A few examples of appraisal values for
H BOLTON JONES

• HUGH BOLTON JONES, (AMERICAN
  HUGH BOLTON JONES, (AMERICAN 1848-1927), HAYMAKING, OIL ON CANVAS, 20 X 36 IN (50.8 X 91.4 CM)Hugh Bolton Jones, (American, 1848-1927) Haymaking, Oil on canvas Signed H. Bolton Jones and dated 1876 l.l. Oil on canvas Dimensions: 20 x 36 in (50.8 x 91.4 cm) Provenance: Property from the Estate of Ann Dyer Robertson
• HUGH BOLTON JONES, STREET SCENE,
  HUGH BOLTON JONES, STREET SCENE, GOUACHEHugh Bolton Jones, Street scene, Gouache, 9 1/2" x 8 1/2" viewed. Frame: 16" x 14 3/4". Good condition with minor losses at bottom.
• HUGH BOLTON-JONES (AMERICAN,
  HUGH BOLTON-JONES (AMERICAN, 1848-1927) ROCKS AND FIELD OIL ON PANEL: 12 1/2 X 20 IN.Framed; lower left signed: H. Bolton Jones; verso inscribed in graphite: "Rock and Field - A......./ by H. Bolton Jones"; verso label: David / Bendann's / Fine Art Rooms; 105 East Baltimore St / Baltimore Oil on panel: 12 1/2 x 20 in.
• Hugh Bolton Jones (NY/MD 1848-1927)
  Hugh Bolton Jones (NY/MD 1848-1927) Forestoil on canvas (lined) unsigned retaining old paper label on the verso reading ''112 Small Upright Landscape / H. Bolton Jones '' presented in a later frame.Hugh Bolton Jones exhibited extensively throughout the 19th century - the paper label on this painting may be an old exhibition label.SS 17 x 13 in.; DOA 20.75 x 17 in.Private Collection
• HUGH BOLTON JONES (NEW
  HUGH BOLTON JONES (NEW YORK/MARYLAND/MASSACHUSETTS/FRANCE, 1848-1927), RIVER LANDSCAPE., OIL ON BOARD, 14" X 20". FRAMED 15.5" X 21.5".HUGH BOLTON JONES, New York/Maryland/Massachusetts/France, 1848-1927, River landscape. Signed lower right "H. Bolton Jones". Dimensions: Oil on board, 14" x 20". Framed 15.5" x 21.5".
• HUGH BOLTON JONES, AMERICAN
  HUGH BOLTON JONES, AMERICAN (1848-1927), SPRING LANDSCAPE, OIL ON CANVAS, 16 X 24 INCHESHUGH BOLTON JONES, American, (1848-1927) Spring Landscape, oil on canvas signed lower left "H. BOLTON JONES" oil on canvas Dimensions: 16 x 24 inches Provenance: Collection of Ernest Wadsworth Longfellow (label on the reverse); Private Collection, New York Framed dimensions: 27 x 34 1/2 x 2 1/2 inches Tags: oil painting, listed artist, landscape, New England, Massachusetts Condition: in overall very good condition; very minor scattered dots of restoration, mostly in the sky, apparent under UV; in a period frame We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.
• HUGH BOLTON JONES OIL, COUNTRY
  HUGH BOLTON JONES OIL, COUNTRY STREAM. Hugh Bolton Jones (1848 - 1927) oil on canvas, country field with a winding stream, signed lower right, H. Bolton Jones. Image 14” x 19.5”, Overall 23” x 28”.
• Hugh Bolton Jones American
  Hugh Bolton Jones American 1848-1927 Forestscape with Stream oil on board signed ''H.B. Jones'' ll 8 x 12 in. framed Estimate $ 2 000-3 000 Paint loss along right edge frame wear. Paintings have not been examined by blacklight.
• Alexander Blaikley (British
  Alexander Blaikley (British 1816-1903)/Portrait of Mrs Jones of Pantglas/half-length/oval/pastel, 52cm x 41cm/Note: Margaret Charlotte Campbell, daughter of Sir George Campbell of Edenwood, Fife, married David Jones MP of Pantglas in 1845
• ALLEN JONES, R.A. (BRITISH, B.
  ALLEN JONES, R.A. (BRITISH, B. 1937), SHOE BOX (PLATE D) Lithograph on BFK Rives paper, 1968, pencil signed and numbered 57/200, matted and framed.
• JEREMY KING (BRITISH 1933-)
  JEREMY KING (BRITISH 1933-) BOLTON LE SANDS (LANCASHIRE UK) Color lithograph: 19 x 25 1/2 in. (sight) Framed; lower left numbered 272/300; lower right signed Jeremy King
• DON JONES & LINDSAY BALKWEILL
  DON JONES & LINDSAY BALKWEILL SCULPTURESDon Jones polychrome pottery globe, night time sky. Signed on the underside. 9 1/2" H with base. Lindsay B Balkweill ceramic head sculpture. Signed on the verso, dated 1984. Chips to nose, eye and back of head. 13" H.
• Benjamin Jones (American b. 1977)
  Benjamin Jones (American b. 1977) Figure 2003 pencil on paper signed Benjamin Jones and dated (upper left) 16 1/2 x 13 1/4 inches.
• Virginia Fouche Bolton South
  Virginia Fouche Bolton South Carolina (1929-2004) LET YOUR LIGHT SO SHINE... watercolor framed signed: lower right Bolton H13 1/8'' W19 1/4'' Provenance: North Carolina collection. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• Alexander Blaikley (Scottish
  Alexander Blaikley (Scottish 1816-1903)/Portrait of Mary Eleanor Geraldine Jones/Portrait of Louise Madeleine Maria Jones/Portrait of Alfred Campbell Hallyburton Jones/all of Pantglas Hall, Carmarthen/signed and dated/oval/pastel, the son 70cm x 51.5cm, the daughters 54.5cm x 44.5cm
• PUBLISHER J.F. WARNER BOSTON:
  PUBLISHER J.F. WARNER BOSTON: "DEACON JONES' ONE HOSS SHAY NO. 2" Lithograph with hand-coloring 16 3/4 x 24 1/8 in. (image sight). Provenance: The Berkshire Museum Pittsfield MA.
• LOUIS EDWARD JONES
  LOUIS EDWARD JONES (AMERICAN/TENNESSEE)Louis Edward Jones (American/Tennessee, 1878-1958), "Among the Hills, Gatlinburg, Tenn.", 1938, oil on board, signed and dated lower left, signed, titled and dated en verso, 11 3/4 in. x 15 7/8 in., framed, overall 15 1/4 in. x 19 1/4 in. x 1 in.
• Josiah Jones (British,
  Josiah Jones (British, 1848-1936) \"Near Betws-y-Coed, Wales\", oil on canvas laid to masonite, 30-1/2\" x 48\", titled and signed lower left: \"J. Jones\". Presented in a carved giltwood exhibition frame accompanied by a brass artist and title plaque.
• After J Jones/James Ward, Aged 26
  After J Jones/James Ward, Aged 26 Yrs/restrike print, 40cm x 28cm/Provenance: The Estate of Anthony J Beeson
• D. Paul Jones painting
  D. Paul Jones painting (Colorado/New Mexico, died 1962), panoramic landscape with cumulus clouds, Colorado Springs, Colorado, circa 1922, signed lower left "D. Paul Jones", inscribed verso "Paul Jones, Jr. Broadmoor Art Academy…Colorado Springs, Colo.", oil on artist board, unframed, 16-1/8 x 19-1/4 in. Flaking at edges, wear at edges and corners, light grime. Property of a Los Angeles, California Collector.
• Jones, Sir William. The Works, 13
  Jones, Sir William. The Works, 13 vols., 1807. 8vo., cont. half calf, spines gilt. Engraved portrait and plates. Numerous annotations in ink (13)/Provenance: Spetchley Park
• PUBLISHER J.F. WARNER BOSTON:
  PUBLISHER J.F. WARNER BOSTON: "DEACON JONES' ONE HOSS SHAY NO. 1" Lithograph with hand-coloring 16 3/4 x 24 1/8 in. (image sight). Provenance: The Berkshire Museum Pittsfield MA.
• ALICE GREY HOBBS BOLTON COUTTS
  ALICE GREY HOBBS BOLTON COUTTS (BRITISH/AMERICAN)Alice Grey Hobbs Bolton Coutts (British/American, 1879-1973) , "Young Child in Carrier", 1924, watercolor on paper mounted to board, signed, dated and inscribed lower right, 9 3/8 in. x 7 1/8 in., framed Condition: Overall fair condition. Ext. Frame: 17 3/8 in. x 14 1/4 in. x 2 in
• Neil Bolton (British, born
  Neil Bolton (British, born 1958)/Garden III/signed and inscribed on reverse/oil on board, 48cm x 43cm
• May Asbury Jones (Newcomb College
  May Asbury Jones (Newcomb College 1919-1923) (Louisianna/Georgia 1901-1986) SPRING PLOW (George Hollinshead Farm Milledgeville GA) watercolor matted unframed unsigned sight size: H15'' W22'' Provenance: Milledgeville Georgia private collection. Other Notes: May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere.
• Henry Bernard Chalon (British
  Henry Bernard Chalon (British 1770-1849) FOWL IN LANDSCAPE oil on canvas framed signed: lower right H.B. Chalon. H9 1/2'' W18'' Provenance: Ex-collection of Marjorie Seely Blossom Jones Wilson. Descended to present owner Atlanta Georgia collection. Exhibitions: Mortimer Brandt Gallery on East 57th St. New York stock #967. Other Notes: New York and London socialite Marjorie Seely Blossom was first married to financier E. Clarence Jones. They wanted to build a lavish home in Palm Beach for the season which was to be designed by Marion Sims Wyeth. The oceanfront estate know today as Vita Serena on 105 Clarendon Avenue was completed after the death of Mr. Jones. Mrs. Jones later married Captain Robert Amcotts Wilson and they considered the Palm Beach estate their second home. It was eventually sold to Jean Flagler Matthews who rented the house to King Saud during the early 1960s. Today this magnificient property is for sale at the asking price of 27.9 million dollars. UV examination reveals old inpainting at top edge; otherwise in very good condition not examined out of frame.
• Jones (Owen) 'The Grammar of
  Jones (Owen) 'The Grammar of Ornament', Small folio edition, Day & Son, London, 1856. Rebound in modern library cloth. With another folio volume (2)/Provenance: The Estate of Anthony J Beeson
• H. F. JONES (BRITISH, 19TH CENTURY)
  H. F. JONES (BRITISH, 19TH CENTURY) 5 ½" x 9 ½" Horse carriage in a storm, 1869. Oil on paperboard, signed and dated lower right, matted, in a gilt frame, overall 15 ¾" x 17 ¾".
• ALLEN JONES (BRITISH B. 1937), MISS
  ALLEN JONES (BRITISH B. 1937), MISS AMERICA, LITHOGRAPH IN COLOR, FRAME: 30 X 26 IN (76.2 X 66 CM)Allen Jones, (British, b. 1937) Miss America, Lithograph in color; apparently in good condition. Framed.* Signed Allen Jones l.r. and numbered 91/200 l.l. Lithograph in color; apparently in good condition. Framed.* Dimensions: Frame: 30 x 26 in (76.2 x 66 cm)
• Thomas Bolling Robertson Governor
  Thomas Bolling Robertson Governor of Louisiana ALS 3pp ALS dated July 12 1812 from New Orleans. Written to Fulwar Skipwith former governor of the annexed Republic of West Florida concerning unrest in eastern Louisiana amid news of the US declaration of war against Britain:?New Orleans 12 July 12 Dear SirWm C Clairborne having resigned the office of Gov of the Orleans Territory I would immediately go unto your part of the country but that the question of your annexation will be taken up and decided in a day or two after the meeting of the State Legislature which will take place on the 27 instant. - if from any circumstances at present not forseen or anticipated the state should not agree to the annexation of the territory in which you reside I will repair to Baton Rouge for the purpose of examining the ?------ presentation till some other govt shall be established. We appear to be inundated and that too all at once by a variety of pests in the shape of Wilkinson[ ] Claiborne and two hundred black troops landed at Pensacola from Cuba. I think with alarm on our situation. I feel grieved and astounded that our defenses at this bountiful epoch should be in the hands of primarily the most weak and wicked men of our country. Claiborne has had a kind of control over the navy on Sunday before we had heard of the declaration of war he dispatched one of the two armed ships we had on this river to Vera Cruz under the pretext of carrying home his Spaniard the other about the same time he sent to the Havannah to accommodate a Mr Kingston a consul The probability is that both these vessels will be lost to the U States but Claiborne got all the votes of all the Spaniards in this country!I enclose you two papers containing something from J Randolph. ?be pleased to submit my respects to Mrs Skipwith & believe me with sincerityYour friend & SevtTh B RobertsonFulwar Skipwith EsqMonte SanoThe Spanish colony of West Florida which stretched from the Mississippi River to Pensacola included the land now known as the Florida Parishes of Louisiana. This area between the Pearl and Mississippi Rivers and north of Lake Pontchartrain was the most prosperous region of West Florida. It was also a neglected area of Spanish Empire full of brigands and army deserters with corrupt officials and little to no military presence to enforce the peace. Finally in 1810 the mostly British- and American-born residents in the area rebelled taking the fort at Baton Rouge and proclaiming a Republic. Fulwar Skipwith who had been instrumental in negotiating the Louisiana Purchase as US consul general in France was elected Governor. Their intention was to enter negotiations with the US for admission as a state but President Madison seized the area by force under an executive order claiming it as part of the Louisiana Purchase. Territorial Governor of Louisiana William CC Claiborne occupied the area at the head of US Army troops ignored the provisional government seized the fort at Baton Rouge and divided the area into parishes of Orleans Territory. Unwilling to shoot US Army soldiers the republic's government dissolved.Louisiana was admitted as the 18th State into the United States on April 30 1812 but without the inclusion of the territory of the former Republic. The people of the area were not allowed to vote in the elections approving the state constitution nor in the election of state Governor. This led to fears that Spain was going to reclaim the area and the leaders of the rebellion would soon be in the dungeons of Morro Castle in Havana. The US Congress had passed a bill adding the Florida Parishes to the state but the Louisiana legislature had not agreed to this by the time of this letter.When news of the declaration of war against Britain and Spain reached New Orleans there were few soldiers and only two seaworthy vessels to counter the powerful British West Indies squadron. Governor Claiborne had ordered both ships into Spanish ports on diplomatic missions just before news of the war reached Louisiana leading the naval commander in New Orleans to complain to Washington. This action along with news of Spanish troops landing in Pensacola heightened fears among a people already afraid for their future. The Florida Parishes were officially added to the territory of Louisiana on August 4 three weeks after this letter and the 1819 Adams-Otis Treaty with Spain finally settled ownership of the area.The Wilkinson mentioned in the letter is General James Wilkinson newly arrived in Louisiana after being investigated for treason with Aaron Burr and (rightly) suspected of being a Spanish spy. Small wonder the people of the Florida Parishes feared for their lands and safety!?Thomas Bolling Robertson (1179-1828) was a political rival of William CC Claiborne. Appointed by President Jefferson as Secretary of the Louisiana Territory he was second in command under William Claiborne. He became Louisiana's first US Representative in 1812 when the state was admitted to the Union. Resigning in 1818 he served as Attorney General of Louisiana 1819-1820. In 1820 he became Louisiana's third Governor. During his tenure the long-simmering Anglo-Creole conflict erupted into violence with Robertson's support for moving the state capitol to Baton Rouge seen as the flashpoint that started the riots. He was offered the Federal judgeship for Louisiana as a way to save face while resigning as Governor.
• JONES Owen. ''The Grammar of
  JONES Owen. ''The Grammar of Ornament.'' 1856 Folioof 100 Chromolithographs. Drawn on stone by F. Bedford. Published by Day and Son London. Owen Jones British Architect/Designer 1809 - 1874. From the home of a New Rochelle NY designer. Condition: Possibly re-bound. Cover pages with some creasing and dog-eared corners some with losses to corners. Some pages with rough edges or slight tears to margins some discoloration/staining to margins. Lithographs in overall good condition with strong colors. Occasional pencil annotations throughout as this was used as a reference book for 2 generations of designers.
• H. F. JONES (BRITISH, 19TH CENTURY)
  H. F. JONES (BRITISH, 19TH CENTURY) 5 ¼" x 9 ¼" Carriage by the King's Head Tavern, 1860. Oil on paperboard, signed and dated lower right, unframed.
• ATTRIBUTED TO ALFRED JONES
  ATTRIBUTED TO ALFRED JONES (AMERICAN, 1819-1900) HILLSIDE ORCHARD AND HAYSTACKS AND MOUNTAIN LANDSCAPE, NEW ENGLAND POSSIBLY MOUNT M...Unframed; verso signed: E... M. Jones (2) Watercolor and graphite on paper: 10 x 14 in. and 10 7/8 x 13 3/4 in. Provenance: Estate of Alfred Jones (#PD2013003- Hillside orchard) and (#PD2013014- Mountain Landscape)
• BRONLYN JONES, AMERICAN 1954-,
  BRONLYN JONES, AMERICAN 1954-, #3, 2005, GRAPHITE ON PAPER, SHEET: 8 X 6 1/2 IN. (20.32 X 16.51 CM.), FRAME: 9 1/8 X 7 1/2 IN. (23.18 X 19.05 CM.)BRONLYN JONES, AMERICAN, 1954- #3, 2005, Graphite on paper Verso inscribed on frame: GR / R / BP BKG 07 #3; numbered 18776; verso signed and dated: Bronlyn Jones 2005 Graphite on paper Dimensions: Sheet: 8 x 6 1/2 in. (20.32 x 16.51 cm.), Frame: 9 1/8 x 7 1/2 in. (23.18 x 19.05 cm.) Provenance: Private Collection of 20th Century Classic Design
• H. F. JONES (BRITISH, 19TH CENTURY)
  H. F. JONES (BRITISH, 19TH CENTURY) 5 ?" x 9 ¼" Harness race, 1869. Oil on paperboard, signed and dated lower right, unframed.
• § BLAIR HUGHES-STANTON (BRITISH
  § BLAIR HUGHES-STANTON (BRITISH 1902-1981) BATHERS, 1938 mixed media, signed and dated35cm (14in), 51cm (20in)Provenance: Christie's, South Kensington, 22nd September 1994, lot 198.