A few examples of appraisal values for
HEALY

• LYON & HEALY, NO. 2972 HARP WITH CASE,
  LYON & HEALY, NO. 2972 HARP WITH CASE, FOOTSTOOLLyon & Healy, No. 2972 harp with case and footstool. NO in-house shipping for this lot. Condition: Needs to be restrung (several loose or missing strings). Needs tuning. Minor sporadic gilt losses. A few surface lines at elbow. Wear consistent with age and use.
• ARTHUR HEALY (AMERICAN, 1902-1978),
  ARTHUR HEALY (AMERICAN, 1902-1978), RUNNING IN THE RAIN Watercolor and graphite on paper, circa 1950s, signed and title at upper right, inscribed en verso, matted and framed under glass.
• BOOKS ON JEWELRY, 8 Group of art reference
  BOOKS ON JEWELRY, 8 Group of art reference / coffee table books on Jewelry comprising - The Bakelite Jewelry Book by Corrine Davidov and Ginny Reddington Dawes / Abbeville Press Jewelry: The Body Transformed by Melanie Holcomb / Metropolitan Museum of Art & Yale University Press Costume Jewelry: The Great Pretenders by Lyngerda Kelley and Nancy Schiffer / Schiffer Publishing American Jewelry: Glamour and Tradition by Penny Proddow and Debra Healy / Rizzoli Twentieth Century Jewelry by Barbara Cartlidge / Abrams Art Deco Jewelry by Sylvie Raulet / Rizzoli Art Nouveau Jewelry by Vivienne Becker / Dutton Maharajas? Jewels by Katherine Prior and John Adamson / Assouline
• BOOKS ON JEWELRY, 8 Group of art reference
  BOOKS ON JEWELRY, 8 Group of art reference / coffee table books on Jewelry comprising - The Bakelite Jewelry Book by Corrine Davidov and Ginny Reddington Dawes / Abbeville Press Jewelry: The Body Transformed by Melanie Holcomb / Metropolitan Museum of Art & Yale University Press Costume Jewelry: The Great Pretenders by Lyngerda Kelley and Nancy Schiffer / Schiffer Publishing American Jewelry: Glamour and Tradition by Penny Proddow and Debra Healy / Rizzoli Twentieth Century Jewelry by Barbara Cartlidge / Abrams Art Deco Jewelry by Sylvie Raulet / Rizzoli Art Nouveau Jewelry by Vivienne Becker / Dutton Maharajas? Jewels by Katherine Prior and John Adamson / Assouline
• JOHN W HEALY LARGE BRONZE SCULPTURE
  JOHN W HEALY LARGE BRONZE SCULPTURE OF A NUDE LADY Very well executed, on marble base and signed. From a Floral Park Long Island NY estate. Dimensions: bronze 26" with base 34" Condition: Good.
• GROUP OF BOOKS OF IRISH INTERESTIncluding:
  GROUP OF BOOKS OF IRISH INTERESTIncluding: Irish Houses: Eclectic and Unique Interiors by Ianthe Ruthven, Gill and MacMillian, 1998; Irish Houses and Castles by Desmond Guinness and William Ryan, Thames and Hudson, 1971; Dublin Review, January 1839 , C. Richards Printer; Dublin: A Study in Environment by John Harvey, B. T. Batsford, 1949; Dublin: Under the Georges, 1714–1830 by Constantia Maxwell, Faber and Faber, 1976, with some damage to the jacket cover; The Architecture of Ireland from Earliest Times to 1880 by Maurice Craig, B. T. Batsford, 1989; James Reynolds' Ireland by James Reynolds, Farrar, Straus and Young, Inc., 1953, with torn jacket cover; In the Houses of Ireland photographs by Walter Pfeiffer and text by Marianne Heron, Stewart, Tabori, and Chang, 1988; Romantic Irish Homes by Robert O'Byrne, photographs by Simon Brown, CICO Books, 2009, with an inscription to Niall from the author; In an Irish House by Sybil Connolly, Weidenfeld and Nicolson Ltd, 1995; Clodagh: Your Home, Your Sanctuary written with Heather Ramsdale, photography by Daniel Aubry, Rizzoli International, 2008, with an inscription to Niall from Clodagh; The Georgian Squares of Dublin: An Architectual History edited by Mary Clark and Alastair Smeaton, Dublin City Council, 2006, with an inscription to Niall from a friend; Irish Houses: History, Architecture, Furnishings by Klaus-Hartmut Olbricht and Helga M. Wegener, photographs by Günther von Voithenberg, translated by David Smith, Gill and MacMillian, 1984; The Arts and Crafts Movement in Ireland by Paul Larmour, Friars Bush Press, 1992; Discovering Kerry: Its History, Heritage and Topography by T. J. Barrington, Mount Salus Press Inc., 1986, with inscription from a friend; Irish Country Furniture 1700–1950 by Claudia Kinmonth, Yale University Press, 1993; Castles of County Cork by James N. Healy, The Mercier Press, 1988; Great Irish Houses and Castles by Jacqueline O'Brien and Desmond Guinness, Weidenfeld and Nicholson, 1992; Dublin: A Grand Tour by Jacqueline O'Brien with Desmond Guinness, Weidenfeld and Nicholson, 1994; and Irish Houses and Gardens: From the Archives of Country Life by Seán O'Reilly, Aurum Press Ltd., 1998 (20). Condition Individual condition reports not available for this lot. Notwithstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• SALVI HARPA Salvi harp, the burl wood
  SALVI HARPA Salvi harp, the burl wood frame with 15" red spruce soundboard, 40 strings with a range of 1st octave E to 6th octave A. Purchased from Lyon & Healy, Chicago Illinois, complete with dust cover & tuning key. Italy, circa 1990. Dimensions 64.5" high x 34.5" wide, weight: 59 pounds. The Daphne 40 is 3/4 the size of the Concert Grand, featuring the same stainless steel action and fluid pedal mechanism as those found in their full size models.
• Thomas Cantwell Healy (American/Mississippi,
  Thomas Cantwell Healy (American/Mississippi, 1820-1899) pair of oils on canvas, consisting of \"Portrait of Margaret Smith Shaifer Johnson Wearing Plaid Dress with Lace Collar\", signed and dated lower left \"T. C. Healy 1855\" and \"Portrait of John Chapman Johnson Wearing Black Coat\", signed and dated lower right: \"T. C. Healy, Miss., Nov. 12., AD. 1855\", both are 36\" x 29\". Presented in matching period cove-molded giltwood frames. Provenance: Descended in the family of the sitter to Julia Marie Johnson Arnold, Port Gibson, Mississippi. Reference: Elizabeth P. Reynolds, To Live Upon Canvas: The Portrait Art of Thomas Cantwell Healy, Mississippi Museum of Art, April 18 through June 15, 1980, paintings are catalogue numbers 30 and 31 and are illustrated on page 35 of the exhibition catalogue. Thomas Healy settled in prosperous Port Gibson, Mississippi, working on portrait commissions for many of its affluent residents. The sitters in this pair being offered were from Clairborne or Copiah County, Mississippi and both died shortly after Healy painted their portraits.
• (LOT OF 24) BASEBALL GROUP (lot of 24)
  (LOT OF 24) BASEBALL GROUP (lot of 24) Baseball group, many bearing signatures including Daniel Mengden, Kendell Crausman, Bob Melvin, Ryan Healy, Marcus Semien, Art Howe, etc. Provenance: Louise Irvin Jones Estate, the most senior ticket holder at The Colosseum, since 1973
• LYON & HEALY 40 PRELUDE HARPDESCRIPTION:
  LYON & HEALY 40 PRELUDE HARPDESCRIPTION: A Lyon & Healy 40 Prelude Lever Harp #60146. Marked "Lyon & Healy" and numbered "60146" Features ebonized finish and gilt bronze mounted details. CIRCA: 20th Century. ORIGIN: USA DIMENSIONS: H: 63.75" x W" 18" x L: 33" Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Some strings need replacement. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission."
• ARCHIVE OF THE HERMITAGE, ANDREW JACKSONAn
  ARCHIVE OF THE HERMITAGE, ANDREW JACKSONAn archive of images related to the Hermitage, home of President Andrew Jackson, photos attributed to C.C. and Otto Giers. Includes 3 CDVs with C.C. Giers National Photo Gallery stamp on back: A CDV front view of the Hermitage with dark figure on the porch; a CDV view of Jackson's tomb; and a CDV view of Rachel Jackson's tomb; along with approximately 2 dozen loose albumen photographs circa 1892 (the year Col. Andrew Jackson III, the president's grandson, hired C.C. Giers' son Otto to come and take some photographs of the home. The following year, Col. Jackson and his family moved to Cincinnati, taking all of the contents with them). These images include a stereoview sized print of a presentation sword and two chairs on the front porch, including the barrel back chair given to Jackson by President George Washington, along with multiple photos of Jackson's tomb (largest has full vertical tear to left side); slave cabins and buggies (full tears); an old portrait print of Jackson; photos of the interior of the mansion including the front parlor; the Dining room (full horizontal tear to lower third), the "Old Hickory" fireplace mantel, and Jackson's bedroom; an African American man, and Jackson's Masonic apron (note some of these are duplicates of larger images). Also included in this archive are 4 cabinet cards depicting painted portraits of Rachel and Andrew Jackson by Ralph Earl and George Healy (2 are stamped Giers Copy and Giers Art Gallery); 1 cabinet card of the entrance gates to the Hermitage; and one 8 x 10" gelatin print of a University of Nashville diploma signed by Jackson and other notable men of Nashville: Phillip Lindsley, Felix Robertson, James K. Polk, etc. There are also ten receipts dated 1892 from the Library of Congress stating that Andrew Jackson (Jr.) of Hermitage, Tenn. has deposited a photograph in the copyright office, all related to scenes from The Hermitage (presumably the ones made by Otto Giers). Provenance: the estate of Giers descendant Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com) Condition: CDVs- very good to excellent condition. Albumen prints have not been backed and are fragile with tears and losses, some are curled and so fragile that they cannot be uncurled without tearing the images. Cabinet cards have grime and light staining and some scattered corner losses.
• GEORGE HEALY O/C PORTRAIT OF A MAN,
  GEORGE HEALY O/C PORTRAIT OF A MAN, PLUS CATALOGGeorge Peter Alexander Healy (Illinois/Massachusetts/France, 1813-1894) oil on canvas bust length painting of a man in his late middle age, seated, wearing a mid 19th-century style suit with a brown silk cravat, against a brown background. Signed and dated "G.P.A. Healy 1859" lower left. Housed in a giltwood frame with a bead and reel running pattern. Also includes a copy of the catalog for the exhibition "Healy's Sitters" held at the Virginia Museum of Fine Arts, Richmond, VA, January 24-March 5, 1950. Sight: 35 1/4" H x 28 1/4" W. Framed: 40" H x 32 3/4" W. Estate of Judge John Nixon, Nashville, Tennessee. Condition: Overall good condition with craquelure, areas of scattered minute paint flakes/loss, largest 1/8". Canvas has been lined. Frame with minor abrasions, areas of loss. Catalog with front cover separated from spine, toning, creases, light staining, with minor tears and chips to edges of pages.
• ARTHUR KELLY DAVID HEALY WATERCOLOR
  ARTHUR KELLY DAVID HEALY WATERCOLOR "DRY DOCK"Arthur Kelly David Healy (American 1902-1978) Watercolor "Dry Dock" , Vintage 1942 World War II view of a U.S. Navy submarine in dry dock, signed, titled and dated lower left "Dry Dock, A.K.D. Healy '42" 15 in. x 21.75 in. Framed 24 in. x 30.5 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• LYON & HEALY, #730, FIGURED MAPLE AND
  LYON & HEALY, #730, FIGURED MAPLE AND GILT DECORATED HA...Lyon & Healy, #730, figured maple and gilt decorated harp, post having carved and gilt decorated winged figures, with custom cover, some strings missing, height 69 1/2 inches. Condition: minor gilt loss throughout, missing strings, all condition issues photoed. Unsure if playable as no musial expert on staff. All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• LYON & HEALY CARVED AND GILTWOOD HARPAmerican,
  LYON & HEALY CARVED AND GILTWOOD HARPAmerican, early 20th century, marked "Lyon & Healy Makers/Chicago USA/No. 931", carved wood frame with column form giltwood support with floral decoration, accommodates 45 strings, 7 pedals, with bag of strings and tuning key, 70 x 35 x 21 in. Provenance: Estate of Opal Ong, Asheville, North Carolina Condition: This lot has not been examined by a professional technician or harpist. We do not have any information about the harp's maintenance or repair history, but it likely remained undisturbed for a long time with the strings tuned and sounding board under pressure, and is likely in need of restoration. Some scratches and bumps to frame, minor cracks and small losses to gilding on pillar, sounding board and box with some scratches and small edge bumps/chips, maker's plate with patination, tarnish, and some polish wear, harp missing several strings, some strings broken, needs re-stringing and tuning, tuning discs possibly in need of adjustment, pedals operable at time of inspection
• COLIMA POTTERY PORTRAIT VESSEL W/ HELMETPre-Columbian,
  COLIMA POTTERY PORTRAIT VESSEL W/ HELMETPre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hand-built and highly burnished pottery vessel in the shape of a portrait head. The vessel exhibits a slightly convex but stable base, a hemispherical body with raised decorations, and a conical spout protruding from the verso. The obverse bears a stylized anthropomorphic face, perhaps that of a warrior, with puffy cheeks and forehead, an upturned nose, pursed lips, and coffee-bean-shaped eyes. An intricate helmet rests atop the head with a peaked frontal brim as well as two pairs of scalloped flanges. Size: 4.25" W x 4.5" H (10.8 cm x 11.4 cm) Provenance: private Healy collection, Studio City, California, USA; ex-Arte Primitivo, New York, New York, USA, before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #166563 Condition: Repair and possible restoration to portion of spout exterior, with resurfacing and overpainting along break lines. Small nicks and light pitting to face, helmet, spout, and base, with fading to pigment in scattered areas, and light encrustations. Nice preservation to face and helmet. Old inventory labels as well as old black-painted inventory number beneath base.
• MAYA POTTERY SEATED FEMALE FIGUREPre-Columbian,
  MAYA POTTERY SEATED FEMALE FIGUREPre-Columbian, Mexico and northern Central America, Maya Territories, Maya, Late Classic Period, ca. 550 to 900 CE. A delightful ceramic figure of a kneeling woman with an exaggeratedly large head displaying heavy-lidded eyes, a bulbous nose, and full lips held slightly open. A pair of rectangular ears flank her stylized visage. Her ornament suggests a person of high status, with a dramatic headdress, huge earspools, and a beaded necklace. The top of her headdress opens up to her hollow interior, allowing her to also be used as a vessel. This mysterious figure may have been a votive, prayed to at an altar, or placed in a cache as an offering. Size: 5.3" W x 7.9" H (13.5 cm x 20.1 cm) Provenance: private Healy collection, Studio City, California, USA; ex-private Fort Lauderdale, Florida, USA collection; ex-Minerva Gallery; ex-Benjamin Vega, California, USA, acquired in 2006 to 2007; ex-Gene and Virginia George, brought to the USA from 1961 to 1966 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #166553 Condition: Intact with nice remaining pigment and rich deposits. Great preservation of form and detail.
• JALISCO POTTERY STANDING FEMALE FIGUREPre-Columbian,
  JALISCO POTTERY STANDING FEMALE FIGUREPre-Columbian, West Mexico, Jalisco, Protoclassic Period, ca. 100 BCE to 250 CE. A hollow-built pottery figure of a woman standing atop enormous feet and delineated legs. She presents proudly with a straight posture, rounded shoulders, both arms placed above her hips, and a slightly protruding abdomen. Her elongated head bears coffee-bean-shaped eyes, a prominent nose, an impressed mouth, curved ears adorned with earrings, and an incised brow beneath her coiffure. Highly burnished and adorned with red pigment atop a cream ground, this is a minimalist and attractive example of ancient Jalisco figural artistry! Size: 5.25" W x 11.1" H (13.3 cm x 28.2 cm) Provenance: private Healy collection, Studio City, California, USA; ex-Arte Primitivo, New York, New York, USA, before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #166557 Condition: Chip to top of proper right ear and right shoulder, with fading to pigment, and light encrustations within some recessed areas, otherwise intact and very good. Nice deposits
• JALISCO POTTERY STANDING FEMALE FIGUREPre-Columbian,
  JALISCO POTTERY STANDING FEMALE FIGUREPre-Columbian, West Mexico, Jalisco, Protoclassic Period, ca. 100 BCE to 250 CE. A hollow-built pottery figure of a woman standing atop enormous feet and delineated legs. She presents proudly with a straight posture, rounded shoulders, both arms placed above her hips, and a slightly protruding abdomen. Her elongated head bears coffee-bean-shaped eyes, a prominent nose, an impressed mouth, curved ears adorned with earrings, and an incised brow beneath her coiffure. Highly burnished and adorned with red pigment atop a cream ground, this is a minimalist and attractive example of ancient Jalisco figural artistry! Size: 5.25" W x 11.1" H (13.3 cm x 28.2 cm) Provenance: private Healy collection, Studio City, California, USA; ex-Arte Primitivo, New York, New York, USA, before 2010 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship b>PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #166557 Condition: Chip to top of proper right ear and right shoulder, with fading to pigment, and light encrustations within some recessed areas, otherwise intact and very good. Nice deposits
• PRE-CLASSIC MAYA POTTERY FEMALE FIGURE,
  PRE-CLASSIC MAYA POTTERY FEMALE FIGURE, EX-ARTEPre-Columbian, El Salvador and Honduras, Maya Territories, Proto-Maya, Pre-Classic period, ca. 200 BCE to 200 CE. A lovely pottery figure of a female depicted standing atop bulbous legs with tapered feet. Her attenuated arms bend at the elbows to rest on her stomach, just above her wide hips which are covered by a loin cloth. Capped with a pointed headdress, her ancient visage gazes skyward exhibiting slender eyes, a round nose, and a slightly open mouth, all flanked by a pair of annular earspools. Size: 2.8" W x 7.3" H (7.1 cm x 18.5 cm) Provenance: private Healy collection, Studio City, California, USA, acquired in 2018; ex-Arte Primitivo, July 16th, 2018, Lot 232 (1 of 2); ex-private Nevada, USA collection, acquired in the 1990s; ex-Foreign Unlimited, Coconut Grove, Florida, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #166568 Condition: Restoration to head and left arm. Expected nicks and abrasions, commensurate with age. Otherwise, very nice with great mineral deposits throughout.
• AZTEC STONE TENON W/ JAGUAR HEAD**First
  AZTEC STONE TENON W/ JAGUAR HEAD**First Time At Auction** Pre-Columbian, Central & Gulf Coast Mexico, Veracruz region, Aztec culture, Post Classic period, ca. 1200 to 1521 CE. A hand carved stone with a feline head- likely a jaguar, the king of beasts in Mesoamerican cultures. The long, cylindrical neck may have been a tenon joint for fitting into a larger sculpture or architectural element, although the petite size also suggests a hand held tool like a pestle. Aztec public architecture such as pyramids and temples featured many symbolic and artistic elements, tenons would project from walls and entrances to protect and symbolize religious beliefs. Size: 5.5" L x 1.25" W x 2" H (14 cm x 3.2 cm x 5.1 cm) Provenance: private Healy collection, Studio City, California, USA, acquired 1995-2015; ex-private Fayetteville, Arkansas, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178468 Condition: Chips and abrasions throughout as shown, otherwise intact and very good.
• INCA POLYCHROME CATFISH EFFIGY VESSEL**First
  INCA POLYCHROME CATFISH EFFIGY VESSEL**First Time At Auction** Pre-Columbian, Northern Peru, Inca, ca. 1438 to 1533 CE. A wonderful redware vessel in the form of a catfish, with a long body, a horseshoe-shaped head presenting beady eyes and an open mouth that reveals many teeth delineated in low relief, fins delineated in high relief, and a tall spout with a bowl-shaped mouth emerging from the back. The surface boasts a rich russet red hue and is covered with black dots, while the underside is a creamy beige. Inca peoples who lived near the coast enjoyed fish in their diets. Using reed boats known as caballitos de tortora (little reed horses) so named for the straddled manner in which they are ridden, fisherman-caught sea bass, tuna, salmon, sardines, anchovies, shellfish, as well as sea catfish (Galeichthys peruvianus). Size: 10.3" W x 4.3" H (26.2 cm x 10.9 cm) Provenance: private Healy collection, Studio City, California, USA; ex-Artemis Gallery, Louisville, Colorado, USA, April 14th, 2022, lot 130; ex-private Hidden Valley Lake, California, USA collection; ex-Artemis Gallery, Louisville, Colorado, USA, September 5th, 2019, lot 123A; ex-private Hawaii, USA collection; ex-Artemis Gallery, Louisville, Colorado, USA, June 14th, 2013, lot 308; ex-private Dr. Fischer collection, Germany All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178449 Condition: Professionally repaired with restoration and repainting to break lines along tail. Some light wear to surface, but otherwise has an excellent presentation with nice remaining pigments.
• FINE MESOPOTAMIAN CARNELIAN STAMP ROLLER
  FINE MESOPOTAMIAN CARNELIAN STAMP ROLLER BEADS**Originally Listed At $500** Central Asia - Mesopotamia, eastern Mediterranean to northern Africa, ca. 21st to 8th century BCE. Two very fine and rare cylinder stamp seals, each in carved and incised carnelian. Left example shows standing god or ruler holding a staff standing upon a zoomorph - probably a running horse - supplicant approaching to his right, hand holding a wreath, star and another object in the field. Seal on right shows ruler seated upon cross-hatched throne holding a rhyton in his extended right hand, individual approaching a shrine that separates them, palm tree behind, crescent moon above. Size: .625" H (1.6 cm) for tallest. Cylinder seals like this example were used by individuals in every level of society - from kings and rulers, to merchants and tradespeople, to workers and slaves - to communicate messages. They often were handed down from father to son, sometimes with minor differences added to differentiate the new owner from the old. Provenance: private Healy collection, Studio City, California, USA, acquired February 26, 2014; ex-Arte Primitivo; ex-Vincent Funicello collection, Brooklyn, New York, USA, 1930s-1970s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175161 Condition: Each intact and quite excellent. Details generally very clear. Clay impression included with each.
• ANATOLIAN MARBLE KILIA IDOL - KUSURA
  ANATOLIAN MARBLE KILIA IDOL - KUSURA TYPE**First Time At Auction** Ancient Near East, Anatolia, Early Bronze Age II, ca. 2700 to 2300 BCE. A Kusura-type - also known as violin type - marble idol of an extremely simplified anthropomorphic form. The idol is hand-carved into a thin sheet with a small circular head, conical neck, and trapezoidal body with a rounded bottom. Kusura idols come from the village of Kusura in southeastern modern-day Turkey. Votive idols like this one are known in a variety of fascinating forms throughout the pre-literate ancient world. From the truly abstract Kilia-type figures that are barely recognizable as human to the exaggerated feminine shapes of so-called "Venus" figures, people in the past, as today, had a clear desire to portray human forms and did not feel constrained by naturalism. Custom museum-quality display stand included. Size: 2.75" W x 4.125" H (7 cm x 10.5 cm); 5.25" H (13.3 cm) on included custom stand. Provenance: private Healy collection, Studio City, California, USA, acquired 1995-2015; ex-Artemis Gallery, Louisville, Colorado, USA, September 27th, 2018, lot 70c; ex-private East Coast, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178456 Condition: Surface wear and abrasions commensurate with age, small chips to periphery of head, neck, and body, with some light roughness across most surfaces. Nice earthen deposits throughout.
• 4 BOUND 19TH C BOOKS RELATING WHALING
  4 BOUND 19TH C BOOKS RELATING WHALING IN ARCTICREGIONS TO INCLUDE AN 1884 REPORT OF THE CRUISE OF THE REVENUE STEAMER CORWIN IN THE ARTIC OCEAN. QUARTO, CLOTH BOUND WITH GILT LETTERING BY CAPTAIN M. A. HEALY U. S. R. M. WASHINGTON GOVERNMENT PRINTING OFFICE, 1889. 128 PAGES WITH GREAT PHOTOS WITH SEVERAL FULL PAGE COLORED PLATES. MINOR SCUFFING TO SPINE AND SLIGHT FOXING ON THE INTERIOR. OVERALL CONDITION IS GOOD WITH SWAIN FREE SCHOOL LIBRARY STAMP. NEXT IS THE ARTIC WHALEMAN OR WINTER IN THE ARTIC OCEAN BY REV. LEWIS HOLMES. BOSTON, WENTWORTH & CO., 1857. OCTAVO, RED CLOTH BOARDS, GILT DECORATION. 296 PAGES. 15 ENGRAVED PLATES, MODERATE FOXING AND STAINING, TIGHT BINDING. ALONG WITH 2 VOLUME CLOTH BOUND SET TITLED UNCLE PHILIP'S CONSERVATIONS WITH THE CHILDREN ABOUT WHALE FISHERY AND POLAR SEAS (IN 2 VOLUMES)., NEW YORK, 1836, HARPER & BROS, 12VO. VOL I HAS 211 PAGES WITH SOME FOXING AND ONE TORN AND REPAIRED BACK PAGE. VOL 2 HAS 210 PAGES. END PAGE HAS MINOR TEAR WITH FOXING. FROM IPPOLITO COLLECTION.
• LYON & HEALY WASHBURN 4-STRING BANJO,
  LYON & HEALY WASHBURN 4-STRING BANJO, C. 1920 With mother-of-pearl inlay, the tailpiece stamped '"Kerschner Unique / Lyon & Healy / Makers / Chicago U.S.A.", the tension band stamped "PAT 12-29-14 / 5-9-16", the dowel rod stamped "Improved George Washburn" and serial number "750 / 8764", the drum head signed "Joseph Rogers Son XXX", 29"l x 11"dia (head) x 3"d, in fitted case, 32"l x 13"w x 4.5"d
• VARAN THE UNBELIEVABLE 1962 ONE SHEET
  VARAN THE UNBELIEVABLE 1962 ONE SHEET MOVIE POSTER Starring Myron Healy, Tsuruko Kobayashi, and a cast of thousands. #62/380, #62-1601
• LYON & HEALY STYLE 23 CONCERT GRAND
  LYON & HEALY STYLE 23 CONCERT GRAND PEDAL HARPConcert grand pedal harp, Lyon & Healy, Chicago, style 23, no. 4205, natural maple with gilding, embellished with floral carving, fluted column, sweeping floral decoration accents the soundboard, seven pedals, approx 74"h, 38.75"w, 21.75"d
• FLATBACK MANDOLIN AFTER LYON & HEALY
  FLATBACK MANDOLIN AFTER LYON & HEALY OR LARSON BROTHERS Unknown maker, the interior pencil signed and dated "H E N / Sept 1918," bound spruce top with mahogany back and sides, original tuners and "cloud" tailpiece; includes original canvas case.
• LYON & HEALY AMERICAN CONSERVATORY ROUNDBACK
  LYON & HEALY AMERICAN CONSERVATORY ROUNDBACK MANDOLIN Chicago, circa 1910-1915, spruce top with fancy inlaid pick guard below sound hole, rosewood with holly back, mahogany neck, ebonized headstock with strip tuners. No case; with fitted cardboard shipper.
• VICTORIAN OAK PARLOR PUMP ORGAN WITH
  VICTORIAN OAK PARLOR PUMP ORGAN WITH BENCHVICTORIAN OAK PARLOR PUMP ORGAN WITH BENCH, Lyon & Healy Co., Chicago, late 19th century, 53.75"H x 58"W x 27.5"D.
• LYON & HEALY HARPtogether with fitted
  LYON & HEALY HARPtogether with fitted hard traveling case, and cloth soft case 71 1/2 inches high Condition:
• DON RICKLES '76 YANKEES MUNSON & OTHERS
  DON RICKLES '76 YANKEES MUNSON & OTHERS SIGNED BASEBALLSpalding Commissioner "Lee MacPhail" Official American League Ball signed by 30 members of the 1976 New York Yankees organization including Thurman Munson, Billy Martin (manager), Yogi Berra (HOF, coach), Ron Guidry, Fran Healy, Craig Nettles, Jim Catfish Hunter (HOF), Dick Tidrow, Sparky Lyle, Dock Ellis, Willie Randolph, Carlos May, Elliot Maddox, Kerry Dineen, Tippy Martinez and others; in a plastic case; together with a publicity photo of Don Rickles; Condition:
• ARTHUR K.D. HEALY (AMERICAN 1902 - 1978)
  ARTHUR K.D. HEALY (AMERICAN 1902 - 1978) WATERCOLOR, MODERN WINTER LANDSCAPE WITH DWELLING, SIGNED AND TITLED LR, NOT EXAMINED OUT OF FRAME, SS: 21" X 29 1/8". [PROVENANCE: PREVIOUSLY DEACCESSIONED FROM THE NEW BRITAI...Arthur K.D. Healy (American 1902 - 1978) watercolor, modern winter landscape with dwelling, signed and titled LR, not examined out of frame, ss: 21" X 29 1/8". [PROVENANCE: Previously deaccessioned from the New Britain Museum of American art at sold at Winter Associate's May 24th, 2004 Auction.]
• "FIRST DUET", SET OF TEN LINOLEUM CUTS
  "FIRST DUET", SET OF TEN LINOLEUM CUTS BY PATRICIA HEALY EVANS, TEXT AND LETTER PRESS BY HENRY HERMAN EVANS, PEREGRINE PRESS, 1950,..."First Duet", set of ten linoleum cuts by Patricia Healy Evans, text and letter press by Henry Herman Evans, Peregrine Press, 1950, San Francisco, one of eighty-four sets of Van Gelder (there were forty-six on Kelmscott handmade paper, ten linoleum cuts, loose in hardcover typographic portfolio.)
• LYON & HEALY MAHOGANY DISC CONSOLE MUSIC
  LYON & HEALY MAHOGANY DISC CONSOLE MUSIC BOXLyon & Healy Mahogany Disc Console Music Box, c. 1905, serial #8453, double-comb mechanism, fast/slow lever, with ten 18 1/2 discs, lower storage neck, h. 39 in., w. 31 in., d. 24 1/2 in