscribed, signed and dated 1840/watercolour, 20cm x 32.75cm
• A George III silver rose bowl
  A George III silver rose bowl Robert Gray and Son Edinburgh 1805 the border engraved a continuous band of alternating thistles shamrocks and roses and with garlands beneath the skirt base with beaded border bearing a presentation inscription dated 1806 25cm (9.75") diameter approximately 1050gm
• Manner of George Houston, 19th
  Manner of George Houston, 19th Century/Iona/Scottish coastal landscape/oil on board, 25cm x 34cm
• GEORGE THE SUPREME MASTER OF MAGIC.
  GEORGE THE SUPREME MASTER OF MAGIC. CARLOAD OF SCENIC E...George, Grover. George The Supreme Master of Magic. Carload of Scenic Effects. Cleveland: Otis Litho, ca. 1920s. Half-sheet (19 ½ x 26”) color lithograph depicting the magician overlooking a Buddha figure around which imps march. Left margin trimmed, horizontal fold, edges with several tears and losses. Unmounted. Rolled.
• George Cattermole (1800-1868)
  George Cattermole (1800-1868) watercolour Roundheads beside a farrier 7.75 x 11.5in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?180
• GEORGE, GROVER. GEORGE THE
  GEORGE, GROVER. GEORGE THE SUPREME MASTER OF MAGIC.Cleveland: Otis Litho. Co., ca. 1926. Attractive color lithograph depicting a scene from George’s “Triumphant American Tour” including a large Buddha-like statue, ducks, owls, and Asian assistants. 20 x 26 ½". Slight offsetting; A.
• GEORGE CLOUGH (1824-1901): ON THE
  GEORGE CLOUGH (1824-1901): ON THE ROAD TO TOWN Oil on canvas 19 x 38 in. signed lower left.
• GEORGE SINCLAIRE (19TH CENTURY) 20"
  GEORGE SINCLAIRE (19TH CENTURY) 20" x 24" Country landscape. Oil on canvas, signed lower left corner, in gilt wood frame, overall 26 ¾" x 30 ?".
• Georg
  Georg
• A Hand Colored Engraving of King
  A Hand Colored Engraving of King George III "His Most Gracious Majesty King George the Third". Hand colored engraving by Benjamin Smith after a painting by Sr. William Beechey R.A. pub. J.& J. Boydell London matted and framed under glass overall 32" x 24".