A few examples of appraisal values for
HARDMAN

• Harsh, Williams, Tenn
  Harsh, Williams, Tenn
• MARY HARDMAN (AMERICAN, B. 1941),
  MARY HARDMAN (AMERICAN, B. 1941), GARDEN DELIGHTS Oil on canvas, monogrammed and dated at lower right, presented in a gilt frame.
• HUMMEL WITH HAMMER IN HAND.
  HUMMEL WITH HAMMER IN HAND.
• HARDMAN PECK Baby Grand Piano.
  HARDMAN PECK Baby Grand Piano. Walnut Louis XV style case. Model #103480. From a Scarsdale home. Dimensions: 56"w x 60"d
• HERMANN (ARMIN) KERN (HUNGARY,
  HERMANN (ARMIN) KERN (HUNGARY, 1838-1912), THE BLACKSMITH., OIL ON CANVAS, 16.5" X 21". FRAMED 22" X 26.5".HERMANN (ARMIN) KERN, Hungary, 1838-1912, The Blacksmith. Signed lower left "Kern H." and dated illegibly. Dimensions: Oil on canvas, 16.5" x 21". Framed 22" x 26.5".
• HARDY, THOMAS. ALS RE
  HARDY, THOMAS. ALS RE ATHELHAMPTON CHURCH TO MR A C DE LAFONTAINE AT ATHELHAMPTON. 3pp. in ink on Max Gate headed paper. Dated January 11, 1917. Signed “Yours sincerely Th.s Hardy”, with the original envelope
• ROBERT GORDON HARDIE (VT,
  ROBERT GORDON HARDIE (VT, 1854-1904) AFTER REMBRANDT HARMENSZOON VAN RIJN (NETHERLANDS, 1606-1669) Portrait of a Man, ca. 1655?60, oil on canvas, signed lower right, copied from the collection of the Metropolitan Museum of Art in New York. Housed in the appropriate broad black enameled molded frame with dutch gold liner, OS: 40 1/2" x 34 1/2", SS: 288 1/2" x 22 1/2", good condition,
• Harman Blennerhassett & Jacob
  Harman Blennerhassett & Jacob Westfall Signed Manuscript Plus Lot includes: 1p manuscript promissory note April 1 1802 for delivery of a quantity of wood signed by Blennerhassett and associate Jacob Westfall; 1.25p manuscript account of Blennerhassett's business with merchant Richard Neale Jr. ca 1800 for a variety of dry goods food and labor; and the biography The Life of Harman Blennerhassett. Chillicothe Ohio: Ely Allen & Looker 1850.  12mo brown buckram boards with gilt lettering 239pp. Harman Blennerhassett (1765-1831) was an Irish-American lawyer who settled Western Virginia and is known best for his involvement in the Burr Conspiracy led by the third Vice President. Condition: Browned with old folds slightly irregular left edge.
• Lot of 4 Australian sporting:
  Lot of 4 Australian sporting: Hardmen. Steve Price, Ian Roberts, Hard Man. More Information Excellent.
• HARDEEN (THEODORE WEISS).
  HARDEEN (THEODORE WEISS). HARDEEN.[New York], ca. 1925. Letterpress poster advertising Hardeen, The Handcuff King, at the top of a vaudeville show. Other acts include soubrette-turned movie star Trixie Friganza and the famous Irish comedienne, Maidie Scott. 19 ½ x 25 ¾". Tears repaired throughout image, small chipping; B+. Hardeen began his career alongside his brother Houdini as part of a double-act of magic and escapes billed as The Brothers Houdini. But even after the death of his famous brother, Hardeen lived in Houdini’s shadow. A majority of his publicity material featured Houdini’s name as prominently – if not more prominently – than Hardeen’s.
• ATTRIBUTED TO JOHN HARDMAN POWELL
  ATTRIBUTED TO JOHN HARDMAN POWELL (1827-1895) OR A.W.N. PUGIN (1812-1852) FOR HARDMAN, POWELL & CO. VICTORIAN ARTIST'S JEWEL, CIRCA 1850 gold and enamel, bears inscription CONSIDER THE LILIES4cm diameterLiterature: Gere C. and Munn G., Artists' Jewellery Pre-Raphaelite to Arts and Crafts, ACC, 1989, p.35, pl.15, for an illustration of a similar brooch, without the inscription, held in the collection of The Birmingham City Museum and Art Gallery and purchased by the museum along with other jewellery from an exhibition held at Bingley Hall in 1886. The names of the individual manufacturers were not recorded however the note states that the design history of these very distinctive jewels remains speculative, but they certainly stem from the inspiration of considerable talent of the order of A.W.N. Pugin or William Burges. Another example of this brooch was given by Pugin to his third wife Jane Knill (Christie's London, April 16, 2013, Lot 204.)Note: The original drawing and a tracing of this brooch survive in the Hardman archive, held at Birmingham Museum & Art Gallery. The Birmingham brooch and its design drawing were exhibited at Birmingham Gold & Silver 1773-1973, at the City Museum, 28th July-16th September 1973, cat. C54, where it was attributed to John Hardman Powell.
• RICHARD HARDEN (AMERICAN, B. 1956),
  RICHARD HARDEN (AMERICAN, B. 1956), TWO WORKS ON PAPER, INCLUDING: A LITHOGRAPH, 1985, DEPICTS DARK DOMED ROOM WITH LIGHT SHINING DO...Richard Harden (American, b. 1956), two works on paper, including: a lithograph, 1985, depicts dark domed room with light shining down through oculus, signed LR, "SC/PB" and dated LL, ss: 8 1/4" h. x 12 3/4" w.; and a prepatory drawing of the same subject, unsigned, notes and numbers written on margins, both condition consistent with age including toning, foxing, and pencil smudges.
• Carved Hardstone Seated Man with
  Carved Hardstone Seated Man with Child Finely carved in gray hardstone with brown toning signed underneath depicting an old man with a basket seated on a rocky outcrop with a small child holding a ball at his feet.
• Harder, Johann Jacob, (1656 - 1711,
  Harder, Johann Jacob, (1656 - 1711, Swiss doctor) Prodromus Physiologicus Naturam Explicans Humorum; Examen Anatomicum Cochleae Terrestris. Bound together, both Basle, Jacob Berthschius 1679. Engraved plates. Contemporary vellum binding/see illustration
• James Hardy (1801-1879)/Brittany
  James Hardy (1801-1879)/Brittany Peasants/watercolour, 54cm x 76cm
• HARDY, THOMAS. NOTES ON STINSFORD
  HARDY, THOMAS. NOTES ON STINSFORD CHURCH. Original 4pp. original typescript in the form of a letter to the Restoration Committee of the Church, dated April 1909 from the Athenaeum in London, signed in Hardy’s hand in ink, ‘Yours very truly, Thomas Hardy’, with annotations and a small architectural drawing by Hardy. He gives his professional architect’s view on how best to preserve the church
• RICHARD HARDEN (CONNECTICUT, B.
  RICHARD HARDEN (CONNECTICUT, B. 1956), GRAPHITE DRAWING ON PAPER, DEPICTS INDUSTRIAL SCENE OF TRAIN TRACKS WITH BUILDINGS ON EITHER...Richard Harden (Connecticut, b. 1956), graphite drawing on paper, depicts industrial scene of train tracks with buildings on either side, two cars in the foreground, four receding smokestacks on right, a bridge over tracks at center, signed and dated 10/28/81 lower left, wear consistent with age, not examined out of frame, ss: 13" h. x 8 1/2" w.
• Hardman Peck upright piano with
  Hardman Peck upright piano with piano bench. Piano 41”H x 55.5”W x 24”D Condition: broken music stand, areas of veneer loss, heavy finish wear CT Transfer Fee $100
• HAROLD NEWTON, HIGHWAYMEN
  HAROLD NEWTON, HIGHWAYMEN PAINTINGHarold Newton (American, 1934-1994). Oil on board Highwaymen painting. This piece can work as a stand alone marsh scene, however it can also comprise the right side of panorama diptych when placed beside the painting which is offered as the previous lot in this sale. Board measures 20" x 16", framed to 23 1/2" x 19 1/2". Excellent condition. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• BERT HARDY (BRITISH, 1913-1995)Bert
  BERT HARDY (BRITISH, 1913-1995)Bert Hardy (British, 1913-1995), "Liverpool", "Tree Branch", "Car on Snowy Road" and "Two Cars on Road", 4 silver gelatin prints one mounted to board, three with artist stamp and one pencil-titled en verso, 9 in. x 9 3/16 in. to 11 3/4 in. x 11 7/8 in., unframed . (4 pcs.) Condition: Each in overall fair condition.
• NYMAN, ANDY. BULLETPROOF. [LOS
  NYMAN, ANDY. BULLETPROOF. [LOS ANGELES]: THE MIRACLE FA...Nyman, Andy. Bulletproof. [Los Angeles]: The Miracle Factory, 2010. Black leather with pictorial jacket. Illustrated. Number 618 from a limited edition of 750 copies. 4to. With all tipped-in DVDs and printed props in sleeves, as issued. Tall 4to. Fine. Signed and numbered by the author on tipped-in postcard, as issued.
• DANIEL CLAYMAN, GLASS SCULPTURE
  DANIEL CLAYMAN, GLASS SCULPTURE Daniel Clayman (American, b. 1957), "The Harp", glass, twisted metal cable, copper fasteners, no signature observed, on custom metal stand, 9"h x 49"l x 4"w (sculpture)
• WALTER MANLY HARDY (AMERICAN/MAINE,
  WALTER MANLY HARDY (AMERICAN/MAINE, 1877-1933)Walter Manly Hardy (American/Maine, 1877-1933), "Spring - New England", c. 1905, oil on artist board, inscribed with artist, title and date en verso, 6 1/4 in. x 9 3/4 in., framed. Provenance: Natchez Art Association
• Martin Hardie (English 1875 -
  Martin Hardie (English 1875 - 1952) watercolor on paper marsh with boats signed lower left matted and framed under glass label verso identifies Bosham Parish and Village ss: 9 1/2'' h. x 13 1/2'' w.
• HERMAN HARTWICK (1853-1926): A LASS
  HERMAN HARTWICK (1853-1926): A LASS AND HER COW Oil on canvas laid down on board signed and with affidavit affixed to backing. 14 x 19 in. (sight) 19 1/2 x 24 1/4 x 1 in. (frame).
• *HARDY THOMAS Autograph note in the
  *HARDY THOMAS Autograph note in the hand of Thomas Hardy one page on personal letterhead April 12 1918 to Captain J.H. Morgan. Hardy writes ''Book received. Will need same. Best thanks. - April 12. 1918.'' Framed with black and white photograph and original envelope addressed to Morgan visible at verso. Chipping and light soiling to envelope. 3 1/4 x 4 1/4 inches.
• A Hall Harding Ltd. set of
  A Hall Harding Ltd. set of cartographer's rulers in a wooden case and a cased magnifying glass with turned wood handle
• Richard Woodman (English,
  Richard Woodman (English, 1784-1859), after the painting by James Baranger the Younger (English, 1780-1800) "The Earl of Derby's Stag Hounds", 1823, large colored proof engraving with the subjects identified in the basal margin, presented in a period carved giltwood and plaster frame in the neoclassical style and glazed, h. 26-1/2", w. 31-1/2".
• DEWITT HARDY (AMERICAN, 1940 -
  DEWITT HARDY (AMERICAN, 1940 - 2017) "NIGHT ROOM" WATERCOLOR ON PAPER, WOMAN FACING AWAY FROM THE VIEWER ON THE EDGE OF BED, SIGNED...Dewitt Hardy (American, 1940 - 2017) "Night Room" watercolor on paper, woman facing away from the viewer on the edge of bed, signed lower right, label verso, framed and matted behind glass with a floating mount, not examined out of frame, ss: 10 1/4" h. x 13 1/2" w.
• Signed books by Flannery O'Connor
  Signed books by Flannery O'Connor and Inez Hogan O'Connor Flannery. A GOOD MAN IS HARD TO FIND. New York: Harcourt Brace and Company 1955. Signed on front endpaper with dustjacket; Hogan Inez. NICODEMUS AND HIS GRAN'PAPPY. New York: E.P. Dutton 1936. Signed on front endpaper. (2pcs) Provenance: From the collection of May Asbury and Mary and Alling Jones. Other Notes: May Asbury Jones and Flannery O'Connor lived accross the stree from each other and were close friends. May Hammond Hollinshead Asbury Jones (1901-1986) was born in Milledgeville Georgia in 1901. Her father Darden Asbury was the southeastern agent for the Southern Pacific Railway and they lived at times in Birmingham New Orleans Atlanta and Lookout Mountain Tennessee. But it was Milledgeville and her grandparents' home ''Rose Hill'' now known as Lockerly Hall that was always ''home''. Here as a child her love of art was first encouraged when she began drawing and china painting classes at ''China Grove'' home to neighbor and family friends Miss Callie Cook who taught art at the Wesleyan Conservatory in Macon and her mother Anna Maria Green Cook author of the definitive History of Baldwin County . May Asbury entered Sophie Newcomb College in 1919. As a junior she submitted two design proposals one of which was chosen as the Newcomb Undergraduate ring. After graduating with a Bachelors in Design she spent the remainder of 1923 touring Europe before beginning work in NY in the advertising dept of Bonwit Teller as a fashion illustrator and also writing a monthly column on design and fashion for Milledgeville's ''Union Recorder'' newspaper. While living and working in New York she took classes at Cooper Union as well as The Art Students League. She also studied at Cranbrook Penland Arrowmont and Seecelo the North Carolina art camp of friends and artists Frances Hall and Frank Stanley Herring. Returning to Milledgeville in 1938 gave her opportunity to pursue her passionate belief in the innate creativity of children. She taught privately as well as teaching art education classes at Wesleyan College and Woman's College of Georgia now known as Georgia College & State University the state's designated liberal arts university. In 1940 she married Aubrey Jones and had a son Aubrey Alling Jones and enjoyed success in roles of working artist teaching and home-making. When her love of working in metals and ceramics was curtailed by arthritis she began to experiment in the art of fused glass while studying pastels and watercolor with fellow artist and friend Frank Stanley Herring ( Smithsonian Folk Art Collection ). One of her last works at age 80 was a pastel portrait of her granddaughter Elizabeth with whom she enjoyed many years of encouraging pursuits of creative opportunities. The majority of her art glass is in local collections as well as the private collection of her granddaughter Elizabeth Leah Asbury Jones Legere. Good Man: In very good to good condition DJ with minor losses. Nicodemus: Cover with ink doodles missing spine pages loose and with tape residue.
• BERT HARDY (1913-1995) Day and
  BERT HARDY (1913-1995) Day and Night in Chelsea - Kings Road by Night 1958 Gelatin silver prints Hulton Press label 10 x 14.5in. Estimate ?100-150 Provenance: a friend of Bert Hardy. The collection of photographs was stored away in 1964 when Bert moved to his farm in Limpsfield Chart. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?190
• HERRMANN Hans. 1922 O/C ''Stroud
  HERRMANN Hans. 1922 O/C ''Stroud DeiBlankenberghe.'' Signed lower right. Inscribed with title on stretcher verso. Old labels and stencils verso. Hans Herrmann German 1858 - 1942 From a Garden City NY location. Dimensions: 31.75'' high x 47.5'' wide. Condition: Small puncture lower center to left otherwise good condition.
• PRINT, HERMAN HANSEN, ARMIN
  PRINT, HERMAN HANSEN, ARMIN HANSEN Herman W. Hansen (American/German, 1854-1924), "Old Overland," etching, initialed and dated 1923 in plate lower left, printed and signed by Armin Hansen (American, 1886-1957) lower right, image: 7.5"h x 9.75"w, overall (with frame): 17"h x 18.5"w
• A oil on canvas portrait of a young
  A oil on canvas portrait of a young man, signed M. Hartman, in a Newcomb Macklin frame. Canvas 30" x 25" Frame 35" x 29.5" Condition: good CT Transfer Fee $20
• BLACK HERMAN (BENJAMIN RUCKER).
  BLACK HERMAN (BENJAMIN RUCKER). REAL PHOTO POSTCARD OF ...Black Herman (Benjamin Rucker). Real photo postcard of Black Herman. Circa 1920. Dressed in priestly vestments, Herman holds a carved staff in his hand while four sitters look on. Divided back. Considerably worn and folded; still, a scarce relic of this prominent African American magician.
• STRIKING PRIMITIVE PORTRAIT OF A
  STRIKING PRIMITIVE PORTRAIT OF A MAN-pen and ink and wash on paper in an early lemon gold molded frame. H: 5'' x W. 4 3/8''. From the Marvin Sadik Collection.