A few examples of appraisal values for
GERONIMO

• PHOTOGRAPH OF NATIVE AMERICAN
  PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack and white photograph on canvas of Geronimo. An open edition, gallery wrapped photograph of Geronimo on canvas. The borders of the gallery wrap are painted and finished in black. Issued: 20th c. Dimensions: 15"H x 11.5"L x 1.5"D Country of Origin: United States Condition: Good
• ''Scene in Geronimo's Camp''
  ''Scene in Geronimo's Camp'' Cabinet Card by C.S. Fly On reverse: The Apache Outlaw & Murderer. Taken before the surrender to Gen. Crook March 27 1886 in the Sierra Madre Mts. of Mexico Escaped March 30 1886. Mo. 174 - Geronimo Son and two picked braves. Man w/long rifle Geronimo.Condition: Some slight fading.Dimensions: Overall 5 1/4'' x 8 1/2''E
• PHOTOGRAPH OF NATIVE AMERICAN
  PHOTOGRAPH OF NATIVE AMERICAN GERONIMOBlack and white photograph on canvas of Geronimo. An open edition, gallery wrapped photograph of Geronimo on canvas. The borders of the gallery wrap are painted and finished in black. Issued: 20th c. Dimensions: 15.5"H x 15.5"L Country of Origin: United States Condition: Good
• GERONIMO D6733 - MID - ROYAL
  GERONIMO D6733 - MID - ROYAL DOULTON CHARACTER JUGBlack, red and white coloration. Geronimo (1829 - 1909) was the last leader of the Apache Indians while they were still independent of American Colonial rule. Although he fought many battles to protect he freedom of his people, in 1886 he surrendered to General Nelson Miles, and Apache territory became the state of Arizona. Series: The Wild West Collection. Royal Doulton backstamp. Artist: Stanley J. Taylor Issued: 1985 - 1989 Dimensions: 5.5"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• SIGNED SUSAN KLIEWER BRONZE
  SIGNED SUSAN KLIEWER BRONZE "GERONIMO" (2005)Susan Kliewer (American, b. 1940). "Geronimo" bronze, 2005. Edition 25 of 45. Signed and numbered on back of terrain below the horse and rider. A magnificent limited edition cast bronze sculpture of Geronimo, the legendary Apache leader, by Susan Kliewer, one of the Southwest's most acclaimed sculptors. Kliewer presents Geronimo on horseback, dynamically turning backward to gaze behind him while holding the reins of his galloping steed in one hand and an intimidating rifle in the other. The finely modeled and colorful patinated details of Geronimo's clothing and accoutrements, the horse's mane, coat, and bridle as well as the flowering cactus and desert plants are quite impressive. Kliewer also meticulously rendered with craggy terrain below with prickly cactus and uneven ground. What's more, the statue is mounted on a tiered wooden pedestal that rotates so that one may admire it from all angles. Size: 15.5" W x 17.25" H (39.4 cm x 43.8 cm); 19" H (48.3 cm) on included custom stand. This piece was acquired from the Mountain Trails Gallery in Sedona and was accompanied by the following contextual description, "A famed Apache Medicine Man, warrior, seer, and spiritual leader, Geronimo has become an American legend. He was single-minded in his determination to preserve his people's land and culture through any means necessary." A native of Southern California, Susan Kliewer has lived in Arizona for 40 years, with 5 of those years at the Marble Canyon Trading Post adjacent to the Navajo Reservation in Northern Arizona. Kliewer started painting when she was 10 years old and took up sculpture in 1987 after working at a foundry for 10 years. In 1993, Kliewer won a competition to create a monument of Sedona Schnebly. In addition, she created a life-size fountain that portrays the Sinagua people as well as a fountain of a Hopi Water Maiden in Sedona. In her words, "My work aims to show the common thread that underlies all human experience, and which, I hope, brings us to a greater understanding between peoples." Provenance: Private Albuquerque, New Mexico, USA collection; ex-Hugh K. Terrell estate, representative Priscilla T. Bisher; purchased at Mountain Trails Galleries, Sedona, Arizona, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175248 Condition: Signed and numbered on back of terrain below the horse and rider. Rifle and end of rein are a tad bent, otherwise excellent. Mounted on a tiered wooden pedestal that rotates so that one may admire the sculpture from all angles. Wooden base fit with brass plaque engraved with artist's name and title of piece.
• SIGNED LEONARD BASKIN MONOTYPE -
  SIGNED LEONARD BASKIN MONOTYPE - "GERONIMO" (1992)Leonard Baskin (American, 1922-2000). "Geronimo" monotype, 1992. Artist's signature, "monotype touched" and title handwritten in pencil beneath image. An impressive hand-colored monotype by legendary artist Leonard Baskin depicting a bust-length portrait of the famous Geronimo - a respected leader, medicine man, and shaman of the Apache people. Leonard Baskin created two series of lithographs that depict 19th century Native Americans, including illustrious individuals such as Crazy Horse, Red Cloud, and Geronimo. His poignant portraits convey these sitters' noble qualities as well as the despair and loss experienced by these people. This project began when Leonard Baskin was asked to illustrate a handbook for Custer National Park (now called Little Big-Horn National Park). Since Baskin actually detested Custer, he instead opted to create portraits of Native American chiefs and leaders that conveyed their bravery and intelligence like this example. Size of sight view: 23.875" L x 17.875" W (60.6 cm x 45.4 cm) Size of frame: 31.5" L x 25.5" W (80 cm x 64.8 cm) Leonard Baskin was a creative force for more than 5 decades and worked in a variety of media; however, he is best known for sizeable works on paper like this example. "Geronimo" is rendered in Baskin's characteristically expressive manner and grand scale. It is among Baskin's figurative prints that rivaled the works of Abstract Expressionists during his day, set in a custom frame and hand signed. Baskin was a 20th century "Renaissance Man" - a highly respected sculptor, printmaker, writer, and watercolorist. His prints included mythological, classical, and biblical scenes as well as portraits and floral studies. Baskin studied at Yale University from 1941 to 1943 and received his B.A. at the New School for Social Research in 1949. He also founded Gehenna Press which specialized in fine book production and taught printmaking and sculpture at Smith College in Northampton, Massachusetts as well as Hampshire College in Amherst, Massachusetts from 1953 until 1974. Baskin's artworks are in the permanent collections of the Metropolitan Museum of Art, The Museum of Modern Art, the Vatican Museum, the Smithsonian Institute, the Tate Gallery in London, and other elite institutions. "Angel of Death" has been collected by the Smithsonian American Art Museum, the Amon Carter Museum of American Art, and the Philadelphia Museum of Art among others (accession numbers 1971.300, 1971.25, and 1961-157-4 respectively). His noted public sculptural commissions include pieces for the Franklin Delano Roosevelt Memorial as well as the Holocaust Memorial in Ann Arbor, Michigan. Baskin also received many prestigious honors, such as a Guggenheim Fellowship, the Gold Medal of the National Academy of Arts and Letters, and the Jewish Cultural Achievement Award. He was also honored with numerous retrospective exhibitions at institutions including the Smithsonian Museum, the Albertina Museum, and the Library of Congress. Provenance: ex-private Bishop Family Trust collection, the Trust of the late Bill Bishop, a noted antiquarian with shops in Scottsdale, Arizona and Allenspark, Colorado, USA, acquired before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #173143 Condition: Artist's signature, "monotype touched" and title are handwritten in pencil beneath the image. This striking monotype with beautiful hand coloring is set in a custom frame behind glass and has not been examined outside the frame but appears to be in excellent condition. Normal tears to gallery paper on verso that do not impact the image. Fitted with suspension wire and ready to display. Accompanied by tag listing price at $7500.
• A Fine Scrimshaw On Whale Bone
  A Fine Scrimshaw On Whale Bone Depicting GeronimoFinely etched to depict a portrait of Geronimo signed lower right Goyaathle 1829-1909 Apache the reversed signed Chiricohua Apache Mexican Name Geronimo circa early 20th century. 3'' H x 2.75'' W.
• G. VOORHEES (AMERICAN, 20TH
  G. VOORHEES (AMERICAN, 20TH CENTURY) 36" x 24" Native American face, possibly Geronimo. Oil on canvas, signed lower right, in a carved and gilded frame, overall 39" x 27".
• NATIVE AMERICAN TRIBAL HISTORICAL
  NATIVE AMERICAN TRIBAL HISTORICAL PHOTOGRAPHGeronimo with Feathered Headdress, at Fort Marion. Publicly displayed during the 2009 "Geronimo Remembered" exhibition, Tucson, AZ, USA. Presented in a black wooden frame bordered with a decorative matte, sepia toned. Certificate of Authenticity. 5.75"H x 4"W, pictured. Issued: c. 1890 Dimensions: 14.75"H x 13"W, framed Country of Origin: United States Condition: Age related wear to frame
• MALCOLM MYERS "GERONIMO"
  MALCOLM MYERS "GERONIMO" LITHOGRAPHMalcolm Haynie Myers (American, 1917-2002). Lithograph on paper with hand coloring titled "Geronimo," depicting a battle. Pencil signed along the lower center. Provenance: Distinguished Corporate Collection, Minnesota. Sight; height: 19 1/2 in x width: 28 in. Framed; height: 26 3/4 in x width: 35 1/2 in. Condition: The item is in good condition with no visible tears, creases, or losses. The paper seems slightly toned; however, the color is bold and bright. No visible foxing or soiling. When inspected under UV light, there is no visible sign of restoration. The artwork is not inspected out of frame; framed under plexiglass. Wear to the frame.
• COMANCHE, NOCONA BURGESS,
  COMANCHE, NOCONA BURGESS, GERONIMONocona Burgess, (Comanche, b. 1969) Geronimo, acrylic on canvas signed lower left: Nocona Burg inscribed verso: "Geronimo" acrylic on canvas Dimensions: 24 x 20 x 1 1/2 in. (61 x 50.8 x 3.8 cm.) Provenance: Private Collection, Florida
• Apache Bow Signed by Geronimo
  Apache Bow Signed by Geronimo Deaccessioned from the Henry County Historical Society Indiana lightly decorated along one side with geometric shapes; signed in pencil Geronimo length 42.5 in.early 20th century Deaccessioned from the Henry County Historical Society Indiana
• CURTIS Edward (American 1868-1952):
  CURTIS Edward (American 1868-1952): ''Geronimo-Apache'' Photogravure 23 1/4'' x 18 3/4'' with margins titled lower left plate # 2 upper left from copyright photograph 1907 by E. Curtis photogravure by John Andrew & Sons unframed on Arches Paper. Finely printed from the original plate in 1982 by master printmaker author and teacher Deli Sacilotto edition size less than 15.
• Ten Western cabinet cards, seven
  Ten Western cabinet cards, seven photographs of Native Americans: "Geronimo, Whom Gen. Miles Named the 'Human Tiger'…Collins & Green, Lawton, Okla." printed on card, pencil notations on verso ; three by George E. Spencer, "Sitting Bull", pinhole at top , "Jack Red Cloud, Chief", small tear at dent, scratches , and "Knife", creased , each imprinted "Fort Sheridan"; mother with child in cradleboard, stamped "Buckman & Hartwell, Tucson, A.T."; two of male subjects, one by Paine, one by Heath; with Charles Eisenmann image of cowboy; two hunters with shotguns, by August Nelson; and "Wagons with the show, Pawnee Bill", penned onto image , by Swords Brothers, faded, soiled , each about 6-1/2 x 4-1/4 in. Small losses, stains, fading, wear. Collection of Courtney Smith, Sr., Highland Springs, Virginia.
• ELBRIDGE AYER BURBANK, "CHIEF
  ELBRIDGE AYER BURBANK, "CHIEF GERONIMO APACHE," 1899, OIL ON CANVAS, 12" H X 10" WElbridge Ayer Burbank, (1858-1949) "Chief Geronimo. Apache.," 1899, Oil on canvas Signed and dated lower left: E. A. Burbank; titled upper left Oil on canvas Dimensions: 12" H x 10" W
• MIKE LARSEN, GERONIMO, 1999Mike
  MIKE LARSEN, GERONIMO, 1999Mike Larsen, (Chickasaw, b. 1945) Geronimo, 1999, oil on canvas signed and dated lower right: LARSEN / © 99 oil on canvas Dimensions: 30 x 40 in. (76.20 x 101.60 cm.), Frame: 39 x 49 x 4 in. (99.06 x 124.46 x 10.16 cm.) Provenance: Firebird Gallery, Scottsdale, Arizona Private Collection, California
• Rick Wisecarver Geronimo cookie
  Rick Wisecarver Geronimo cookie jar. Marked Wihoa's Cookie Classic By Rick Wisecarver 1991 RS and Geronimo Chiricahua Warrior Old Age 1905. Mint. 10 1/2'' tall.
• Jorge Tarallo Braun (Uruguayan
  Jorge Tarallo Braun (Uruguayan b.1951) GERONIMO oil on canvas framed signed: lower left H24'' W30 1/2'' Provenance: Ohio private collection.
• GENERAL DICKMAN AUTOGRAPH, APACHE
  GENERAL DICKMAN AUTOGRAPH, APACHE WARS TO WWIJoseph Theodore Dickman served in five wars including the Apache War (Geronimo campaign), Spanish American War, the Boxer Rebellion and WWI. Commanded the 3rd Infantry Division known as "The Rock of the Marne." Autograph includes his name, rank, un identified fort, and 11 Aug '19. Written on what appears to be two cards affixed to one another. Overall approx. 5" L x 3-3/4" H. Pencil marks to front, some soiling to lower right corner, pencil and glue on verso. See images for more details on co ndition. This item can be shipped in-house.
• MEXICAN PAINTED TIN RETABLO OF
  MEXICAN PAINTED TIN RETABLO OF SAN GERONIMO. Together with a painted tin retablo depcing stigmata San Geronimo retablo: 14'' x 10'' Condition: No Specific Condition Recorded - Sold As Is
• GERONIMA CRUZ MONTOYA [POTSUNU],
  GERONIMA CRUZ MONTOYA [POTSUNU], UNTITLED (TURKEY), 2009Geronima Cruz Montoya [Potsunu], (b. 1915) Untitled (Turkey), 2009, gouache on paper signed lower right: Pot'su'nu '09 gouache on paper Dimensions: 10 1/2 x 11 in. (26.67 x 27.94 cm.), Mat: 16 x 16 1/4 x 1/2 in. (40.64 x 41.28 x 1.27 cm.) Provenance: Private Collection, California
• BERTE, June, (American, 20th
  BERTE, June, (American, 20th Century): Young Indian Warrior w/ Bow and Arrow, Giclee, 40'' x 32'', signed lower right, encased in custom gilded frame, 50 1/2'' x 41 1/2''.
• FLORENCIO MOLENA CAMPOS
  FLORENCIO MOLENA CAMPOS (CA/ARGENTINA, 1891-1959) Un Gaucho, gouache and colored pencil on paperboard, signed upper right and dated 1956. Depicts a cowboy on horseback with his dog in the lead, a pair of oxen behind, traveling a desolate landscape, along a barbed wire fence line. In a black painted carved wood Mexican frame, matted, under plexi, OS: 27 1/2" x 36 1/2", SS: 16 1/4" x 25 1/4", fine condition.
• Apache Indians with horses oil on
  Apache Indians with horses oil on canvas. 24'' H x 36'' W.
• NAVAJO, NAVAJO GERMANTOWN SERAPE,
  NAVAJO, NAVAJO GERMANTOWN SERAPE, C. 1885 Fine Art
• EDWARD S. CURTIS, PAIR OF
  EDWARD S. CURTIS, PAIR OF RESTRIKE PHOTOGRAVURES: NASJAJA HATALI - NAVAJO, 1904 + GERONIMO - APACHE, 1907Edward S. Curtis, (1868 - 1952) Pair of Restrike Photogravures: Nasjaja Hatali - Navajo, 1904 + Geronimo - Apache, 1907, restrike photogravure on classic paper, edition 154 of 228 each editioned lower right: 154/228 each embossed in paper: E S Curtis CG restrike photogravure on classic paper, edition 154 of 228 Dimensions: Nasjaja Hatali: 17 1/2 x 12 1/2 in. (44.5 x 31.8 cm.), Frame: 25 1/2 x 22 3/4 x 1 1/4 in. (64.8 x 57.8 x 3.2 cm.), Geronimo: 17 3/4 x 12 in. (45.1 x 30.5 cm.), Frame: 25 5/8 x 21 3/4 x 1 3/8 in. (65.1 x 55.2 x 3.5 cm.) Provenance: *All proceeds benefit New Mexico Women in the Arts
• KENNETH RILEY, VICTORIO oil on
  KENNETH RILEY, VICTORIO oil on canvas 32 x 40 in Victorio (Bidu-ya, Beduiat; ca. 1825-October 14, 1880) The warrior Victorio, one of the greatest Apache military strategists of all time.Born in New Mexico around 1809, Victorio grew up during a period of intense hostility between the native Apache Native Americans of the southwest and encroaching Mexican and American settlers. Determined to resist the loss of his homeland, Victorio began leading his small band of warriors on a long series of devastating raids against Mexican and American settlers and their communities in the 1850s.After more than a decade of evading the best efforts of the Mexican and American armies to capture him, the U.S. Army managed to convince Victorio to accept resettlement of his people on an inhospitable patch of sunburnt land near San Carlos, Arizona, in 1869. But with summer temperatures reaching 110 degrees on the San Carlos reservation (an area also known as Hell's Forty Acres) and farming nearly impossible, Victorio decided the new reservation was unacceptable and moved his followers to more pleasant grounds at Ojo Caliente (Warm Springs), thus again becoming an outlaw in the eyes of the United States. In 1878, the U.S. Army attempted to force the Apaches back to the San Carlos reservation, but Victorio eluded capture, disappearing into the desert with 150 braves. Surviving by raiding the towns and farms of Chihuahua, Mexico, Victorio and his men began to ambush U.S. troops as well as Mexican or American sheepherders.In 1880, a combined force of U.S. and Mexican troops finally succeeded in tracking down Apache and his warriors, surrounding them in the Tres Castillos Mountains of Mexico, just south of El Paso, Texas. Having sent the American troops away, the Mexican soldiers proceeded to kill all but 17 of the trapped Apaches, though the exact manner of Victorio's death remains unclear. Some claimed a Native American scout employed by the Mexican army killed the famous warrior. But according to the Apache, Victorio took his own life rather than surrender to the Mexicans. Regardless of how it happened, Victorio's death made him a martyr to the Apache people and strengthened the resolve of other warriors to continue the fight. The last of the great Apache warriors, Geronimo, would not surrender until 1886.
• GUNTHER GERZSO (1915 - 2000)Gunther
  GUNTHER GERZSO (1915 - 2000)Gunther Gerzso (1915 - 2000) Azul-rojo-verde, 1974 Mexican color lithograph 20" x 30" 16/90 signed lower right printed at Tamarind Institute Galeria de Arte Mexicano, Mexico City Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past. Condition: Reports are available by request and answered in the order they are received starting the week of the sale.
• Juan Duran Tinoco (1905-1988 Los
  Juan Duran Tinoco (1905-1988 Los Angeles CA) Mexican man on a galloping horse shooting 23''x31.5''
• GARRY WINOGRAND (1928-1984):
  GARRY WINOGRAND (1928-1984): RODEO BUCKING BRONCOS Gelatin silver print 11 x 17 in. (sight) signed on verso.
• JOHN FLEMING GOULD, DRESSED FOR SAN
  JOHN FLEMING GOULD, DRESSED FOR SAN GERONIMO DAY, TAOS, NMJohn Fleming Gould, (1906 - 1996) Dressed for San Geronimo Day, Taos, NM, gouache on paper signed lower left: John Gould titled lower right: DRESSED FOR / ST. GERONIMO DAY / TAOS, N.M. gouache on paper Dimensions: 15 1/2 x 11 1/2 in. (39.37 x 29.21 cm.), Frame: 19 1/2 x 15 1/2 x 1 1/4 in. (49.53 x 39.37 x 3.18 cm.) Provenance: Private Collection, New Mexico
• LUNDA HOYLE GILL (CA, 1928-2003),
  LUNDA HOYLE GILL (CA, 1928-2003), FOUR PORTRAIT ETCHINGS To include three Native American portrait etchings titled Indian Chief (Blackfoot), Geronimo's Grandson, and a third pair of marriage portraits printed on a single sheet, each pencil signed; to also include an offset lithograph titled Gabra Man, pencil signed, titled, and inscribed, matted and framed. Accompanying lot is group of artist catalogues.
• NARCISO ABEYTA, LEAPING DEERNarciso
  NARCISO ABEYTA, LEAPING DEERNarciso Abeyta, (Diné [Navajo], 1918 - 1998) Leaping Deer, serigraph, edition 159 of 225 editioned in graphite lower left: 159/225 signed in graphite lower right: HA-SO-DE serigraph, edition 159 of 225 Dimensions: 13 1/2 x 20 3/8 in. (34.3 x 51.8 cm.), Sheet: 19 1/2 x 26 3/8 in. (49.5 x 67 cm.) Provenance: Private Collection, New Mexico
• PAINTING, GEROLAMO INDUNO
  PAINTING, GEROLAMO INDUNO Gerolamo Induno (Italian, 1827-1890), Beggar Boy, oil on canvas, signed faintly lower right, canvas: 15"h x 11"w, overall (with frame): 19.25"h x 14.25"w. Note: this lot is accompanied by a letter from German art historian, Benedikt Ernst Heinrich Zimmermann former director of West Germany's States Museum in Berlin.
• Ignacio Maguino (American 20th
  Ignacio Maguino (American 20th Century) Southwest Indian Painting Gouache on paper signed Waka-yeni-dewa l.l. for Ignacio Maguino; 11 x 13.25 in.
• THREE LEGENDS OF THE WILD WEST
  THREE LEGENDS OF THE WILD WEST BRONZE FIGURES: Jesse James Geronimo and Billy the Kid. Respective heights: 32.5 31 and 31 inches.