A few examples of appraisal values for
GUERNICA

• "GUERNICA" OFFSET AFTER PICASSO,
  "GUERNICA" OFFSET AFTER PICASSO, STEDELIJK MUSEUM (AMSTERDAM)A large offset lithograph after Pablo Picasso's masterpiece "Guernica." Printed in the Netherlands circa 1950s for Stedelijk Museum in Amsterdam. Not framed. The sheet measures 28" x 52". Condition There is significant curling to the sheet from rolled storage, including some resulting creasing. Corner pinholes. A few small tears along the edges.
• CHARLES MALCOLM CAMPBELL (AMERICAN,
  CHARLES MALCOLM CAMPBELL (AMERICAN, 1905-1985)Charles Malcolm Campbell (American, 1905-1985), "After Guernica", oil on canvas, unsigned, labels with artist and title on backing board, 28 1/4 in. x 36 in., framed.
• PABLO PICASSO MODERNA MUSEET
  PABLO PICASSO MODERNA MUSEET EXHIBITION POSTER Pablo Picasso "Guernica" museum exhibition poster for Moderna Museet (Sweden), stamped: "Esselte Aktiebolag / Stockholm 1956." Image: 39" H x 27.25" W; frame: 40.25" H x 28.5" W x 1.5" D.
• RAUL PAVLOTZKY (ISRAELI,
  RAUL PAVLOTZKY (ISRAELI, 1918-1998). Pair of oils and collage, one on canvas and one on board. Abstract Compositions. Signed. Galeria Bruzzone and Taller Guernica labels affixed verso to one. Taller Guernica stamp verso on the other. From a New York collection. Dimensions from 9.75" high x 12" wide to 9" high x 10.5" wide. Condition: Surface scuffs and scratches. Need cleaining.
• AFTER PABLO PICASSO (1881-1973):
  AFTER PABLO PICASSO (1881-1973): PICASSO GUERNICAThe portfolio of facsimile prints and text, 1990, the prints all matted in pairs, original linen-covered portfolio box. 24 x 16 1/2 x 3 in. (overall box). Condition All in good condition. The portfolio box cover with some staining, soiling and the color slightly faded. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• PABLO PICASSO (AFTER) "STUDY FOR
  PABLO PICASSO (AFTER) "STUDY FOR GUERNICA" (LTD. PRINT)Pablo Picasso (after) (Spanish, 1881-1973) Study for Guernica , 1937 (images)/ 1990 (impression) Offset lithograph on paper 9" x 11 1/8" (each image) Reproductions of two figure studies for Picasso's masterpiece, published in by Philippe Lebaud Editeur (Paris) in 1990, as part of an edition of 1967 impressions. Presented behind glass in a frame that measures 31 1/4" x 23". Condition Very good condition.
• ALEXANDER SAMOKHVALOV (RUSSIAN
  ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971) Girl in an Interior , 1940 oil on canvas 96.5 x 67.5 cm (38 x 26 1/2 in.) titled, dated and inscribed with a confirmation of authorship on the verso by Maria Samokhvalova, the artist`s daughter, in 1993 PROVENANCE Property of a former United States Senator, who acquired the painting in Moscow circa 1993 LOT NOTES Alexander Samokhvalov is regarded as one of the founders and brightest representatives of the Leningrad school of painting. The present lot, Girl in an Interior reflects the pre-war life of the Leningrad intelligentsia , and is a continuation of the series of Samokhvalov’s works dedicated to young Russian women – builders of new life. This composition was created in 1940 – three-year after the artist’s famous Girl in a Football Shirt was awarded the gold medal at the International Art Fair in Paris, (which also included Pablo Picasso’s Guernica). The tenderness, refinement, and intimacy of this portrait is a rare work by a master of Soviet Socialist Realism and heir apparent to Petrov-Vodkin.
• ALEXANDER SAMOKHVALOV (RUSSIAN
  ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971) On the Bus , 1970 oil on canvas 90 x 102 cm (35 1/2 x 40 1/8 in.) signed, dated and titled on verso EXPERTISE Accompanied by a certificate of expertise from E. Petrova, State Russian Museum, St. Petersburg, 2007 LITERATURE L. Zinger, Alexander Samokhvalov (Moscow: Sovetsky khudozhnik, 1982) (illustrated) LOT NOTES Alexander Samokhvalov, one of the foremost representatives of the Leningrad school of painting, began his artistic career in 1914 at the Higher Art School at the Imperial Academy of Arts, where he studied under Kuzma Petrov-Vodkin. Unlike many of his peers at the academy and the Mir iskusstva circle, such as Eugene Lanceray, Anna Ostroumova-Lebedeva, or Alexander Osmerkin, in the late 1920s Samokhvalov enthusiastically embraced the development of Socialist Realism for which he is remembered. As in his most recognizable work - Girl in a Football Shirt , awarded the gold medal at the International Art Fair in Paris (which also exhibited Pablo Picasso's Guernica ) - his paintings from the 1930s often showcase the first generation of Soviet women as the face of modernity and strength. At first glance, the present painting, made in the year before Samokhvalov's death, appears divergent from the youthful athletic heroism associated with his oeuvre. Here, instead, the painter balances an illustration of working-class Soviet society with an introspective group portrait. The tightly cropped scene, while taking place among supposed strangers, is both a highly intimate and dynamic one. The expressions of the passengers - like the faraway gaze of the blonde man facing the viewer, or of the woman occupying the center left of the painting, or the man beside her glancing upward (as if about to start a conversation) - are oblique yet lively. Each is perpetually at the brink of action: take the woman in the lower right, hands placed on the handle of the seat in front, perhaps ready to disembark, or the one in a striped headscarf, lips questioningly parted. The legible dramatic narrative and typology of early Soviet painting is adapted here to a microcosmic snapshot of daily life, punctuated by an etherial ambiance awarded by the rain-blurred windows. Awash in hazy mauves and umbers, the bus interior, at Samokhvalov's hands, transforms into a meditative landscape. Indeed, public transit, that cornerstone of modern life, has long served as an artist's ideal venue for the convergence of public and private, interior and exterior. From the Socialist Realist subway scenes of the 1930s to the photorealistic paintings of Semen Faibisovich, the Russian painting tradition has never been able to abandon the hidden poetic potential of the day-to-day traveler. CONDITION Observed in frame, the work is in overall good condition. Inspection under UV light shows scattered areas of retouching, the largest one being a vertical repair, possibly to a tear, along the upper left corner, approximately 30 cm (12 in.) long, and to the center of the beige coat. No more than 5% of the canvas is inpainted. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• PABLO PICASSO, ETCHED GLASS
  PABLO PICASSO, ETCHED GLASS PANELDeep relief etched glass panel detail of Guernica after Pablo Picasso (Spanish, 1881-1973). Measures 9 3/4" square. Marked "© F.E.M. 1994." An unusual piece with great visual appeal. Unframed. Excellent condition. One corner slightly off square but smooth, possibly repaired."
• FABRICA DE ARMAS GUERNICA RUBY
  FABRICA DE ARMAS GUERNICA RUBY STYLE PISTOLSPANISH FABRICA DE ARMAS GUERNICA RUBY STYLE SEMIAUTOMATIC PISTOL, .32 acp caliber, 3 3/4" barrel, blued finish, checkered walnut grips, (2) nine round magazines, fixed sights, hammerless, slide hold/safety, serial #78362. Lot requires FFL or background check.
• ASTRA MODEL 900 BROOMHANDLE
  ASTRA MODEL 900 BROOMHANDLE SEMI-AUTOMATIC PISTOLAstra model 900 broomhandle semi-automatic pistol, 7.63 mm, stamped Astra Automatic Pistol Cal. 7.63 Patented July 12, 1928 Unceta y Compania Guernica (Spain) , circle P proof forward of the chamber on right side which is repeated on the barrel, grooved walnut grips, lanyard ring, adjustable rear tangent site 50 to 1000 meters, 5 1/2" barrel. SN #27912 C&R All handguns requiring registration must be shipped FedEx priority overnight. Some states have additional restrictions, so please make yourself aware of them prior to purchase (i.e. ammunition and firearms cannot be shipped to California). Visit www.atf.gov for more information on shipping firearms . NO in-house shipping for this lot. Condition: Overall fine condition, traces of flame blue, retains 95% original blue. Bright bore. Strong rifling.
• KARL ZERBE (MA/FL, 1903-1972)
  KARL ZERBE (MA/FL, 1903-1972) "Guernica", an expressionistic seated nude, twisting to hide her face, encaustic on canvas, unsigned but with label verso identifying artist and giving name, probably from an exhibition, circa 1940, unframed, 29 1/4" x 36 1/4". Rippling to right edge.
• (PICASSO PABLO) BERNADAC
  (PICASSO PABLO) BERNADAC MARIE-LAURE ed. Guernica. New York: Harry N. Abrams (1990). Folio contents loose as issued in publisher's navy cloth clamshell case with pastedown illustration text booklet laid in. First edition of this facsimile publication limited to 1 000 copies with 31 unbound mats displaying 42 facsimiles of Picasso's sketches for Guernica. Fading to case.
• A Good Federal Églomisé and
  A Good Federal Églomisé and Giltwood Looking Glass early 19th c. the églomisé panel of the Constitution and the Guernica stepped plinth with spherules ropetwist stiles old mirror plate retains old backboards height 30 in. width 17 in.