A few examples of appraisal values for
GEORGE WOSTENHOLM

• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets". Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets." Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• STOW WENGENROTH (AMERICAN/NEW YORK,
  STOW WENGENROTH (AMERICAN/NEW YORK, 1906-1978)Stow Wengenroth (American/New York, 1906-1978), "Bird of Freedom", 1942, lithograph, pencil-signed lower right, 15 3/4 in. x 11 3/4 in., framed
• George Winkelmann (German active
  George Winkelmann (German active 1920's-40's) "Egrets." Woodcut in colors ca. 1930 signed in pencil in the lower right margin matted and framed under glass overall 12-3/4" x 14-1/4".
• George Segal print (New Jersey,
  George Segal print (New Jersey, 1924-2000), "Walther" from the series "Portraits", 1987, with two blindstamps lower left, aquatint, etching and drypoint on paper, image 49-3/4 x 38-3/4 in., page 51 x 40-3/8 in.; gilt silver frame; lot accompanied by "Portraits" brochure. Floated with archival tape, not examined out of frame; frame with abrasions. Georgetown Graphics, Washington, DC, late 1986; Private Collection
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Lobsterman's House", 1935, stone lithograph, pencil signed, in pale mahogany stick frame, matted and glazed, OS: 15" x 18", SS: 9 1/2" x 12 1/2".
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Shipyard (Gloucester Harbor)", 1935, stone lithograph, signed lower right, edition of 60, with inscription "To Carl Kamphausen, from Stow Wengenroth", in birdseye ogee frame, matted and glazed, OS: 18 1/4" x 24 1/4", impression: 8" x 15 1/4". Toned, lightly rippled, not examined out of frame.
• GEORGE STANFIELD WALTERS
  GEORGE STANFIELD WALTERS (BRITISH, 1838-1924), SHIPPING AT A RIVER MOUTH, GORLESTON Watercolor on laid paper, signed "G. S. Walters, RBA" at lower left, retains several labels to verso, matted and framed.
• GEORGE W. STUMPFF, NORTHERN NEW
  GEORGE W. STUMPFF, NORTHERN NEW MEXICO MORNING, 2002George W. Stumpff, (1949 - 2019) Northern New Mexico Morning, 2002, oil on canvas signed lower right: G. STUMPFF / 2002 oil on canvas Dimensions: 20 x 30 in. (50.8 x 76.2 cm.), Frame: 29 1/4 x 39 1/8 x 1 7/8 in. (74.3 x 99.4 x 4.8 cm.) Provenance: The Artist Private Collection, New Mexico
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Four Chickadees", lithograph on paper, 1956, Stuckey 233, pencil signed and marked as an edition of 55, housed in black cove frame with gold braiding, matted under plexiglass, OS: 25 1/2" x 20 1/2", impression: 15 3/4" x 10". Invitation verso from the Farnsworth Museum of Rockland, ME, for an exhibition of Wengenroth's work, along with a label from Kennedy Galleries, NYC.
• GEORGE STANFIELD WALTERS
  GEORGE STANFIELD WALTERS (1837-1924) BRITISHGeorge Stanfield Walters, Grimsby sailing barge and other shipping off Whitby, watercolour on paper, signed. Giltwood frame. 11.5" x 18.5".
• GEORGE HERMS (b. 1935): TOUCH THE
  GEORGE HERMS (b. 1935): TOUCH THE GLOWING 1964 Mixed media on wood. Exhibition labels from Rolf Nelson Gallery CA The Pasadena Art Museum Sidney Janis Gallery NY Stanford University Museum and University of Washington Seattle. Provenance: Property from the collection of Jan Cowles. 16 1/2 x 12 x 1 in. 23 1/4 x 18 1/4 in. (frame).
• ASA WESTON TWITCHELLAmerican
  ASA WESTON TWITCHELLAmerican 1820-1904Portrait of a gentleman with glasses. Monogrammed and dated lower right A.W. Albany 1868''.Provenance: Private Collection Plymouth Massachusetts.Oil on canvas 30'' x 25''. Framed.''
• GEORGE GROSZ. "ACH, KNALLIGE WELT,
  GEORGE GROSZ. "ACH, KNALLIGE WELT, DU SELIGES ABNORMITäTENKABINETT," OFFSET PHOTOLITHOGRAPH (German, 1893-1958). Offset photolithograph, 1921, plate XIV from Ecce Homo, sight size: 12 x 9 in., framed.
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) Stormy Sea Viewed from Granite Maine Coast, stone lithograph, pencil signed, edition of 65, in black and gold stick frame, matted and glazed, OS: 17 3/4" x 23 1/2", impression: 9 3/4" x 16". Toned, not examined out of frame.
• STEPHEN WESTFALL (AMERICAN, B.
  STEPHEN WESTFALL (AMERICAN, B. 1953) 24" x 30 ?" "Germantown", 2000. Oil on canvas, signed, titled and dated verso, gallery wrapped.
• GEORGE J. STENGEL (NJ/PA/NY/CT,
  GEORGE J. STENGEL (NJ/PA/NY/CT, 1872-1937) Under the Summer Willows, oil on canvasboard, signed verso with an inscription to and a list of the Members of the Executive Committee of the Yonkers Art Association, dated Oct 14, 1937. Housed in a modern gold frame with linen liner, OS: 17 1/2" x 19 1/2", SS: 13 1/2" x 15 1/2". Good condition.
• George Ouston (20th century)
  George Ouston (20th century) Marsh Bridge lithographic reproduction 23 1/2 x 12 inches.
• O. WINSTON LINK (1914-2001):
  O. WINSTON LINK (1914-2001): "WASHING J. CLASS 605" Gelatin silver print 24 x 20 in. (sight).
• George Newman (American
  George Newman (American 1875-1965) oil on board of Easton Pennsylvania 15 3/4" x 20". ?
• George Cherepov (American,
  George Cherepov (American, 1909-1987) Weston Mill, VT oil on canvas signed G. Cherepov (lower right) 24 x 28 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Harding George Mathews [American
  Harding George Mathews [American 1882-1959] watercolor of a World War I shelled French villa unsigned with a Brandywine River Museum exhibition label June 19 1971. 5.75"x7"
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Gulls", 1959, stone lithograph, ed/50, pencil signed lower right, titled lower left (under mat), matted, unframed, OS: 16" x 20", image: 10" x 15 13/4". Edge toning.
• GEORGE WEISSBORT (BRITISH,
  GEORGE WEISSBORT (BRITISH, 1928-2013)George Weissbort (British, 1928-2013) , "Playing Cards", 1972, oil on canvas board, signed and dated lower right, label with artist and title on backing paper, 36 in. x 48 in., framed
• PETERSON, Tim, (American, 20th
  PETERSON, Tim, (American, 20th century): St. George Street, St. Augustine, Florida, OIL/Linen over masonite, 12'' x 16'', signed, framed, 18'' x 20 1/2''.
• GEORGE STAINTON (BRITISH, FL.
  GEORGE STAINTON (BRITISH, FL. 1860-1890), MARITIME SCENE WITH CHOPPY WATERS Oil on canvas, signed lower right, presented in an attractive gilt composition frame with gallery plaque.
• GEORGE S. WALTERS (1837-1924)
  GEORGE S. WALTERS (1837-1924) BRITISHGeorge Stanfield Walters, Lowestoft sailing barge approaching the pier, watercolour on paper, signed bottom/left. Giltwood frame. 9.25 x 13.25 inches.
• NEWMANN, C.A. GEORGE. NEWMANN THE
  NEWMANN, C.A. GEORGE. NEWMANN THE GREAT.St. Paul: Standard Litho., ca. 1920. Handsome three-color window card bears a central profile bust portrait of Newmann his head surrounded by a question mark made of smoke, which rises from a brazier in the foreground. 11 x 13 ¾". Minor wear; A-. Unmounted.
• STOW WENGENROTH (AMERICAN,
  STOW WENGENROTH (AMERICAN, 1906-1978) 9 ¾" x 11 ¾" image; 12" x 16" paper "Bridge, Eastport, no. 2", 1932. Black and white lithograph, signed in pencil in the lower right margin, catalog raisonne Stuckey, 26, matted and unframed, overall with mat 16 ¾" x 20".
• George Washington Nicholson
  George Washington Nicholson (American, 1832-1912) "Holy Island Grotto" depicting figures on a beach in Berwick-upon-Tweed, England, with Lindisfarne Castle on the horizon, oil on canvas, signed "G. W. Nicholson 1888, 24" x 42", framed 27" x 45", good condition, age cracking, a few minor punctures, some gesso losses on frame
• NEWMANN, C.A. GEORGE. NEWMANN THE
  NEWMANN, C.A. GEORGE. NEWMANN THE GREAT.St. Paul: Standard, ca. 1920. Panel sized lithograph features a triple portrait of the bespectacled performer against a red background. 14 x 41 ½". Slight fold lines; A-.
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) ''Maine Lobstermen'' (Port Clyde) (Stuckey 144) lithograph, 1944, edition of 202 plus 10, The Print Club of Cleveland publication no. 22. pencil signed. In driftwood cove frame, with black liner, burlap mat, under glass, OS: 18" x 22", impression: 8" x 12", edge toned.
• Manner of Theodore Wor
  Manner of Theodore Wor
• George Henry Bogert (American
  George Henry Bogert (American 1864-1944) Dusk. Plein-air painting oil on chamfered panel signed with artist's monogram lower left pencil inscription on verso with "Lyme Conn" framed in gold toned wood frame under glass overall 13" x 16-1/4" .
• WILLIAM WINSTANLEY(British/America,
  WILLIAM WINSTANLEY(British/America, 1775-1806) George Washington, after Gilbert Stuart (American, 1755-1828), unsigned, oil on canvas, 28-3/4 x 24 in.; original carved gilt wood and composition frame, 35 x 30 in. Note: William Winstanley was a somewhat legendary English painter known for his landscapes and his copies of Gilbert Stuart's portraits, but also for his escapades. He had patrons in both George Washington and Alexander Hamilton, among others. This is one of many copies Winstanley did of Stuart's portraits of Washington, creating bust length versions from the heads in Stuart's masterworks. The full length portrait of Washington in the collection of the White House, originally thought to have been by Stuart, has also been re-attributed to Winstanley. According to Dr. Dorinda Evans, this Winstanley directly relates to one at the Wilderstein Historic Site in Rhinebeck, NY. This lot is accompanied by a letter from Dr. Dorinda Evans discussing this painting as a Winstanley copy of Gilbert Stuart's Lansdowne Portrait, now in the National Portrait Gallery in Washington, D.C. Provenance: Private Collection, Baltimore, Maryland Condition: recently conserved by Yost Conservation. See full conseration report online.
• GEORGE SPANGENBERG: "WINTER
  GEORGE SPANGENBERG: "WINTER LANDSCAPE"circa 1935 oil on board signed lower left Provenance: with label verso from Steven Stern Fine Arts, Los Angeles 20 x 24 inches Condition: