-
Carved Bone Model of Gulls at
Carved Bone Model of Gulls at Rest on a Cliff Face, early/mid 20th century under a glass cloche height 6.1 in — 15.5 cm
-
ONE-THIRD-SIZE GULL PAIR ON
ONE-THIRD-SIZE GULL PAIR ON DRIFTWOODWendell Gilley (1904-1983)
Southwest Harbor, ME, 1966
base is 37 in. tall, gulls 8 in. long
A very well-presented pair of one-third-size gull carvings attached to a wall-mounted driftwood base. Each bird has fine carving detail, including incised primary feathers. The base is signed and dated by the maker and has a hanging wire.
Original paint with light wear and minor flaking to feet.
-
Carved and painted wooden gull, 9
Carved and painted wooden gull, 9 in. including circular base. Scattered pest damage, possible repainting, losses to beak, tail and other high spots, neck with visible crack, circular base later.
-
ELIOT O'HARA (DC/ME, 1890-1969)
ELIOT O'HARA (DC/ME, 1890-1969) "Gulls at Goose Cove", watercolor on paper, signed lower right, titled on tag verso, in gray washed pine molded frame, matted and glazed, OS: 29" x 35 1/2", SS: 21" x 27". Good condition.
-
ERIC STRY (NEW
ERIC STRY (NEW YORK/MASSACHUSETTS/GERMANY, 1901-1975), GULLS SOARING OVER THE COAST., OIL ON BOARD, 6" X 8". FRAMED 9.5" X 11.5".ERIC STRY, New York/Massachusetts/Germany, 1901-1975, Gulls soaring over the coast. Signed lower left "E. Stry". Dimensions: Oil on board, 6" x 8". Framed 9.5" x 11.5".
-
Kugler, acrylic on masonite,
Kugler, acrylic on masonite, seagulls over sand dunes, 16" x 12" Estimate $200-300
-
ELIOT O'HARA, HERRING GULLS,
ELIOT O'HARA, HERRING GULLS, BOOTHBAY, ME, WCWatercolor painting of seagulls hunting on Boothbay, Maine by Eliot O'Hara (American, 20th Century). Signed, titled and dated 1940 verso. Sight size is 14 1/2" x 22 1/2", framed to 21" x 28". Excellent condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
-
MARION (20TH C. MAINE) Gulls,
MARION (20TH C. MAINE) Gulls, offset lithograph, signed lower right, with further illegible inscription, in baarnwood frame, matted and glazed, OS: 24 3/4" x 33", SS: 16 1/2" x 24 3/4".
-
TONY VEVERS
TONY VEVERS (MASSACHUSETTS/INDIANA/ENGLAND, 1926-2008), "GULLS"., OIL ON CANVAS, 24” X 30”. FRAMED 24.5” X 30.5”.TONY VEVERS, Massachusetts/Indiana/England, 1926-2008, "Gulls". Signed and dated lower right "T. Vevers 57". Label verso for Janet Nessler Gallery, New York. Dimensions: Oil on canvas, 24" x 30". Framed 24.5" x 30.5".
-
MARGUERITE E. FALCONERCape Cod
MARGUERITE E. FALCONERCape Cod ContemporarySeagulls soaring over a rocky coastal landscape. Signed lower right M.E. Falconer''.Provenance: Falconer Gallery Chatham Massachusetts.Oil on masonite 9'' x 12''. Framed.''
-
*Fletcher Martin (American
*Fletcher Martin (American 1904-1979) Quarrelling Gulls 1955 oil on canvas signed Fletcher Martin and dated (upper right) 18 1/4 x 40 1/2 inches.
-
FOUR JOHN GOULD COLORED LITHOGRAPHS
FOUR JOHN GOULD COLORED LITHOGRAPHS OF SEAGULLSFour John Gould (British 1804-1881) Colored Lithographs of Seagulls : "Larus Fuscus", "Puffing Major", "Larus Islandicus", "Pagophila Eburnca", matted in silver gilt frames
13.5 in. x 20 in. Framed 20 in. x 26 in.
Condition:
Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
-
MURRAY GRIFFIN (AUSTRALIA,
MURRAY GRIFFIN (AUSTRALIA, 1903-1992) "Two Gulls", limited edition colored linocut print, #7/27, pencil signed and dated '51 lower right in margin, titled center, with Australian Galleries label affixed verso, in a wooden frame with French ruled mat, glazed, OS: 22" x 24", Image: 10 3/4" x 13 3/4".
-
Print of a beach dune landscape
Print of a beach dune landscape titled "Flying Gulls" signed l.r. "Pearl Slobodian #909/950" Charlestown Twp. PA artist. 15"x30"
-
ELIZABETH MUMFORD (MASSACHUSETTS,
ELIZABETH MUMFORD (MASSACHUSETTS, 1950-2020), "WHEN THE GULLS ARE OUT, GOUACHE ON PAPER, DIAMETER 12" SIGHT. FRAMED 20" X 20".ELIZABETH MUMFORD, Massachusetts, 1950-2020, "When the Gulls Are Out Good Luck's About!". Signed lower right "Elizabeth Mumford". Dimensions: Gouache on paper, diameter 12" sight. Framed 20" x 20". Provenance: Purchased at the Mystic Maritime Gallery, January 1995.Private Westbrook, Connecticut Collection.
-
DON BALKE (B. 1933) "HERRING
DON BALKE (B. 1933) "HERRING GULL"Don Balke (North Carolina, B. 1933) "Herring Gull" Signed lower left. Original Watercolor on Illustration Board.
Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation.
The Herring Gull, the best known of the seagulls, has had a remarkable history of survival. From antiquity, the Indians on the Maine coast had robbed the gulls of their eggs and young, but it was not until their white successors invaded the coast that egging began to exhaust the colonies. This was already evident in Audubon's day. He reported that at White Head Island in the Bay of Fundy he was surprised to see gulls nesting in fir trees. He was told by his host, Mr. Frankland, that they used to build their nests on the open ground, but as people kept collecting the eggs for winter use, the old ones began to put their nests in the trees. By 1900, because of additional pressure from the millinery trade, only about 9,000 pairs were left on the Maine coast. The Maine legislature and the National Audubon Society then initiated protection. The recovery, slow at first, accelerated after 1920. Winter survival was subsidized by the garbage dumps of growing cities. The exploding numbers of these opportunistic egg-eaters depressed the populations of terns and laughing gulls and new colonies extended inexorably down the coast. Even though the U.S. Fish and Wildlife Service, beginning in 1934, sterilized eggs to the number of a million or more, the Herring Gull now breeds as far south as Virginia and North Carolina, way beyond its former breeding range.
Image Size: 13.5 x 14.5 in.
Overall Size: 14 x 17 in.
Unframed.
(B10588)
Condition:
- By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions.
- Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview.
- All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted.
- All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances.
- All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings.
- Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging.
- Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com
- We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly.
- Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live.
- Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
-
THREE HEREND PORCELAIN FISHNET
THREE HEREND PORCELAIN FISHNET BIRDS OF THE SEA Including a rust colored seagull, rust colored penguin, yellow puffin, all with gilt highlights and marked.
-
WATERCOLOR - 'Jewell Island
WATERCOLOR - 'Jewell Island Gulls' by Peter Rolfe (contemporary Wiscasset Maine) signed lower left titled verso and dated Jan 1972 (the first year the artist painted full time after giving up his job as a First Mate on a ship) in molded wood frame ma
-
STOW WENGENROTH (NY/MA,
STOW WENGENROTH (NY/MA, 1906-1978) "Gulls", 1959, stone lithograph, ed/50, pencil signed lower right, titled lower left (under mat), matted, unframed, OS: 16" x 20", image: 10" x 15 13/4". Edge toning.
-
Seascape with gulls oil on board
Seascape with gulls oil on board monogram signature F.I.C. lower left. In antique floral gesso frame. 18" x 24".
-
Dec Art framed tile of sea gulls.
Dec Art framed tile of sea gulls. Marked 17 H125 C. Excellent condition. 6'' square with a frame size of 9 3/4''.
-
(3) Sea bird sculptures, c/o 1974
(3) Sea bird sculptures, c/o 1974 Marvin Wernick seagulls on quartz base (8-1/2" h), unsigned seagulls on wood pylons (8-3/4" h), unmarked composite pelican wax melt (9-1/4" h)
-
ROBINSON MURRAY MODERNIST
ROBINSON MURRAY MODERNIST SEAGULLS PAINTING Massachusetts,1890-1984Untitled modernist composition of a flock of animated seagulls convening along sandy shores. Murray earned a degree in Studio Art graduating from Harvard University in 1912 to pursue a career in commercial art. He quickly left the commercial art world to enlist in the Army and serve during WWI where he'd become a distinguished soldier while continuing to paint in the field. After the war Murray returned to commercial work until his retirement in 1960 when he turned to focus on modern abstract art. During the period of 1960 to 1980 Murray exhibited at the John F. Kennedy Building, Boston and the Copley Society within Boston City Hall.
-
FOLK ART CARVING OF GULLA large,
FOLK ART CARVING OF GULLA large, charming folk art carving of a gull, the body carved from a single piece of wood, the yellow legs & feet carved separately. The eyes are glass. Wood shrinkage to one side. Unsigned. Likely Nova Scotia. Measuring, 8.5" high x 21" long x 5.5" wide. Provenance: Private Ontario Collection.
-
FLOCK OF 10 SEAGULLS (India)
FLOCK OF 10 SEAGULLS (India) Modern; carved wooden bodies with wrought iron feet and beaks, 18 1/4 to 22 1/2 in. H.
-
GOULD AND RICHTER (BRITISH, 19TH
GOULD AND RICHTER (BRITISH, 19TH CENTURY), TWO FRAMED PRINTS OF GULLS Hand-colored lithographs, to include Xema Sabini (Sabine's Gull) and Hydrocoloeus Minutus (Little Gull), in uniform matting and framing.
-
TWO AMERICAN SEAGULL DECOYS. Second
TWO AMERICAN SEAGULL DECOYS. Second half 20th century. Original paint and glass eyes. Earlier has carved feathers and remnants of paint. Glued tail chip. 17"l. And a Wild Fowler with distressed paint. 17.5"l.
-
Oil on canvas seascape with gulls
Oil on canvas seascape with gulls and schooner, signed lower right indistinctly, 20th c., mounted in a gilt frame.
19.25" x 23" ss / 27.5" x 31.5" oa
Condition: Good, losses to frame.
-
PAIR OF RUSS P. BURR MINIATURE
PAIR OF RUSS P. BURR MINIATURE HERRING GULLS 20TH CENTURY HEIGHT 6.5”.PAIR OF RUSS P. BURR MINIATURE HERRING GULLS, 20th Century, In flying position. Mounted together on a driftwood base. Stamped "Russ P. Burr Hingham Mass". Dimensions: Height 6.5".
-
HAIRGROVE(?), 20TH CENTURY, SEA
HAIRGROVE(?), 20TH CENTURY, SEA GULLS ON BEACH AND A LANDSCAPE, TWO WATERCOLORS, FRAME: 17-1/2 X 21-1/2 INHairgrove(?), 20th Century, Sea Gulls on Beach and a Landscape, Two Watercolors, Frame: 17-1/2 x 21-1/2 in
-
Six stuffed birds, a kingfisher,
Six stuffed birds, a kingfisher, a wren, a seagull, an ork, a hen harrier and a jay, two stoats and a pike, eight cases in total
-
MID-CENTURY METAL WALL
MID-CENTURY METAL WALL SCULPTUREunsigned; depicting a flock of seagulls; Provenance: Important Collection, Silverlake, CA; 24 x 16 inches Condition:
-
SEA GULLS METAL SCULPTURE WALL
SEA GULLS METAL SCULPTURE WALL HANGING.Vintage Flock of Sea Gulls Metal Sculpture Wall Hanging. 21"h. x 58-1/2"l. Condition: : Good with rust.
Condition:
Condition: : Good with rust.
-
(ORNITHOLOGY ENGLISH) GOULD JOHN
(ORNITHOLOGY ENGLISH) GOULD JOHN A group of two lithographs with hand-coloring from The Birds of Great Britain (London 1862-1873) comprising Hirundo Rustica (Barn Swallow) and Saxicola Oenanthe (Wheatear). Framed and matted. 20 x 13 1/2 inches each.
-
PAINTING, SEAGULLS AND BLUE SKY
PAINTING, SEAGULLS AND BLUE SKY WITH SPARROW American School (20th century), Seagulls and Blue Sky with Sparrow, oil on canvas, signed indistinctly lower right, overall (with frame): 38"h x 35"w. Provenance: Property from the estate of Patricia Moffat Pope, San Francisco, CA
-
JOE NORRIS (1925-1996) NESTING
JOE NORRIS (1925-1996) NESTING SEAGULLSAn oil on canvas by Joe Norris (1925-1996) of nesting seagulls in a rocky cove with the strong colours of a blue sea and coloured sky often found in Norris' works. Signed and dated March 24, 1980. Prospect Harbour, Nova Scotia. Allio Collection. FRANCAIS: Huile sur toile de Joe Norris (1925-1996) de mouettes nichant dans une baie rocheuse, couleurs vives, mer bleue et ciel coloré typique des œuvres de Norris. Signé et daté du 24 mars 1980. Prospect Harbour, N-É. Collection Allio. 15.25" x 23.5".