A few examples of appraisal values for
HAREBELL

• ENGLISH PORCELAIN BOUGH POT, OF
  ENGLISH PORCELAIN BOUGH POT, OF SCOTTISH INTEREST EARLY 19TH CENTURY of demi-lune form, the central reserve painted with a view of Hopetoun House, South Queensferry, with a carriage being driven in the grounds, and to either side a painted classical fan motif enclosed within a gilt harebell border, the fluted lower body with gilt anthemion stylised decoration, raised on four bun feet, inscribed to the base 'Hopetoun House / The seat of the right honourable the Earl / of Hopetoun'25cm high, 25cm wide
• ROYAL ALBERT FIGURINE, PATRICIA
  ROYAL ALBERT FIGURINE, PATRICIA RA17Designed in celebration of Royal Albert's 100th Anniversary. Handpainted in a pale blue dress decorated with harebells, represents the Festival pattern of the 1950's. Michael Doulton signature to bottom base. Royal Albert backstamp. Issued: 20th c. Dimensions: 6.75"H Manufacturer: Royal Albert Country of Origin: England Condition: Overall good
• SHELLEY BONE CHINA TEA TRIO,
  SHELLEY BONE CHINA TEA TRIO, HAREBELL PATTERN 13544A vintage trio featuring traditional cup, saucer, and plate with delicate blue and lavender flora. Rich eggshell background with sandy fawn beige and light green floral decoration. encircling blue, lavender, green, flora and gilt highlights. SHELLEY FINE BONE CHINA ENGLAND backstamp. #ShelleyBoneChina #BritishCeramics #BreakfastTime #BoneChina #Teatime #Harebell #Vintage Issued: c. 1950 Dimensions: 3.5"W x 2.5"H Manufacturer: Shelley Bone China Country of Origin: England
• SHELLEY DINNER SETTING FOR 12
  SHELLEY DINNER SETTING FOR 12 HAREBELL 13590Beautiful glossy porcelain dinner set for 12 people. Blue floral decor with blue accent around rim. Shelley backstamp Issued: 20th c. Dimensions: 11" dia. Manufacturer: Shelley Country of Origin: England Condition: Good
• 3PC SHELLEY ENGLAND TEA SET TRIO,
  3PC SHELLEY ENGLAND TEA SET TRIO, HAREBELLVintage bone china tea set; Chester shape. Pale blue harebell flower pattern with gold gilt accents. Shelley England backstamp. Cup size - 2.25"H x 4" diameter (widest). Saucer size - 0.75"H x 5.75" diameter. Plate size - 0.5"H x 8" diameter. #cupandsaucer #Shelley Issued: 1945-1966 Manufacturer: Shelley Pottery Country of Origin: England Condition: Minor pitting to glaze. Overall good condition.
• 4PC SHELLEY BONE CHINA SOUP
  4PC SHELLEY BONE CHINA SOUP BOWLS, HAREBELLSet of 4 white bowls adorned with blue flower pattern and light blue trims. Shelley backstamps. Issued: 20th century Dimensions: 8"W x 1.25"H Manufacturer: Shelley Country of Origin: England Condition: Age related wear.
• 6PC SHELLEY BONE CHINA TEA CUPS AND
  6PC SHELLEY BONE CHINA TEA CUPS AND SAUCERS, HAREBELL3 tea cups with matching 3 saucers, adorned with blue flower pattern and light blue trims. Shelley backstamps. Cup: 3.75"L x 3"W x 2"H. Saucer: 4.75"W x 0.5"H. Pattern number: 13590. Issued: 20th century Manufacturer: Shelley Country of Origin: England Condition: Age related wear.
• 6PC SHELLEY BONE CHINA CUPS AND
  6PC SHELLEY BONE CHINA CUPS AND SAUCERS, HAREBELL3 cups with matching 3 saucers, adorned with blue flower pattern and light blue trims. Shelley backstamps. Cup: 3.25"L x 2.75"W x 2.75"H. Saucer: 5.25"W x 0.75"H. Pattern number: 13590. Issued: 20th century Manufacturer: Shelley Country of Origin: England Condition: Age related wear.
• 4PC SHELLEY BONE CHINA TEA CUPS AND
  4PC SHELLEY BONE CHINA TEA CUPS AND SAUCERS, HAREBELL2 cups with matching 2 saucers, adorned with blue flower pattern and light blue trims. Shelley backstamps. Cup: 4.5"L x 3.75"W x 2.25"H. Saucer: 5.75"W x 1"H. Pattern number: 13590. Issued: 20th century Manufacturer: Shelley Country of Origin: England Condition: Age related wear.
• 2PC SHELLEY BONE CHINA SUGAR BOWL
  2PC SHELLEY BONE CHINA SUGAR BOWL AND CREAMER, HAREBELL...A set of white creamer and sugar bowl adorned with blue flower pattern and light blue trims. Shelley backstamps. Creamer: 4"L x 3"W x 2.75"H. Sugar bowl: 3.25"W x 2"H. Pattern number: 13590. Issued: 20th century Manufacturer: Shelley Country of Origin: England Condition: Age related wear.
• SHERATON STYLE PAINTED SATINWOOD
  SHERATON STYLE PAINTED SATINWOOD BIJOUTERIE TABLE LATE 19TH/ EARLY 20TH CENTURY the oval hinged glazed top painted with roses and ribbons raised on square tapered legs painted with harebell trails and joined by arched stretchers and an oval platform undertier painted with a musical trophy71cm wide, 71cm high, 48cm deep
• IRISH WALNUT TRIPOD TABLE MID
  IRISH WALNUT TRIPOD TABLE MID 19TH CENTURY the circular top with a foliate carved border raised on a fluted baluster column and open scrolling legs carved with harebells51cm diameter, 67cm high
• Y LOUIS XV STYLE ROSEWOOD,
  Y LOUIS XV STYLE ROSEWOOD, TULIPWOOD AND FLORAL MARQUETRY BUREAU PLAT, IN THE MANNER OF EDWARD HOLMES BALDOCK 19TH CENTURY applied with gilt bronze mounts, the shaped top with moulded edge and scalloped cartouche corner mounts, the burr walnut centre panel within a marquetry border of scrolling strapwork, acanthus scrolls and floral garlands, above a central single frieze drawer, the sides with similar marquetry and the ends with male masks, on cabriole legs headed by acanthus scroll and harebell cast full mounts trailing to scroll sabots158cm long, 78cm high, 87cm deepProvenance: The Ashley Hall Collection: By order of The Trustees of the J. Porter Trust & The Executors of the late Leonard RawcliffeNote: Edward Holmes Baldock (1777-1845) is listed in London Trade Directories of the period in various capacities. He first appears listed at 7 Hanway Street, London in 1805 described as a '...dealer in china and glass' and by 1821 as '...an antique furniture and ornamental furniture dealer'. By 1826 the various facets of the business included '...buying and selling, exchanging and valuing china, cabinets, screens, bronzes etc'. He is known to have repaired, re-modelled and adapted furniture, often 18th century pieces, but he also designed furniture both in the 18th century style and in more contemporary styles. The fashion for this type of inlay was popularised by the Tottenham Court Road inlayer and buhl manufacturer Robert Blake in the 1820s. By the 1840s the firm were trading as Blake, Geo. & Brothers, inlayers, etc' in Tottenam Court Road and Mount Street, Mayfair and were renamed George Blake & Co. sometime in the late 1840', and it is now generally assumed that pieces previously attributed to Baldock were in fact produced by the Blake family but sold under Baldock's name.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
• GEORGIAN STYLE MAHOGANY AND
  GEORGIAN STYLE MAHOGANY AND MARQUETRY DEMILUNE CARD TABLE 20TH CENTURY the fold-over top inlaid with a fan medallion and harebell trails, within a ribbon-tied border, opening to a green baize playing surface and raised on square tapered legs with harebell marquetry ending in spade feet, bearing an old trade label 'Sorrel, Montrose'85cm wide, 73cm high, 43cm deep
• Y GEORGE III SATINWOOD AND
  Y GEORGE III SATINWOOD AND MARQUETRY TEA CADDY LATE 18TH/ EARLY 19TH CENTURY of oval form with a shell motif roundel and ebonised stringing to the lid, the body with an ivory escutcheon and two oval panels of harebells, opening to reveal a single foil lined interior15.5cm wide, 11cm high, 8.5cm deepProvenance: The Late Jacqueline Cannon OBE of Chelsworth, SuffolkNote: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TT3V36B3Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
• CHARLES RENNIE MACKINTOSH
  CHARLES RENNIE MACKINTOSH (1868-1928) HAREBELLS watercolour, later framedsheet size 27.3cm x 23.4cm (frame 47cm x 37cm)Provenance: Acquired by William Meldrum, after the Memorial Exhibition 1933and by descent to his son, James MeldrumGiven to The Glasgow Art Club by Eva Meldrum, widow of James Meldrum, 1984Note: Colour began making a subtle, delicate appearance after a visit to Lindisfarne, Holy Island in 1901. ‘Harebells’ is a decorative and stylised piece, unusually created entirely in watercolour with no traces of the assured and technical pencil lines that one associates with his botanic studies. Nonetheless, each brushstroke is considered and placed with intent above spontaneity.This sketch, and the other works by Mackintosh in this sale, belonged to James Meldrum, having come from the collection of his father William Meldrum, Mackintosh’s friend and fellow student at the Glasgow School of Art in the 1880s. James Meldrum notably staged the 1933 Memorial Exhibition of Mackintosh’s work in the MacLellan Galleries on Glasgow’s Sauchiehall Street, along with his friend William Davidson. After James’ death, his widow Eva gifted the vast body of the William Meldrum Collection to the Mitchell Library, Glasgow. The series of works offered here were gifted to the Glasgow Art Club in the 1980s and now appear on the open market for the first time.
• A pine fire surround with shell and
  A pine fire surround with shell and scroll carved frieze on bracket supports above trails of harebells, the aperture 102cm x 100cm
• GROUP OF ENGLISH AMD AMERICAN
  GROUP OF ENGLISH AMD AMERICAN DISHWARE, MINTONS, COPELAND SPODE AND LENOXGROUP OF ENGLISH AMD AMERICAN DISHWARE, MINTONS, COPELAND SPODE AND LENOX, including 14 Lenox 'The Autumn' lunch plates, 11 Minton 'Marlow' lunch plates, 12 Copeland Spode dinner plates with floral burgundy borders, 11 Copeland Spode soup plates, 4 Shelley 'Harebell' saucers, three teacups, and three modern white porcelain dishes in the form of pineapples; and a 19th Century saucer dish (60)
• Pair of Belleek porcelain table
  Pair of Belleek porcelain table lamps, Bluebell Harebell pattern, 9-1/2" h to top of base
• A late 18th Century gilt gesso oval
  A late 18th Century gilt gesso oval wall mirror, the urn surmounts with trails of harebells and ribbon ties to the side and further trails beneath, the oval plate with surround of eight oval paterae, 129cm x 96cm overall
• A Louis XVI style gilt and green
  A Louis XVI style gilt and green painted Trumeau mirror, with an oval pastel portrait of a lady, half length, wearing a pale blue dress and pink shawl, the frame with shell crest and decorated harebells, 214cm x 130cm overall
• A late 18th Century Hepplewhite
  A late 18th Century Hepplewhite style chair with upright splats to the shield-shaped back, painted and decorated harebells with a central shell, upholstered seat on square taper legs with splay feet
• A fine giltwood and gesso oval wall
  A fine giltwood and gesso oval wall mirror of 18th Century style, the oval wreath surmount with central plume of feathers and surround of trailing acanthus scrolls and harebells, the base with drapes and acanthus scrolls terminating in a fan with central palmette support 224cm x 140cm
• A late 19th Century satinwood
  A late 19th Century satinwood Pembroke table, the top painted two women and a baby after Angelica Kauffman within a wreath type border, the two-flap top within a continuous band of ribbons and harebells, with harebells and garlands to the drawer front and legs, 37.5cm wide
• A 19th Century mirror back
  A 19th Century mirror back étagère with shell and harebell surmount and beaded clad columns, 70cm wide
• A LATE GEORGE III CAST IRON AND
  A LATE GEORGE III CAST IRON AND BRASS FIRE GRATE LATE 18TH CENTURY The arched fireback above a three bar grate with brass finials and ribbon and harebell motifs64cm wide, 69cm high, 37cm deep
• Y A CONTINENTAL GILTWOOD AND BOULLE
  Y A CONTINENTAL GILTWOOD AND BOULLE MARQUETRY GUERIDON EARLY 19TH CENTURY The circular top in red tortoiseshell and brass boulle marquetry, raised on three acanthus and harebell decorated C-scroll legs and a concave triform base with carved paw feet81cm high, 61cm diameter Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
• THREE LATE VICTORIAN PAINTED
  THREE LATE VICTORIAN PAINTED SATINWOOD CHAIRS LATE 19TH CENTURY in the Sheraton style, comprising a wheel-back armchair and side chair with stuffover seats, and a shield back armchair with a caned seat and loose cushion, variously painted with fan medallions, harebell trails, and a portrait of a lady(3)Largest 56cm wide, 93cm high, 42cm deep
• SHERATON REVIVAL PAINTED
  SHERATON REVIVAL PAINTED SATINWOOD BOWFRONT CORNER CABINET LATE 19TH/ EARLY 20TH CENTURY the arched cornice with painted lobed finials, above a bowfront glazed door enclosing glass shelves, over a central bowfront cupboard and drawer, decorated with harebell trails, figural reserves, and flower garlands, raised on slender square legs joined by stretchers64cm wide, 196cm high, 52cm deepProvenance: Property of a Lady of Glasgow
• PAIR OF SHERATON REVIVAL PAINTED
  PAIR OF SHERATON REVIVAL PAINTED SATINWOOD DISPLAY CABINETS EARLY 20TH CENTURY of D shape outline with an arched glazed door opening to glass shelves and curved glazed side panels, raised on square tapered legs ending in spade feet and joined by a conforming undertier, decorated with classical maidens emblematic of the Arts, trophies, harebell trails, and ribbon-tied swags(2)74cm wide, 158cm high, 34cm deepProvenance: Property of a Lady of Glasgow
• LATE GEORGE III MAHOGANY, GONCALO
  LATE GEORGE III MAHOGANY, GONCALO ALVES, MARQUETRY AND PENWORK CYLINDER BUREAU LATE 18TH CENTURY the top with a pierced brass gallery above a cylinder front opening to an interior with pigeon holes, drawers, and a brown leather slide, above a long frieze drawer, raised on square tapered legs ending in brass caps and castors; the whole with scrolling foliate, flowering cornucopia, and harebell trails inlay108cm wide, 107cm high, 62cm deep
• GEORGIAN MAHOGANY AND INLAID
  GEORGIAN MAHOGANY AND INLAID SERPENTINE STAGEBACK SIDEBOARD LATE 18TH CENTURY the serpentine stageback with tambour doors above a central long drawer flanked by a deep cellarette drawer and pair of drawers, raised on square tapered legs ending in block feet, outlined with stringing and with harebell and flowering urn inlay188cm wide, 112cm high, 68cm deep
• VICTORIAN WALNUT AND INLAY GILT
  VICTORIAN WALNUT AND INLAY GILT METAL MOUNTED CREDENZA 19TH CENTURY of shaped bowfront outline, with a central panel door inlaid with foliate scrolls and harebell trails, flanked by curved and glazed side cabinets with plush lined shelves, on a plinth base150cm wide, 104cm high, 41cm deepProvenance: The Bellamy Collection, County Down, Northern Ireland
• A Sheraton Revival satinwood oval
  A Sheraton Revival satinwood oval table, Bertram & Son, Dean St, Oxford St W, the two-flap top inlaid a central batswing patera within a border of drapes and harebells, the outer decoration of acanthus scrolls, husks, a cornucopia of foliage and urns to each end, fitted a drawer and plain frieze to the other side, both inlaid urns, swags, etc., on square taper legs with spade feet, No 02085, 98cm wide/Note: Bertram & Son were established in 1830, their trading premises in Dean Street from 1839/L
• An Edwardian silver stand, JR,
  An Edwardian silver stand, JR, Sheffield 1910, of Neoclassical design decorated swags of harebells, 10cm high and a silver bonbon dish, approximately 186g/Provenance: The Estate of Anthony J Beeson
• William Moorcroft for James
  William Moorcroft for James Macintyre & Co.. Florian Ware kantharos with harebells. c. 1903, glazed earthenware. 4½ h × 5? w × 4? d in. result: $313. estimate: $400–600. Ink-stamped red Macintyre logo to underside with painted green signature and red number 'W.M. des. M. 1567'.