A few examples of appraisal values for
GEORGE WASHINGTON THE FATHER OF HIS COUNTRY

• THE GEORGE WASHINGTON PORTFOLIO
  THE GEORGE WASHINGTON PORTFOLIO OFFICIAL U.S. GOVERNMENT ISSUES HONORING THE FATHER OF OUR COUNTRY AND A VOLUME OF US FIRST DAY COVERSThe George Washington Portfolio Official U.S. Government Issues Honoring The Father of Our Country and a Volume of US First Day Covers,
• Joseph Richomme George Washington
  Joseph Richomme George Washington Grisaille Portrait Oil on Canvas Joseph Richomme (French 1785-1849) titled The Father of His Country on base dated 1776 and signed on base; 14.5 x 10.5 in.A French portrait artist Joseph Richomme painted this grisaille portrait of a George Washington bust. The sculptor is not identified in Richomme's painting. Condition: Relined. Clean under blacklight.
• George Washington (American,
  George Washington (American, 1732-1799) OFFICIAL LETTERS TO THE HONOURABLE AMERICAN CONGRESS, WRITTEN DURING THE WAR BETWEEN THE UNITED STATES COLONIES AND GREAT BRITAIN OFFICIAL LETTERS TO THE HONOURABLE AMERICAN CONGRESS, WRITTEN DURING THE WAR BETWEEN THE UNITED STATES COLONIES AND GREAT BRITAIN
• GEORGE WASHINGTON, HIS BOYHOOD
  GEORGE WASHINGTON, HIS BOYHOOD AND MANHOODGeorge Washington, His Boyhood and Manhood. eleventh edition. Author: William M. Thayer. Publisher: London: Hodder and Stoughton. Date: 1899
• FRAMED CURRIER & IVES GEORGE
  FRAMED CURRIER & IVES GEORGE WASHINGTON PRINT "Genl. George Washington, The Father of His Country", 19th c. hand colored lithograph, New York, published by Currier & Ives, 152 Nassau St., on a wooden frame with gilded inner edge, glazed, wooden backing, OS: 21 1/2" x 16 1/2". Glass crack.
• After Edward Savage (American,
  After Edward Savage (American, 1761-1817) "George Washington's Family", engraving after the original which hangs in the National Gallery of Art, image 16-1/4" x 23-1/2", legend lower margin. Glazed and presented in an antique stained oak frame.
• FEDERAL ERA UNCUT TWO-PANEL
  FEDERAL ERA UNCUT TWO-PANEL PATRIOTIC KERCHIEF CELEBRATING GEORGE WASHINGTON Attributed by author H. R. Collins to Pennsylvania's Germantown Print Works, circa 1806, in Threads of History (Smithsonian Institution Press, 1979), being a copperplate engraving printed on cotton cloth, the left panel is titled "The Love of Truth Mark the Boy" and shows young George explaining himself as regards the doomed cherry tree of popular legend, additional printed verse underscores Washington's lifelong commitment to honesty come what may; the right panel is titled "The Effect of Principle Behold the Man" above a portrait of Washington after Gilbert Stuart that is flanked by an excerpt from the president's Farewell Address of 1796 on the left and a brief eulogy on the right, below are an American eagle, the British lion, and two peaceful sailing ships beneath the optimistic words "Commercial Union."; the fabric has a colorful quilted backing with two blank squares being signed and dated "Jane West 1840" and "Margaret Davidson 1840" respectively. Presented in a two-sided wooden frame having a figured maple veneer on the front and two brass suspension loops on the top edge.
• GEORGE WASHINGTON, COMMANDER IN
  GEORGE WASHINGTON, COMMANDER IN CHIEF, DS, 1783 George Washington (1732-1799, Commander in Chief of the Continental Army, First President of the United States) part-printed discharge document signed as Commander in Chief, Newburgh, NY, June 8, 1783, to Sergeant William Harris, 1st NY Regt., with special commendation for 7 years of faithful service, and countersigned by Lt. Col. Cornelius Van Dyck, Adjutant J. H. Wendell, and Col. Jonathan Trumbull; 1 sheet folio, printed on both sides (handwritten portions on recto only).
• GEORGE WASHINGTON, COMMANDER IN
  GEORGE WASHINGTON, COMMANDER IN CHIEF, ALS, 1782 George Washington (1732-1799, as Commander in Chief of the Continental Army) autograph letter, signed, dated at Headquarters, Newburgh, NY, July 11, 1782, to Lt. Col. George Reid (1733-1815, of the 2nd NH Regt.) introducing Capt. Montour, "who is going to Schenectady on a visit to his Friends the Oneidas and Tuscaroras;" 1 1/4 pp., folio, 12 1/2 x 7 7/8 in. Capt. John Montour (1744-1788) was the son of. Andrew Sattelihu Montour, of mixed French and Native American ancestry, who distinguished himself as an interpreter and diplomat beginning about 1743, through the French & Indian War, during which he served with Washington. The younger Montour had command of a company of Delaware Indians who fought on the American side. Washington was careful to note that he "has heretofore been employed in the Indian Service on the Frontiers of Pennsylvania." Because of Montour's Native American heritage, Washington probably felt the need to specify the treatment Montour should receive.
• William Henry Pratt (American,
  William Henry Pratt (American, 1882-1893), after Gilbert Stuart (American, 1755-1828) George Washington - The Constitution of the United States lithograph on paper published by Augustus Hageboeck (American, active 1866-1886), Davenport, Iowa 26 1/2 x 21 1/2 inches. A similar example is in the collection of Mt. Vernon as object M-5274
• American oil on canvas of George
  American oil on canvas of George Washington and his family 19th c. after the original by Edward Savage. ?
• Washington after Gilbert Stuart,
  Washington after Gilbert Stuart, George Washington at Dorchester Heights, circa 1830, after Gilbert Stuart, American, 1755-1828, oil on canvas, 39-1/2 x 29-1/2 in.; possibly original 19th century gilt wood cove molding frame. Lined with linen, retouch at repaired tears, draw crackle; frame retains some of original surface, tape accretion top of frame, abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• George Washington patriotic banner,
  George Washington patriotic banner, portrait of a young Washington leaning on his horse under the Liberty Bell, framed within a star oval border against red and white striped field, United States shields top and bottom, printed cotton, American, probably Centennial, late 19th century, 25 x 16-1/2 in. (sight); later wood frame. Scattered stains, fading, small hole proper upper right corner, not examined out of frame. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• (5) MINIATURE PORTRAITS OF THE
  (5) MINIATURE PORTRAITS OF THE FOUNDING FATHERS.Mid 19th century. Continental School. The portraits include George Washington, Thomas Jefferson, Benjamin Franklin, John Adams, and Thomas Paine. Unsigned. Oil paintings framed en suite and set in an engraved bone frame. Note that John Adams and Benjamin Franklin are switched around. Each roundel portrait is 2" x 1 5/8". Overall frame is 13" x 11 1/2". Very good condition. Old paper lining on the verso is in Latin
• PORTRAIT OF GEORGE WASHINGTON BY
  PORTRAIT OF GEORGE WASHINGTON BY NATHANIEL CURRIER (AMERICAN 1813-1888). Handcolored lithograph on paper titled below George Washington First President of the United States. Imperfections. 13 1/2''h. 9 1/2''w. (sight) in a period frame retaining its original grungy surface 16 1/4''h. 12 3/4''w. Uneven toning 1'' tear at right margin.
• FOUR IMAGES RELATING TO
  FOUR IMAGES RELATING TO WASHINGTON AND GEORGE IIIFour images relating to Washington and George III18th/19th centurylot includes four works: three George Washington related frames works: 1. A drawing in pencil on wove paper in the manner of Cornelius
• Painting, Washington's
  Painting, Washington's birthplace, landscape with cabin and lake, inscribed on rock "Here in Feb 22 1732[?] Geo. Washington was born", unsigned, oil on canvas, American School, 19th century, 13 x 16-18 in.; 19th century walnut frame with gilt liner.
• 18th century Washington print,
  18th century Washington print, "Geo. Washington Esqr./President of the United States/From his Profile Taken in 1791/Aetat. 59.", circa 1796, in block at bottom "Published by J. Easton, Salisbury", woodblock on laid paper, shield and crown watermark lower left, 6 x 4 in. (page); carved and painted 19th century frame. Not examined out of frame; frame with abrasions. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• Engraving of George Washington
  Engraving of George Washington and Family by William Sartain after G. Schussele. (Philadelphia: Bradley 1884) Framed and matted. Rubbing to image; some marginal dampstaining. 24 x 31 inches.
• GEORGE WASHINGTON, LETTERS TO
  GEORGE WASHINGTON, LETTERS TO CONGRESS, 1795 Official Letters to the Honorable American Congress, Written, during the War between the United Colonies and Great Britain, by His Excellency, George Washington, Commander in Chief of the Continental Forces, Now President of the United States. Copied, by Special Permission, from the Original Papers preserved in the Office of the Secretary of State, Philadelphia. Printed for Cadell Junior and Davies, G.G. and J. Robinson, and others, London, Vols. I and II together as one vol., vellum binding, leather labels, gold stamping on spine, marbled endpapers, advert. on pages v-viii, 364 and 384 pages, old auction lot cards laid in, University label on front endpaper, 9"h x 5.75"w
• After Gilbert Stuart (American
  After Gilbert Stuart (American 1755-1828) "George Washington the Lansdowne Portrait" early 19th c. engraving on heavy cardstock probably by John Norman 21 3/4 in. x 14 1/4 in. unframed.
• After Gilbert Stuart (American,
  After Gilbert Stuart (American, 1755-1828) George Washington, unsigned, oil on canvas, 22 x 18 in.; original 19th century gilt wood frame,
• GEORGE WASHINGTON AND HIS FAMILY,
  GEORGE WASHINGTON AND HIS FAMILY, COLOR ENGRAVING William Sartain, after a painting by G. Schussele, "Washington and His Family", engraving with color, 1864, marked "PROOF" lower right corner, 19"h x 25"w (sight), 28.75"h x 34.5"w (frame)
• NAÏVE IMAGE OF GEORGE WASHINGTON
  NAÏVE IMAGE OF GEORGE WASHINGTON (AMERICAN SCHOOL 18TH CENTURY). Watercolor on paper. George Washington on a white horse Martha with her umbrella and Lafayette nearby. Colors of red white and blue embellished with several blue flowers and a polychrome border. Center fold line and wear. In a frame 5''h. 8''w. Center fold line has tears at top and bottom 1'' tear at right edge both tear and centerline reinforced by glued on paper strips. The back of all the edges have been reinforced with glued on paper as well as small areas of paper loss and tears. Stains.
• George Washington & American
  George Washington & American Eagle Tooth. Description This is a very patriotic tooth with excellent quality scrimshaw overall. The American Eagle holding the banner reading "Live and let live" is a very popular theme seen in maritime art from the late 18th century through the 19th century. George Washington, the father ...
• GEORGE WASHINGTON | COLUMBIA’S
  GEORGE WASHINGTON | COLUMBIA’S LEGACY; OR, WASHINGTON’S VALUABLE ADVICE TO HIS FELLOW CITIZENS George Washington | "Columbia’s Legacy"; or, Washington’s Valuable Advice to his Fellow Citizens, published by him at the period of announcing his intention of retiring from public life at the expiration of the present constitutional term of the presidency of the United States. To which is added, his Speech to Congress, at their present session, which terminates his political career. Philadelphia: Printed by H. Sweitzer & J. Ormrod, December 10th, 1796. 89, (1) pages?. (4 1/6 x 2 4/5 inches)
• 2 FRENCH GEORGE WASHINGTON
  2 FRENCH GEORGE WASHINGTON HISTORICAL ENGRAVINGS France,Late 18-Early 19th CenturyOne image depicts Washington by his horse while his army marches onward, the other of Washington standing outside his tent with hand tucked inside his vest.
• George Washington daguerreotype,
  George Washington daguerreotype, George Washington memorial case with finely detailed medallion "First in War, First in Peace & First in the Hearts of His Countrymen" surrounding bust of Washington, "F. Goll" below bust daguerreotype of Washington with puffy cheeks, 3-3/4 x 3-1/4 in. Liner with spots of corrosion, probably lacking daguerreotype interior label, not removed from frame, loss to one corner tip on back cover. Estate of the Late William and Priscilla Carlebach, Mystic, Connecticut and Bedford, New York.
• AMERICAN SCHOOL19th CenturyPortrait
  AMERICAN SCHOOL19th CenturyPortrait of George Washington. Unsigned.Oil on canvas 28 x 24''. Framed.''
• ATTRIBUTED TO THOMAS
  ATTRIBUTED TO THOMAS CHAMBERS(British/America, 1808-1866) The Birthplace of George Washington, unsigned, titled lower right in the body of the painting, oil on canvas, 22-1/4 x 30 in.; reproduction gilt wood frame, 26-1/2 x 34-1/2 in. Provenance: Collection of John Graham, Mentone, Alabama; by descent in family [[americanart]] Condition: wax lined, crackle, surface dirt layer, surface scratches sky; frame with wear and small losses
• GEN. GEORGE WASHINGTON AND HIS
  GEN. GEORGE WASHINGTON AND HIS FAMILY, PRINTED SILHOUETTE, FRAME: 10 X 13 INGen. George Washington and His Family, Printed Silhouette, Frame: 10 x 13 in
• 19th century copy after Gilbert
  19th century copy after Gilbert Stuart (American, 1755-1828) Portrait of George Washington oil on canvas 26 1/2 x 21 1/2 in., framed
• American School 20th
  American School 20th century portrait of George Washington on horseback. 65 1/2 x 51 in.
• Two 19th century silhouettes:
  Two 19th century silhouettes: "George Washington" and "Count de Grasse" 12 x 8 in., each framed
• Washington & Lincoln Print The
  Washington & Lincoln Print The Father and the Saviour of Our Country  An oval albumen print 6.25" x 8.25" with the imprinted title on the 8" x 10" mount The Father and the Saviour of our Country. 1865 copyright to James F. Bodtker and with a five cent revenue stamp applied to verso. The Ed Steers Lincolniana & Civil War Collection Condition: Corner wear and scattered flyspecks else very good.
• THREE VOLUMES: "GEORGE
  THREE VOLUMES: "GEORGE WASHINGTON: THE SAVIOR OF THE STATES"Hughes, Rupert "George Washington: the Saviour of the States" New York: William Morrow & Co., 1930 [3 volumes] Condition: with nicks to edges of binding Condition: