A few examples of appraisal values for
HARVARD

• HARVARD JUNIOR WAGONca. 1910; paint
  HARVARD JUNIOR WAGONca. 1910; paint decorated wagon in green, yellow, black and red, painted with "Harvard Junior" on each side, two taller sides are included, 47"x 24 1/2"x 31 1/4"; Condition: appears complete with some fading to paint and minor age and use wear
• 14K YELLOW GOLD 1919 "HARVARD"
  14K YELLOW GOLD 1919 "HARVARD" CLASS RING14k Yellow gold 1919 "Harvard" class ring signed "Shreve & Co." interior engraved G.G.D., size 9.5, 6.1g.
• Group of Reference and Story Books
  Group of Reference and Story Books lot of 12, includes: Whiteford, Andrew Hunter. North American Indian Art: A Golden Science Guide. 1973 Whiteford, Andrew Hunter. North American Indian Art: A Golden Science Guide. 1970 Drucker, Philip. Cultures of the North Pacific Coast. 1965 Stewart, Hilary. Looking at Indian Art of the Northwest Coast. 1979 Miller, Mary Ellen. The Art of Mesoamerica: From Olmec to Aztec Revised Edition. 1996 Highwalker, Jamake. The Sun, He Dies. 1980 Hillerman, Tony. Sacred Clowns. 1993 Conn, Richard. Robes of White Shell and Sunrise: Personal Decorative Arts of the Native American: Catalog of an Exhibition Denver Art Museum, November 9, 1974-January 19, 1975. Denver Art Museum, 1974 Drooker, Penelope Ballard, and Patricia Capone. Makers and Markets: The Wright Collection of Twentieth-Century Native American Art. Peabody Museum of Archaeology and Ethnology, Harvard University, 1998. Wenger, Gilbert R. The Story of Mesa Verde National Park. 1980 Penney, David. W. Art of the American Indian Frontier: The Chandler-Pohrt Collection. 1992 Highwalker, Jamake. The Sweet Grass Lives On: Fifty Contemporary North American Indian Artists. 1980
• 9VOL C. DICKENS BOOKS WITH EARLY
  9VOL C. DICKENS BOOKS WITH EARLY EDITIONS A grouping of nine books by or about Charles Dickens: Charles Dickens Rare Print Collection. Edited by Seymour Eaton. Published for Private Circulation by R. G. Kennedy and Company, Philadelphia. 1900. Contains prints in 10 sections, for 75 plates. All appear to be present. Bound in original boards with cloth ties. Some chipping and loss to covers. Interior plates look good with some light tearing and chipping at the edges. Brown section folders are chipping from age. Front cover has some splitting at the spine. David Copperfield by Charles Dickens. Published 1926 by J.M. Dent. Everyman's Library edition. Bound in red leather with gilt decoration.12mo. 823pp. Wear on boards and light marking on the interior. The Life of Our Lord by Charles Dickens. Published 1934 by Associated Newspapers, London. Early edition. Bound in blue leather boards with gilt titling on the spine. Dust jacket present. 4to. 127pp. Light wear and foxing observed. Otherwise a very nice example. Christmas Stories From All The Year Round by Charles Dickens. Published at 26, Wellington Street, Strand. Undated. Most likely from 1860s. Original green boards with blind stamping on the front and back and gilt titling. 4to. Some wear on boards, chipping on pages. Light marking and foxing present. Drawn from Life by Charles Dickens. Published 1875 by E.J. Hale and Son, New York. Bound in green boards with gilt decoration on the front and gilt titling on the spine 8vo. 320pp. Wear on boards and some light wear on the interior. Some foxing and yellowing observed. Pencil marks may be present at the front. Charles Dickens's Letters to Charles Lever. Edited by Flora Livingston with an Introduction by Hyder Rollins. Published 1933 by Harvard University Press. Bound in brown boards with gilt decoration and titling. 8vo. 65pp. Very good condition with light wear. A printed letter is present on the front free endpaper. Dombey and Son Part 1 by Charles Dickens. Published 1848 by Bradbury and Evans. First edition. Early printing. Only volume 1 of this work. 8vo. 230pp. Bound in olive colored leather with marbled boards. Wear on boards and light foxing on pages. Oliver Twist by Charles Dickens. Household Edition. Published 1850s by D. Appleton and Company, New York. 4to. 204pp. Bound in green boards with gilt titling and decoration on the front. Book has been repaired with a green spine with gilt titling. Martin Chuzzlewit by Charles Dickens. Published by New World Press in 1840s. Large edition. 4to. 190pp. Leather spine with dark brown boards. Gilt titling on the spine.
• WWII LT. COL. ARTHUR M. WOOD
  WWII LT. COL. ARTHUR M. WOOD GROUPING United States,C. 1941-45Two officers Class A tunics with Army Air Corps insignia; a pair of pink trousers and belt; officers cap; large group of letters and records; a cased Legion of Merit medal and related letters; distinctive and collar insignia; and a name plate. Note: From Col. Wood's obituary in the New York Times: "He graduated Phi Beta Kappa from Princeton University and received a law degree from Harvard in 1937. After graduation, he joined the law firm of Bell, Boyd & Marshall in Chicago. In 1941, he joined the Army Air Corps, serving as a lieutenant colonel, and was part of a group planning the strategic bombing of Germany. In 1946, both Mr. Wood and his brother, Robert, joined Sears at the behest of General Robert E. Wood, the company's chairman and a family friend, though not a relative. Mr. Wood's first task was to set up the legal department."
• HARVARD NEBRASKA AND OTHER WORLD
  HARVARD NEBRASKA AND OTHER WORLD WAR TWO PILLOW COVERSThe four satin covers with fringe as shown.Very clean, fine condition free from stain, damage, odor or repair - apparently unused.
• SEARS GALLAGHER (AMERICAN,
  SEARS GALLAGHER (AMERICAN, 1869-1955), FIVE HARVARD UNIVERSITY ETCHINGS Each an etching, some pencil signed and with inscriptions (several are trial proofs), unframed.
• 22 VOLUMES THE HARVARD CLASSICS22
  22 VOLUMES THE HARVARD CLASSICS22 volumes Harvard Classics leather bound books, P.F. Collier & Son Corporation, New York, 62nd printing, 1969. Including: Bacon Milton Browne, English Essays, Franklin & Penn, Cervantes, R.H. Dana Jr. Two Years Before the Mast, American Historical Documents, Walton & Bunyan, Ralph Waldo Emerson Essays & English Traits, Stories From the Thousand and One Nights, Prefaces & Prologues, English Poetry (3 volumes), The Divine Comedy, Edmund Burke, The Odyssey of Homer, Folklore & Fable, Charles Darwin The Voyage of Beagle, Plato, Plutarch's Lives, Essays English & American, Elizabethan Drama. Each book 8 5/8" x 5 3/4". Burke first pages torn, one English Poetry spine torn, Fables spine torn, corners bumped and some with minor discoloration and scratches to covers.
• COLLECTION OF ART REFERENCE BOOKS
  COLLECTION OF ART REFERENCE BOOKS ON ASIAN CERAMICS ?????????????????????????????????????????????????????????????????????including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita,A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramicsof the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974Mowry, Robert D., Farrell, Eugene, Coolidge Rousmaniere, Nicola, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black-Glazed Ceramics, 400-1400, Cambridge: Harvard University Art Museums, 1997Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition, Bath: The Museum of East Asian Art, 1993Pierson, Stacey (ed.), Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties, London: Percival David Foundation of Chinese Art, 2002Pierson, Stacey, Blue and White for China: Porcelain Treasures in the Percival David Collection, London: School of Oriental and African Studies, 2004Pierson, Stacey, Designs as Signs: Decoration and Chinese Ceramics, London: School of Oriental & African Studies, 2001Pierson, Stacey, Earth, Fire and Water: Chinese Ceramic Technology: A Handbook for Non-specialists, London: School of Oriental and African Studies, 1996Pierson, Stacey, Percival David Foundation of Chinese Art: Illustrated Guide to the Collection, London: School of Oriental & African Studies, 2004Pierson, Stacey, Song Ceramics: Objects of Admiration, London: School of Oriental and African Studies, 2003Pope, John Alexander, Chinese Porcelains from the Ardebil Shrine, London: Sotheby Parke Bernet Publications, 1981Priestley & Ferraro, Chinese Art: Song Ceramics & Works of Art, 2014Riggs, Thomas (et al.), Dark Jewels: Chinese Black and Brown Ceramics from the Shatzman Collection, Chapel Hill: Ackland Art Museum, 2002Rinaldi, Maura, Kraak Porcelain: A Moment in the History of Trade, London: Bamboo Publishing, 1989Scott, Rosemary (ed.), Illustrated Catalogue of Qing Enamelled Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1991Scott, Rosemary and Pierson, Stacey, Flawless Porcelains: Imperial Ceramics from the Reign of the Chenghua Emperor, London: School of Oriental and African Studies, 1995Scott, Rosemary E. (ed.), The Porcelains of Jingdezhen (Colloquies on Art & Archaeology in Asia No.16), London: School of Oriental and African Studies, 1993Scott, Rosemary, Imperial Taste: Chinese Ceramics from the Percival David Foundation, San Francisco: Chronicle Books, 1989Shanghai Museum Ancient Chinese Ceramics Gallery, Shanghai MuseumSong Ceramics: Art History, Archaeology and Technology (Colloquies on Art & Archaeology in Asia No.22), London: School of Oriental & African Studies, 2004Sotheby's: Song A Japanese Collection, London: Sotheby's, 2011Sotheby's: Song Ceramics from the Muwen Tang Collection, 2003The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Ceramic Art of China, London: Drydens Printers Ltd, 1971The Museum of Oriental Ceramics, Osaka, Song Ceramics, Osaka: Asahi Shimbun, 1999The Tsui Museum of Art, Hong Kong: Tsui Museum of Art, 1991The World in Blue and White: an exhibition of blue and white ceramics, dating between 1320 and 1820, from members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2003The World in Monochromes, London: The Oriental Ceramic Society, 2009Tippett, Paul, Christie's Collectables: Blue and White China The Connoisseur's Guide, London: Little, Brown and Company, 1997Transactions of the Oriental Ceramic Society Volume 68. 2003-2004, London: The Oriental Ceramic Society, 2005Tregear, Mary, Chinese Ceramics in the Ashmolean Museum, Oxford: Ashmolean Museum, 1987Tregear, Mary, Song Ceramics, London: Thames and Hudson, 1982Wang, Qingzheng, A Dictionary of Chinese Ceramics, Shanghai: Shanghai Dictionary Publishing House, 2002Wilson, Ming, Rare Marks on Chinese Ceramics: a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, London: School of Oriental & African Studies, 1998Wirgin, Jan, Sung Ceramic Designs, London: Han-Shan Tang Ltd., 1979Wong, Sarah and Pierson, Stacey (ed.), Collectors, Curators, Connoisseurs: A Century of the Oriental Ceramic Society 1921-2021, London: The Oriental Ceramic Society, 2021Wood, Nigel, Chinese Glazes, London: A & C Black Ltd., 1999(qty)Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years.Please note this lot will be offered with no reserve. ???????
• RARE IRON-PAINTED 'CHRYSANTHEMUM
  RARE IRON-PAINTED 'CHRYSANTHEMUM AND BAMBOO' HANDLED MOONFLASK JOSEON DYNASTY, 18TH-19TH CENTURY ???? ???????????of flattened globular form set on a high spreading oval foot with a cylindrical neck and everted lip, decorated on one side with bamboo and the reverse with chrysanthemum, two loop-handles flanked the shoulders, two sides of the foot with perforations (1)17.5cm highProvenance: Christie's, 1981 (according to collector's inventory).Dr. Kenneth P. Lawley's inventory number: Cer.88.Note: The Korean potters started experimenting with iron brown or black painting as early as the 12th century influenced by the Chinese Cizhou ware. At the beginning of the Joseon period, painting with iron pigment was the distinguishing feature of pottery produced at the Keryong-san kilns. By the end of the 16th century to the end of the dynasty, local potteries across the country have produced white or grey porcelains and stonewares decorated with underglaze iron painting. Some of the finest brushwork is seen on jars and wine flasks decorated with sprays of bamboo, a favourited subject with scholar-artists and aristocrats in the mid-Joseon period, 16th-17th century. Observes G. St. G. M. Gompertz, 1968, Korean Pottery & Porcelain of the Yi Period, London: Faber and Faber, pp. 48-50.Compare to a finer wine flask with underglaze iron painting of bamboo, 17th century, without the loop handles, illustrated ibid. pl. 62, and a wine flask similarly decorated but flanked with two squirrel-form handles, illustrated ibid. pl. 71A, subsequently sold at Bonhams London, 7 Nov 2013, lot 26. Including this lot, these three moonflasks are decorated with bold sweep of brushwork and rich brown, almost black, of iron pigment producing an effect that evokes admiration.Several other related comparable examples with nuances of form and detail, all dated to the Joseon Dynasty, are in museum collections. Including the National Museum of Korea, collection no. ?? 248; The Cleveland Museum of Art, accession no. 1999.44; Harvard Art Museums, museum no. 2002.267. Further compare to one with similar cord runners, was sold at Bonhams New York, 24 Sep 2020, lot 1047.Please note this lot will be offered with no reserve. ???????
• WORKS OF ART REFERENCE BOOK
  WORKS OF ART REFERENCE BOOK COLLECTION ??????????????????????????????????????????????Including: Chinese works of art, cloisonne enamel, archaic bronze, furniture, Buddhist art, Scholar's pieces etc, in total 36 publications.Including but not limited to:Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries. Boston: Museum of Fine Arts, 1996.Brinker, Helmut, and Lutz, Albert. Chinese Cloisonné: The Pierre Uldry Collection. London: Bamboo Publishing, 1989.Chou, Ju-His. Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors. Cleveland: Cleveland Museum of Art Bookstore, 2000.Clifford, Derek. Chinese Carved Lacquer. London: Bamboo Publishing, 1992.Deydier, Christian. Ancient Chinese Bronze Vessels, Gilt Bronzes and Early Ceramics. 1986.Dye, Daniel Sheets. Chinese Lattice Designs. New York: Dover Publications, 1974.Eskenazi. Chinese Lacquer From The Jean-Pierre Dubosc Collection And Others. London: Eskenazi, 1992.Fang, Jing Pei. Treasures Of The Chinese Scholar. New York: Weatherhill Inc., 1997.FitzGerald, C. P. Barbarian Beds: the origin of the chair in China. London: The Cresset Press, 1965.Gyllensvärd, Bo. Chinese Gold, Silver and Porcelain: The Kempe Collection. New York: The Asia Society, 1971.Hu, Shih-Chang. Chinese Lacquer. Edinburgh: National Museums of Scotland Publishing, 2001.Jenyns, Soame, and Watson, William. Chinese Art: Gold, Silver, Later Bronzes, Cloisonne, Cantonese Enamel, Lacquer, Furniture, Wood (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Jenyns, Soame. Chinese Art: Textiles, Glass and Painting on Glass, Carvings in Ivory and Rhinoceros Horn, Carving in Hardstones, Snuff Bottles, Inkcakes and Ink Stones (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Kates, George N. Chinese Household Furniture. New York: Dover Publications, 1962.Kerr, Rose. Later Chinese Bronzes. London: Bamboo Publishing, 1990.Krahl, Regina and Morgan, Brian. From Innovation to Conformity: Chinese Lacquer from the 13th to 16th Centuries. London: Bluett & Sons, 1989.Moss, Paul. Educated Palates: an exhibition at 63 East 82nd Street New York. London: Sydney L. Moss Ltd., 1987.Moss, Paul. The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects. Hong Kong: Andamans East International Ltd., 1986.Moss, Paul. The Second Bronze Age: Later Chinese Metalwork. London: Sydney L. Moss Ltd., 1991.Mowry, Robert D., and Brown, Claudia. Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars' Rocks. Cambridge: Harvard University Art Museums, 1997.Page, J. and Page, S. The Woven Mystery: Old Tibetan Rugs. Bangkok: Craftsman Press, 1990.Pratapaditya, Pal et al. Art of the Himalayas: Treasures from Nepal and Tibet. New York: Hudson Hills, 1992.Rawson, Jessica (Ed.). Treasures from Shanghai: ancient Chinese bronzes and jades. London: British Museum Press, 2009.Rawson, Jessica. Chinese Bronzes: Art and Ritual. London: British Museum Press, 1987.Rawson, Jessica. The Ornament on Chinese Silver of the T'ang Dynasty, A.D.618-906. London: British Museum Press, 1982.Sir Garner, Harry. Chinese and Japanese Cloisonné Enamels. London: Faber & Faber, 1970.Spink. Lacquer From The Collection of Derek Clifford. London: Spink, 1999.The British Museum. Chinese and Associated Lacquer from the Garner Collection. London: British Museum, 1973.The furniture of the Ch'ing dynasty: the art pieces with utility purposes. Taipei: Chun Kuei-miao, 1989.Thurman, Robert A. F., and Weldon, David. Sacred Symbols: The Ritual Art of Tibet. New York: Sotheby's, 1999.Vainker, Shelagh. Chinese Silk: A Cultural History. London: British Museum Press, 2004.Watt, James C. Y. and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. New York: Metropolitan Museum of Art, 1991.Watt, James C. Y. and Knight, Michael. Chinese Jades from the Collection of the Seattle Art Museum. Seattle: Seattle Art Museum, 1989.Watt, James C. Y.. The Sumptuous Basket: Chinese Lacquer with Basketry Panels. New York: China House Gallery, 1985.?????????????????????????????1996.Li, Jiufang. Metal-bodied Enamel Ware (??????). Hong Kong: The Commercial Press, 2001. (qty)Please note this lot will be offered with no reserve. ???????
• CERAMIC REFERENCE BOOK COLLECTION
  CERAMIC REFERENCE BOOK COLLECTION ??????????????????????????????????????????Including: early pottery, Chinese Ming and Qing dynasty ceramics, museum and private collection, in total 44 publications.Asahi Shimbun Cultural Planning Department (Ed.). Newly Discovered Southern Song Ceramics: A Thirteenth-Century "Time Capsule". Tokyo: Asahi Shimbun Publishing Company, 1998.Ayers, John. The Seligman Collection of Oriental Art: Chinese and Korean Pottery and Porcelain. London: The Arts Council of Great Britain, 1964.Chen, Quanfang. Yaozhou Kiln. Shaanxi: Shaanxi Travel & Tourism Press, 1992.Chinese Ceramics: Leeds Art Gallery and Temple Newsam House. Leeds: Beck & Partridge Ltd, 1966.D'Argence, Rene Yvon Lefebvre. The Hans Popper Collection of Oriental Art. Japan: Kodansha International Ltd, 1973.Duan, Qing Bo. Ancient Chinese Pottery. Wuhan: Hubei Fine Arts Publishing House, 2001.Gerald, Reitlinger. Eastern Ceramics and Other Works of Art from the Collection of Gerald Reitlinger. Oxford: The Ashmolean Museum, 1981.Gompertz, G. St. G. M. Chinese Celadon Wares. London: Faber & Faber, 1958.Houli, Yang, and Fan, Fengmei. Dated Qingbai Wares of the Song and Yuan Dynasties. Hong Kong: Ching Leng Foundation, 1998.Hughes-Stanton, P. and Kerr, Rose. Kiln sites of ancient China: An exhibition lent by the People's Republic of China, 1981.Illustrated Catalogue of Celadon Wares in The Percival David Foundation of Chinese Art. London: School of Oriental and African Studies, 1997Joseph, Adrian Malcolm (Ed.). Chinese Pottery Burial Objects of the Sui and Tang Dynasties. London: Hugh M. Moss Ltd., 1970.Kerr, Rose. Song Dynasty Ceramics (Victoria & Albert Museum - Far Eastern Series). London: V&A Publications, 2004.Kotz, Suzanne (Ed.). Imperial Taste: Chinese Ceramics from the Percival David Foundation. San Francisco: Chronicle Books, 1989.Krahl, Regina. Yuegutang: Eine Berliner Sammlung Chinesischer Keramik / A Collection Of Chinese Ceramics In Berlin. Berlin: G + H Verlag, 2000.Lau, Aileen (Ed.). Spirit of Han: Ceramics for the After-life. Singapore: Sun Tree Publishing, 1991.Laurence, Desmond Roger. Chinese Porcelain: 25 years of unscholarly collecting. London: D.R. Lawrence, 2003.Laurence, S.J.. Chinese Pottery and Porcelain: From Prehistory to the Present. London: British Museum Press, 1991.Li, Hui Bing. Porcelain of the Song Dynasty (vol 1). Shanghai: Shanghai Science and Technology Press, 2002.Li, Hui Bing. Porcelain of the Song Dynasty (vol 2). Shanghai: Shanghai Science and Technology Press, 2002.Lu, Yaw, Feng, Xianming, and Tregar, Mary. Song Ceramics: With an Illustrated Catalogue of the Exhibition Organized by the Southeast Asian Ceramic Society and Held at the National Museum, Singapore in May-June 1983. Singapore: Southeast Asian Ceramic Society, 1983.M.H. de Young Memorial Museum. Avery Brundage Collection: Chinese Ceramics. San Francisco: de Young Museum Society, 1967.McElney, Brian Shane. Museum of East Asian Art: Chinese Ceramics v. 1: Inaugural Exhibition. Bath: Museum of East Asian Art, 1993.Medley, Margaret (Ed.). Decorative Techniques and Styles in Asian Ceramics: Colloquies on Art & Archaeology in Asia No.8. London: School of Oriental and African Studies, 1978.Medley, Margaret. Yuan Porcelain and Stoneware. London: Faber & Faber, 1974.Mino, Yutaka and Tsiang¸ Katherine. Ice and Green Clouds: Traditions of Chinese Celadon. Indianapolis: Indiana University Press, 1986.Mowry, Robert D., Farrell, Eugene, and Rousmaniere, Nicole Coolidge. Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400. Cambridge: Harvard University Art Museums, 1996.Pierson, Stacey (Ed.). Qingbai Ware: Chinese Porcelain of the Song and Yuan Dynasties. London: Percival David Foundation of Chinese Art, 2011.Pierson, Stacey (Ed.). Song Ceramics: Art History, Archaeology and Technology: Colloquies on Art & Archaeology in Asia No. 22. London: Percival David Foundation of Chinese Art, 2004Pierson, Stacey (Ed.). The Museum of East Asian Art Journal. Bath: Museum of East Asian Art, 1995.Pope, John Alexander. Fourteenth-Century Blue and White: A Group of Chinese Porcelains in the Topkapi Sarayi Muzesi, Istanbul. Washington: Freer Gallery of Art Occasional Papers, 1952.Scott, Rosemary E. (Ed.). The Tectus Collection: Tectussamlingen, Centraltryckeriet AB Boras. 1991.Sullivan, Michael. Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow. London: Faber and Faber Limited, 1963.Sydney L. Moss Ltd.. Chinese Monochromes From the P.J. Donnelly Collection. London: Sydney L. Moss Ltd., 1974.The Burrell Collection: Chinese Stonewares and Porcelains. Glasgow: Glasgow Art Gallery, 1950s.The Museum of Oriental Ceramics, Osaka. Song Ceramics. Tokyo: Asahi Shimbun Publishing Company, 1999.The Vancouver Society for Asian Art Presents The Talking Jars. 1971Tregear, Mary. Early Chinese Green Wares: in the collection of the Ashmolean Museum. Oxford: Oriental Art, 1967.Tregear, Mary. Guide to the Chinese Ceramics in the Department of Eastern Art Ashmolean Museum. Walsall: Finaprint Ltd, 1966.Tung, Wu. Earth Transformed: Chinese Ceramics In The Museum Of Fine Arts, Boston. Boston: Museum of Fine Arts, 2001.Watson, William. Pre-Tang Ceramics of China: Chinese Pottery from 4000 BC to 600 AD. London: Faber & Faber, 1991.Watson, William. Tang and Liao Ceramics. New York: Rizzoli International Publications Ltd., 1984.Wirgin, Jan. Sung Ceramic Designs. 1970.Wood, Nigel. Chinese Glazes. Philadelphia: University of Pennsylvania Press, 1999.(qty)Please note this lot will be offered with no reserve. ???????
• GARMAN: MEMOIRS...COMPARATIVE
  GARMAN: MEMOIRS...COMPARATIVE ZOOLOGY - THE FISHES 1899Samuel Walton Garman (1843-1927)Memoirs of the Museum of Comparative Zoology - The FishesGarman, S. Memoirs of the Museum of Comparative Zoology at Harvard College, XXVI The Fishes, two volume set. Cambridge, University Press, John Wilson and Son, 1899.Thirteen color plates, three of which exist in a two-page spread, plates numbered A through N with plate I skipped in the sequence as is usual for the volume and as shown in other examples.Measure 11.5 inches each.Very good condition noting some light toning and shelf wear to the covers and spines.Provenance: The library of C. Richard (Dick) Robins.
• (26) EASTON PRESS & OTHER
  (26) EASTON PRESS & OTHER LEATHER-BOUND BOOKS(lot of 26) Books published by Easton Press and other fine publishers, some signed first editions (SFE), leather binding, gilt page ends, many appear unread, titles: (1) The Last 100 Days, Toland; (1 The Bourne Supremacy, Ludlum (SFE); (1) The Gallic Wars, Julius Caesr; (1) Twenty Two Tales; (1) The Armada, Mattingly; (1) Anna Karenina, Tolstoy; (1) Andersen's Fairy Tales & Stories (2vol); (1) The Teturn of the Native, Hardy; (1) The Mill on the Floss, Eliot; (1) David Copperfield, Dickens; (1) Kampus, Gunn; (1) Nine Women, Grau (SFE); (1) A Journey to the Center of the Earth, Verne; (1) Plays, Chekhov; (1) Selected Plays, Plutarch; (1) Madame Bovary, Falubert; (1) Decisive Day, The Battle of Bunker Hill, Ketchum; (7) Harvard Classics, Shakespeare (2vol), Dana (2vol), Cervantes, Plato, Homer; 52lbs total
• TWO AMERICAN PANTRY BOXES. Second
  TWO AMERICAN PANTRY BOXES. Second half 19th century. Shaker with Harvard fingers and copper tacks. Later black paint. Some wear. 2.25"h. 4.25"d. and Harvard type fingers with iron tacks. Old slate blue paint. 2"h. 4.75"d.
• SHAKER PANTRY BOX. Second half 19th
  SHAKER PANTRY BOX. Second half 19th century. Oval bentwood box with Harvard finger seams and copper tacks. Natural surface. 2.25"h. 5.25"l.
• JEWELRY. 14KT GOLD CHARM BRACELET
  JEWELRY. 14KT GOLD CHARM BRACELET WITH (10) 14KT Gold Charms. Vintage 14kt yellow gold charm bracelet suspending (10) 14kt yellow gold charms including a piano, ballerina, heart, "Happy Birthday" charm, thimble, turquoise heart, four leaf clover, calendar, and a torah ark; (1) 9ct gold charm depicting bagpipes; and a single gold-filled Harvard charm. Bracelet closure is stamped, "14". Total approx. weight is 31.8 dwt (gross). From a Connecticut estate. Dimensions: bracelet measures approx. 7.25" in overall length. Condition: Good, with light surface scratches and minor dings/dents. No definitive statement is being made as to whether colored gems are natural, synthetic, or treated. No definitive statement is being made as to whether pearls are natural, cultured, or treated. Personal inscription to several charms.
• ANTIQUE "HARVARD" OAK DENTAL
  ANTIQUE "HARVARD" OAK DENTAL CABINET. Made of Solid Quarter Sawn Oak, Excellent Condition, Circa 1890, The Harvard Co, Canton Ohio, USA . From an Armonk, NY estate. Dimensions: 76"h x 24.5" w x 20"d Condition: Overall good with scuffs and scratches. Odd splits consistent with age.
• ANTIQUITIES AND ARCHEOLOGY BOOKS,
  ANTIQUITIES AND ARCHEOLOGY BOOKS, 13 Group of books related to antiquities and archeology, 13, and comprising: Philipp von Zabern, The Egyptian Museum Cairo, Verlag Philipp von Zabern, Mainz, 1987; Various, The Treasures of Tutankhamun, Metropolitan Museum of Art: New York, 1976; Catherine H. Roerig, Hatshepsut From Queen to Pharaoh, MMA: New York, 2005; C. W. Ceram, The MArch of Archeology, Alfred A. Knopf: New York, 1958; Phoenix Ancient Art Catalogue, No. 1, New York, 2010; Crystal, Phoenix FIne Art: New York, 2010; Philipp von Zabern, Antiquities from the Collection of Christos G. Bastis, Phillip von Zabern Verlag: Mainz New York, 1987; Jane Taylor, Petra and the LOst Kingdom of the Nabateans, Harvard: Cambridge, 2002; Jacquetta Hawkes, Atlas of Ancient Archaeology, McGraw Hill: New York, 1974; I.E.S. Edwards, Tutankhamun: His Tomb and its Treasures, MMA: New York, 1976; T.H. Bossert, The Art of Ancient Crete, Zwemmer: London, 1937; Christos Doumas, Silent Witnesses (Etc.) Catalogue, Alexander Onassis Center: New York, 2002; George Braziller, Greek Art of the Agean Islands, MMA: New York. Largest: 12.5" H x 9.5" W.
• ANTIQUE OAK DENTAL CABINETANTIQUE
  ANTIQUE OAK DENTAL CABINETANTIQUE OAK DENTAL CABINET, The Harvard Co., Canton, Ohio, late 19th century, the upper left door opening to 10 swing-out oak trays, a sliding tambour cabinet and slant-front desk to the right; base portion featuring seven drawers and another sliding tambour cabinet opening to five more swing-out oak trays. Dimensions: 60.25"H x 29"W x 16.25"D.
• A Timothy Richards Resin
  A Timothy Richards Resin Architectural Model Bath, Late 20th/Early 21st Century modeled after the Samuel Dexter Gate at Harvard University. Height 9 7/8 x width 6 3/4 x depth 2 1/2 inches. Property from the Estate of an Elegant Lady, Texas
• A 1906 engraving of Harvard
  A 1906 engraving of Harvard University by F.D. Nichols. Plate 17” x 29” Overall in an oak frame 26” x 39” Condition: foxing, toning CT Transfer Fee $10
• FRANK W. BENSON (1862-1951)The
  FRANK W. BENSON (1862-1951)The Alarm, 1917 signed "Frank W. Benson" lower left etching, 7 3/4 by 9 3/4 in. Paff #111, edition 13 of 150 inscribed "To Langdon Warren" lower left Langdon Warren (1881-1955) was an archaeologist and art historian at Harvard who studied the Silk Road, and is thought to be a model for Indiana Jones. Provenance: Private Collection, Middleburg, Virginia
• LOUIS AGASSIZ FUERTES
  LOUIS AGASSIZ FUERTES (1874-1924)Three Crows signed "Louis Agassiz Fuertes" lower right watercolor, 14 by 8 1/2 in. This work appeared in a 1919 issue of "Bird-Lore," which was the magazine of the Audubon Societies for over forty years. It depicts three varieties of crows: 1. Crow, 2. Fish Crow, 3. Northwest Crow. Louis Agassiz Fuertes was named after the famous Harvard professor Louis Agassiz by his father, himself a professor at Cornell. Though he studied architecture at Cornell, the words of his namesake “Study nature, not books” prevailed and Fuertes went on to become one of the preeminent American bird artists of all time. The artist was noted for his early talent and eye for detail, joining the American Ornithologists’ Union at the age of seventeen. Through this important group, he met ornithologist Elliott Coues, who promoted his work and commissioned the artist to illustrate his 1903 book, "Key to North American Birds." Along with Frank W. Benson, Fuertes provided illustrations for John C. Phillips’ "A Natural History of the Ducks," published from 1922-1926. He also painted his stunning bird portraits for Edward Howe Forbush’s "Birds of Massachusetts and Other New England States," published between 1925-1929. His works can be found in the collections of Cornell University and Chicago’s Field Museum, among others, and he has two species of birds named after him: Icterus fuertesi and Hapalopsittaca fuertesi. Provenance: Eddie Woodin Collection Literature: "Bird-Lore," Vol. XXI, No. 2, March-April 1919, frontispiece, illustrated.
• PEABODY-RIG REDHEAD DRAKEGeorge
  PEABODY-RIG REDHEAD DRAKEGeorge Augustus Peabody (1831-1929) Rig Danvers, MA, c. 1850 15 3/4 in. long This very early and exceptional hollow redhead drake is from the rig of George A. Peabody, a friend and fellow Harvard graduate of Dr. John C. Phillips (1876-1938). The removable head is attached by three brass pins, one of which is threaded and held tight by a nut on the underside of the decoy. Matching "XXXI" incisions are on the facing surfaces inside the neck seam. This meticulously crafted removable head system is reminiscent of the dovetailed geese and shorebirds and the Osgood geese. The head is slightly turned and features broad cheeks and detailed bill carving. The long and hollowed body is finished with elaborate wing carving and fine paint. This decoy is perhaps the earliest known example to show this level of sophisticated wing carving. The bottom board is securely affixed with both nails and screws and is twice branded "G. A. PEABODY." Original paint with light gunning wear, flaking, and a bill tip chip. Provenance: George A. Peabody Rig Ronald S. Swanson Collection Private Collection Literature: Ronald Swanson, “The Decoy as Folk Sculpture,” Cranbrook Academy of Art Exhibition Catalog, January 1987, p. 15, fig. 19, exact decoy illustrated. John C. Phillips, "Wenham Lake Shooting Record And The Farm Bag, 1897-1925," 1926, p. 4. Exhibited: Bloomfield Hills, Michigan, “The Decoy as Folk Sculpture,” Cranbrook Academy of Art, January 27-February 22, 1987.
• 79 EASTON PRESS LEATHER BOUND
  79 EASTON PRESS LEATHER BOUND BOOKS80 leather bound books - 79 Easton Press and 1 Harvard Classics. 77 Easton Press The 100 Greatest Books Ever Written: Louisa May Alcott Little Women, Victor Hugo Les Miserables, Victor Hugo The Hunchback of Notre Dame, Ralph Waldo Emerson The Essays of Ralph Waldo Emerson, D.H. Lawrence Lady Chatterley's Lover, Leo Tolstoy War & Peace, Alexandre Dumas The Count of Monte Cristo, Jack London The Sea-Wolf, Henry James The Portrait of a Lady, Rudyard Kipling The Jungle Book, Oscar Wilde The Picture of Dorian Gray, Edmond Rostand Cyrano de Bergerac, Harriet Beecher Stowe Uncle Tom's Cabin, Charles Dickens David Copperfield, Johann Wolfgang Von Goethe Faust, George Bernard Shaw Pygmalion and Candida, John Steinbeck Of Mice and Men, Edward Fitzgerald Rubaiyat of Omar Khayyam, Confucius The Analects of Confucius, Herman Melville Billy Budd and Benito Cereno, Jane Austen Pride and Prejudice, Benjamin Franklin The Autobiography of Benjamin Franklin, Daniel Defoe Robinson Crusoe, William Shakespeare A Midsummer Night's Dream, Jonathan Swift Gulliver's Travels, Gustave Flaubert Madame Bovary, Bram Stoker Dracula, Dante Alighieri The Divine Comedy, Charles Darwin On the Origin of Species, Miguel de Cervantes Saavedra Don Quixote, Henry David Thoreau Walden, Arthur Conan Doyle The Adventures of Sherlock Holmes, Guy de Maupassant The Tales of Guy de Maupassant, George Eliot Silas Marner, Herman Melville Moby Dick, Lewis Carroll Alice's Adventures in Wonderland, Charles Dickens A Tale of Two Cities, George Orwell Animal Farm, Aesop Aesop's Fables, Mary Shelley Frankenstein, Oliver Goldsmith She Stoops to Conquer, Robert Browning The Poems of Robert Browning, Geoffrey Chaucer The Canterbury Tales, William Shakespeare Romeo and Juliet, H.G. Wells The Time Machine, Homer The Iliad, St. Augustine The Confessions of St. Augustine, Henry Fielding Tom Jones, John Milton Paradise Lost, Emily Bronte Wuthering Heights, James Fenimore Copper The Last of the Mohicans, Robert Louis Stevenson The Strange Case of Dr. Jekyll and Mr. Hyde, Aldous Huxley Brave New World, Stephen Crane The Red Badge of Courage, Leo Tolstoy Anna Karenina, Ernest Hemingway A Farewell to Arms, Richard F. Burton The Arabian Knights, Thomas Paine Rights of Man, Sir Walter Scott The Talisman, Machiavelli The Prince, Sophocles Oedipus the King, Joseph Conrad Lord Jim, Livy History of Early Rome, John Boccaccio The Decameron, Charles Dickens Great Expectations, Emily Dickinson Poems of Emily Dickinson, Virgil Aeneid, Washington Irving The Legend of Sleepy Hollow and Other Stories, Jules Verne Twenty Thousand Leagues Under the Sea, Robert Louis Stevenson Treasure Island, Walter Scott Ivanhoe, Homer The Odyssey, Thomas Hardy Tess of the d'Ubervilles, Samuel Butler The Way of All Flesh, Nathaniel Hawthorn The Scarlet Letter, Grimm's Fairytales, Alexandre Dumas The Three Musketeers; 1 Easton Press Greatest Books Ever Written: Herman Melville Moby Dick; 1 Easton Press Millenium Edition Harvard Classics Ralph Waldo Emerson Essays and English Traits; 1 Harvard Classics The Apology, Phaedo and Crito of Plato, The Golden Sayings of Epictetus and The Meditations of Marcus Aurelius.
• Harvard Universtiy Library Chair,
  Harvard Universtiy Library Chair, 20th century parcel gilt ebonized walnut, bearing the three book 'Veritas' shield on the crest rail 34 x 22 x 22 in — 86.4 x 55.9 x 55.9 cm
• ANTIQUE BRASS HARVARD LAMP, PLUME &
  ANTIQUE BRASS HARVARD LAMP, PLUME & ATWOOD. A fine elaborately cast brass double arm Plume & Atwood (unsigned) ‘Harvard’ students lamp with green case glass shades, 15.25”H x 23”W. Later electrification.
• Interesting Three-Piece
  Interesting Three-Piece Collection of Brilliant-Cut Glass, comprised of an American \"Harvard\"-cut and floral-engraved vase of corset form, first quarter 20th century, a gently tapered cylindrical vase in \"Hobstar and Mandorla\" decor, and a flared cylindrical vase in \"Russian decor with a fan-cut lip, h. 11-1/2\" to 14\".
• Eighteen-Piece Collection of
  Eighteen-Piece Collection of Glassware, consisting of a good two-piece Bohemian cut cobalt overlay glass \"Tumble-Up\" (night carafe and tumbler), first quarter 20th century, a set of four deep-ruby cut overlay wine goblets on tapered panel-cut stems, a pair of deep-ruby cut overlay glass whiskey tumblers, a set of six multi-colored cut overlay glass liqueur goblets, each bowl a different color, a good pair of silver-capped cylindrical cobalt blue cut overlay glass swabs jars in \"Harvard\" decor, fourth quarter 19th century, a deep-ruby panel-cut overlay glass wine goblet and a matching Bohemian panel-cut glass wine goblet in emerald green, both circular bases star cut, h. 3\" to 8\".
• TWO SHELVES OF HARVARD CLASSICS
  TWO SHELVES OF HARVARD CLASSICS INCLUDING THE DIVINE COMEDY Two shelves of Harvard Classics including The Divine Comedy, Origins of Spieces, Locke, Nine Greek Dramas, etc.
• MARQUESAS ISLANDS FIGURATIVE FAN
  MARQUESAS ISLANDS FIGURATIVE FAN HOLDER Marquesas Islands figurative fan holder, 19th century, rising on a custom stand, 4"h Provenance: ex. Harvard Art Historian Harry Bober
• ONE SHELF OF SPORTS MEMORABILIA One
  ONE SHELF OF SPORTS MEMORABILIA One shelf of sports memorabilia, including Jeff Kent and J.T. Snow bobble heads, Remar Baking Co. sports cards including George Bamberger, Ralph Buxton, Berger Superbas, a Harvard Vs. Navy 1937 ticket stub, etc.
• WORK ON PAPER, SOL LEWITT Sol
  WORK ON PAPER, SOL LEWITT Sol LeWitt (American 1928-2007), Untitled, 1985, gouache on paper, initialed and dated lower right, sheet (unframed): 3.75"h x 7"w. Note: Original mailing envelope from the artist accompanies this lot. Provenance: Gifted from the artist while the current owner was assisting with the LeWitt installation at the Arthur M. Sackler Museum/Harvard University (Cambridge, MA) in 1985.
• (SET OF 12) GILTWOOD FRAMED
  (SET OF 12) GILTWOOD FRAMED COLLOTYPE PRINTS OF PERSIAN MANUSCRIPTS (Set of 12) Giltwood framed collotype prints of Persian manuscripts from The Houghton Shahnameh, Martin B. Dickson and Stuard C. Welch, Harvard Universtuy Press, 1981, framed 19h" x 15"w. Provenance: Property of a Hillsborough, CA estate.
• FIVE SHELVES OF BOOKS INCLUDING 14V
  FIVE SHELVES OF BOOKS INCLUDING 14V LITTLE PEOPLE, THE ROYCROFTERS 1916; 23V HARVARD CLASSICS Five shelves of books: 14v Little People, The Roycrofters 1916; 23v Harvard Classics, F.P. Collier, 1937, black leather covers; 12v Stoddart Lectures, Norwood Press, 1908; 12v The Stoddart Library, Norwood Press, 1910; 15v Washington Irving's Works, Collier, 1897, green cloth covers; Marshall Wilder, The Wit and Humor in America (10v), Funk & Wagnalls Co, 1909, green cloth covers; 10v The Modern Reader's Shakespeare, Bigelow, Smith & Co., 1909