A few examples of appraisal values for
HAD WALL

• WALL CLOCK. Eight day German
  WALL CLOCK. Eight day German wall clock with brass works and porcelain dial. Walnut case has a carved crest with applied accents and ropetwist columns. 36'' h.
• Early wallphone.
  Early wallphone.
• WALL POCKET. Gray painted softwood
  WALL POCKET. Gray painted softwood double wall pocket with arched top and early stenciling on the back. 20 1/2'' h.
• WALL CLOCK. Eight day
  WALL CLOCK. Eight day time/strike with brass works and tin and porcelain dial. Housed in an intricately carve and turned walnut case. 45'' h.
• WALL OF ANTIQUES & COLLECTIBLES
  WALL OF ANTIQUES & COLLECTIBLES ON SIXTEEN SHELVESWALL OF ANTIQUES & COLLECTIBLES ON SIXTEEN SHELVES; jugs, plates, woodenware, glass jars, and more.
• F. L. WALL (AMERICAN, 1947-),
  F. L. WALL (AMERICAN, 1947-), "TOWER" DATED 1988F. L. WALL (AMERICAN, 1947-), "TOWER" DATED 1988, with steel and teak tall tower upon which rests (not attached) a wooden box with square and triangular cut outs enclosing a loose wooden ball, signed on the lower corner F.L. Wall, 1988 Provenance: Franz Bader Gallery, Washington D.C.; purchased from the gallery by Private Collection Washington D.C.
• WALL CLOCK. Eight day
  WALL CLOCK. Eight day time/strike having brass works porcelain dial with second hand and shell carved and turned walnut case. Includes pendulum. 55'' h.
• WAG-ON-THE-WALL CLOCK. German
  WAG-ON-THE-WALL CLOCK. German 19th century. Hand decorated face wood and brass works. With weights and pendulum. Imperfections. 14''h. Face split touch ups.
• C. Jeré. Wall sculpture. c. 1975,
  C. Jeré. Wall sculpture. c. 1975, gilt steel. 42 h × 27 w × 10 d in. estimate: $1,500–2,000.
• HANGING WALL CLOCK. Unattributed.
  HANGING WALL CLOCK. Unattributed. Eight day time/strike with brass works and celluloid over tin dial. Walnut case has carved crest turned pilasters and drop finial. 40'' h.
• WALL CLOCK. Time/strike clock
  WALL CLOCK. Time/strike clock with tin dial and brass works. Walnut carved case with openwork side splats and turned columns. 51'' h.
• WALL MIRRORWALL MIRROR, -
  WALL MIRRORWALL MIRROR, -
• Tore Wallin (American/New
  Tore Wallin (American/New Orleans, Contemporary) "Abstract", 1986, mixed media on paper, sight 27" x 38-1/2", signed and dated lower right "Tore Wallin 86". Glazed and handsomely matted and framed.
• WOOD AND MARBLE CORNER WALL SHELF
  WOOD AND MARBLE CORNER WALL SHELF
• Weller Wall Vase purple 7 5/8''h
  Weller Wall Vase purple 7 5/8''h excellent condition.
• Waller (Am. 20th century) ''The
  Waller (Am. 20th century) ''The Shelter''oil on canvas signed at lower right ''Waller'' and titled on the verso and dated 1961 presented in the original frame.DOA 31 x 35 in.Private Collection NC
• SERGIO BUSTAMANTE (B.1942) WALL
  SERGIO BUSTAMANTE (B.1942) WALL W/ FACE SCULPTUREPainted ceramic sculpture, Wall with Face, signed Sergio Bustamante (Mexican, b.1942/ 1943), A.P. (artist's proof), some paint loss, lower left corner (appears to have had a sticker removed), approx 26"h, 18.75"w, 5.5"d
• WALL CLOCK. Eight day
  WALL CLOCK. Eight day time/strike with brass works and porcelain dial. Walnut case has an arched crest reeded columns and drop finials. Includes pendulum. 49 3/4'' h. We never guarantee clock to work. Some veneer damage and separation to base and door. Condition reports are available on all items. Please note: unless a condition report is requested we do not post detailed condition information about each item sold. If you choose to bid without requesting a condition report you are accepting the item ''as-is'' with no gaurantees.
• WALL CLOCK. Eight day clock with
  WALL CLOCK. Eight day clock with porcelain dial and brass works. Mixed woods case has turned and fluted columns and drop finials. Includes key and pendulum. 27 3/4'' h.
• (LOT OF 4) CHINESE WALL PANELS (lot
  (LOT OF 4) CHINESE WALL PANELS (lot of 4) Chinese wall panels, each ink and color on paper, inscribed, dated and signed, with one seal, mounted and framed, 34.5"h. x 7.5"w.
• WALTER CADE 'BRICK WALL' PAINTING
  WALTER CADE 'BRICK WALL' PAINTING MIXED MEDIAWalter Cade, American (1936-2008). 'Brick Wall' mixed media on canvas, signed lower right and framed. Measures 19.25"H x 25.25"W framed; 18.5"H x 24"W visual.
• WALL HANGING. American 2nd
  WALL HANGING. American 2nd half-20th century. Cloth panel printed with an abstract landscape in cool colors. On a stretcher 44'' x 44''.
• § BRIAN WALL (BRITISH/AMERICAN
  § BRIAN WALL (BRITISH/AMERICAN 1931-) UNTITLED, CIRCA 1959 iron and black paint42.5cm x 51cm x 39cm (16.75in x 20in x 15.3in)Provenance:In Barns-Graham's notes about her collection, she states she purchased one 'iron sculpture' by Brian Wall and was given another.This work was displayed outside Wilhelmina Barns-Graham's studio in the garden at Balmungo.Notes: Confirmed by Brian Wall studio as not Minus Three.Brian Wall came to St Ives as a young artist in the 1950s and was, for a time, Secretary of the Penwith Society. His early work was heavily influenced by Mondrian, but he evolved away from this aesthetic whilst working as a welder in Hepworth’s studio. It is from this transitional period that these works date, Barns-Graham having acquired them in the late 1950s. Sparce, almost industrial and austerely Post-War in aesthetic, and reflective somehow of the ruggedness of the Cornish landscape, they were very avant-garde by the standards of the time. Wall welded his metal forms in an intuitive manner, simultaneously beginning to divorce his sculptures away from human or naturally rooted formalities. Though obvious parallels with the work of Anthony Caro can be drawn, it should be noted Caro adopted the techniques of welding metal several years after Wall, and Wall was widely perceived by critics of the time to be under-sung. After working in the thick of swinging Sixties London for a time, Wall went to the San Francisco Bay area of America where he continued to base himself for over thirty years. He was a faculty member at the Central School of Art in London, and a professor of art at the University of California, Berkeley.These works were in Barns-Graham garden at Balmungo, Scotland (hence the weathering).
• C. Jeré. Wall sculpture. c. 1970,
  C. Jeré. Wall sculpture. c. 1970, patinated and enameled steel, torch-cut brass. 36 h × 58 w × 6 d in. result: $4,750. estimate: $2,000–3,000.
• W. T. WALLS, WATERCOLOR, WOMAN W/
  W. T. WALLS, WATERCOLOR, WOMAN W/ DANDELION, 1940This work on paper depicts a woman on her tiptoes in a negligee holding a large dandelion.  Print is in good condition, sunned with small tears along top and left margin. Signed lower left. Paper size is 20" x 15". shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• LARGE STREET ART FRAGMENT OF THE
  LARGE STREET ART FRAGMENT OF THE BERLIN WALL 20th c., multicolor spray paint on steel-rod reinforced concrete, unsigned, 29"h x 38"l x 2"d, approx. 200-250lbs
• C. Jeré. Wall sculpture. 1975, gilt
  C. Jeré. Wall sculpture. 1975, gilt steel. 40 h × 27 w × 10 d in. result: $1,875. estimate: $1,500–2,000. Signed and dated to frame ‘C. Jere 1975’.
• C. Jeré. Wall sculpture. 1975, gilt
  C. Jeré. Wall sculpture. 1975, gilt steel. 40 h × 27 w × 10 d in. estimate: $2,000–3,000. Signed and dated to frame ‘C. Jere 1975’.
• § BRIAN WALL (BRITISH/AMERICAN
  § BRIAN WALL (BRITISH/AMERICAN 1931-) UNTITLED, CIRCA 1959 iron and black paint72cm x 53cm x 56cm (28.3in x  20.9in x 22in)Provenance: In Barns-Graham's notes about her collection, she states she purchased one 'iron sculpture' by Brian Wall and was given another.Note: Brian Wall came to St Ives as a young artist in the 1950s and was, for a time, Secretary of the Penwith Society. His early work was heavily influenced by Mondrian, but he evolved away from this aesthetic whilst working as a welder in Hepworth’s studio. It is from this transitional period that these works date, Barns-Graham having acquired them in the late 1950s. Sparce, almost industrial and austerely Post-War in aesthetic, and reflective somehow of the ruggedness of the Cornish landscape, they were very avant-garde by the standards of the time. Wall welded his metal forms in an intuitive manner, simultaneously beginning to divorce his sculptures away from human or naturally rooted formalities. Though obvious parallels with the work of Anthony Caro can be drawn, it should be noted Caro adopted the techniques of welding metal several years after Wall, and Wall was widely perceived by critics of the time to be under-sung. After working in the thick of swinging Sixties London for a time, Wall went to the San Francisco Bay area of America where he continued to base himself for over thirty years. He was a faculty member at the Central School of Art in London, and a professor of art at the University of California, Berkeley.These works were in Barns-Graham garden at Balmungo, Scotland (hence the weathering).
• OLD CHINESE PHOTOGRAPH OF GREAT
  OLD CHINESE PHOTOGRAPH OF GREAT WALL A framed and matted Chinese photograph of the Great Wall. Taken close to the wall with the wall on the right hand side, one can see it zig zag into the distance and over hills until it disappears. In a sepia toned print. Mounted in beveled 1/4" mat board. Window opening: H. 7" (17.8 cm), W. 10.5" (26.6 cm) Overall: W. 22" (55.9 cm), H. 20.25" (51.4 cm) Condition: Good condition overall for age and use. wooden frame has some scuffs.
• WALL CLOCK. Germany early 20th
  WALL CLOCK. Germany early 20th century. Eight day clock having brass works porcelain dial and housed in a carved walnut case. Includes key and pendulum. 36.5''h.
• Weller Wall Pocket Purple 8
  Weller Wall Pocket Purple 8 1/4''h handle has hairline crack at the base.
• Architectural wall shelf, shaped as
  Architectural wall shelf, shaped as structural façade with open doors, windows with wire grilles, possibly originally with figures, probably Continental, late 19th/early 20th century, 16 x 22 x 4 in. Chips, separations and losses to castellated pediment, other repairs and losses.
• WAG-ON-WALL CLOCK - German
  WAG-ON-WALL CLOCK - German Wag-on-Wall Time and Strike Clock with floral painted tin face fluted and faceted iron weights plain iron pendulum brass works with wooden housing having wallpaper covered sides marked in pencil on back 'Jacob Sellman Furst
• SUE WALL ACRYLICSue Wall
  SUE WALL ACRYLICSue Wall (American 1950- )- Wicker Chair with Queen Anne style house in the Distance- acrylic on panel, signed Wall lower right, very good condition. 17 x 10 1/2''
• MICHAEL GRAHAM (20TH CENTURY):
  MICHAEL GRAHAM (20TH CENTURY): ABSTRACT WALL SCULPTURE1992; signed, dated and numbered 2/3; green, red and black-painted metal; Condition: wall-mounting hardware missing several bolts; 47 x 51 inches; 13 inches deep