A few examples of appraisal values for
GEORGE WASHINGTON HOUSE

• Washington after Gilbert Stuart,
  Washington after Gilbert Stuart, George Washington at Dorchester Heights, circa 1830, after Gilbert Stuart, American, 1755-1828, oil on canvas, 39-1/2 x 29-1/2 in.; possibly original 19th century gilt wood cove molding frame. Lined with linen, retouch at repaired tears, draw crackle; frame retains some of original surface, tape accretion top of frame, abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• Thomas R. Fay (New Jersey) De Windt
  Thomas R. Fay (New Jersey) De Windt House, Old Tappen, New York, Headquarters of George Washington During the Revolutionary War, signed lower right "T. Fay" and inscribed, watercolor on paper, 10-3/8 x 14-1/8 in.; modern burl veneer frame,
• a/ ANCESTRAL HOME OF GEORGE
  a/ ANCESTRAL HOME OF GEORGE WASHINGTON DOORSTOP ''Sulgrave Manor Northamptonshire England the English home of the Washington's built by Laurence Washington who bought the estate from Henry VIII in 1539 AD. Purchased in 1914 AD by the British American Peace Centenary Committee. It was restored and opened as a memorial museum on June 21 1921 AD by Col. George Harvey American Ambassador.'' ''1 copyright 1925 by A.M. Greenblatt Studios.'' 10/20 ''Book Example'' 9 1/8'' h x 10 7/8'' w. (Near Mint Cond.)
• The President's House Washington
  The President's House Washington Etching 1831 etching on paper titled The President's House Washington marked Drawn by H.Brown / Engraved and Printed by Fenner Sears & Co. at lower margin London. Published Feb.15.1831 by I.T. Hinton & Simpkin & Marshall.; 4 x 6 in. (plate) Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Foxing lower margin split and creased.
• WASHINGTON'S HOUSE MOUNT VERNON,
  WASHINGTON'S HOUSE MOUNT VERNON, COLOR PHOTOGRAVURE, FRAME: 28-1/4 X 32-3/4 INWashington's House Mount Vernon, Color Photogravure, Frame: 28-1/4 x 32-3/4 in
• GEORGE W. HARRIS (BRITISH,
  GEORGE W. HARRIS (BRITISH, 1878-1929), THE HOUSE ON THE HILL Circa 1920s-1930s set design, watercolor and metallic paints, signed "G W Harris" lower right, presented in silver-tone frame behind UV protective glass.
• AMERICAN SCHOOL (19TH CENTURY), THE
  AMERICAN SCHOOL (19TH CENTURY), THE JONATHAN HASBROUCK HOUSE, NEWBURGH, NEW YORK, WHICH SERVED AS GENERAL GEORGE WASHINGTON'S HEADQUARTERS FROM APRIL 1782 TO AUGUST 1783., OIL ON CANVAS LAID DOWN ON BOARD, 17.5" X 23.75"AMERICAN SCHOOL 19th Century The Jonathan Hasbrouck House, Newburgh, New York, which served as General George Washington's headquarters from April 1782 to August 1783. Unsigned. Inscribed "Rosa" verso on an old piece of muslin. Oil on canvas laid down on board, 17.5" x 23.75". Framed 22" x 28". Dimensions: Oil on canvas laid down on board, 17.5" x 23.75". Framed 22" x 28". Provenance: Chosen for its close proximity to West Point, Washington used the Jonathan Hasbrouck House longer than any of his other headquarters. He made several historic decisions here, including rejecting the idea of an American monarchy. He also established the Badge of Military Merit (now known as the Purple Heart) and made the Proclamation of Peace, ending the war with the British.
• Thomas Chambers painting, view of
  Thomas Chambers painting, view of Mount Vernon, the home of George Washington, unsigned, attributed to Thomas Chambers, New York, 1808-1866, oil on canvas, 21 x 29-7/8 in.; 20th century gilt wood frame. Laid on fiberboard, retouch in tree left and minor scattered points throughout, crackle, cupping; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• COLLECTION OF FOUR FRAMED COLORED
  COLLECTION OF FOUR FRAMED COLORED ENGRAVINGS AFTER BARTON INCLUDING WASHINGTON, FROM THE PRESIDENT'S HOUSE, PRINCIPAL FRONT OF THE CAPITOL WASHINGTON, WASHINGTON'S HOUSE, MOUNT VERNON AND THE PRESIDENT'S HOUSE, FROM THECollection of Four Framed Colored Engravings After Barton Including Washington, From The President's House, Principal Front of The Capitol Washington, Washington's House, Mount Vernon and The President's House, From The River, Dimensions: Each Frame: 15 1/4 x 16 3/4 in. (38.7 x 42.5 cm.)
• Two prints relating to George
  Two prints relating to George Washington including: George Washington and family with black house servant engraving engraved by John Sartaine publisher John Smith c. 1830 ss: 19 1/2'' h. x 27'' w.; George Washington at 18th C. ball engraved by Ritchie publisher Seitz c. 1855-1860 ss: 23'' h. x 35 1/2'' w. both framed under glass neither examined out of frame.
• Mount Vernon theorem, view of Mount
  Mount Vernon theorem, view of Mount Vernon with General Washington on porch, two ladies and a groomsman in yard, inscribed indistinctly at bottom center "Washington's House…(?)" and signed lower right on slip of paper "By Isabell R. Dumont Oct. the 13, 1833", derived from the print "Mount Vernon, The Seat of the Late Gen. G. Washington" by Samuel Seymour (1796-1823), Philadelphia, published March 15, 1804, watercolor and ink on paper, 17-5/8 x 20-5/8 in.; 19th century painted and gilt wood fluted panel frame. Restoration to paper at tears at edges and scattered throughout with likely retouch, possible water damage to inscription at bottom which may have been the same as on slip of paper; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• 'WASHINGTON AT HOME' MEZZOTINT
  'WASHINGTON AT HOME' MEZZOTINT ENGRAVING 'Washington at Home' Americana mezzotint engraving by Henry Bryan Hall after the painting by Alonzo Chappel (New York, 1828-1887), published by The New York Engraving and Publishing Company, New York, 1867. Depicts George and Martha Washington with their adopted children, George Washington Parke Custis and Eleanor Parke Custis, framed. Sight 26" H x 21" W. Frame 33" H x 28" W.
• Three Currier and Ives prints
  Three Currier and Ives prints 19th c. George Washington The Home of Washington and The Great West largest - 13 1/2" x 17". ?
• LARGE AMERICAN CUTWORK AND HAND
  LARGE AMERICAN CUTWORK AND HAND DRAWN SILHOUETTELarge American cutwork and hand drawn silhouette of George and Martha Washington , with the Custis children, monogrammed lower left WHH , appears to retain its period gilt frame, 16" x 20". Provenance: The Collection of F.R. "Bud" Lear III. Condition: Some staining.
• GEORGE CHEREPOV
  GEORGE CHEREPOV (CONNECTICUT/VERMONT/RUSSIAN FEDERATION, 1909-1987), HOUSE IN LATE WINTER., OIL ON CANVAS, 16" X 20". FRAMED 21" X 25".GEORGE CHEREPOV, Connecticut/Vermont/Russian Federation, 1909-1987, House in late winter. Signed lower right "G. Cherepov". Dimensions: Oil on canvas, 16" x 20". Framed 21" x 25".
• Washington at Valley Forge
  Washington at Valley Forge painting, George Washington outside his headquarters at Valley Forge, unsigned, oil on canvas, American, 19th century, 24 x 30 in.; 20th century black-painted wood frame. Original stretcher and tacking edge, tacking edge taped with black tape, retouch at top, crackle, cupping, canvas loose; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• American School, 19th century
  American School, 19th century view of the chew house the battleground at germantown, circa 1850 Signed 'C. Smith', pencil on Bristol board, unframed. H: 10 1/4 in. W: 14 1/8 in. (sight) PROVENANCE: NOTE: The British Fortieth Foot under the command of Colonel Thomas Musgrave (1737-1812) fought against Washington's Army on October 4, 1777 at the Chew House during the Battle of Germantown. The British victory in this battle ensured that Philadelphia, the capital of the revolutionary government of the Thirteen Colonies, would remain in British hands throughout the winter of 1777-1778. The artist C. Smith is most likely C. H. Smith, listed in Mantle Fielding as 'In 1855-60 this capital engraver of portraits and book illustrations working in Philadelphia and in N.Y.' ,200 Minor yellowing to paper. Light fading. Very good condition. No tears. Top two corners slightly bent. Minor smudges around border of paper.
• EDGAR FARR RUSSELL, AMERICAN 20TH
  EDGAR FARR RUSSELL, AMERICAN 20TH CENTURY, PRESIDENT KENNEDY'S GEORGETOWN HOUSE, COLOR PRINT, 59/135, FRAMED: 13 X 10 INEdgar Farr Russell, American 20th Century, President Kennedy's Georgetown House, Color Print, 59/135, Framed: 13 x 10 in,
• AFTER GILBERT STUART. 'GEORGE
  AFTER GILBERT STUART. 'GEORGE WASHINGTON AT DORCHESTER HEIGHTS," COLOR LITHOGRAPH (American, 1755-1828). Color lithograph by J. Britton after the original now located at the Museum of Fine Arts, Boston, 24 x 16 1/2 in., framed.
• GROUP OF BOOKS ON WASHINGTON, D.C.,
  GROUP OF BOOKS ON WASHINGTON, D.C., GOVERNMENT BUILDINGS AND MUSEUMSGROUP OF BOOKS ON WASHINGTON, D.C., GOVERNMENT BUILDINGS AND MUSEUMS, titles include: two (2) copies of Blair House: The President's Guest House, one volume with affixed note card 'With the compliments of John Giffen Weinmann, Chief of Protocol; America's National Gallery of Art: A Gift to the Nation; Gift to the Nation (Friends of Art and Preservation in Embassies); The Library of Congress: The Art and Architecture of the Thomas Jefferson Building; The Architecture of Diplomacy: The British Ambassador's Residence in Washington; Palace of State: The Eisenhower Executive Office Building; Winfield House (8) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
• George A. Traver American 1864-1928
  George A. Traver American 1864-1928 House and Tree Estimate:$700-$1,000
• Painting, Washington's
  Painting, Washington's birthplace, landscape with cabin and lake, inscribed on rock "Here in Feb 22 1732[?] Geo. Washington was born", unsigned, oil on canvas, American School, 19th century, 13 x 16-18 in.; 19th century walnut frame with gilt liner.
• GEORGE S. ELGOOD (1841-1943):
  GEORGE S. ELGOOD (1841-1943): VIEW OF MONTACUTE HOUSE SOMERSET Watercolor on paper signed and dated 1886 lower right. 13 x 19 3/8 in. (sight) 21 1/4 x 27 1/2 in. (frame). Estate of Katherine W. Mellon Stonington CT.
• ATTRIBUTED TO THOMAS
  ATTRIBUTED TO THOMAS CHAMBERS(British/America, 1808-1866) The Birthplace of George Washington, unsigned, titled lower right in the body of the painting, oil on canvas, 22-1/4 x 30 in.; reproduction gilt wood frame, 26-1/2 x 34-1/2 in. Provenance: Collection of John Graham, Mentone, Alabama; by descent in family [[americanart]] Condition: wax lined, crackle, surface dirt layer, surface scratches sky; frame with wear and small losses
• After Edward Savage (American,
  After Edward Savage (American, 1761-1817) "George Washington's Family", engraving after the original which hangs in the National Gallery of Art, image 16-1/4" x 23-1/2", legend lower margin. Glazed and presented in an antique stained oak frame.
• BROWN George Loring (American
  BROWN George Loring (American 1814-1889): ''Afternoon Effect on Mt. Washington View From the Wilson House Jackson NH'' Oil/Board 10 1/2'' x 16 1/2'' period gilded frame with minor wear 16'' x 22'' signed and titled in verso.CONDITION: Needs cleaning cracklure throughout minor cupping with paint firmly adhered.
• Two oval framed prints Depicting
  Two oval framed prints Depicting George and Martha Washington.
• Elizabeth F. Washington (1871-1953,
  Elizabeth F. Washington (1871-1953, American) framed and matted pastel of William Penn's house in winter. Elizabeth Washington was the great grand niece of George Washington. 13" x 17.5" ss / 20" x 23.25" oa
• Diorama, Heyward Washington
  Diorama, Heyward Washington House, Charleston, South Carolina: finely crafted miniature depiction of the drawing room, fitted with fine miniature furniture including pieces by R. L. Gutheil and John J. Hodgson, mirrors, banjo clock, silver, E. W. Allen, Jr. copy of portrait of Ann Ashby Manigault (Mrs. Gabriel Manigault) by Jeremiah Theus, and hand woven carpet, signed "W.A. Bowen" on interior wall, 17-1/2 x 30-3/4 x 25 in. overall. Back lit and fitted for electricity (needs rewiring).
• 18th century Washington print,
  18th century Washington print, "Geo. Washington Esqr./President of the United States/From his Profile Taken in 1791/Aetat. 59.", circa 1796, in block at bottom "Published by J. Easton, Salisbury", woodblock on laid paper, shield and crown watermark lower left, 6 x 4 in. (page); carved and painted 19th century frame. Not examined out of frame; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• SAMPLER AND FOLK ART PORTRAIT OF
  SAMPLER AND FOLK ART PORTRAIT OF GEORGE WASHINGTON. American second half of 20th century. Framed sampler with wide floral border surrounding initials ''A.R.'' ''M.R.'' a central floral bouquet as well as ''Catharine Rosenbery / August 3 1848'' 16.5'' sq. in a frame 19.75'' sq. Portait of George Washington with a postage stamp border singed Gustav Thies with inscription on back as well 12.25''h. 9.75''w. in a modern frame 19.25''h. 16.5''w.
• Chromolithograph of George
  Chromolithograph of George Washington in Masonic attire, mounted in a walnut frame, as found, sight 26 1/2"h x 20"w
• Large President George
  Large President George Washington print, 19th C., bust in medallion, scroll surround w/paint accents, print has been trimmed to fit in frame, hung in Benjamin Harrison residence, 33" x 23". Several chips & missing portions of gesso on frame
• AFTER JEAN-CLAUDE HOUDON:
  AFTER JEAN-CLAUDE HOUDON: PORTRAIT BUST OF GEORGE WASHINGTON Marble. Provenance: Property from the Collection of Gerald Kornblau. 19 in.
• HOUSE AND TREES (AMERICAN SCHOOL
  HOUSE AND TREES (AMERICAN SCHOOL 2ND HALF-19TH CENTURY). Gouache on artist board unsigned. Nicely done image of a white house with picket fence. Edge loss. Behind glass in a gilt frame 17''h. 20''w.
• NAÏVE IMAGE OF GEORGE WASHINGTON
  NAÏVE IMAGE OF GEORGE WASHINGTON (AMERICAN SCHOOL 18TH CENTURY). Watercolor on paper. George Washington on a white horse Martha with her umbrella and Lafayette nearby. Colors of red white and blue embellished with several blue flowers and a polychrome border. Center fold line and wear. In a frame 5''h. 8''w. Center fold line has tears at top and bottom 1'' tear at right edge both tear and centerline reinforced by glued on paper strips. The back of all the edges have been reinforced with glued on paper as well as small areas of paper loss and tears. Stains.