- A GROUP OF PANORAMAS, MOVABLES, AND
A GROUP OF PANORAMAS, MOVABLES, AND POP-UPSApproximately seventy one 20th century panoramas, movables, and pop-upslot includes: 1. Grandfather's Farm (ten feet long) Platt & Munk, 1943. 2. Choo-Choo Panorama (ten feet long) Platt & Munk 1945.
- Antique Victorian grandfather chair,
Antique Victorian grandfather chair, approx 110cm H x 69cm W x 80cm D
- MARQUETRY INLAID BOOK SHAPED BOX CA.
MARQUETRY INLAID BOOK SHAPED BOX CA. 1870-1880S;signed on interior of paper label "John W. Miller, Lancaster, PA" cedar and oak shop crafted book shaped box with walnut front slide out book binding drawer front, fine parquet or marquetry inlay of fine workmanship with star corner blocks with rectangular and diamond parquet interior, reverse with multiple bands of mixed marquetry inlay, 7 1/4"x 4 1/4"x 1 3/4"; [Note: note from Mrs. Harold Minnich of Ephrata included with note of being gifted to Lemon Gockley (Harold's Grandfather) by an inmate at Lancasater Co. Prison; Arlene Minnich was an antique dealer in Lincoln (Ephrata), PA]; Condition: good, some alligatoring to varnished finish
- 2 TALLCASE SHAPED CLOCK BANKS CA. LATE
2 TALLCASE SHAPED CLOCK BANKS CA. LATE 19TH-EARLY20th century; English (?) grandfather's clock arch top tallcase clock with solid cast front and side, thread mounted back, brown varnish wash finish, 5"h, Condition: back panel crack and currently wire mounted; attributed to Hubley, red painted ornate hall clock with paper dial, Victorian type embellished arch top clock with reticulated lower case and fancy columns, ornate cast front and mounted tin case money box, 6"h, Condition: substantial paint loss, missing clock hands
- FOLK ART INK & WATERCOLOR BOOKPLATE
FOLK ART INK & WATERCOLOR BOOKPLATE FOR ANNA STOLTca. 1889 bookplate date; traditional Ebersol design of "spider web rose" decorated bookplate with lavender in black frame braced corner textbox, the bookplates states the book was given to "Anna Stoltzfus given to her by Meinem/My" grandfather Jacob Blank, the bookplate unsigned but attributed to Barbara Ebersol, pasted inside front cover of 1881 Lancaster Imprint "The Book of Psalms" German/English edition, printer John Bär's sons, leather bound imprint, 4 3/4"x 6"x 3/4"; [Provenance: This bookplate is pictured in Luthy's book]; Condition: old tape cloth repair, some soiling and minor foxing to book and bookplate, note on interior "Book repaired by Menno B. Weaver, Ephrata, PA"
- RARE PATTERN LEHNWARE-TYPE MASTER SALT
RARE PATTERN LEHNWARE-TYPE MASTER SALT WITH OWNER'ca. 1890-1892; turning is almost exact dimensions of turnings attributed to Joseph Lehn, however the decoration is a real rarity; the master salt with traditional three-tier fluted base, narrow stem and rounded vessel with beaded lip rim, appears to be cherry wood; traditional painted foot and stem but field has green leaflet design on yellow field, signed Elmer Bucher on base, 2 1/2"d, 2 3/4"h; [Note: Elmer Bucher is probably not the maker, Elmer B. Bucher was a neighboring farm owner. His grandfather was Jonas W. Bucher believed to be a turner of wooden saffron and other boxes and lived in Clay Twp. near Lehn]; Condition: excellent, uncommon form painted design
- HOWARD TERPNING (1927-), GRANDFATHER
HOWARD TERPNING (1927-), GRANDFATHER SPEAKS Title: Howard Terpning (1927-), Grandfather Speaks Medium: giclee print on canvas, 476/975 Dimensions: 24 x 27 1/2 Framed dimension: 30 x 32 1/2 x 2 1/2
- HARRISON FISHER (AMERICAN, 1875-1934)
HARRISON FISHER (AMERICAN, 1875-1934) FISHER GIRL Pastel on paper. Signed 'Harrison Fisher' (lower center).
Harrison Fisher (American, 1875-1934)
Fisher was born in Brooklyn, New York. He was a third-generation artist in a family that included his grandfather, Felix Xiver Fisher and his father, Hugo Antoine Fisher. His grandparents emigrated from Austria, an area that is now in Czechoslovakia, with the family name of Fischer. For unknown reasons, the spelling later changed to Fisher after immigration. Harrison Fisher became nationally known for his illustrations of beautiful women, known as the Harrison Fisher Girls. His illustrations appeared frequently in "Saturday Evening Post", "Scribner's", "Life", and "Cosmopolitan".
- VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)
VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997) "VEGA PAL V" 1971 Screenprint. Signed 'V. Vasarely' (lower right) and numbered '224/267' (lower left). Published by Denise Rene. Printed by Arcay. Reference: Benavides 158.Artist BioVictor Vasarely (Hungarian, 1906-1997)
Victor Vasarely was a Hungarian French artist, who is widely accepted as a grandfather and leader of the Op Art movement. Vasarely was trained as an artist in Budapest in the Bauhaus tradition. In 1930 he left Hungary and settled in Paris, where he initially supported himself as a commercial artist but continued to do his own work. During the 1930s he was influenced by Constructivism, but by the 1940s his characteristic style of painting animated surfaces of geometric forms and interacting colors had emerged. Vasarely’s style reached maturity in the mid-1950s and 1960s when he began using brighter more vibrant colors to further enhance the suggestion of movement through optical illusion.
- VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)
VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997) "SIRT-MC" Color silkscreen. Pencil signed 'Vasarely' (lower right) and numbered '131/250'.Artist BioVictor Vasarely (Hungarian, 1906-1997)
Victor Vasarely was a Hungarian French artist, who is widely accepted as a grandfather and leader of the Op Art movement. Vasarely was trained as an artist in Budapest in the Bauhaus tradition. In 1930 he left Hungary and settled in Paris, where he initially supported himself as a commercial artist but continued to do his own work. During the 1930s he was influenced by Constructivism, but by the 1940s his characteristic style of painting animated surfaces of geometric forms and interacting colors had emerged. Vasarely’s style reached maturity in the mid-1950s and 1960s when he began using brighter more vibrant colors to further enhance the suggestion of movement through optical illusion.
- THOMAS WILLS GEORGE III LONGCASE CLOCK,
THOMAS WILLS GEORGE III LONGCASE CLOCK, 19TH C. George III Longcase Clock, circa 19th century, with broken pediment above face inscribed "Thomas Wills / Opex" the signature possibly that of Thomas Wills of St Austell and circa 1810, the face with Roman numerals, moon phase, and date dials, above a paneled corps on square base. 95" H x 21" W x 10" D. Provenance: From a Manhattan townhouse. Keywords: Grandfather clock, Timepiece, Antique. Note: This item is only available for preview at our Astoria warehouse, located at 36-01 35th St., Astoria, NY 11106. To see an item, you must make an appointment. Pick-up and shipping arrangements must also be completed at this location. Please contact us to make arrangements.
- THREE ENGLISH PEARLWARE ARTICLESComprising:
A
THREE ENGLISH PEARLWARE ARTICLESComprising:
A Prattware watch stand modeled as a couple and dog before a grandfather clock
A Prattware model of a church
A spill vase modeled as crenelated towers
The largest 10 x 7 1/2 x 3 1/2 in.
Condition
Wear consistent with age and use. The church finials restored. The spill vase restored and with hairline crack. Otherwise in good condition.
Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
- PENNSYLVANIA REDWARE SPANIEL, MID 19TH
PENNSYLVANIA REDWARE SPANIEL, MID 19TH C.Pennsylvania redware spaniel, mid 19th c. , 9" h., together with an accompanying letter from noted pioneer antiques dealer Asher Odenwelder Jr. stating made in Shumakersville - about 5 miles this side of Hamburg. Made before 1800 by grandfather of man from whom purchased .
Competitive in-house shipping is available for this lot.
Condition:
Good condition. A few small worn spots to base.
- AMBER PATTERN MOLDED GRANDFATHER'S FLASK,
AMBER PATTERN MOLDED GRANDFATHER'S FLASK, 19TH C.Amber pattern molded grandfather's flask, 19th c. , possibly Zanesville, Ohio, in a broken swirl pattern, 8" h.
Competitive in-house shipping is available for this lot.
Condition:
Good condition. No apparent damages or repairs.
- An early 19th C. R. Whiting, Winchester
An early 19th C. R. Whiting, Winchester CT, pine Grandfather clock with gilt wood finials and wooden works. 86.5"H x 19"W x 10.5"D Condition: refinished pine case, presently not working CT Transfer Fee $30
- NATIVE AMERICAN SENECA FALSE FACE MASK
NATIVE AMERICAN SENECA FALSE FACE MASK Circa 1900. Carved and painted wood, brass. Plate 13. The Iroquois reverently address the wooden Face used in their Midwinter and curing ceremonies as Grandfathers. Its twisted nose and mouth identify this Seneca brasswood and horsehair mask as the Grandfathers of all Grandfathers. It represents the Rim-Dweller, the great spirit at the edge of the world, whose face was permanently twisted in a collision of a moving mountain. Rim-Dweller is the patron of the curing faces worn to this day in traditional Iroquois rituals. The small image on the forehead is a miniature guardian mask.
Literature: Peter T. Furst, Jill L. Furst: North American Indian Art, Rizzoli, 1982, (illustrated) pg. 26-27, plate 13.
- HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976)
HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976) SEDUCTION Oil on canvas.
Haddon Hubbard Sundblom (American, 1899-1976)
Haddon Hubbard Sundblom was an American artist of Swedish and Finnish descent, best known for images of Santa Claus that he created for The Coca-Cola Company. Sundblom’s Santa Claus firmly established the larger-than-life, grandfatherly Claus as a key figure in American Christmas imagery. So popular were his images of Claus, still used by Coca-Cola to this day, that he is often wrongly credited as having created the modern image of Santa Claus. Sundblom is also recognized as a major influence on many well-known pin-up artists. In the mis-1930s, he began to paint pin-ups and glamour pieces for calendars. In 1942, he was the artist for an iconic WWII US Marine Corps recruitment poster. Sundblom was asked to create the new Quaker Oats logo in 1957. He provided the colorful head-and-shoulders version, which was on the packaging until 1969, when it was made over in blue and white by Saul Bass.
- HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976)
HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976) GAMBLERS AT THE TABLE Oil on canvas. Signed 'Sundblom' (lower left).
Haddon Hubbard Sundblom (American, 1899-1976)
Haddon Hubbard Sundblom was an American artist of Swedish and Finnish descent, best known for images of Santa Claus that he created for The Coca-Cola Company. Sundblom’s Santa Claus firmly established the larger-than-life, grandfatherly Claus as a key figure in American Christmas imagery. So popular were his images of Claus, still used by Coca-Cola to this day, that he is often wrongly credited as having created the modern image of Santa Claus. Sundblom is also recognized as a major influence on many well-known pin-up artists. In the mis-1930s, he began to paint pin-ups and glamour pieces for calendars. In 1942, he was the artist for an iconic WWII US Marine Corps recruitment poster. Sundblom was asked to create the new Quaker Oats logo in 1957. He provided the colorful head-and-shoulders version, which was on the packaging until 1969, when it was made over in blue and white by Saul Bass.
- HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976)
HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976) LATE NIGHT VISITOR Oil on canvas.
Haddon Hubbard Sundblom (American, 1899-1976)
Haddon Hubbard Sundblom was an American artist of Swedish and Finnish descent, best known for images of Santa Claus that he created for The Coca-Cola Company. Sundblom’s Santa Claus firmly established the larger-than-life, grandfatherly Claus as a key figure in American Christmas imagery. So popular were his images of Claus, still used by Coca-Cola to this day, that he is often wrongly credited as having created the modern image of Santa Claus. Sundblom is also recognized as a major influence on many well-known pin-up artists. In the mis-1930s, he began to paint pin-ups and glamour pieces for calendars. In 1942, he was the artist for an iconic WWII US Marine Corps recruitment poster. Sundblom was asked to create the new Quaker Oats logo in 1957. He provided the colorful head-and-shoulders version, which was on the packaging until 1969, when it was made over in blue and white by Saul Bass.
- HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976)
HADDON HUBBARD SUNDBLOM (AMERICAN, 1899-1976) DETECTIVE ON SCENE Oil on canvas.
Haddon Hubbard Sundblom (American, 1899-1976)
Haddon Hubbard Sundblom was an American artist of Swedish and Finnish descent, best known for images of Santa Claus that he created for The Coca-Cola Company. Sundblom’s Santa Claus firmly established the larger-than-life, grandfatherly Claus as a key figure in American Christmas imagery. So popular were his images of Claus, still used by Coca-Cola to this day, that he is often wrongly credited as having created the modern image of Santa Claus. Sundblom is also recognized as a major influence on many well-known pin-up artists. In the mis-1930s, he began to paint pin-ups and glamour pieces for calendars. In 1942, he was the artist for an iconic WWII US Marine Corps recruitment poster. Sundblom was asked to create the new Quaker Oats logo in 1957. He provided the colorful head-and-shoulders version, which was on the packaging until 1969, when it was made over in blue and white by Saul Bass.
- A CARVED BLACKSTONE FRAGMENTARY STELE
A CARVED BLACKSTONE FRAGMENTARY STELE DEDICATED TO PARVATI THE GODDESS OF LOVE
NORTHEASTERN INDIA, PALA PERIOD, CIRCA 11TH CENTURY of irregular rectangular form, carved in deep relief with two registers with the right hand side protruding forward, the lower register to the right comprising a large niche with an ornately decorated arch with ribbed double pillars, bearing a bejewelled Parvati standing in a tribhanga pose, featuring minutiae deities at her feet, four more niches comprising attributes and further representations of the goddess(1)approximately 54cm x 28cm x 10cmProvenance: Private English collection, London; the current owner’s grandfather acquired it from the Arcade Gallery, Bond Street, London (active 1949-73) around late 1960s, thence by family descent (by repute)
- BLUE AND WHITE 'DRAGON' BALUSTER VASE
QING
BLUE AND WHITE 'DRAGON' BALUSTER VASE
QING DYNASTY, 18TH-19TH CENTURY ? ???????the body painted with a four-clawed dragon amongst clouds, all between key-fret bands around the mouth rim and above the foot(1)34.5cm highProvenance: Private Scottish collection, Aberdeen; Inherited from current owner's grandfather (H. Johnson) who resided in the Castle of Fiddes. With an associated collector's label on base 'CASTLE OF FIDDES, INV. NO. 1099, B&W VASE- WATER DRAGON, CHINESE- K'ANG HSI, CIRCA 1662-1722, H. JOHNSON'.Mr Johnson was an avid collector of ceramics. According to his catalogue entry, this vase was bought on 15 Aug 1966 from Coutts.
- JOHN BERRY "GRANDPA'S FAVOURITE" OIL
JOHN BERRY "GRANDPA'S FAVOURITE" OIL ON CANVAS John Berry (British, 1920-2009) "Grandfather's Favourite," oil on canvas, genre scene with family preparing meal, signed lower right: "John Berry." Image: 17.25" H x 23.25" W; frame: 23" H x 29" W x 2.5" D.
- GEORGIAN GREEN JAPANNED TALL CASE CLOCK,
GEORGIAN GREEN JAPANNED TALL CASE CLOCK, 18TH C. Antique Georgian tall case grandfather clock, by Thomas Ford London, with a Japanned dark green lacquered wood case with silvered and gilt paint figural and foliate motif, the late Queen Anne / early Chippendale pagoda style pediment with three brass ball and spire finial mounts over a glazed dial door with brass dial plate, the dial with Roman numerals and Arabic second numerals, inscribed maker's medallion over face, includes weights and pendulum, circa 1750, refinished in 19th century. 98" H x 19.25" W x 9.5" D. With replaced finials, wear and warping commensurate with age and antique refinishing.
- THOMAS HART BENTON (1889-1975) PENCIL
THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Fire in the Barnyard (1944)The lithograph from an edition of 250 prints published by Associated American Artists is signed by the artist in pencil below the image lower right, Fath number 64.Benton's comments in Fath read: 'This picture was made from a memory of my childhood. My grandfather 'Pappy' Wise had a cotton farm a few miles, 5 or 6, out of Waxahachie, Texas and one night when I was about 7 or 8 years old a great light appeared in the sky. It was so great that speculation about the end of the world was bruited about among the grown folks at the farm. As it turns out a straw stack had caught fire on an adjoining farm and some small tool sheds and part of a fence was burned. We all visited the place next morning and heard tell of how the farmer and his sons had got the scared horses of the the barn. Such things are immensely impressive to young uns.'Image size 8.5 x 13.25, sheet measures 12 x 16, the frame is 19 x 23.25 inches.Good condition, the full untrimmed sheet, not laid down, no damage, puncture or repair, there is toning from a previous mat around the image and along the top edge of the print as shown in the images here outside the frame.
- MITCHELL ZEPHIER LAKOTA SIOUX INLAID
MITCHELL ZEPHIER LAKOTA SIOUX INLAID BRASS BUCKLEThe multi-technique buckle in oval format is centered by an airborne bull bison decorated by stamped and stippled detail along with an inlaid horn. The bison leaps over bezel set semi-precious stones within a sunken, patinated roundel framed on two sides by cut-back feather designs filled with inlaid enamels, the lower edge embellished with half-sun stamp work. The work is signed and dated 1981 verso. Having been given the name Pretty Voice Hawk by his grandfather in family tradition, Mitchell signs his work PVH.Mitchell Zephier is a well-traveled and long serving Lakota Sioux artisan and master metal craftsman who has studied with other masters while himself, in Lakota tradition, instructed others in creating works inspired by Lakota tradition.Measures 3 x 4.25 inches.Very good condition throughout, no damage, repair, loss or wear.Provenance: The 40 year collection of Father Tom Wiederholt, Kansas City, Missouri. Tom was a close personal friend of scholar and curator Ralph 'Ted' Coe who advised Tom on most of his acquisitions.
- JAMES LEE COLT (1922-2005) 'CATTLE RUSTLERS'Framed
JAMES LEE COLT (1922-2005) 'CATTLE RUSTLERS'Framed oil painting on panel, "Cattle Rustlers," signed lower left James Colt (James Lee Colt (Clutter), Kansas, California, 1922-2005), canvas: approx 16"h, 20"w, overall: approx 21"h, 24.75"w, 5.25lbs *Note: James Colt stated that his art was influenced by family history; his great grandfather was a Civil War cavalry soldier, an uncle was with Teddy Roosevelt at San Juan Hill. Colt's grandparents participated in the Oklahoma Cherokee Strip land rush of 1889. He spent time in San Jacinto, California and in Arizona near the San Carlos Indian Reservation. His works are in private collections including those of Frank Sinatra, Steve McQueen and John Wayne, together with museum collections.*
- WATERBURY JEWELERS PINWHEEL REGULATOR
WATERBURY JEWELERS PINWHEEL REGULATOR FLOOR CLOCKWaterbury Jewelers Regulator pinwheel escapement tall case/ grandfather clock, c.1900, housed in a late Victorian two section wood case, the single weight-driven movement has a circular brass frame around the porcelain dial with Roman numerals, the lyre faced pendulum with large brass bob above the Waterbury brass logo plate below, minor damage to face at number VII, case: approx 99"h, 25.5"w, 11.75"d **Provenance: from an Austin estate.** **Note: clock was serviced by a professional clock maker on April 13, 2019, who stated the movement is in excellent condition and operating.**
- GERMAN TRIPLE WEIGHT TALL CASE CLOCK,
GERMAN TRIPLE WEIGHT TALL CASE CLOCK, KIENINGERGerman oak cased grandfather clock accented with applied foliate carving, a brass face with Arabic numerals over the time, strike and chime three weight movement by Joseph Kieninger, 77"h, 24.5"w, 12.5"d
- HOWARD MILLER TRIPLE CHIME GRANDFATHER
HOWARD MILLER TRIPLE CHIME GRANDFATHER CLOCKVintage "Heritage" grandfather clock, Howard Miller Clock Company, last quarter 20th c., model no. 610-199, standing case in a walnut finish, with burl-faced accent plaques, fluted pilasters, glazed dial window and side panels, pendulum door with beveled glass inset, housing gilt metal dial with moon phases, triple weight-driven time, strike, and chime movement, chimes can be set to Winchester, Whittington, Westminster, or silent, all rising on a stepped plinth base, retaining pendulum and weights, approx 82"h, 25.75"w, 14"d
- MARTIN VAN BUREN 8TH PRESIDENT HAND-WRITTEN
MARTIN VAN BUREN 8TH PRESIDENT HAND-WRITTEN LETTERFramed hand-written letter by Martin Van Buren (1782-1862), eighth president of the United States (1837-1841), eighth vice president of the United States (1833-1837), the letter datelined Albany, February 12, 1832 with a large Van Buren signature, written to James John Roosevelt (1795-1875), later a U.S. Congressman from New York (also paternal grandfather of President Theodore Roosevelt), together with a likeness of Van Buren, letter sight size: 8.5/8"h, 7"w, frame overall: 14.25"h, 20.25"w, 3.5lbs
- R.J. HORNER FIGURAL CARVED GRANDFATHER
R.J. HORNER FIGURAL CARVED GRANDFATHER CLOCK 112"R.J. Horner ornate carved oak grandfather clock, late 19th c. the bonnet with a pierced carved shell and griffin crest above the glazed upper door flanked at each side by 15" figures depciting "Chronos" (Father Time) holding a scythe and hourglass, one metal scythe blade marked "J.J., 1888", the case descending to a lower glazed door flanked at each side by female demi-figures, the base with winged griffins at each side framing carved foliage and a central coat of arms with a tree over a shield having two chevrons, the 19th c. triple weight movement marked J.C. Jennens, Skinner Street, Clerkenwell, London, Roman numeral chapter ring with a second hand subdial, a selector for Westminster and Whittington chimes playing on nine vertical tubes, the moon dial with handpainted castle, sea and house, rising on protruding bracket feet, approx 112"h, 32"w, 17"d
- GUSTAV BECKER ART NOUVEAU LONG CASE
GUSTAV BECKER ART NOUVEAU LONG CASE CLOCKGustav Becker Art Nouveau grandfather clock, early 20th c., the time and strike double weight driven movement faced with a brass dial having Arabic chapter ring, the oak case open at the center, a lower single door cabinet on brass hinge with interior weight receivers, resting on the plinthbease, 85.25"h, 19.75"w, 15.75"d
- SCANDINAVIAN AGRIA ROSEWOOD GRANDFATHER
SCANDINAVIAN AGRIA ROSEWOOD GRANDFATHER CLOCKScandinavian long case grandfather clock, 20th c., having gilt metal case, silver-tone chapter ring with roman numerals, marked "Agria," weight-driven chiming movement, housed in rosewood case with arched top, turned spindles, leaded glass pendulum door, rising on plinth base ending in bracket feet, retains pendulum and weights, approx 74.5"h, 15.5"w, 9.75"d
- (LOT) ID'D CIVIL WAR PHOTOS, DOCUMENTS,
(LOT) ID'D CIVIL WAR PHOTOS, DOCUMENTS, MEMOIR(lot) Family archive of Albert Henry Clay Jewett (New Hampshire, Washington, D.C.,1841-1898), discharged as First Lieutenant, Fourth Regiment of Volunteers, State of New Hampshire, Army of the Potomac, later employed at the U.S. Department of Interior, Bureau of Pensions, Washington, D.C.: (1) half plate tintype of Jewett standing, uniform includes officer epaulettes; (1) quarter plate tintype of Jewett from waist up, his uniform includes kepi and officer epaulettes; (1) albumen head shot of Jewett, the collar of his uniform is visible; (1) certificate appointing Jewett a Second Lieutenant effective November 5, 1862 signed by Nathaniel S. Berry, Governor of New Hampshire with the state seal; (1) certificate appointing Jewett a First Lieutenant effective August 14, 1863 signed by Joseph A Gilmore, Governor of New Hampshire with the state seal: (2) books, "A Boy Goes to War" by Albert Henry Clay Jewett, copyright Grace J. Austin, 1944 (Grace, his daughter) one signed at the at the interior by Grace, the book being a autobiographical sketch of Jewett's war experience, the front piece and dust cover a photo picture of Jewett and his sword; (1) 1892 letter from the State of New Hampshire, Adjutant-General's office reciting the Revolutionary War record of Jewett's grandfather' (1) tintype, 1/16 plate size likeness of a woman believed to be Jewett's wife or lady friend, marked in ink "Picture rec'd in service about 1862 or 1863 from T(J?)erry; (2) Civil War Volunteer Enlistment forms, State of New Hampshire, 1862, for Luther Townsend and Robert Davis, likely in Jewett's possession related to his Bureau of Pensions employment; together with large group of family letters relating to Jewett, for shipping largest item: 17" x 14", total: 5.35lbs
- VINTAGE GRANDFATHER CLOCK. Probably
VINTAGE GRANDFATHER CLOCK. Probably from the sixties. From a Village NYC estate. Dimensions: 73.5" h x 16.5" w x 10.5" d Condition: All clocks sold as / is whether working or not. All parts there, hinge on face door as / is.