A few examples of appraisal values for
HARRIET

• Wedgwood Figure Harriet designed by
  Wedgwood Figure Harriet designed by Shirley Curzor
• PORTRAIT MINIATURE OF A CHILD,
  PORTRAIT MINIATURE OF A CHILD, HARRIET EATON OF NCMiniature watercolor portrait of a young girl, believed to be Harriet Bolling Eaton of North Carolina (1791-1814), daughter of NC Revolutionary War General Thomas Eaton, depicted seated in a Chippendale chair, wearing a brown hat and white dress with blue sash and hat ribbon. Housed under glass in a copper brooch style frame with loop bail. Overall size: 2 1/4" H x 2" W. Circa 1800. Note: a 20th century note accompanying this portrait identifies the subject as Harriet Bolling Eaton. She was born in Warren, NC, to Anna Dade Smith, the third wife of Gen. Thomas Eaton, who was in his fifties at the time of Harriet's birth. At the age of 19, Harriet was married to 51-year-old Charles Grandison Field and apparently died during or just after the birth of their only child, Eaton Grandison Field. Eaton Field died without leaving any direct descendants, and this portrait descended in the family of Harriet's half sister, Anna Eaton Dudley, to Mary Bright Wilson of Tennessee. Property of the Lincoln County Museum, Fayetteville, TN; Bequest of Mary Bright Wilson (1909-2004), formerly of Fayetteville, and descended in her family. Condition: Image in very good condition. Some scattered dark spots appear to be on the reverse surface of the glass. Frame missing pin to back.
• Harriet Hardy 1828 Sampler in
  Harriet Hardy 1828 Sampler in green and brown threads alphabet and numbers ss: 11 1/4'' h. x 7 3/4'' w.; along with a needlework picture of a girl and her dog ss: 8 3/4'' h. x 10 3/4'' w.
• Pigott, (Harriet) The Private
  Pigott, (Harriet) The Private Correspondence of a Woman of Fashion, 2 vols., 12mo., orig. cloth backed boards, 1832
• ELIZABETH CATLETT (AMERICAN,
  ELIZABETH CATLETT (AMERICAN, 1915-2012) 9' x 7" image; 19 ½" x 11 ¾" paper "In Harriet Tubman I Helped Hundreds to Freedom" from the series "The Negro Woman, 1946-47 (re-titled The Black Woman, 1989)", 1946, printed 1989. Linocut print, signed in pencil lower right, marked P/A lower left, situated in a cream mat, unframed, overall with mat 21" x 17 ½". Included in permanent collections of the Smithsonian National Museum of African American History and Culture, and The Whitney Museum of American Art.
• Harriet Whitney Frishmuth
  Harriet Whitney Frishmuth (American, 1880 - 1980) "Star". Bronze sculpture with brown patina of a nude female reaching upwards with round bronze base, inscribed "HARRIET W. FRISHMUTH 1918". Approx. 19-1/4"T.
• Harriet Whitney Frishmuth (American
  Harriet Whitney Frishmuth (American 1880-1980). Girl with Frog bronze patinated bronze figural group modeled as young female nude pointing at a frog around rocky ledge signed in cast ''Harriet W. Frishmuth copyright 1910 Gorham Co. Founders G.R.C. '' 4 1/2 in. H. 6 1/2 in. W. Estimate $ 4 000-6 000 Patina loss bottom of ashtray portion: burn marks from use felt applied to bottom which is now old and decaying patina wear.
• ELIZABETH CATLETT (1915 - 2012):
  ELIZABETH CATLETT (1915 - 2012): HARRIETlinoleum cut on wove paper, unframed; pencil-signed and dated lower right; titled and numbered 42/60 lower left; 12 3/8 x 10 1/4 inches image; 28 1/2 x 19 inches sheet Condition:
• HARRIET F. A. SUTCLIFFE (BRITISH
  HARRIET F. A. SUTCLIFFE (BRITISH FL.1881-1922) HER NEW BROWN SHOES Signed with monogram, oil on canvas84cm x 125cm (33.5in x 41.75in)
• HARRIET BEECHER STOWE SIGNED LETTER
  HARRIET BEECHER STOWE SIGNED LETTER 1890United StatesSigned letter by author of "Uncle Tom's Cabin" and avid abolitionist reading "Trust in the Lord and do good written by your true friend, H. B. Stowe April 26, 1890."
• HARRIET LUSTIG, MODERNIST BIRD
  HARRIET LUSTIG, MODERNIST BIRD SCULPTURE Harriet Lustig (American, 1920-2008), Blue Bird, painted ceramic sculpture, mounted on black painted wood plinth, signed "Harriet Lustig" on plinth, 11.5"h x 9"l x 3.75"d
• Harriet Olasov (Charleston, South
  Harriet Olasov (Charleston, South Carolina, 1918-1962), signed lower right "Harriet Olasov '61" and titled verso, oil on Masonite, 20-1/2 x 27-1/2 in.; wormy chestnut frame,
• HARRIET SHORR, AM, 20TH C., 2
  HARRIET SHORR, AM, 20TH C., 2 WORKSHarriet Shorr, American, b.1939, Blue Present & Still Life, aquatint and monoprint, signed Dimensions: Framed 40 1/2 x 32 Property from the Milbank Collection (MTHM6527/2)(MM) Condition: In good condition overall , white margins a little toned and slight wave to sides
• Harriet Bowdoin (1880-1947,
  Harriet Bowdoin (1880-1947, NY/MA) oil on canvas Dutch figures and cottage with garden. 7" x 4.75" ss / 10" x 8" oa Condition: Losses to gilt on frame, wear consistent with age.
• NINTH PLATE TINTYPE PORTRAIT OF A
  NINTH PLATE TINTYPE PORTRAIT OF A WOMAN. American 3rd quarter-19th century. Depicting a seated woman. Preserver inscribed on reverse ''H.A. Dada''. Believed to be Hattie (Harriet) A. Dada. In a Union case with a shield eagle flags and bust of George Washington. Harriet Dada (Harriet Dada Emens) enlisted as an army nurse in Alexandria Virginia on July 23 1861 and served a total of four years two months in military hospitals throughout the War.
• Oil on canvas portrait of a woman
  Oil on canvas portrait of a woman 19th c. mounted in a gilt frame label verso "Aunt Harriet Ball Dodson". 30.5"x23.5"
• Harriet Manigault archive,
  Harriet Manigault archive, miniatures: (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), The Manigault name is among the most prominent in South Carolina and specifically Charleston history, society, politics and business. At his death in 1781, Gabriel Manigault I was listed as one of the three richest men in the country, having established his wealth through investments in rice plantations and slaves. Gabriel Manigault’s grandson and namesake continued developing the family’s wealth and interests after his father Peter’s death in 1773. It was Gabriel Manigault II (1758-1809) and his wife Margaret Izard, daughter of Ralph Izard, that decided to leave the heat of Charleston and relocate to the Philadelphia, Pennsylvania, area. He purchased the then famous house “China Retreat”, renamed Clifton, and moved his family permanently so as to facilitate their social, business and health needs. Their fifth child, Henrietta, or Harriet, Manigault (1793-1835) grew into womanhood at “Clifton” enjoying the social season there and in Charleston, South Carolina. She sketched profiles of her close friends and family. Found in a drawer, this important intact archive of miniature portraits is a rare collection from one of the South’s most important families; accompanied by a copy of Manigault, The Diary of Harriet Manigault 1813-1816 , The Colonial Dames of America, Chapter II, 1976, with material compiled by Virginia and James S. Armentrout, Jr.; correspondence with James Armentrout, material relating to the Lemon Hill Exhibition; correspondence with Martha Severens, Gibbes Art Museum, Charleston, South Carolina; receipts and correspondence with The Baltimore Museum of Art; receipts and correspondence with the Henry Francis du Pont Winterthur Museum libraries; notebook of photos of original sketchbook and other research material. Detail A – Benjamin Trott miniature portrait, Harriet Manigault (Mrs. Samuel Wilcocks, 1793-1835, daughter of Gabriel Manigault and Margaret Izard) in a wedding dress, circa 1816, unsigned, attributed to Benjamin Trott, Philadelphia, Pennsylvania, 1770-1842, watercolor on ivory, label verso with sitter’s name, rectangular 3-1/4 x 2-5/8 in.; 19th century oval gilt brass frame with velvet liner, frame label verso for "Earles Galleries, Philadelphia". Water damage at bottom left corner, backed (laid down) on aluminum panel, two splits (one through center full length), restoration by Geoffrey Michael Lemmer, Senior Conservator, The Baltimore Museum of Art, March 5, 1975 (accompanied by receipt); frame with wear, liner faded and worn. Detail B – Harriet Manigault watercolor (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), "China Retreat" or "Clifton", a rear view, signed lower left "Harriet" and inscribed in pencil "Copied from a view taken by Tom Middleton", watercolor and ink on paper, inscriptions verso backing paper by consignor, image 2-3/8 x 3-5/8 in., page 4 x 5-1/2 in.; 20th century painted and gilt wood frame. Minor light toning and foxing, some handling grime, taped to verso of mat at four corners with cellophane tape; frame with abrasions. China Retreat was built in 1796 by Andreas Van Braam (Dutch/American, 1739-1801) who represented Holland as Ambassador to China in 1790. Van Braam’s eccentric lifestyle forced him to sell China Retreat, in 1807. It was purchased by Gabriel Manigault. Detail C – Harriet Manigault miniature portrait (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), profile portrait of "Mrs. McEwen 1817" (Nancy Izard, daughter of Ralph Izard, Jr., Harriet’s first cousin who married Dr. Thomas McEwen), watercolor over pencil, 2-1/4 in. diameter; oval gilt brass frame. Water stain; frame with corrosion and abrasions. Detail D – Harriet Manigault miniature portrait (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), profile portrait of Mrs. Alfred Swift nee Mease, circa 1815-1817, watercolor over pencil on paper laid on copper foil and laid on pastel-finished paper, inscsribed verso backing "Mrs. Alfred Swift/nee Mease/painted by Mrs. Wilcocks/about 1820/owned by D...Mitchell crossed out John R. Mitchell", oval image 3-1/8 x 2-3/8 in., page 6-1/8 x 4-1/2 in.; possibly original 19th century gilt wood frame. Minor light toning; frame with abrasions, old wallpaper remnants verso. Detail E – Harriet Manigault miniature portrait (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), profile portrait of Mrs. John Butler nee Morris, circa 1815-1817, watercolor over pencil on paper laid on copper foil and laid on pastel-finished paper, inscription verso backing "Mrs. John Butler Nee/Morris, painted by/Mrs. Wilcocks about 1820/owned by ... Mitchell crossed out John R. Mitchell", newer backing states "(Actually painted by Harriet Manigault some time between 1813-1817. Miss Morris was Harriet’s oldest sister.../Elizabeth, Miss Morris became Mrs. Butler in 1827", oval image 3-1/8 x 2-3/8 in., page 6-1/8 x 4-1/2 in.; possibly original gilt wood frame. Foxing, minor light toning; frame with abrasions, old wallpaper remnants verso. Detail F – Miniature portrait, attributed to Walter Robertson (Irish/American, 1750-1801), half portrait of Ralph Izard, Sr. (Charleston, South Carolina, 1742-1804), grandfather of Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835, letter dated July 11, 1984, from Martha Severens, Curator, The Gibbes Museum of Art, states "I think the attribution to Walter Robertson is a sensible one as it resembles the work of Gilbert Stuart...", watercolor on ivory, 2-1/2 x 2 in.; gilt brass oval frame, verso with original foil and window surrounded with seed pearls over woven hair. Restoration to cracks in ivory with related retouch mostly in background, coat and limited in face, restoration completed by Geoffrey Michael Lemmer, Senior Conservator, The Baltimore Museum of Art, 1976 (accompanied by copy of estimate); frame a 19th century replacement with corrosion and wear. Detail G – Harriet Manigault’s sketchbook (Harriet Manigault Wilcocks, Philadelphia, Pennsylvania, 1793-1835), 71 laid paper pages with 14 pencil profile portraits including "Mrs. Manigault" (Harriet’s mother), "Mr. Harry Manigault" (Harriet’s brother), "Miss Mease" (Harriet’s friend), others not titled but likely her sisters, brothers and friends, one of her Aunt Izard, and in various states of completion, with ten loose sketches, five engravings, one calling card for the "Comtesse Ladislas de Diesbach nee Sanchis", colourman label on front of sketchbook for "Kimber & Conrad...Philadelphia..." and inscribed "Henrietta Manigault", 7-7/8 x 6-1/2 in.; detailed listing available. Wear to binding, inscribed on edge "C. Manigault", some toning and light foxing. Collection of a Gentleman
• HARRIET HN3177 - ROYAL DOULTON
  HARRIET HN3177 - ROYAL DOULTON FIGURINEArtist: Douglas V. Tootle Issued: 1988 - 1991 Dimensions: 7.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• ARTIST UNKNOWN. "HARRIET TUBMAN,
  ARTIST UNKNOWN. "HARRIET TUBMAN, THE MOSES OF HER PEOPLE, 1820-1913," LITHOGRAPH (American, 20th century). Lithograph, signed illegibly ll, 1820-1913" lr, sight size: 10 3/4 x 8 in., framed.
• HARRIET FISCHER (DENMARK,
  HARRIET FISCHER (DENMARK, 1895-1981), OIL ON CANVAS, DEPICTS WOMAN SEATED IN TRADITIONAL WEAR, SHE WEARS A SHEER SHAWL, HAIR PIECE AND HOLDING A SMALL FAN, SIGNED AND DATED 1952 LOWER RIGHT, INSCRIPTIONS VERSO, FRAMED...Harriet Fischer (Denmark, 1895-1981), oil on canvas, depicts woman seated in traditional wear, she wears a sheer shawl, hair piece and holding a small fan, signed and dated 1952 lower right, inscriptions verso, framed, wear consistent with age, ss: 24 3/4" h. x 19 1/2" w.
• HARRIET BOWDOIN (ATTRIB.), OIL ON
  HARRIET BOWDOIN (ATTRIB.), OIL ON BOARD Attributed to Harriet Bowdoin (American, 1880-1947), Wooded Lane, oil on board, no signature observed, 22.25"h x 14.75"w (sight), 30"h x 22.5"w (frame)
• Harriet Whitney Frishmuth
  Harriet Whitney Frishmuth (American, 1880 - 1980) Sweet Grapes, 1928 patinated bronze Inscribed Harriet Frishmuth, dated and stamped Gorham Co Founders OGAF (base) Height 19 inches.
• Embroidered needlework sampler,
  Embroidered needlework sampler, nine line verse in three panels, floral, leaf and vine borders, frolicking animals above "Harriet Taylor Her Work Finished January 28 Aged 10 years", silk on linen, probably British, first quarter 19th century, 16 x 14 in. (sight); gilt wood frame. Fading, browning, losses to fabric especially along edges; frame with losses.
• HARRIET LORD (MASSACHUSETTS/NEW
  HARRIET LORD (MASSACHUSETTS/NEW JERSEY, 1879-1958), FIGURES OUTSIDE A CHURCH, LIKELY NEW MEXICO., OIL ON BOARD, 16" X 13". UNFRAMED.HARRIET LORD, Massachusetts/New Jersey, 1879-1958, Figures outside a church, likely New Mexico. Signed upper right "Harriet Lord". Dimensions: Oil on board, 16" x 13". Unframed.
• HARRIET ROOSEVELT RICHARDS
  HARRIET ROOSEVELT RICHARDS (CT/DE, 1867-1932) "Portrait of a Lady" (Mrs. J. Whitney Blake of New Haven, Conn.), pastel on paper, signed upper left, exhibition label verso from New Haven Print and Clay Club Annual Exhibition of 1924, loaned by the subject, housed in a magnificent hand carved gilt matched corner frame, glazed, OS: 47" x 37", SS: 39" x 29". Good condition.
• Schoolgirl Needlework probably
  Schoolgirl Needlework probably American, 19th century, four-line verse over a temple, stitched bottom in two parts, "Harriot Mons Fitzsim/her work aged 10th/years", flower basket and bird motifs throughout, floral border, silk on linen, 15-3/4 x 16 in. (sight); later rosewood frame,
• 19th century portrait, seated young
  19th century portrait, seated young woman wearing a lace-trimmed dress, "Painted by Frothingham" and "Harriet Browne Biv…" inscribed verso stretcher, unsigned, oil on canvas, probably American, circa 1820's, 35-3/4 x 26-3/4 in.; original water gilt frame. Lined (adhesive) and restretched on old stretcher, crackle, two periods of restoration and retouch affecting 30 percent of surface primarily in background; frame with abrasions and some retouch. The Estate of the Late C. David Williams, Atlanta, Georgia
• School of John Hoppner (British,
  School of John Hoppner (British, 1758-1810) "Portrait of Miss Harriet Bladen", oil on canvas, unsigned, inscribed in ink on an old paper label en verso "Miss Harriet Bladen, Born 1734-died 1821, daughter of Colonel Bladen, Named as his Second Wife in 1767, William Anne Capell, 4th Earl of Essex, Painted by John Hoppner RA", inscribed on canvas verso "Portrait of Miss Harriet Bladen by John Hoppner, Lined, Cleaned, Inpainted in Oct 1969 by Trovaloi Conservators, Grandbay, Alabama", 30-1/2" x 25-5/8". Presented in a 19th-century giltwood frame.
• Potter (Beatrix), several Frederick
  Potter (Beatrix), several Frederick Warne & Co. copies of Beatrix Potter Tales including The Tailor of Gloucester, The Tale of Pigling Bland (2), The Tale of Squirrel Nutkin, The Tale of Tom Kitten; together with Bannerman (Helen), The Story of Little Black Quibba, London: James Nisbett & Co. Ltd., 1903 (6)
• Harriet T. Jeffries (American,
  Harriet T. Jeffries (American, 1919-1982) "Over Yonder" Oil on canvas Initialed lower left and dated verso Jeffries was an Indiana artist. 17 1/2" x 21 1/2"
• GROSE Harriet Estella (American
  GROSE Harriet Estella (American 1864-1914): Neoclassical scene with lovers in a courtyard OIL/Canvas 20'' x 28'' signed lower left dated 1892 carved gilded and painted period frame 31'' x 38''.
• Bernard Cathelin (French,
  Bernard Cathelin (French, 1919-2004) A Harry et Harriet lithograph artist prood, marked E.A., inscribed, signed and dated (lower margin) Image 8 1/4 x 15 1/2 inches; framed 20 1/2 x 25 3/4 inches.
• AMERICAN SAMPLER. Harriet McCoy
  AMERICAN SAMPLER. Harriet McCoy New Hampshire 1836 silk on linen. Floral baskets hillocks trees and a feathered plume similar to the Canterbury sampler motif. Signed and dated. In a frame 18 3/4''h. 16 3/4''w. A Harriet McCoy is listed as being born in Goffstown Hillsboro County in February 1821. She was the fourth of ten children born to Nathan and Bathsheba (Sargent) McCoy and married W.W.Graves in 1850. Light ground with bright color. A few spots mainly in right border.
• HARRIET MOTTES OIL ON BOARD
  HARRIET MOTTES OIL ON BOARD "MITCHELL'S BOOK CORNER"Harriet Mottes Oil on Board "Mitchell's Book Corner" , signed lower left H. Mottes, in molded gilt frame 8 in. x 5 in. Framed 11 in. x 8 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• LADY HARRIET ASHBURN PORTRAIT OIL
  LADY HARRIET ASHBURN PORTRAIT OIL ON CANVASAttr. Henry William Pickersgill, U.K. (1782 - 1875). Large portrait of Lady Harriet Ashburn, attributed to Henry William Pickersgill, in gilt frame. Measures 56.5"H x 46.5"W framed; 49"H x 39"W unframed.
• HARRIET BLACKSTONE "PORTRAIT OF A
  HARRIET BLACKSTONE "PORTRAIT OF A CHILD", O/B Harriet Blackstone (American 1864 - 1939), "Portrait of a Child", half length minimalist portrait of a young boy with a pale face, oil on board, apparently unsigned, framed. Approx. h. 21.5", w. 18.5" (frame), h. 17.5", w. 14.5" (board).