A few examples of appraisal values for
HAYING TIME

• FRANS VAN LEEMPUTTEN "HAYING
  FRANS VAN LEEMPUTTEN "HAYING TIME" (OIL CA. 1880)Frans van Leemputten (Belgian, 1850-1914) Haying Time , circa 1880 Oil on canvas 20" x 28" Signed to the bottom right corner, the artist further identified with a metal plaque affixed to the frame. Titled to the reverse. Presented in a frame that measures 27" x 35". Condition There is a patch to the back of the canvas to repair a small tear just to the right of the figure atop the haywain, with a 1/4" area of in-painting. The extreme edges have some in-painting to fill in flaking paint from frame abrasion. No active issues apparent.
• Haying Time: An Approaching Storm
  Haying Time: An Approaching Storm Engraving published by Leggo & Co. New York titled in margin; 19 x 32.5 in. Condition: Uneven toning and water stains.
• CURRIER & IVES "HAYING-TIME: THE
  CURRIER & IVES "HAYING-TIME: THE LAST LOAD" PRINTFrances "Fanny" Flora Bond Palmer (American, 1812-1876) and John Cameron (Scottish, 19th c.) for Currier and Ives, United States. Lithograph titled "Haying -Time: The Last Load," depicting an ox-driven cart laden with hay with two young children seated atop the pile and a farmer following behind, 1868. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2989, page 314. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. Sight; height: 18 1/4 in x width: 25 in. Framed; height: 28 1/2 in x width: 34 3/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• HAYING SCENE BY MARIE KATZ
  HAYING SCENE BY MARIE KATZ (AMERICAN LATE 19TH-EARLY 20TH CENTURY). Oil on canvas signed and dated 1907 lower left. Haying scene with farm wagons. Small tears. 23''h. 30''w. in a gilt frame 32 1/2''h. 39''w. Tears along upper edge longest approx. 1''.
• AFTER FRANCIS PALMER & JOHN
  AFTER FRANCIS PALMER & JOHN CAMERON: TWO WORKSeach colored engraving, framed under acrylic; each published by Currier and Ives; comprising "Haying-Time. The First Load" and "Haying-Time. The Last Load"; Provenance: The Estate of Sally W. Rhodes, Corona Del Mar CA each 19 1/2 x 27 1/2 inches sight; 26 1/4 x 34 1/4 inches frame Condition:
• CURRIER & IVES "HAYING-TIME. THE
  CURRIER & IVES "HAYING-TIME. THE FIRST LOAD" PRINTFrances "Fanny" Flora Bond Palmer (American, 1812-1876) and John Cameron (Scottish, 19th c.) for Currier and Ives, United States. Lithograph titled "Haying -Time: The First Load," depicting an ox-driven cart laden with workers heading out to the field for a day's work, 1868. Literature: Gale Research Company, "Currier & Ives, A Catalogue Raisonne," Volume 1: A-N (Gale Research Company: Detroit, 1984). Number 2988, page 314. Provenance: Distinguished Corporate Collection, Ohio. Currier and Ives was founded by Nathaniel Currier (American, 1813-1888) in 1835 as "the Grand Central Depot for Cheap and Popular Prints," but changed its name with the addition of James Merritt Ives (American, 1824-1895) in 1857. The company created over 7000 popular lithographs depicting American life until 1907. Sight; height: 18 1/4 in x width: 25 in. Framed; height: 25 3/4 in x width: 32 1/4 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• GEORGES SCHREIBER LITHOGRAPH
  GEORGES SCHREIBER LITHOGRAPH "HAYING"Georges Schreiber New York / Belgium 1904-1977) Lithograph "Haying" , circa 1930s, produced in 1936 for TE WPA the Federal Art Project (1935-1941), pencil signed lower right G. Schreiber. Site: 8 ¼ in. x 13 in. Overall: 14 ¾ in. x 18 ¾ in. Schreiber has a storied history of exhibits including the Carnegie Institute, Corcoran Gallery of Art, Pennsylvania Academy of Fine Arts, Art Institute of Chicago, Whitney Museum of American Art, Metropolitan Museum and the Museum of Modern Art. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• After William Hay
  After William Hay
• ENGLISH Frank (American 1854-1922):
  ENGLISH Frank (American 1854-1922): Haying Scene Depicting a Three Horse Team site size 13 1/2'' x 21 1/2'' signed lower right encased in newer gilded frame 28'' x 32''.
• Frank F. English (American
  Frank F. English (American 1854-1922) Haying. Watercolor on paper signed in the lower right corner framed with a small mat in a wide carved gilt frame under non-glare glass overall 33" x 49". An unusually large scene example of the most popular in this artist's compositions.
• M Hays/Picking Cowslips/two girls
  M Hays/Picking Cowslips/two girls in a flower meadow, one with blanket and the other with doll/signed/oil on canvas, 60cm x 50cm
• Farmers Cutting Hay by Frank F.
  Farmers Cutting Hay by Frank F. English Frank F. English (Kentucky & Pennsylvania 1854-1922) ?late 19th-early 20th century. Watercolor on paper team of three horses pulling two farmers cutting hay with turkeys in foreground and haystacks in background at left signed l.l.; 11 x 18.5 in. (sight). Condition: Not examined outside of frame.
• DORA HENLEY GOING
  DORA HENLEY GOING (AMERICAN/MISSISSIPPI, 1916)Dora Henley Going (American/Mississippi, 1916-2016), "Hay Time" and "While the Sun Shines", 2 silver gelatin prints, each pencil-signed and titled on matting, "Birmingham Camera Club" labels with artist and title and inscriptions on backings, both 11 in. x 14 in., framed alike. (2 pcs.)
• Early 20th c. ''Standing Hay''
  Early 20th c. ''Standing Hay'' trade sign (painted on wood). 30'' x 6 1/2''.
• HENRY HILLIER PARKER (ENGLISH, 1858
  HENRY HILLIER PARKER (ENGLISH, 1858 - 1930) , "HARVEST TIME ON THE SOUTH COAST, LITTLEHAMPTON, SUSSEX", OIL ON CANVAS, DEPICTS HAYST...Henry Hillier Parker (English, 1858 - 1930) , "Harvest Time on the South Coast, Littlehampton, Sussex", oil on canvas, depicts haystacks in foreground, cottages and water in distance, signed lower left, inscribed verso with title, "474", and signed "Henry H. Parker", also with preparer's stamp "C. Roberson & Co., 99 Long Acre, London", along with applied gallery label to stretcher bar, in elaborately molded frame with newer gold-colored finish, wear consistent with age and use including craquelure, toning, waving of canvas, ss: 11 3/8" h. x 17 1/2" w.
• MODERN FIGURATIVE ABSTRACT HAYSTACK
  MODERN FIGURATIVE ABSTRACT HAYSTACK FIGURE ETCHING ,20th CenturyTitled "Haystack Figures" depicting five scattered haystacks abstracted into dominant tribal form. Signed, titled, and editioned in the margin the print is by an unknown artist to us but of a great quality.
• HAY, Dick, (American, 20th C.): 3
  HAY, Dick, (American, 20th C.): 3 pc Art lot, OIL/C, Still Life with Wine and Fruit, 40'' x 18'', signed dated verso '63, painted black frame, 48'' x 26''; mixed media painting on fabric depicting a largemouth bass leaping from the water, through the cattails towards a hovering dragonfly, 36'' x 18'', signed; lithograph, Sweet Athens, 11 1/2' x 16 1/2'', signed, numbered 5/6, framed, 18'' x 22''.CONDITION: Sold as is.
• HAYASHI, Nobuo, (Japanese, 20th
  HAYASHI, Nobuo, (Japanese, 20th Century): Japanese Rainy Day Street Scene with Temple in the Distance, Oil/Canvas, 13'' x 9.5'', signed lower right, framed, 28.25'' x 17''.
• HENRY & CHARLES SHAYER (UK, CA.
  HENRY & CHARLES SHAYER (UK, CA. 1825-1864 & 1826-1914) "Milking Time", oil on canvas, signed lower left, name tag with title on frame, Christie's labels verso, a woodland scene with herdsmen and livestock, in gold gesso frame, OS: 44" x 57", SS: 36 1/2" x 49 1/2". Cleaned and relined, losses to frame.
• F. H. AYRES SMALL DAPPLE GREY
  F. H. AYRES SMALL DAPPLE GREY ROCKING HORSE EARLY 20TH CENTURY with glass eyes, horse hair mane and tail and partial original leather tack, on a trestle support and turned columns, the base stamped 395 PATENTED JAN 29 1880 with metal plaque stamped F.H. AYRES/ MANUFACTURERS/ 111 ALDERGATE ST/ LONDONHorse 82cm long [hoof to hoof]Provenance: Careston Castle, Brechin, Angus
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Downeast Haying, gouache on paper, unsigned, in grey painted frame, under tan mat, glazed, OS: 14 1/4" x 16 1/2", SS: 5 3/4" x 8 1/2", good condition.
• ETTY HORTON. THE HAYWAIN, OIL
  ETTY HORTON. THE HAYWAIN, OIL (British, act. 1884-1918). Oil on canvas, signed "Etty Horton" ll, sight size: 20 x 30 in., framed size: 28 x 38 x 2 3/4 inches.
• Hand painted vintage wooden sign
  Hand painted vintage wooden sign from Wm. H. Block tea room; the poem "The Old Haymow" reproduced and illustrated for casual lunching atmosphere at the former Indianapolis Circle City shopping mecca. 44"H x 22"W. Good condition, minor surface wear.
• ARYEETEY SOWAH. "TIME IS MONEY,"
  ARYEETEY SOWAH. "TIME IS MONEY," TEMPERA (20th century). Tempera, signed and dated 2011 lr, sight size: 27 x 15 3/4 in., framed.
• William Hays painting (William
  William Hays painting (William Jacob Hays, New York, 1830-1875), portrait of an Arabian horse under a tree in a field, signed lower right "W.J. Hays 1859", oil on canvas, 25-1/8 x 35-1/4 in.; modern painted and gilt wood frame. Restretched on old stretcher, lined, scattered areas of retouch, crackle; frame with abrasions. Private Collection, Winston-Salem, North Carolina
• A mid 19th Century mahogany drop
  A mid 19th Century mahogany drop head wall clock, the white painted wooden dial signed Hayter, Bath, fitted an eight-day single fusée movement, approximately 57cm high
• GENKE, HAYRACK, LITHOGRAPH, FRAMED:
  GENKE, HAYRACK, LITHOGRAPH, FRAMED: 15 X 17-1/2 INGenke, Hayrack, Lithograph, Framed: 15 x 17-1/2 in
• THOMAS MCEWAN OIL ON CANVASTHOMAS
  THOMAS MCEWAN OIL ON CANVASTHOMAS McEWAN (Scotland, 1846-1914) oil on canvas, "Hay-Time, Dunstaffnage," figures working in a field. Signed lower right, dated 1892. Titled verso on label from Paisley Art Institute Exhibition. Image measures 10" x 14". In a period gilt wood frame; 19" x 23" overall.
• HAYES, Kenneth Hayes, (American,
  HAYES, Kenneth Hayes, (American, 1876-1952): ''Three Ladies at a Dance'', Etching, 5.75'' x 7.25'', pencil signed lower right, framed, 17'' x 20.75''.
• Prang Print ''There's Nothing
  Prang Print ''There's Nothing More Preciousthan Time'' Old English excellent image area 10'' x 17''.
• G. A. HAYS (GEORGE ARTHUR HAYS,
  G. A. HAYS (GEORGE ARTHUR HAYS, 1854-1945, RI,MA, NH) "The Watering Place, 1913", oil painting on canvas depicting cows at a pond. Signed lower left and on verso. Sight size 12" x 16", overall with later carved and gilt frame 18 1/4" x 22 1/4".
• J?R?ME LEMAITRE STRAW HAT.
  J?R?ME LEMAITRE STRAW HAT.
• 19th century pastel landscape,
  19th century pastel landscape, hay harvesters, signed verso "Hall 1872", pastel on paper, possibly American, 9 x 7-13/16 in.; modern gilt wood frame. Handling grime, back is taped to board at four edges; frame with abrasions. Private Collection, Nashville, Tennessee
• An early 20th Century rocking horse
  An early 20th Century rocking horse by F H Ayres, with glass eyes, open mouth and projecting tongue, original gesso, dapple grey, later painted, with mane, tail, and original saddle, on a pitch pine stand with twin turned pillars, 120cm high, 136cm long/Literature: see pp44 David Kiss, A Kiss of Rocking Horses
• G. A. HAYS (GEORGE, 1854-1945,
  G. A. HAYS (GEORGE, 1854-1945, RI, MA, NH) "SHEEPin Spring, 1914", oil painting on canvas, signed lower left. Signed and titled on verso. Sight size 16" x 24", overall with carved and gilded frame 22 1/2" x 30 3/4". Shows some craquelure.
• SIDNEY HAYES (FL EARLY 20TH
  SIDNEY HAYES (FL EARLY 20TH CENTURY) A BASKET OF MISCHIEF signed, 22 x 34.5cm