A few examples of appraisal values for
HAYASHI MARKS

• HIROSHI YOSHIDA(Japanese,
  HIROSHI YOSHIDA(Japanese, 1876-1950) Way to Kasuga Shrine, signed "Hiroshi Yoshida" and titled in pencil in lower margin, jizuri seal upper left margin, woodblock print, 15-7/8 x 10-3/4 in.; framed, 22-3/8 x 17-3/8 in. Provenance: Private Collection, Charleston, South Carolina Condition: hinged in on mat at top edge with archival tape, minor mat burn to margins, very light toning; frame with light wear
• 2 JAPANESE WOODBLOCK PRINTS -
  2 JAPANESE WOODBLOCK PRINTS - YOSHIDA & KAWASEGroup of two Japanese shin-hanga woodblock prints including: One print by Hiroshi Yoshida (Japanese, 1876-1950) titled "Hoten ichiba (Market in Mukden)," depicting a bustling market square with a large gate in the background. Pencil signed along the lower right. One print by Hasui Kawase (Japanese, 1883-1957) titled "Late Spring," depicting a geisha, one hand raised to her hair. Signed in plate along the upper right. Geisha; image; height: 14 1/2 in x width: 9 1/4 in. Matted; height: 20 in x width: 15 in. Margins; right: 1/4 in x left: 3/4 in x lower: 1/4 in x upper: 3/4 in. Market; image: 9 3/4 in x width: 14 3/4 in. Matted; height: 15 in x width: 20 in. Margins; right: 3/4 in x left: 1/2 in x lower: 1/2 in x upper: 3/4 in. Condition: The prints are in good condition overall with no major creases, tears, or losses. Both prints are hinged along the upper corners with the framer's tape. Both papers are toned, browned, and have an acidic burn. When inspected under UV light, both papers show white splotchy throughout, which means possible treatment. The geisha print has a few areas with possible water damage; there are three visible droplet marks to the left of the geisha; please see the listing photo. The margins are possibly trimmed. There are creases throughout- two major creases measuring 9 in and 7 in each. There is a minute crease to the lower right corner. To the right of the writs, there is a minute accretion adhered to the surface, possibly hair. There is white damage to the upper right quadrant. To the upper right margin, there is a pinhole, most likely original to the artistic practice. From the verso, there are creases more noticeable; there are pencil inscriptions. The market print has minor foxing that began to form from the upper margin. There is a tear to the upper left corner along the framer's tape line. There is wear along the upper and right margins. There is a dark mark to the lower margin, which does not affect the image. To the sky, there is a horizontal line mark; please see the listing photo. There is a minute mark to the lower left corner. From the verso, there is a framer's tape adhered to the lower right quadrant. There is light skimming to the center of the verso. Both mats are toned.
• JAPANESE SOSAKU HANGA (MODERN)
  JAPANESE SOSAKU HANGA (MODERN) PRINT Okiie Hashimoto (1889-1993) dai oban tate-e signed in pencil sealed dated 1963 ink and color on paper A Courtyard now framed and matted
• (DESIGN) MATSUOKA TOKIKATA AND
  (DESIGN) MATSUOKA TOKIKATA AND HONMA HAYKURI. "KOJITSU SOSHO SHOKUMON ZUE" Circa 1900 8VO 5 volumes. Hundreds of color textile designs reproduced in color woodcuts. Covers clothing for noblemen ladies ceremonial brocades and Imperial costumes. String bound with printed wrappers.
• TOYOHISA OHASHI, MINGEI STENCIL
  TOYOHISA OHASHI, MINGEI STENCIL PRINT Toyohisa Ohashi (Japanese, b. 1917), "Zen", stencil on textile, 21"h x 15"w (sight), 25'h x 19"w (frame)
• HIROSHI YOSHIDA "HAYASE"
  HIROSHI YOSHIDA "HAYASE" WOODBLOCK PRINTHiroshi Yoshida (Japanese, 1876-1950). Japanese woodblock print shin-hanga titled "Hayase" depicting buildings set on a river at Hayase, in Shizuoka, with figures crossing a bridge visible through the branches of a blooming cherry blossom sakura tree. Signed in plate along the lower right and titled in plate along the lower left. Keywords: Ukiyo-e Height: 10 1/2 in x width: 15 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• HAYASHI, Nobuo, (Japanese, 20th
  HAYASHI, Nobuo, (Japanese, 20th Century): Japanese Rainy Day Street Scene with Temple in the Distance, Oil/Canvas, 13'' x 9.5'', signed lower right, framed, 28.25'' x 17''.
• Katsunori Hamanishi (Japanese b.
  Katsunori Hamanishi (Japanese b. 1949) "Mizuhiki" Series. Mezzotint on paper signed in pencil in the lower right margin dated '90 titled in Japanese at the lower center numbered 11/50 in the lower left margin the plate size apprx. 17-1/2" x 14-1/8" matted and framed in a light wood frame under glass overall apprx. 28" x 24".
• Four Hiroshi Yoshida Woodblock
  Four Hiroshi Yoshida Woodblock Prints Japanese, 20th century, all with penciled signature and jizuri seal: "Bamboo Wood", green metal frame, print tipped in at corners to backing board, mat and backing board taped together, metal frame with scratches; Kin Kaku (Golden Pavilion), "In a Temple Yard", and "Toshogu Shrine", 1/2 in. double-stick tape midway on sides, matching wood frames, hinged to mats with tape, approximately 15-7/8 x 10-1/2 in.,
• HIROSHI YOSHIDA(Japanese,
  HIROSHI YOSHIDA(Japanese, 1876-1950) Toshogu Shrine, signed in pencil "Hiroshi Yoshida" and tilted in lower margin, artist's signature and seal lower right, jizuri seal upper left margin, woodblock print, oban tate-e , sheet 16 x 11 in.; carved and gilt wood frame, 19-3/4 x 14-3/4 in. Provenance: Sold to benefit the William King Museum of Art, Abingdon, Virginia Condition: hinged in on mat with archival tape, top left margin tacked down, light wear to edges, some creasing at image edges (likely once matted in smaller frame); frame with light wear and abrasions
• Katsunori Hamanishi (Japanese b.
  Katsunori Hamanishi (Japanese b. 1949) "Mizuhiki" Series. Mezzotint on paper signed in pencil in the lower right margin dated '90 titled in Japanese at the lower center numbered 12/50 in the lower left margin the plate size apprx. 17-1/2" x 14-1/8" matted and framed in a light wood frame under glass overall apprx. 28" x 24".
• Katsunori Hamanishi (Japanese b.
  Katsunori Hamanishi (Japanese b. 1949) "Mizuhiki" Series. Mezzotint on paper signed in pencil in the lower right margin dated '90 titled in Japanese at the lower center numbered 12/50 in the lower left margin the plate size apprx. 17-1/2" x 14-1/8" matted and framed in a light wood frame under glass overall apprx. 28" x 24".
• TOSHI YOSHIDA (JAPAN, 1911-1995)
  TOSHI YOSHIDA (JAPAN, 1911-1995) "Mysterious", sosaku-hanga, daioban; pencil signed, titled, dated 1973, numbered 5/150. Abstract orange and black drip forms on a silvery grey field, in an aluminum box frame, cream mat, UV glass, OS: 28 1/4" x 21 1/2:, image size: 21 3/4" x 15 1/2", very good condition, not examined out of frame.
• YOSHITOSHI MORI(Japanese,
  YOSHITOSHI MORI(Japanese, 1898-1992) Muneto and Sadato, 38/90, signed and dated "Yoshitoshi Mori '79" lower right with artist's stamp, stencil print, 18-3/4 x 17-1/4 in.; framed, 25-1/8 x 33-5/8 in. Provenance: Private Collection Condition: hinged in on mat with archival tape at top edge, minor spotting/light staining; frame with light wear and abrasions
• YOSHITOSHI MORI (JAPANESE
  YOSHITOSHI MORI (JAPANESE 1898-1992): AKAZAYA (RED SHEATH)1981; stencil print on paper, matted, framed and glazed; pencil-signed "Yoshitoshi Mori" and with seal, dated, and numbered 67/70; depicting a samurai; Provenance: Property from a Burlingame, California Estate Dimensions: 26 x 19 1/4 in. (66.04 x 48.90 cm.), Frame: 33 1/2 x 26 1/2 in. (85.09 x 67.31 cm.) Condition:
• HIROSHI YOSHIDA - MAIKO Hiroshi
  HIROSHI YOSHIDA - MAIKO Hiroshi Yoshida - Maiko, woodblock print, signed along with one seal of the artist, framed and glazed, 13.5"h. x 10"w.
• TOSHI YOSHIDA(Japanese,
  TOSHI YOSHIDA(Japanese, 1911-1995) Three woodblock prints: Iidabashi; Hiejinja; Shinjuku; each titled and signed "Toshi Yoshida" lower right, seals at left margin, sight 7-1/2 x 10-1/4 in.; bamboo style frames, 13 x 15-1/2 in. Condition: one examined out of frame, taped in on mat (verso not examined), remainder similarly framed, all with some minor warping to paper; frames with light wear, some staining to mats
• HIROSHI YOSHIDA COLOR WOODCUT
  HIROSHI YOSHIDA COLOR WOODCUT (Boston Mass. 1876-1950) titled ''Way to Kasuga Shrine '' A shrine with deer. Oban size 14.75'' by 9.50'' pencil signed Hiroshi Yoshida lower right with calligraphy along left border. Unframed. The woodcut is in good overall condition with light wear a few small light creases (mostly to the margins) a small amount of soiling and yellowing.??There is no foxing.? The paper is loose and not laid down.? It has the jizuri seal in the margin.
• HIROSHI YOSHIDA (1876-1950). HIMEJI
  HIROSHI YOSHIDA (1876-1950). HIMEJI CASTLE EVENING and HIMEJI CASTLE MORNING two color woodcuts pencil and brush with signatures - 14 3/4 in. x 9 3/4 in.
• Two books on artist Yamagata
  Two books on artist Yamagata Hiromichi: Yamagata by Austin Jaynes (n.p., 1986; signed by Yamagata on the FFEP) and Yamagata Hiromichi (uncertain place and date; most text in Japanese) in original slipcase and envelope; and four works on the Frank Lloyd Wright building Beth Sholom Synagogue in Elkins Park, Pa.: issue number 40 of Global Architecture magazine; Beth Sholom Synagogue: a Description and Interpretation by its rabbi Mortimer J. Cohen (n.p., 1959); and two copies, one hardcover and one softcover, of Beth Sholom Synagogue Golden Anniversary 1919-1969.
• TOSHI YOSHIDA (JAPAN, 1911-1995)
  TOSHI YOSHIDA (JAPAN, 1911-1995) "Hope", sosaku-hanga, daioban; pencil signed, titled, dated 1969, numbered 15/150. An abstract polychrome and black form on ochre field, in a domed black frame, black mat, glazed, OS: 22 3/4" x 29:, image size: 15 1/2" x 22", bends to lower corner margins, not examined out of frame.
• Hiroshi Yoshida (Japanese
  Hiroshi Yoshida (Japanese 1876-1950) Chion-in Temple Gate Woodblock on paper from the series Eight Scenes of Cherry Blossoms monogrammed and signed l.r.; 9.75 x 14.75 in. Condition: Even toning and matte burn.  Not examined out of frame.
• Hiroshi Yoshinda (1876-1950) a
  Hiroshi Yoshinda (1876-1950) a woodblock print ''Dainan Gate in Mukden'' signed and titled in pencil printed Chinese character marks approx. 40 x 27 cm.
• UTAGAWA HIROSHIGE(Japanese,
  UTAGAWA HIROSHIGE(Japanese, 1797-1858) Two woodblock prints from Fifty-Three Stations of the Tokaido , Hoeido edition: Shono (Driving Rain); Yokkaichi; artist's signature and publisher's seals, oban yoko-e , sheets 9 x 13-3/4 in.; framed, 19-1/2 x 24-1/2 in. Provenance: Private North Carolina Collection Condition: trimmed at margins, hinged in on mats with archival tape, scattered light staining; Yokkaichi with a few small holes at center; frames with light wear and abrasions
• HISASHI OTSUKA (B.1947): LIGHT -
  HISASHI OTSUKA (B.1947): LIGHT - HIKARI1995; mixed media on paper, matted and framed under acrylic; pencil-signed, inscribed "Paris" and dated lower left; signed again and titled verso; 15 1/2 x 11 1/2 inches sight; 29 x 22 inches frame Condition:
• HIROSHI YOSHIDA (1876-1950) OBAN
  HIROSHI YOSHIDA (1876-1950) OBAN YOKO-EHIROSHI YOSHIDA (1876-1950) Oban yoko-e "Hayase". Titled in pencil lower left and signed in pencil lower right.
• HIROSHI YOSHIDA COLOR WOODCUT
  HIROSHI YOSHIDA COLOR WOODCUT (Boston Mass. 1876-1950) titled ''Utagahama.'' A park landscape with figures. Oban size 14.75'' by 9.50'' pencil signed Hiroshi Yoshida lower right with calligraphy along left border. Unframed. The woodcut is in good overall condition with light wear a few small light creases (mostly to the margins) a small amount of soiling and yellowing.? There are two pin holes to the margins and two small foxing spots to the sky.? The paper is loose and not laid down.? It has the jizuri seal in the margin.
• A Y. HAYASHI FOR LIBERTY & CO.
  A Y. HAYASHI FOR LIBERTY & CO. "JAPONISME" CHESTA Y. Hayashi for Liberty & Co. "Japonisme" chest, Early 20th century With burn mark: Y. Hayashi / Nikko The lidded wood chest with hand-carved iris flowers with elements of Arts & Crafts and Art Nouveau design, set upon six splayed legs Dimensions: 20" H x 30" W x 21" D
• HASUI, Kawase, (Japanese,
  HASUI, Kawase, (Japanese, 1883-1957): ''Namikiri, Shima, 1942'', Japanese Woodblock Print, 15.5'' x 10.5'' with margins, signed lower right, seal in the left margin, framed, 21'' x 16.5''. CONDITION: Some darkening in the sky area.
• HIROSHI YOSHIDA
  HIROSHI YOSHIDA (JAPAN/MASSACHUSETTS, 1876-1950), “MISTY DAY IN MAIKO”., WOODBLOCK PRINT, OBAN TATE-E, 16” X 10.5”. UNFRAMED.HIROSHI YOSHIDA, Japan/Massachusetts, 1876-1950, "Misty Day in Maiko". Printed title and signature. Dimensions: Woodblock print, oban tate-e, 16" x 10.5". Unframed.
• YOSHIDA, Hiroshi, (Japanese,
  YOSHIDA, Hiroshi, (Japanese, 1876-1950): ''Hirosaki Castle'', Japanese Woodblock Print, 15.75'' x 10.5'', signed, framed, 19.5'' x 13.5''.
• A Meiji period ivory netsuke carved
  A Meiji period ivory netsuke carved as Shi-no-ko-sho signed on red lacquer plaque Yoshiyuki? 1.75ins Estimate ?400-600 Good condition. Himotoshi is a pierced hole in the centre of the base. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?340
• TATSUYA ISHIODORI LANDSCAPE MIXED
  TATSUYA ISHIODORI LANDSCAPE MIXED MEDIA Tatsuya Ishiodori (Japense, b. 1945) Landscape with branches and sun, mixed media, ink and watercolor with gold pigments on silvered paper, marked with artist signature and seal in lower right, framed. Sight: 20" H x 24" W. Frame: 26" H x 30" W. Provenance: Property removed from the 5th Avenue residence of Jill and Ken Iscol
• Japanese wakizashi , iriyama-gata
  Japanese wakizashi , iriyama-gata nakagojiri (butt end of tang), chu-suguha hamon (temper line), mokume grain, mumei (no signature), faint yasurime (file marks), probably higaki , silver habaki with falling rain pattern, kashira (end cap on hilt) with monk holding scroll, kurikata (cord guide) with mountainside, house and conifers, copper tsuba curved with Hotei crossing stream, waves verso, two character signature, hilt with leather ito (wrapping) over ray skin, menuki made as birds, fuchi with carved conifer trunk and branches, two seppa , mountings with gold highlights, probably Shinto blade, Edo period (1600-1867), blade length 13-1/16 in., tang 5-1/4 in. Blade with loss to tip, some corrosion, grime, several nicks to cutting edge, lacking kozuka (small knife), and possibly one fuchi on scabbard, several dents to scabbard. The Estate of Joel H. and Alice Radcliffe, Greensboro, North Carolina.
• Katsunori Hamanishi (Japanese b.
  Katsunori Hamanishi (Japanese b. 1949) "Mizuhiki-Ni". Mezzotint on paper signed in pencil in the lower right margin dated '90 titled in Japanese at the lower center numbered 14/50 in the lower left margin the plate size apprx. 17-1/2" x 14-1/8" matted and framed in a light wood frame under glass overall apprx. 28" x 24".
• YOSHIDA HIROSHI, HIROSAKI CASTLE,
  YOSHIDA HIROSHI, HIROSAKI CASTLE, 1935 Japanese woodblock print.