A few examples of appraisal values for
HARRINGTON AND RICHARDSON

• HARRINGTON, JONATHAN. HURRAH!
  HARRINGTON, JONATHAN. HURRAH! HE’S COMING! WHO? WHY, PR...Boston: Hooton’s Press, 1854. Handsome woodcut broadside bearing a full-length portrait of Harrington, who holds a plate in one outstretched hand on which rests a bird. Among the feats announced on the bill are “the wonderful egg market,” “remarkable potatoes, or a hint to farmers,” “The Bohemian’s Dinner,” and Harrington’s considerable talents as a ventriloquist and impressionist. 9 1/8 x 20 ¼". Minor over-coloring, three closed tears; A-.
• George H. Harrington Lithograph
  George H. Harrington Lithograph couple in carriage with an unruly lead horse 12'' x 19''.
• Harris & Summers after J F
  Harris & Summers after J F Herring Sr./National Sports, Racing/four colour engravings, 33cm x 63cm
• Harry Linley Richardson (British,
  Harry Linley Richardson (British, 1878 - 1949) framed and matted watercolor of a Pacific Northwest Native American building with figures titled "Gathering", signed lower left, 11" x 15"
• HARRINGTON MANN 'SIBLINGS' OIL
  HARRINGTON MANN 'SIBLINGS' OIL PAINTINGHarrington Mann, Scotland (1864-1937) Oil painting on canvas 'Siblings' of young boy & girl, signed lower right and dated 1926. Painted black frame with gilt designs on all sides. Measures 42.5"H x 38.5"W framed; 28.5"H x 25.5"W unframed.
• TWO 18TH CENTURY BRITISH PORTRAIT
  TWO 18TH CENTURY BRITISH PORTRAIT ENGRAVINGS To include an engraved portrait of Sir William Wyndham Barrister after Jonathan Richardson Senior, 1741; to also include a mezzotint portrait of Edward Augustus, Duke of York and Albany after Henry Morland, circa 1750-1763, each framed.
• JOHN ALEXANDER HARRINGTON BIRD
  JOHN ALEXANDER HARRINGTON BIRD (BRITISH 1846-1936)JOHN ALEXANDER HARRINGTON BIRD (BRITISH 1846-1936) Gentleman on Horseback , oil on panel 40.5 x 30.3 cm (16 x 11 7/8 in.) signed lower right CONDITION Observed in frame. The work appears in age-appropriate condition. Scattered scuffs to the sky visible to the naked eye. Minor loss of paint to the right edge. Inspection under UV shows a heavy layer of varnish, no restoration or repairs. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
• E. Harrington (late 19th/early 20th
  E. Harrington (late 19th/early 20th century) Portrait of a Native American Boy, signed lower right "E. Harrington 02", oil on canvas, 20 x 15-7/8 in.; black-painted frame,
• A contemporary oil on board, museum
  A contemporary oil on board, museum goers, signature lower left, J Harrington. Image 7 x 8 Overall in a gilt frame 14” x 14.5” Condition: very good CT Transfer Fee $10
• Edward RichardsonRHINELANDsigned
  Edward RichardsonRHINELANDsigned and dated 1880watercolour 32cm x 46cm (12.5" x 18")
• GEORGE HARRINGTON (AMERICAN -
  GEORGE HARRINGTON (AMERICAN - MASSACHUSETTS, 1833 - 191...George Harrington (American - Massachusetts, 1833 - 1911), autumn landscape with birch trees, oil on canvas, in ornate gilt frame, signed on back stretcher bar "George Harrington 1892", 12" x 15". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• HARRIERS, AFTER JAKOB HACKERT
  HARRIERS, AFTER JAKOB HACKERT Handcolored engraving by William Leney depicting a group of Harrier foxhounds, after the original painting by Jakob Hackert for William Beckford, Esq., matted in frame; 27.5"H 32.5"W overall
• Gould & Richter (British 19th
  Gould & Richter (British 19th century) PAIR WORKS: HUMMINGBIRDS color lithographs framed inscribed lower margin sight size: H22'' W12 1/2'' (2pcs) Provenance: Charlotte North Carolina estate. Both appear to be in good condition and are handpainted. Not examined out of frame.
• Richard T. Taggart (1904-1989
  Richard T. Taggart (1904-1989 Altadena CA) Herma Reach Portrait of a Woman in Stripes
• § RICHARD HAMILTON C.H. (BRITISH
  § RICHARD HAMILTON C.H. (BRITISH 1922-2011) IN HORNE'S HOUSE, 1981 Etching, engraving and aquatint, 10/120, signed, dated, inscribed and numbered in pencil to margin, published by Waddington Graphics, London, printed by Atelier Crommelynck, Parisimage size 52 1/2cm (20 3/4in),  43cm (17in)Provenance: Alan Cristea Gallery, London
• J. Gould & H. C. Richter
  J. Gould & H. C. Richter [HUMMINGBIRDS] Five hand-colored lithographs Estimate:$1,500-$2,500
• WHARTON HARRIS ESHERICK (1887 -
  WHARTON HARRIS ESHERICK (1887 - 1970): FOUR BOOK PRINTStaken from "Thwarted Ambitions"; with book front cover; all matted and framed together under UV plexiglass, each print: 3 1/2 x 4 inches sight; 20 1/2 x 17 inches frame Condition:
• ROBERT HARRINGTON (1800-1882)
  ROBERT HARRINGTON (1800-1882) PORTRAIT OF A CHESTNUT STALLION BY A THATCHED BARN board, 29 x 39cm Provenance: John Noott, Broadway, Worcestershire.
• JAMES R. HARRINGTON 'FAMILY BEACH
  JAMES R. HARRINGTON 'FAMILY BEACH DAY' O/CJames R. Harrington, U.S. (1929-) Oil on canvas of a family group at the beach, signed lower right. Measures 19.5"H x 25.5"W framed; 18" x 24"W unframed.
• ARTHUR R. HERRICK (MA/NH,
  ARTHUR R. HERRICK (MA/NH, 1897-1970) "Gossips, Rockport, Mass.", oil on board, signed lower right; depicting three women conferring on a summer street in front of a colonial house, housed in a fine handcarved gilt matched corner bullnose frame, OS: 32" x 37", SS: 24 1/2" x 29 1/2", good condition.
• TWO OIL ON CANVAS ABSTRACT WORKS BY
  TWO OIL ON CANVAS ABSTRACT WORKS BY PAT HERRINGTON Pat Herrington (American 1934-2014), two abstract works, circa 1961, executed in oil on canvas, both employing cubist elements and bright colors, larger piece signed and dated '61 at lower left, the smaller framed piece apparently unsigned. Larger approx: h. 20.25", w 16.25", d. 1.5". Smaller: h. 19", w. 10.5", d. 2".
• Frederick Stuart Richardson
  Frederick Stuart Richardson (1855-1934)/Waiting For the Catch/signed lower right/watercolour, 33cm x 49cm
• JAMES R. HARRINGTON 'DAY AT THE
  JAMES R. HARRINGTON 'DAY AT THE BEACH' O/CJames R. Harrington, U.S. (1929-) Oil on canvas of people enjoying the beach, signed lower left. Measures 19.5"H x 25.5"W framed; 18"H x 24"W unframed.
• BARRIE WENTZELL (b. 1942): RICHIE
  BARRIE WENTZELL (b. 1942): RICHIE HAVENS 1969 AND TAJ MAHAL 1970 Two gelatin silver prints each signed titled dated and numbered 28/50; 16 x 20 in.
• JAMES HARRINGTON (B. 1929)
  JAMES HARRINGTON (B. 1929) AMERICANGarden encounter, oil on canvas, 13 1/2 x 17 1/2 inches, signed, “The Gallery at Four Indian street” label verso.
• RICHARD HANSON (B1910) FLOWERS
  RICHARD HANSON (B1910) FLOWERS signed and dated 77, panel, 44.5 x 36.5cm
• Harry Russell Ballinger
  Harry Russell Ballinger (Connecticut, 1892-1993) Litchfield Hill, signed lower right "HR Ballinger", oil on canvas, 25 x 30 in.; carved and painted Newcomb-Macklin frame,
• Attributed to John Frederick
  Attributed to John Frederick Herring (1815-1907)/A Refresher after a Hard Run/Something That Has Been/pencil and body colour on paper (stained), 18.5cm x 26cm/and a pair of hunting prints published by J Ryman entitled A Gallop with Jem Hills from Bradwell Grove and The Hunting Breakfast (4)
• De Marcillac Handcolored Print of
  De Marcillac Handcolored Print of Hunterson horseback with dogs 19'' x 25'' pencil signed.
• After Benjamin Herring, Jr.
  After Benjamin Herring, Jr. (British, 1830-1871) "Gathering for the Hunt" and "The Chase", rare pair of large colored lithographs, both signed in pencil lower right "Ben Herring" and dated 1867, plate signed lower left, sheet 19-1/2" x 42-1/2". Glazed and presented in good period bird's-eye maple frames in the neoclassical taste.
• RICHARDSON, Harry, (American,
  RICHARDSON, Harry, (American, 20th C.): Freight Wagon, Watercolor, 13 1/4'' x 20 1/2'' signed, framed, 25'' x 30'', signed, titled and dated 1973 verso.
• Frederick Stuart Richardson
  Frederick Stuart Richardson (1855-1934)/Gathering the Catch/signed lower left/watercolour, 34cm x 44cm
• 1860 Letter to Samuel Colt from
  1860 Letter to Samuel Colt from H. Richardson Regarding a Call for Arms 1p approx. 9.25 x 10.75 in. Richmond VA 26 Jan. 1860. Signed by Wm. H. Richardson Adjutant Genl. of Virginia. To Samuel Colt requesting an exchange of arms and possible purchase of others. General Richardson requests of Colt: In the extraordinary call for arms of all descriptions growing out of the occurrences at Harpers ferry in October last the State is in want of some descriptions of arms for immediate use that cannot be procured as speedily as nessary. The Legislature had made large appropriations both for pulling the Armoury into operation and for the purchase of arms - both which measures a gentleman who I understood was connected with your establishment called on me not very long since and in a brief conversation which was all i then had time for stated that any portion of the arms which the Governor purchased of you could be exchanged for such others as teh State has most immediate need of. In that case we desire to exchange the revolving rifle muskets for Cavalry sabres & probably pistols & that immediately. Can you do this & if so upon what terms? General William H. Richardson formed the First Regiment of Virginia Volunteers in May 1851 from volunteer militias in Richmond and surrounding counties. The regiment consisted of ten companies by the middle of the decade before the war and many were mustered into Confederate service once war erupted. The regiment was called out to defend Harpers Ferry only to find Brown and his men had already been captured by a unit of U.S. Marines under command of Col. Robert E. Lee. One wonders if General Richardson ever regretted trading those revolving rifles. Colt had produced an experimental revolving rifle some decades earlier but the real production piece was rolled out in 1855 and was not widely distributed for a couple years while design adjustments were made. The early revolvers (both pistol and rifle) used paper cartridges and ran the risk of ''chain fire'' if gunpowder leaked into crevices around the firing cylinder. This loose powder could then ignite and ignite any other unfired cartridges in the cylinder which then drove metal and hot gases into the arm and wrist of the user. (Pistols weren't quite as much of a problem since they were held behind the trigger and cylinder.) As a result commanders distrusted the weapon and eventually Colt stopped producing them even though the development of metal cartridges would solve the problem and revolving pistols remained popular. This may have been a contributing reason for Richardson wanting to exchange these weapons. If maintained properly however they could be effective. Colt did sell between four and five thousand to the U.S. Military during the Civil War. Reportedly Confederate forces at Snodgrass Hill in the Battle of Chickamauga thought they were facing an entire division when in fact it was only the 21st Ohio armed with Colt 1855 revolving rifles. Condition: One vertical fold with light toning along that and the edges. Edges also have short tears and some chips of paper missing but none interfere with text.
• Harvell after G Walker/Horses and
  Harvell after G Walker/Horses and Jockeys/published by Robinson & Son/hand coloured print, 20cm x 30cm/and a naive oil of a gentleman holding a hunter in a landscape, 22.5cm x 38cm
• Circle of Jonathan Richardson
  Circle of Jonathan Richardson (1665-1745)/Portrait of Mrs Howe Hicks (circa 1694-1728)/half-length, wearing a green dress with a red ribbon tie at her breast/feigned oval/oil on canvas, 76.5cm x 63cm/Note: The daughter of Jeffrey and Fortune Watts of Great Leighs in Essex and the widow of Benjamin Eames she married Howe Hicks (1689-1727) in 1717/Literature: 'A Cotswold Family' p.241 'she is so absolutely Georgian in appearance that she might have come directly from corrupt little Herrenhausen it
• Pair of Fine Pettipoint
  Pair of Fine Pettipoint Embroideries image of boy & girl.