A few examples of appraisal values for
GLASCO

• TWO GLASCOTT BRASS SIGNAL
  TWO GLASCOTT BRASS SIGNAL CANNONSEngraved 'Glascott Maker, London'. 15 x 20 x 9 in. Condition Wear, some losses and nicks. Nice aged patina.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• JOSEPH GLASCO (AMERICAN, 1925-1996)
  JOSEPH GLASCO (AMERICAN, 1925-1996) THE GAME, 1961Watercolor, gouache and colored ink impasto on board Signed and dated Õ61 lower right 16 in. h. x 14 in. w. Condition: Aging cracks and alligatoring and some lifting to the blue tempera type background paint surface throughout.Some small losses to this layer that have been retouched. The surface is very built up and somewhat uneven, although this is a common technique for the artist and is intentional. Provenance: Catherine Viviano Gallery, 1961
• JOSEPH GLASCO (AMERICAN, 1925-1996)
  JOSEPH GLASCO (AMERICAN, 1925-1996) THE CITY, 1963Oil on canvas Signed and dated '63 lower left 60 in. h. x 36.25 in. w. Ex. Collection: The Sara Lee Corporation Catalog #3 Condition: Overall pattern of cracquelure. Would likely benefit from cleaning. Otherwise good condition.
• 3 J.B. MURRAY OUTSIDER ART WORKS
  3 J.B. MURRAY OUTSIDER ART WORKS INCL. FRAMED SPIRIT WR...Three (3) John Bunion (J.B.) Murray (Murry) (American, Georgia, 1908-1988) folk art works. 1st item: Abstract painting on masonry or concrete board rendered in soft colors of white, yellow and blue/green in a vertical orientation, resembling figures. Red illegible inscriptions en verso, possibly a date and last name. Unframed. 12" H x 26" W. 2nd item: Framed "spirit script" writing on paper. Sheet: 9" H x 6 1/8" W. Framed: 15" H x 12" W. 3rd item: John Bunion (J.B.) Murray (Murry) (American, Georgia, 1908-1988) folk art "spirit writing" painting on paper towel, water color and marker. 35" W x 11 1/8" H (total surface with writing). Biography: John Bunion Murray was an African American artist who grew up in rural Glascock County, GA where he worked as a tenant farmer. At the age of 50, his wife left him, and his eleven grown children had moved from home, leaving Murray in isolation, where he turned to art. He began creating "yard shows" displaying his works on his front porch and into his home. Using predominately primary colors, he expressed his beliefs and emotions through abstract works, each color having consistent meaning. Though he could not read or write, he created his own cursive writing inscribed in many of his works called "spirit writing" which he was able to read through a glass bottle he called "holy water" while praying. His body of work reveals his experience as an African American in the rural south with a unique faith and a surreal imagination. The Collection of Dr. Joe Newsom Rawlings, Davisboro, Georgia; acquired directly from the artist. Condition: 1st item: Flaking to paint on back of board, front with light wear and some grime, slight scratching along the lower edge, possibly in the medium. 2nd item: Overall toning, fold line to center, and tape burns. 3rd item: As found condition. One end of paper towel roll not used and is crumpled.
• JOSEPH GLASCO (AMERICAN
  JOSEPH GLASCO (AMERICAN 1925-1996) A MONOTYPE COLLAGE, ...JOSEPH GLASCO (American 1925-1996) A MONOTYPE COLLAGE, "Lanzorate," 1985, monotype with fabric collage and mixed media on paper, signed and dated L/R, "J. Glasco '85," special edition number 1/1, and titled L/L in pencil, verso an old partial paper gallery label, 31 1/2" x 48", framed, 53" x 37". Provenance: Meredith Long & Company, Houston, Texas Condition: Some shifting in frame, losses to paper gallery label, minor surface wear, overall in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• SUSAN TAYLOR GLASGOW(American, born
  SUSAN TAYLOR GLASGOW(American, born 1963) Guaranteed Years of Service! II, 2003, from the Sewing Susan series, signed in bowl "Susan Taylor Glasgow/'03", fused, draped, and sandblasted glass, panels sewn with sinew, 26-1/4 x 17 in. Provenance: R, Duane Ward Reed Gallery, St. Louis, purchased in 2003 for $5,780 (accompanied by a facsimile of the original receipt and other documents); (Jerry and Deena Kaplan Collection of Modern Art and Crafts Note: "My artwork relies heavily on the energy of personal artistic discovery. I would much rather plunge straight ahead with a new technique or idea than risk losing its freshness to over analyzing. As a result of the 'ask questions later' attitude, my unique style of sewing glass was born. In a way, my work is the result of homemaking skills gone awry. I have always embraced domesticity in spirit, but not in action. My life as an artist puts housekeeping last while instead I cook, arrange, and sew glass. As a result perhaps, I am fascinated by the perceived simplicity of the 1950's household, and often include that imagery in my work."Glascow was a NICHE Award finalist in 2002 and 2003, shortly after she returned as Emerging Artist in Residence at the Pilchuck Glass School in Washington. Condition: good condition
• AMERICAN EMBROIDERED "CRAZY"
  AMERICAN EMBROIDERED "CRAZY" QUILTlate 19th century, irregular patches of velvet, satin, and silk, with fancy embroidered stitching and decorative motifs including flowers, teepees, stars, butterflies, chickens, a cat, and profile of a girl wearing a bonnet, some patches with stitched or painted initials and names including "ET", "Etta Glascock"?, "Ollie", "Nannie F Corner"?, and "AliePoor"?, 80 x 61 in. Provenance: Private Florida Collection Condition: tears, losses, and shattering throughout, some fading
• ROBERT GORDY (AMERICAN,
  ROBERT GORDY (AMERICAN, 1933-1986)Robert Gordy American, 1933-1986 Clouds and Sea (Day) Lithograph, signed lower right, edition 30/35 Coastal landscape, the water still below a clouded sky. Education: 1956 M.A., Louisiana State University, Baton Rouge, LA 1955 B.A., Lousiana State University, Baton Rouge, LA 1953 Studied with Hans Hoffman Professional Experience: 1965 Instructor, University of New Orleans, LA 1963 Instructor, The Putney School, Putney, VT 1962 Instructor, Sterling College, Sterling, KS 1957 Instructor, University of Southern Louisiana, Lafayette, LA Selected Awards: 1978, 1967 Fellowship, National Endowment of the Arts Purchase Award, Dallas Museum of Fine Arts, Dallas, TX 1973 Award Winner, "Artists Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Purchase award, "Artists of the Southeast and Texas Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Ford Foundation Fellowship 1954 Yale-Norfolk Fellowship, Yale University, New Haven, CT Selected Solo Exhibitions: 1992, 1988, 1986, 1984 Arthur Roger Gallery, New Orleans, LA 1987 Texas Gallery, Houston, TX 1986 New Orleans Museum of Art, New Orleans, LA 1986 Masur Museum of Art, Monroe, LA 1985-86 "Monotypes of Robert Gordy," University of South Florida, Tampa, FL (traveling exhibition) 1985, 1979 Phyllis Kind Gallery, New York, NY 1984-85 "Prints and Paintings of Robert Gordy," New Orleans Museum of Art (traveling exhibition) 1984 The Fine Arts Museum of the South, Mobile, AL 1984 "Artworks '84," Louisiana World Exposition, New Orleans, LA 1983 Carol Shapiro Gallery, St. Louis, MO 1982-81 "Robert Gordy, Paintings and Drawings: 1960-1980," New Orleans Museum of Art, New Orleans, LA 1982-81 Montgomery Museum of Fine Arts, Montgomery, AL 1982-81 Jacksonville Museum of Fine Arts, Jacksonville, FL 1982-81 Southeastern Center for Contemporary Art, Winston-Salem, NC 1982-81 Cincinnati Museum of Contemporary Art, Cincinnati, OH 1982-81 Contemporary Arts Museum, Houston, TX 1979, 1977 Delahunty Gallery, Dallas, TX 1976 Phyllis Kind Gallery, Chicago, IL 1975 Long Beach Museum of Art, Long Beach, CA 1974, 1972 New Orleans Museum of Art, New Orleans, LA 1974 Pyramid Galleries, Washington, D.C. 1973, 1971, 1969 Galerie Simonne Stern, New Orleans, LA 1973, 1971, 1969 Hank Baum Gallery, San Francisco, CA 1972 "Drawings and Prints," Glascow College of Arts, Scotland 1970 Cranfill Gallery, Dallas, TX 1968 Atelier Chapman Kelley, Dallas, TX 1968, 1967 Glade Gallery, New Orleans, LA Selected Group Exhibitions: 1986 "Artist/Printmaker," The Maryland Institute, College of Art, Baltimore, MD 1985 "The Exhibition at 112 Greene Street," Arthur Roger Gallery, New York, NY 1984 "Monotypes," The Weintraub Gallery, New York, NY "The Art of New Orleans," Southeastern Center for Contemporary Art, Winston-Salem, NC 1983 "The Human Figure," Contemporary Arts Center, New Orleans, LA "New Decorative Art," The Berkshire Museum, Pittsfield, MA and The University Art Gallery, State University of New York at Albany, Albany, NY "Southern Fiction," Contemporary Art Museum, Houston, TX "The American Artist as Printmaker: 23rd National Print Exhibition," Brooklyn Museum of Art, Brooklyn, NY 1980 "Image into Pattern," P.S.1 Gallery, New York, NY "American Painting of the Sixties and Seventies: The Real, The Ideal, The Fantastic-Selections from the Whitney Museum of American Art," Montgomery Museum of Fine Arts, Montgomery, AL "The Figurative Tradition: Paintings and Sculpture from the Permanent Collection," Whitney Museum of American Art, New York, NY "American Figure Painting: 1950-1980," Chrysler Museum, Norfolk, VA "American Drawings in Black and White: 1970-1980," Brooklyn Museum, Brooklyn, NY "Louisiana Major Works," Contemporary Arts Center, New Orleans, LA, curated by Linda L. Cathcart, Contemporary Art Museum, Houston, TX 1978 "21st National Print Exhibition," Brooklyn Museum, Brooklyn, NY "The 1970's: New American Painting," The New Museum, New York, NY (traveling exhibition) 1975 "Art USA: The South," New Orleans Museum of Art, New Orleans, LA (traveling exhibition) 1973 "Biennial Exhibition of Contemporary American Art," Whitney Museum of American Art, New York, NY "Divergent Representation: Five Contemporary Artists," National Collection of Fine Arts, Washington, D.C. "Extraordinary Realities," Whitney Museum of American Art, New York, NY 1968 "14 Artists, Award Winners in the Southeast and Southwest Regions Selected by the National Endowment for the Arts," Witte Memorial Museum, San Antonio, TX "New Acquisitions," Whitney Museum of American Art, New York, NY 1967 "Annual Exhibition of American Painting and Sculpture," Whitney Museum of American Art, New York, NY Selected Collections: Alexandria Museum and Visual Art Center, Alexandria, LA American Express Corp, New York, NA Chicago Museum of Contemporary Art, Chicago, IL Dallas Museum, Dallas, TX Fort Worth Art Center, Fort Worth, TX Gibber Museum of Art, Charleston, SC Museum of Modern Art, New York, NY Metropolitan Museum, New York, NY National Collection of Fine Art, Washington, D.C. Oklahoma Fine Arts Center, Oklahoma City, OK Whitney Museum of American Art, New York, NY Sheet: 28 1/4 x 31 3/4 in. (71.8 x 80.6 cm.), frame: 31 1/4 x 35 in. (79.4 x 88.9 cm.) The Artist; Ex Iowa Wesleyan University collection Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• ROBERT GORDY (AMERICAN,
  ROBERT GORDY (AMERICAN, 1933-1986)Robert Gordy American, 1933-1986 Study for "The Meeting" , 1980 Marker, ink, and colored pencil on paper, signed and dated lower left Four silhouetted figures against tiles, set behind glass and framed, Galerie Simonne Stern, New Orleans, LA label to verso. Education: 1956 M.A., Louisiana State University, Baton Rouge, LA 1955 B.A., Lousiana State Univeristy, Baton Rouge, LA 1953 Studied with Hans Hoffman Professional Experience: 1965 Instructor, University of New Orleans, LA 1963 Instructor, The Putney School, Putney, VT 1962 Instructor, Sterling College, Sterling, KS 1957 Instructor, University of Southern Louisiana, Lafayette, LA Selected Awards: 1978, 1967 Fellowship, National Endowment of the Arts Purchase Award, Dallas Museum of Fine Arts, Dallas, TX 1973 Award Winner, "Artists Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Purchase award, "Artists of the Southeast and Texas Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Ford Foundation Fellowship 1954 Yale-Norfolk Fellowship, Yale University, New Haven, CT Selected Solo Exhibitions: 1992, 1988, 1986, 1984 Arthur Roger Gallery, New Orleans, LA 1987 Texas Gallery, Houston, TX 1986 New Orleans Museum of Art, New Orleans, LA 1986 Masur Museum of Art, Monroe, LA 1985-86 "Monotypes of Robert Gordy," University of South Florida, Tampa, FL (traveling exhibition) 1985, 1979 Phyllis Kind Gallery, New York, NY 1984-85 "Prints and Paintings of Robert Gordy," New Orleans Museum of Art (traveling exhibition) 1984 The Fine Arts Museum of the South, Mobile, AL 1984 "Artworks '84," Louisiana World Exposition, New Orleans, LA 1983 Carol Shapiro Gallery, St. Louis, MO 1982-81 "Robert Gordy, Paintings and Drawings: 1960-1980," New Orleans Museum of Art, New Orleans, LA 1982-81 Montgomery Museum of Fine Arts, Montgomery, AL 1982-81 Jacksonville Museum of Fine Arts, Jacksonville, FL 1982-81 Southeastern Center for Contemporary Art, Winston-Salem, NC 1982-81 Cincinnati Museum of Contemporary Art, Cincinnati, OH 1982-81 Contemporary Arts Museum, Houston, TX 1979, 1977 Delahunty Gallery, Dallas, TX 1976 Phyllis Kind Gallery, Chicago, IL 1975 Long Beach Museum of Art, Long Beach, CA 1974, 1972 New Orleans Museum of Art, New Orleans, LA 1974 Pyramid Galleries, Washington, D.C. 1973, 1971, 1969 Galerie Simonne Stern, New Orleans, LA 1973, 1971, 1969 Hank Baum Gallery, San Francisco, CA 1972 "Drawings and Prints," Glascow College of Arts, Scotland 1970 Cranfill Gallery, Dallas, TX 1968 Atelier Chapman Kelley, Dallas, TX 1968, 1967 Glade Gallery, New Orleans, LA Selected Group Exhibitions: 1986 "Artist/Printmaker," The Maryland Institute, College of Art, Baltimore, MD 1985 "The Exhibition at 112 Greene Street," Arthur Roger Gallery, New York, NY 1984 "Monotypes," The Weintraub Gallery, New York, NY "The Art of New Orleans," Southeastern Center for Contemporary Art, Winston-Salem, NC 1983 "The Human Figure," Contemporary Arts Center, New Orleans, LA "New Decorative Art," The Berkshire Museum, Pittsfield, MA and The University Art Gallery, State University of New York at Albany, Albany, NY "Southern Fiction," Contemporary Art Museum, Houston, TX "The American Artist as Printmaker: 23rd National Print Exhibition," Brooklyn Museum of Art, Brooklyn, NY 1980 "Image into Pattern," P.S.1 Gallery, New York, NY "American Painting of the Sixties and Seventies: The Real, The Ideal, The Fantastic-Selections from the Whitney Museum of American Art," Montgomery Museum of Fine Arts, Montgomery, AL "The Figurative Tradition: Paintings and Sculpture from the Permanent Collection," Whitney Museum of American Art, New York, NY "American Figure Painting: 1950-1980," Chrysler Museum, Norfolk, VA "American Drawings in Black and White: 1970-1980," Brooklyn Museum, Brooklyn, NY "Louisiana Major Works," Contemporary Arts Center, New Orleans, LA, curated by Linda L. Cathcart, Contemporary Art Museum, Houston, TX 1978 "21st National Print Exhibition," Brooklyn Museum, Brooklyn, NY "The 1970's: New American Painting," The New Museum, New York, NY (traveling exhibition) 1975 "Art USA: The South," New Orleans Museum of Art, New Orleans, LA (traveling exhibition) 1973 "Biennial Exhibition of Contemporary American Art," Whitney Museum of American Art, New York, NY "Divergent Representation: Five Contemporary Artists," National Collection of Fine Arts, Washington, D.C. "Extraordinary Realities," Whitney Museum of American Art, New York, NY 1968 "14 Artists, Award Winners in the Southeast and Southwest Regions Selected by the National Endowment for the Arts," Witte Memorial Museum, San Antonio, TX "New Acquisitions," Whitney Museum of American Art, New York, NY 1967 "Annual Exhibition of American Painting and Sculpture," Whitney Museum of American Art, New York, NY Selected Collections: Alexandria Museum and Visual Art Center, Alexandria, LA American Express Corp, New York, NA Chicago Museum of Contemporary Art, Chicago, IL Dallas Museum, Dallas, TX Fort Worth Art Center, Fort Worth, TX Gibber Museum of Art, Charleston, SC Museum of Modern Art, New York, NY Metropolitan Museum, New York, NY National Collection of Fine Art, Washington, D.C. Oklahoma Fine Arts Center, Oklahoma City, OK Whitney Museum of American Art, New York, NY Sight: 16 3/4 x 17 3/8 in. (42.5 x 44.1 cm.), frame: 22 1/2 x 22 1/2 in. (57.2 x 57.2 cm.) The Artist, Galerie Simonne Stern, New Orleans, LA; Ex Iowa Wesleyan University collection; Bequeathed by the Alden Lowell Doud Estate, Washington D.C. Alden Lowell Doud (American, 1935-1912) of Iowa City, formerly of Douds, was a former First Lieutenant and Captain of the U.S. Army Judge Advocate General Corp. After serving in the military, he joined the Office of the Legal Adviser in the U.S. State Department in 1967 where he became the first Assistant Legal Adviser for Environmental Affairs. He authored the first drafts of several important environmental treaties including the World Heritage Convention. He was also a member of the U.S. delegation in the negotiations forming the International Telecommunications Satellite Consortium (INTELSAT). In 1973, Mr. Doud joined the World Bank Legal Department as its principal administrative attorney and rose to the title of Chief Counsel until his retirement in 1996. Post retirement, he studied at the Courtlaud Institute of Art in London and continued art studies at Bard Graduate Center in New York City. He moved to Iowa City in 1998 and served as Chairman of Board of Trustees of Iowa Wesleyan until 2005 when he received an honorary degree Ll. D. and was made Chairman Emeritus. He was a member of University of Iowa President's Club, the Members Council of the University Museum of Art, the Harvard Club of New York City, and other arts related organizations. Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• ROBERT GORDY (AMERICAN,
  ROBERT GORDY (AMERICAN, 1933-1986)Robert Gordy American, 1933-1986 Still Life with Brick , 1971 Acrylic on canvas, signed and dated lower right The brick in a field of small fruits and nuts, framed. Education: 1956 M.A., Louisiana State University, Baton Rouge, LA 1955 B.A., Lousiana State Univeristy, Baton Rouge, LA 1953 Studied with Hans Hoffman Professional Experience: 1965 Instructor, University of New Orleans, LA 1963 Instructor, The Putney School, Putney, VT 1962 Instructor, Sterling College, Sterling, KS 1957 Instructor, University of Southern Louisiana, Lafayette, LA Selected Awards: 1978, 1967 Fellowship, National Endowment of the Arts Purchase Award, Dallas Museum of Fine Arts, Dallas, TX 1973 Award Winner, "Artists Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Purchase award, "Artists of the Southeast and Texas Biennial," New Orleans Museum of Art, New Orleans, LA 1971 Ford Foundation Fellowship 1954 Yale-Norfolk Fellowship, Yale University, New Haven, CT Selected Solo Exhibitions: 1992, 1988, 1986, 1984 Arthur Roger Gallery, New Orleans, LA 1987 Texas Gallery, Houston, TX 1986 New Orleans Museum of Art, New Orleans, LA 1986 Masur Museum of Art, Monroe, LA 1985-86 "Monotypes of Robert Gordy," University of South Florida, Tampa, FL (traveling exhibition) 1985, 1979 Phyllis Kind Gallery, New York, NY 1984-85 "Prints and Paintings of Robert Gordy," New Orleans Museum of Art (traveling exhibition) 1984 The Fine Arts Museum of the South, Mobile, AL 1984 "Artworks '84," Louisiana World Exposition, New Orleans, LA 1983 Carol Shapiro Gallery, St. Louis, MO 1982-81 "Robert Gordy, Paintings and Drawings: 1960-1980," New Orleans Museum of Art, New Orleans, LA 1982-81 Montgomery Museum of Fine Arts, Montgomery, AL 1982-81 Jacksonville Museum of Fine Arts, Jacksonville, FL 1982-81 Southeastern Center for Contemporary Art, Winston-Salem, NC 1982-81 Cincinnati Museum of Contemporary Art, Cincinnati, OH 1982-81 Contemporary Arts Museum, Houston, TX 1979, 1977 Delahunty Gallery, Dallas, TX 1976 Phyllis Kind Gallery, Chicago, IL 1975 Long Beach Museum of Art, Long Beach, CA 1974, 1972 New Orleans Museum of Art, New Orleans, LA 1974 Pyramid Galleries, Washington, D.C. 1973, 1971, 1969 Galerie Simonne Stern, New Orleans, LA 1973, 1971, 1969 Hank Baum Gallery, San Francisco, CA 1972 "Drawings and Prints," Glascow College of Arts, Scotland 1970 Cranfill Gallery, Dallas, TX 1968 Atelier Chapman Kelley, Dallas, TX 1968, 1967 Glade Gallery, New Orleans, LA Selected Group Exhibitions: 1986 "Artist/Printmaker," The Maryland Institute, College of Art, Baltimore, MD 1985 "The Exhibition at 112 Greene Street," Arthur Roger Gallery, New York, NY 1984 "Monotypes," The Weintraub Gallery, New York, NY "The Art of New Orleans," Southeastern Center for Contemporary Art, Winston-Salem, NC 1983 "The Human Figure," Contemporary Arts Center, New Orleans, LA "New Decorative Art," The Berkshire Museum, Pittsfield, MA and The University Art Gallery, State University of New York at Albany, Albany, NY "Southern Fiction," Contemporary Art Museum, Houston, TX "The American Artist as Printmaker: 23rd National Print Exhibition," Brooklyn Museum of Art, Brooklyn, NY 1980 "Image into Pattern," P.S.1 Gallery, New York, NY "American Painting of the Sixties and Seventies: The Real, The Ideal, The Fantastic-Selections from the Whitney Museum of American Art," Montgomery Museum of Fine Arts, Montgomery, AL "The Figurative Tradition: Paintings and Sculpture from the Permanent Collection," Whitney Museum of American Art, New York, NY "American Figure Painting: 1950-1980," Chrysler Museum, Norfolk, VA "American Drawings in Black and White: 1970-1980," Brooklyn Museum, Brooklyn, NY "Louisiana Major Works," Contemporary Arts Center, New Orleans, LA, curated by Linda L. Cathcart, Contemporary Art Museum, Houston, TX 1978 "21st National Print Exhibition," Brooklyn Museum, Brooklyn, NY "The 1970's: New American Painting," The New Museum, New York, NY (traveling exhibition) 1975 "Art USA: The South," New Orleans Museum of Art, New Orleans, LA (traveling exhibition) 1973 "Biennial Exhibition of Contemporary American Art," Whitney Museum of American Art, New York, NY "Divergent Representation: Five Contemporary Artists," National Collection of Fine Arts, Washington, D.C. "Extraordinary Realities," Whitney Museum of American Art, New York, NY 1968 "14 Artists, Award Winners in the Southeast and Southwest Regions Selected by the National Endowment for the Arts," Witte Memorial Museum, San Antonio, TX "New Acquisitions," Whitney Museum of American Art, New York, NY 1967 "Annual Exhibition of American Painting and Sculpture," Whitney Museum of American Art, New York, NY Selected Collections: Alexandria Museum and Visual Art Center, Alexandria, LA American Express Corp, New York, NA Chicago Museum of Contemporary Art, Chicago, IL Dallas Museum, Dallas, TX Fort Worth Art Center, Fort Worth, TX Gibber Museum of Art, Charleston, SC Museum of Modern Art, New York, NY Metropolitan Museum, New York, NY National Collection of Fine Art, Washington, D.C. Oklahoma Fine Arts Center, Oklahoma City, OK Whitney Museum of American Art, New York, NY Stretcher: 28 1/2 x 29 3/4 in. (72.4 x 75.6 cm.) The Artist, Ex Iowa Wesleyan University collection; Bequeathed by the Alden Lowell Doud Estate, Washington D.C. Alden Lowell Doud (American, 1935-1912) of Iowa City, formerly of Douds, was a former First Lieutenant and Captain of the U.S. Army Judge Advocate General Corp. After serving in the military, he joined the Office of the Legal Adviser in the U.S. State Department in 1967 where he became the first Assistant Legal Adviser for Environmental Affairs. He authored the first drafts of several important environmental treaties including the World Heritage Convention. He was also a member of the U.S. delegation in the negotiations forming the International Telecommunications Satellite Consortium (INTELSAT). In 1973, Mr. Doud joined the World Bank Legal Department as its principal administrative attorney and rose to the title of Chief Counsel until his retirement in 1996. Post retirement, he studied at the Courtlaud Institute of Art in London and continued art studies at Bard Graduate Center in New York City. He moved to Iowa City in 1998 and served as Chairman of Board of Trustees of Iowa Wesleyan until 2005 when he received an honorary degree Ll. D. and was made Chairman Emeritus. He was a member of University of Iowa President's Club, the Members Council of the University Museum of Art, the Harvard Club of New York City, and other arts related organizations. Condition: Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
• JOSEPH GLASCO. "STANDING MAN,"
  JOSEPH GLASCO. "STANDING MAN," GOUACHE (American, 1925-1996). Gouache with watercolor on paper, signed, sheet size: 10 x 8 in., framed.
• JOSEPH GLASCO DOUBLE HEADS INK ON
  JOSEPH GLASCO DOUBLE HEADS INK ON PAPER 1967Joseph Glasco (American 1948-1986), 'Double Heads' - 1967, Ink on Paper, signed and dated lower right. Presented in a Robert Kulicke frame, approx. 27.25 x 19.25 inches. NOTE: DUE TO THE SIZE, FRAGILITY AND/OR WEIGHT, THIS ITEM(S) WILL NEED TO SHIP EITHER UPS OR FREIGHT. WE ARE HAPPY TO ASSIST IN LOCATING FREIGHT DRIVERS OR YOU MAY SET UP YOUR OWN SHIPPING. WE RECOMMEND WWW.USHIP.COM FOR FREIGHT. IF USING UPS, HIGH BIDDER WILL NEED TO PAY OUR INVOICE FIRST THEN UPS WILL CONTACT YOU VIA YOUR EMAIL ON FILE TO OBTAIN PAYMENT FOR PACKING AND SHIPPING.
• JOSEPH GLASCO, STANDING NUDE, INK
  JOSEPH GLASCO, STANDING NUDE, INK ON PAPERJoseph Glasco (American 1948-1986), 'Leda' - standing nude, Ink on Paper, signed and dated lower right, 1967. Tag verso from FRED REED 'Leda' by Joseph Glasco, 1967. Framed under glass approx. 41.12 x 31.12 inches. NOTE: DUE TO THE SIZE, FRAGILITY AND/OR WEIGHT, THIS ITEM(S) WILL NEED TO SHIP EITHER UPS OR FREIGHT. WE ARE HAPPY TO ASSIST IN LOCATING FREIGHT DRIVERS OR YOU MAY SET UP YOUR OWN SHIPPING. WE RECOMMEND WWW.USHIP.COM FOR FREIGHT. IF USING UPS, HIGH BIDDER WILL NEED TO PAY OUR INVOICE FIRST THEN UPS WILL CONTACT YOU VIA YOUR EMAIL ON FILE TO OBTAIN PAYMENT FOR PACKING AND SHIPPING.
• COLLECTION OF FIVE CHINESE SNUFF
  COLLECTION OF FIVE CHINESE SNUFF BOTTLES, OF GLASCOLLECTION OF FIVE CHINESE SNUFF BOTTLES of glass in various forms and motifs. Each snuff bottle lacks a stopper. Heights from 1.75 to 2.75 inches.
• JOSEPH M. GLASCO (AMERICAN
  JOSEPH M. GLASCO (AMERICAN 1925-1996), BLACK AND WHITE, OIL ON CANVAS, 65 X 46 IN (165.1 X 116.8 CM)Joseph M. Glasco, (American, 1925-1996) Black and White, Oil on canvas. Unstretched. Inscribed JG and 79 l.r. corner on verso Oil on canvas. Unstretched. Dimensions: 65 x 46 in (165.1 x 116.8 cm) Provenance: Acquired from the artist by Robert Wilson, Jr., Member, Board of Directors, Galveston Art Center, Galveston, TX Janice Broussard Betty Ludington By descent to current owner
• ALBERT HECKMAN (UNITED STATES)
  ALBERT HECKMAN (UNITED STATES) 1893-1971. GLASCO ON THE HUDSON. LITHOGRAPH, 1936. REF: LC 1, P. 203. ED: 25. SIGNED WITH PENCIL, L.L...Albert Heckman (United States) 1893-1971. Glasco on the Hudson. Lithograph, 1936. Ref: LC 1, p. 203. Ed: 25. Signed with pencil, l.l. Printed by the artist in black ink on cream laid paper with a D & C B watermark with complete margins. 229 x 337 mm. (9 x 13 1/4 in.)
• TWO MAITLAND & GLASCOE YOUTH
  TWO MAITLAND & GLASCOE YOUTH CHAIRS. Late 20th century, mahogany. Brass labels "Maitland & Glascoe, London, Seoul, Makers of Fine Furniture..." Side and armchair with acanthus leaf carving, pierced splat and ball and claw feet. Green velvet slip seats. 12.5" seat, 21"h.
• Small size cast iron "Charter" wood
  Small size cast iron "Charter" wood stove by Glascook Stove Mfg. Co., Greensboro North Carolina, with Grecian key decoration. 29”H x 23”D x 41”L Condition: crack to front, and back, overall rusting. CT Transfer Fee $30
• LADIES OF THE REFORMATION BY REV.
  LADIES OF THE REFORMATION BY REV. JAMES ANDERSONLadies of the Reformation Author: Rev. James Anderson Publisher: Glascow, Edinburgh, London: Blackie & Son Date: 1857
• THE HOME PREACHER BY NORMAN
  THE HOME PREACHER BY NORMAN MACLEODThe Home Preacher Author: Norman Macleod Publisher: Glascow: William Mackenzie Howard St.
• Henry Chee Dodge (Diné,
  Henry Chee Dodge (Diné, 1857-1947) Turquoise and Coral Necklace from Asa Glascock Trading Post, Gallup, New Mexico single-strand necklace with traditional cord wrapping, strung with graduating luminous gem quality turquoise tabs alternating with graduated coral beads; not marked Includes a photo of Henry Chee Dodge wearing the necklace. length 33 inches, drop length 18-1/4 inches, weight 191.4 dwt.
• COLLECTION OF COSTUME JEWELRY,
  COLLECTION OF COSTUME JEWELRY, INCLUDING GOLD-FILLED ELGIN (AS IS), WITH STERLING AND MOUNTED ARTICLES, AND 10-KARAT WHITE-GOLD MOUNTED GLASSES, COMBINED GROSS WEIGHT WEIGHABLE MARKED STERLING 2.2 OZT;, GROSS WEIGHT GLASCollection of Costume Jewelry, Including Gold-Filled Elgin (as is), with Sterling and Mounted Articles, and 10-Karat White-Gold Mounted Glasses,, Dimensions: Combined gross weight weighable marked sterling 2.2 ozt;Gross weight glasses 4.9 dwt
• ENGLISH MAHOGANY SALESMAN SAMPLE
  ENGLISH MAHOGANY SALESMAN SAMPLE SLANTFRONT DESKEnglish Mahogany Salesman Sample Slantfront Desk, metal tag reads "Maitland & Glascoe/London Seoul/Makers of Fine Furniture/23 Woodstock St. New Bond St./London W.I.", working drawers and writing surface, h. 18 in. w. 17 1/4 in., d. 9 3/4 in.
• HISTORY OF THE HIGHLANDS AND OF THE
  HISTORY OF THE HIGHLANDS AND OF THE HIGHLAND CLANSHistory of the Highlands and of the Highland Clans Author: James Browne Publisher: Glascow: A. Fullarton & Co. Year: 1840
• Brass clinometer level by James
  Brass clinometer level by James Brown, Glascow with black wood base. 8"h x 13.5"l overall Condition: Wear consistent with age.
• ITALIAN BRONZE MODEL OF THE WARWICK
  ITALIAN BRONZE MODEL OF THE WARWICK VASE Note: The celebrated ancient Roman marble vase on which this model is based was discovered in fragments in 1771 in the ruins of Hadrian's villa near Tivoli by the Scottish artist and antiquarian William Hamilton. After restoration it was sold to Hamilton's nephew George Earl of Warwick and is now in the Burrell Collection in Glascow. 11 1/2 x 17 x 12 in. Provenance: Bernd Goeckler Antiques New York.
• WALL CLOCK. Scottish late 19th
  WALL CLOCK. Scottish late 19th century. Long drop clock with brass works housed in a pine case. Dial signed ''Muirneau & Son Glascow''. 56''h.
• Coca-Cola Glascock Cooler. 1929.
  Coca-Cola Glascock Cooler. 1929. Single case size. Still has original decal that reads Glasco by Glascock Bros. The paint appears to be a different shade from the normal single case coolers but is still believed to be original. General overall marks, wear, chips, and soiling. Missing the opener and cap catcher. Condition ...
• PAIR WHALE OIL LANTERNS of brass
  PAIR WHALE OIL LANTERNS of brass copper & tin having original cisterns and ceramic wick holders. Made by Kelvin Bottomley and Baird Glascow. All original. Heights & widths 11''. c. 1860's. The lanterns are in good condition with light wear throughout.
• Leonard Baskin (American/New Jersey
  Leonard Baskin (American/New Jersey 1922-2000) "After Hans Bol" etching on Arches paper pencil-signed and number "4/5" with the artist's biography en verso sight 21 3/4 in. x 14 3/4 in. attractively framed; together with Joseph M. Glasco (American/Pennsylvania 1925-1996) "Figure" etching on paper pencil-signed dated "76" titled numbered "A/P" and inscribed "For Bob" with a "Richard Gallery Galveston TX" label en verso 31 in. x 20 3/4 in. matted; and Jedd Garet (American b. 1955) "Night Boy" color lithograph on paper pencil-signed dated "83" with an artist's label en verso 29 5/8 in. x 39 3/4 in. unframed. Provenance: Sold for the benefit of the Museum of Fine Arts Houston.