A few examples of appraisal values for
GRACE PUTNAM

• Grace Carpenter Hudson (American
  Grace Carpenter Hudson (American 1865-1937) Girl with Indian Papoose oil on canvas signed G. Hudson (lower left) 14 x 14 inches.
• GRACE CARPENTER HUDSON (1865-1937),
  GRACE CARPENTER HUDSON (1865-1937), PORTRAIT OF A POMO INDIAN WOMAN, 13.5" H X 10.75" WGrace Carpenter Hudson, (1865-1937) Portrait of a Pomo woman, Oil on canvas Signed upper left: G. Hudson Oil on canvas Dimensions: 13.5" H x 10.75" W
• Grace A. Paull (American, b.
  Grace A. Paull (American, b. 1898) "Up-State Village" lithograph signed and dated in pencil "Grace Paull /48" lr, titled ll 10 x 13", framed
• Grace McFarren (American 20th c.)
  Grace McFarren (American 20th c.) watercolor of Walker's Mill 22" x 30" together with a reproduction of an Audubon print 12" x 18". ?
• AFTER GRACE CARPENTER HUDSON (CA,
  AFTER GRACE CARPENTER HUDSON (CA, 1865-1937), PAPOOSE Oil, likely on board, showing a child who is bound as a papoose; "Copyright 96" to lower left; the work presented in an elaborate gilt frame, the whole behind glass in a shadowbox carrying a prewar label from Venable's Fine Arts, Washington, D. C.
• Grace Cruikshank (British
  Grace Cruikshank (British fl.1860-1894)/Portrait Miniature of Mrs Brabason/half-length, wearing a white bonnet, yellow dress and black stole/signed/watercolour on ivory, 12cm x 9cm
• SAYING GRACE BY NORMAN ROCKWELL
  SAYING GRACE BY NORMAN ROCKWELL Lithograph in colors on woven paper, depicting woman and young boy with their heads bowed in prayer, others in the diner looking on, after the painting commissioned for the 1951 Thanksgiving issue of The Saturday Evening Post, penciled signed lower right and marked 180/200 in lower left, unframed; plate 28"H 26.5"W sheet 32"H 29"W
• Pictorial and Verse Sampler,
  Pictorial and Verse Sampler, Grace Gayton, March 23, 1797 worked in wool on linen with crowns, figures, animals, dogs, birds, a butterfly, trees, flowers and urns all within a trailing vine border, in contemporary frame 18 x 14 in — 45.7 x 35.6 cm
• GRACE T. GRANGER
  GRACE T. GRANGER (AMERICAN/LOUISIANA, 20TH C.)Grace T. Granger (American/Louisiana, 20th c.), "Portraits of Edward Avery McIlhenny (1872-1949)", ink and graphite on paper and graphite on tracing paper, one signed lower left, inscribed lower right and pencil-inscribed with sitter name en verso, with handwritten label with artist and sitter, 17 3/4 in. x 13 3/4 in. and 17 in. x 13 3/8 in. both unframed. (2 pcs.) Condition: Overall fair to poor condition.
• GRACE YOUNG (AMERICAN, 1869-1947)
  GRACE YOUNG (AMERICAN, 1869-1947) NUN IN CONTEMPLATIONWatercolor on paper 18 in. h. x 14 in. w. Matted and framed
• GRACE ROMNEY BEALS (AMERICAN,
  GRACE ROMNEY BEALS (AMERICAN, 1869-1929) BRISTOL HILLS, NEW YORK oil on canvas. signed (lower right).
• Grace Carpenter Hudson painting,
  Grace Carpenter Hudson painting, "Tsy" (blue jay), 1907, Pomo child gazing at blue jay on branch over creek, No. 310 in The Painter lady: Grace Carpenter Hudson , Searles R. Boynton, Published by Interface California Corporation, 1978 (book accompanies lot), signed lower left "G. Hudson" and verso "G. Hudson/Ukiah CAL/310", oil on artist board, 7 x 5 in.; modern gilt wood and composition French style frame. Recent cleaning and revarnishing, abrasion center, retouch above signature at "Copyright by", craquelure, trimmed.
• GRACE T. GRANGER
  GRACE T. GRANGER (AMERICAN/LOUISIANA, 20TH C.)Grace T. Granger (American/Louisiana, 20th c.), "Louisiana Scenes", 21 graphites on tracing paper, 3 inks on paper, 2 watercolors on paper, one mixed media on paper, one ink and collage on paper, and one gelatin silver print, 4 signed, one signed, inscribed and partial sketch en verso, 8 1/2 in. x 11 in. to 17 in. x 14 in., unframed; accompanied by a newspaper article about the artist. (30 pcs.) Condition: Works vary from fair to very poor condition.
• GRACE NAVASIE-LOMAHQUAHU,
  GRACE NAVASIE-LOMAHQUAHU, POLYCHROME POT, 2010Grace Navasie-Lomahquahu, (Hopi-Tewa, b. 1953) Polychrome Pot, 2010, fired clay, pigments inscribed: [artist's cipher]G. fired clay, pigments Dimensions: Height: 5 in. x Diameter: 6 3/4 in. (12.7 x 17.1 cm.) Provenance: Private Collection, Texas
• GRACE FARRAR KNOWLTON, AMERICAN
  GRACE FARRAR KNOWLTON, AMERICAN 1932-2020, GREY SPHERE FROM NYACK SERIES, WELDED GREY PATINATED COPPER, HEIGHT: 9 IN. (22.86 CM.)GRACE FARRAR KNOWLTON, AMERICAN, 1932-2020 GREY SPHERE from NYACK SERIES, Welded grey patinated copper Circa 1981 Welded grey patinated copper Dimensions: Height: 9 in. (22.86 cm.) Provenance: M-13 Gallery, New York; purchased from the gallery by Private Collection Washington D.C.
• JOHN SINGER SARGENT, (AMERICAN,
  JOHN SINGER SARGENT, (AMERICAN, 1856-1925), PREPARATORY SKETCH: GRACE ELVINA, MARCHIONESS CURZON OF KEDLESTON, 1924, PENCIL ON PAPER, SHEET: 10 3/4 X 9 IN., SIGHT: 10 1/4 X 8 1/4 IN., FRAME: 19 X 17 1/2 IN.JOHN SINGER SARGENT (American, 1856-1925) Grace Elvina, Marchioness Curzon of Kedleston 1924, pencil on paper inscribed J.S. 149 lower left sheet: 10 3/4 x 9 in., sight: 10 1/4 x 8 1/4 in., frame: 19 x 17 1/2 in. 1924, pencil on paper Dimensions: sheet: 10 3/4 x 9 in., sight: 10 1/4 x 8 1/4 in., frame: 19 x 17 1/2 in. Provenance: Provenance: John Singer Sargent, 1924; Emily and Violet Sargent, 1925; Grand Central Art Galleries, New York (possibly by 1928), accompanied by bill of sale from the galleries dated November 18, 1959; Private Collection. Literature: This work has been examined by the John Singer Sargent Catalogue Raisonne committee and has been accepted as a genuine work by John Singer Sargent. Sargent completed his oil portrait of Grace Elvina, Marchioness Curzon of Kedleston just three months before his death, and his depiction of Grace is imbued with a quiet forcefulness not seen in many of his later portraits. Her half turned head and straight posture contrast with the relaxed ease with which she rests her hand on her lap, grasping her luminous pearls. The strength of Grace's pose is evident in this preparatory drawing, as are her stern gaze and set jaw, all rendered with precise pencil strokes. The sketch also hints at Grace's attire, with the neckline of her gown and the horizontal edge of her camisole well-defined alongside the faint suggestion of the ethereal chiffon enveloping her form, and with a single line of pencil indicating her pearls. After Sargent's death in 1925, one third of the materials in his London studio came to the Grand Central Art Galleries in New York, and in 1928, the gallery held an exhibition of several hundred of Sargent's drawings. According to the exhibition catalogue, "Among the drawings left in the studio were found a large number of pencil sketches and tryouts for important pictures and portraits now well-known to the world...it was [Sargent's] habit to place his sitter in various positions, in different lights, making quick pencil sketches and studies so that the best in each individual might be brought out." This work was purchased from the Grand Central Galleries in 1959, and has remained in the same family since that time. It relates closely to another preparatory sketch in the RISD Collection (inscribed JS 148), and of course to the remarkable oil of Grace Elvina, Marchioness Curzon of Kedleston, now in New Hampshire's Currier Museum of Art. Condition: Uniform mat burn around all sides. Hinged at top edges with archival tape; with some older tape residue visible at top corners, verso.
• GRACE T. GRANGER
  GRACE T. GRANGER (AMERICAN/LOUISIANA, 20TH C.)Grace T. Granger (American/Louisiana, 20th c.), "Design for Mural, Interior of Pigalle Resturaunt, Paris, France", mixed media on paper laid on heavy paper, signed lower right, titled and inscribed on reverse of mount, 14 in. x 28 1/4 in., unframed. Condition: Overall poor condition.
• GRACE PAULL (AMERICAN 1898 - 1990),
  GRACE PAULL (AMERICAN 1898 - 1990), THREE STORYLINE GENRE SCENES, INK AND GOUACHE ON PAPER, FRAMED AS ONE: 20 3/8 X 10 3/4 IN. (51.75 X 27.31 CM.)Grace Paull (American 1898 - 1990), Three Storyline Genre Scenes, Ink and Gouache on Paper, Framed as One:, Dimensions: 20 3/8 x 10 3/4 in. (51.75 x 27.31 cm.)
• GRACE SPONGBERG (AMERICAN/ILLINOIS,
  GRACE SPONGBERG (AMERICAN/ILLINOIS, 1906-1992)Grace Spongberg (American/Illinois, 1906-1992) , "French Quarter, New Orleans", 2 watercolors on paper, each signed lower right, one with label with artist and title, one with label with title on reverse of mat, 11 1/2 in. x 8 in. and 13 1/2 in. x 10 3/4 in., both matted ; together with Arthur W. Turner (American/Florida, 20th c.), "St. Anthony's Alley, New Orleans" and "Courtyard of The Cabildo, New Orleans", 2 etchings on paper, both pencil-signed, titled and numbered lower margin, 9 7/8 in. x 7 7/8 in.@@ ; together with Arthur W. Turner (American/Florida, 20th c.), "St. Anthony's Alley, New Orleans" and "Courtyard of The Cabildo, New Orleans", 2 etchings on paper, both pencil-signed, titled and numbered lower margin, 9 7/8 in. x 7 7/8 in. and 10 in. x 7 7/8 in., both matted, overall 14 in. x 10 in. to 20 in. x 16 in. (4 pcs.). Condition: Overall good to poor condition.
• GRACE SCHWAB. SPA CREEK, WATERCOLOR
  GRACE SCHWAB. SPA CREEK, WATERCOLOR (American, b.1928) Ink and wash on paper, sight size 14 1/4 x 20 1/4 in., framed.
• GRACE HARTIGAN, PORTFOLIO OF SIGNED
  GRACE HARTIGAN, PORTFOLIO OF SIGNED PRINTS, 1961 Grace Hartigan (American, 1922-2008), (7) screenprints, including five from "Salute", Tiber Press, 1960, in unbound signatures, each pencil signed "Hartigan '61" lower right, front cover inscribed to Floriano [Vecchi] and signed "Grace '91", with additional signed, numbered print (24/28) marked "Special Edition", also with a small, unsigned print; 19.75"h x 15"w (cover)
• GRACE CHRISTIE (MRS. A.G.I.
  GRACE CHRISTIE (MRS. A.G.I. CHRISTIE) (1872-1953) (ATTRIBUTED MAKER) ARTS AND CRAFTS FRAMED EMBROIDERY, CIRCA 1900 coloured silks on a linen ground, with embroidered eyelets, bears embroidered inscription, The Grass Withereth The Flower Fadeth But The Word Of The Lord Endureth Forever, later framed122cm wide, 52.5cm high
• GRACE TURNBULL, PAINTED PLASTER
  GRACE TURNBULL, PAINTED PLASTER NAIAD MAQUETTE (American, 1880-1976) Bronze painted plaster maquette of classical female nude figure for fountain in Mount Vernon Square, Baltimore, 36 in. H., 30 in. W.
• PUTNAM CALLED FROM THE PLOW BY JOHN
  PUTNAM CALLED FROM THE PLOW BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945). Oil on canvas initialed lower right. Study of messenger and Putnam. 12''h. 16''w. in a frame 20''h. 24''w.
• Group of three vintage infant theme
  Group of three vintage infant theme ceramics; Grace S. Putnam ceramic doll head, Germany: surface soiling, light age wear; antique ceramic baby shoe: age wear, surface soiling; glazed cermaic infant sculpture, signed: scuff makrks, minor chips, light abrasions; largest L 9" W 8" H 17" (Approx.)
• Grace T. Granger (American/New
  Grace T. Granger (American/New Orleans 20th c.) "Madame John's Legacy" oil on canvas signed lower left titled and inscribed on stretcher en verso 24 in. x 32 in. framed.
• GRACE CARPENTER HUDSON
  GRACE CARPENTER HUDSON (1865-1937) PAINTING, "NONE, 189...Framed Grace Hudson (1865-1937) oil on canvas painting, "None", 1898, depicting a young child in a fur coat. Signed lower left, "G. Hudson." Listed in The Painter Lady, Grace Carpenter Hudson by Seamless Boynton as no. 152. Accompanied by photo of a 1987 Ted Samuel (San Francisco) appraisal which includes this painting (appraised at $35,000.00). Provenance: Collection of William Oliver, Berkeley, CA thence by direct family descent. Dimensions: (sight) 8.37"h x 5.62"w; (framed) 13"h x 10.37"w. Hudson was a California painter who studied at the California School of Design with Virgil Williams and Raymond Yelland. She is known for her depiction of Native Americans, especially the Pomo Indians. Much of her work was destroyed in the 1906 earthquake. Processing and shipping within the continental U.S. $45.00 plus 1.5% replacement cost insurance. Please note we do not accept credit cards. Condition: Very good, minor wear to frame. Witherells strives to provide as much information and photographs as possible but encourages in-person inspection by bidders. Condition: statements are only for general guidance and should not be relied upon as complete statements of fact and do not constitute a representation, warranty or assumption of liability by Witherells. All lots are sold "AS IS" under the Terms & Condition: s.
• GRACE HARTIGAN, JAMES SCHUYLER,
  GRACE HARTIGAN, JAMES SCHUYLER, "SALUTE" James Schuyler, "Salute", illustrated with 4 screenprints by Grace Hartigan, Tiber Press, New York, 1960, hardcover in acetate jacket, number XXII of XXV reserve copies, not signed by author or artist, 18"h x 14.5"w
• Grace Veronica Kelly (American
  Grace Veronica Kelly (American Cleveland School 1877-1950) "Street in Sligo". Watercolor on paper signed in the lower right corner apprx. sight size 17-1/2" x 24" matted and framed under glass overall apprx. 26" x 31-3/4". Several labels verso including: 1934 Ohio State Fair Art Department SEventh Traveling Exhibition of Water Colors by Cleveland Artists 1934 The Cleveland Museum of Art the 1934 May Show Cleveland Museum of Art (Honorable Mention for Watercolor) Cleveland Art Association typed label and others (see detail photographs).
• GRACE MCFARREN (AMERICAN 20TH
  GRACE MCFARREN (AMERICAN 20TH CENTURY), WINTER BOURNE, WATERCOLOR ON PAPER, FRAME: 21-1/2 X 29-1/2 INGrace McFarren (American 20th Century), Winter Bourne, Watercolor on Paper, Frame: 21-1/2 x 29-1/2 in
• WATERCOLOR, ISRAEL PUTNAM After
  WATERCOLOR, ISRAEL PUTNAM After J. Wilkinson (American, 18th century), "Israel Putnam Major General of the Connecticut Forces, and Commander in Chief at the Engagement on Bunkers Hill Near Boston, 1775," watercolor, unsigned, overall (with frame): 16.5"h x 12.5"w. Provenance: Estate of Joanna Barnes and Jack Warner (Santa Barbara, California). Ms. Barnes was a Hollywood film actress featured in movies such as "Auntie Mame (1958)" and "The Parent Trap (1961)". Mr. Warner was a prominent architect.
• GRACE AHLBORG MODERN PORTRAIT OF AN
  GRACE AHLBORG MODERN PORTRAIT OF AN AFRICAN WOMAN Rhode Island,1913-2012Modern naive painting of an African American woman with orange-green dress peering at the viewer.
• GRACE HARTIGAN, "ELIZABETH" FIGURAL
  GRACE HARTIGAN, "ELIZABETH" FIGURAL AQUATINT Grace Hartigan (American 1922?2008), "Elizabeth Etched", 1984, mixed media and aquatint, depicting a modern portrait of Queen Elizabeth, pencil signed, dated, and numbered 19/50 to lower right, framed. Approx. Overall h. 50", w. 40", d. 1". Paper 40.25", w. 30".
• GRACE CARPENTER HUDSON WATERCOLOR
  GRACE CARPENTER HUDSON WATERCOLOR NATIVE AMERICANGrace Carpenter Hudson Watercolor Native American Condition: Please Email for a detailed condition report.
• GRACE HUNTLEY PUGH (AMERICAN,
  GRACE HUNTLEY PUGH (AMERICAN, 1912-2010), TWO PIECES OF YOUNG CHILDREN, BOTH OILS ON ARTIST BOARD; "BUT I WANTED CHOCOLATE/LOLLY POP...Grace Huntley Pugh (American, 1912-2010), two pieces of young children, both oils on artist board; "But I Wanted Chocolate/Lolly Pop", depicts toddler with blonde hair and big blue eyes holding green lollypop, unsigned but two labels from Rockport Art Association shows affixed verso, small puncture hole above right shoulder, ss: 10 1/2" h. x 8 1/2" w.; along with portrait of baby, possibly same child, laying on stomach with a loosely painted toy in one hand, signed and titled "baby gracie pugh 1954" lower left, artist-generated label with biography affixed verso, ss: 13 1/2" h. x 16" w.; both with wear consistent with age, including aforementioned puncture hole, etc., neither examined out of frame.
• GRACE DRAYTON
  GRACE DRAYTON (AMERICAN/PENNSYLVANIA, 1877-1936)Grace Drayton (American/Pennsylvania, 1877-1936), "Child Fishing in a Pail", oil on canvas laid on board, signed lower right, 30 3/4 in. x 22 3/4 in., framed