A few examples of appraisal values for
HEDDON

• THIRTY-SIX ASSORTED LURES INCLUDING
  THIRTY-SIX ASSORTED LURES INCLUDING HEDDON. Late 20th century. Includes Heddon "Jitterbugs" and "Tadpolly", Bagley's and Cordell. Varying wear.
• THIRTY-SIX ASSORTED HEDDON LURES.
  THIRTY-SIX ASSORTED HEDDON LURES. Late 20th century. Includes different styles of "Tadpolly" lures. Varying wear.
• THIRTY-SIX HEDDON FISHING LURES.
  THIRTY-SIX HEDDON FISHING LURES. Late 20th century. Including "Tiny Tad" and "Tadpolly" in various colors. All boxed. Varying wear.
• THIRTY-TWO ASSORTED HEDDON LURES.
  THIRTY-TWO ASSORTED HEDDON LURES. Late 20th century. Includes "Clatter Tad", "Tadpolly" and "Tadpolly Spook". Varying wear.
• GROUP OF HEDDON "TINY" AND
  GROUP OF HEDDON "TINY" AND "MINI" LURES. Late 20th century. Heddon "Tiny Tad" and "Mini Tad" in various colors. Approximately 72 lures.
• ASSORTED HEDDON "TADPOLLY" LURES.
  ASSORTED HEDDON "TADPOLLY" LURES. Late 20th century. Includes "Tadpolly" and "Tadpolly Spook". Over 40 lures. Varying wear.
• THIRTY-TWO BOXED HEDDON LURES. Late
  THIRTY-TWO BOXED HEDDON LURES. Late 20th century. Includes "Tadpolly", "Magnum Tadpolly", "Tiny Tad" and others. Varying wear.
• GROUP OF BOXED HEDDON LURES. Late
  GROUP OF BOXED HEDDON LURES. Late 20th century. Mostly "Tadpolly" lures in different sizes. Varying wear.
• THIRTY-TWO BOXED HEDDON LURES. Late
  THIRTY-TWO BOXED HEDDON LURES. Late 20th century. Includes different "Tadpolly" lures in various colors. Varying wear.
• *Hedley Fitton (British
  *Hedley Fitton (British 1859-1929) Rue St. Romaine Rouen etching signed Hedley Fitton (lower right) 17 1/4 x 10 1/4 inches.
• GROUP OF BOXED HEDDON LURES. Late
  GROUP OF BOXED HEDDON LURES. Late 20th century. "Tadpolly Spook" lures in various colors. Varying wear.
• HEDLEY FITTON (1859 - 1929), STREET
  HEDLEY FITTON (1859 - 1929), STREET IN ROME, ETCHING, S...Hedley Fitton (1859 - 1929), Street in Rome, etching, signed in pencil lower right Hedley Fitton, 12 1/4" x 13 1/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• FORTY HEDDON "TADPOLLY" LURES. Late
  FORTY HEDDON "TADPOLLY" LURES. Late 20th century. Features "Tadpolly" lures in different styles including "Spook" and "Clatter Tad". Varying wear.
• FORTY HEDDON BOXED LURES. Late 20th
  FORTY HEDDON BOXED LURES. Late 20th century. Includes "Clatter Tad', "Tiny Tad" and "Tadpolly" lures. Varying wear.
• HEDIN, TREES, WATERCOLOR AND
  HEDIN, TREES, WATERCOLOR AND GOUACHE ON PAPER, FRAME: 13 X 16 INHedin, Trees, Watercolor and Gouache on Paper, Frame: 13 x 16 in
• HEDLEY FITTON(British, 19th/20th
  HEDLEY FITTON(British, 19th/20th century) Advocate's Close, Edinburgh, signed lower right "Hedley Fillon" and titled lower left, drypoint etching, plate 17-3/8 x 10-3/8 in.; modern frame, 27-1/2 x 20 in. Provenance: Private Collection Condition: not examined out of frame, not apparently laid down, good rich impression
• HEDLEY FITTON (BRITISH)
  HEDLEY FITTON (BRITISH) 1859-1929. LONDON BRIDGE. ETCHING, 1906. REF: FULLER, P. 184; DUNTHORNE 15. ED: 100. SIGNED WITH PENCIL, L.L...Hedley Fitton (British) 1859-1929. London Bridge. Etching, 1906. Ref: Fuller, p. 184; Dunthorne 15. Ed: 100. Signed with pencil, l.l. Printed in black ink on cream laid paper with complete margins, as published by Robert Dunthorne, London. 370 x 390 mm. (14 1/2 x 15 1/2 in.)
• *Hedly Fitton (British 1859-1929)
  *Hedly Fitton (British 1859-1929) Church of St. John Troyes etching signed Hedley Fitton (lower right) 15 x 17 inches.
• GROUPING OF FISHING LURES AND
  GROUPING OF FISHING LURES AND ACCESSORIES. Second half 20th century. Includes two metal tackle boxes with lures. Featuring Heddon, "The Swedish Pimple", Creek Chub, Rebel, fishing flies and others. Varying wear.
• VINTAGE JAMES HEDDON SONS 3-35
  VINTAGE JAMES HEDDON SONS 3-35 FISHING REELVintage James Heddon's Sons 3-35 casting reel with leather case. Stamped Dowagiac, Mich. Serial # 3449. Uniform patina, line guide works, no cracks to handle. shipping info This lot can be shipped in-house.
• HEDLEY FITTON DRYPOINT
  HEDLEY FITTON DRYPOINT ETCHINGHedley Fitton (England, 1859 - 1929) drypoint etching of a windmill, pencil signed and titled "Ancient Landmarks" below image; measures approximately 16-1/2" in height by 13" in width with a sight image of approximately 11-1/2" in height by 8-1/4" in width. Matted and framed under glass. Hedley Fitton was born in 1859 in Manchester, England and was a pupil at the Warrington School of Art. He worked throughout England, Scotland, France and Italy and is now mostly remembered mainly as an etcher of architectural subjects. He exhibited his work at the Royal Academy, Royal Society of Painter-Etchers and Engravers, R.W.A. and at the Paris Salon. He became an Associate of the Royal Society of Painter-Etchers and Engravers in 1903 and a full member in 1908.
• E. HEDLEY FITTON ETCHING (British
  E. HEDLEY FITTON ETCHING (British 1859-1925) depicting St. Andrew's castle. Image measures 11''W x 11.5''H pencil signed ''Hedley Fitton'' lower right. In a wood frame.
• HEDLEY FITTON (BRITISH
  HEDLEY FITTON (BRITISH 1859-1929), ROSALYN CHAPEL, ETCHING, SIGNED L.R., FRAME: 25 1/2 X 20 IN. (64.8 X 50.8 CM.)Hedley Fitton (British 1859-1929), Rosalyn Chapel, Etching, Signed l.r.,, Dimensions: Frame: 25 1/2 x 20 in. (64.8 x 50.8 cm.)
• William Harnden painting (American,
  William Harnden painting (American, 1920-1983), dolls, signed lower right "Harnden", oil on Masonite, 17-7/8 x 23-7/8 in.; original painted and gilt wood frame. Crackle, abrasions; frame with abrasions. Private Collection, Florida
• GARDEN ORNAMENT 1927 BY JEKYLL
  GARDEN ORNAMENT 1927 BY JEKYLL AND HUSSEY; AND LURE OF THE GARDEN 1911 BY HILDEGARDE HAWTHORNEGarden Ornament 1927 by Jekyll and Hussey; and Lure of the Garden 1911 by Hildegarde Hawthorne,
• Attributed to William Hodges
  Attributed to William Hodges (British 1744-1797) Lord Hood of Avalon watercolor 14 1/2 x 9 3/4 inches.
• EDWIN THOMAS DOLBY (BRITISH fl.
  EDWIN THOMAS DOLBY (BRITISH fl. 1849-1895) HEREFORD Watercolor and graphite on paper: 6 3/4 x 9 1/2 in. (sight) Framed lower left inscribed: Hereford; lower right signed and dated: ED 1892 - Provenance: Property of a gentleman
• *Attributed to William Hodges
  *Attributed to William Hodges (British 1744-1797) Lord Hood of Avalon watercolor 14 1/2 x 9 3/4 inches.
• Thomas Gentle Huckle (British d.
  Thomas Gentle Huckle (British d. 1889) PAIR OF WORKS: HADDON HALL watercolor framed unsigned and inscribed on verso sight size: H8 1/2'' W12 1/4'' (2pcs) Provenance: Estate of Elizabeth H. Rader Rock Hill South Carolina. Other Notes: Haddon Hall is probably the finest example of a fortified Medieval manor house in existence. Present-day Haddon Hall was inhabited from the 12th century to the early 17th century; it lay dormant until the 1920s when the 9th Duke and Duchess of Rutland restored the house and gardens making it liveable once again. Withstanding fire warfare family misfortune and changing fashions Haddon Hall has changed little over the recent centuries and it provides a unique view of early English life and history. Courtesy Haddon Hall Estate. Back    Inquiry      Previous Item   Next Item © Charlton Hall Auctions.  Images descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information telephone 803.779.5678     © 2012 CHARLTON HALL GALLERIES INC.
• EDWIN PENNY (1930-2016), HARE IN
  EDWIN PENNY (1930-2016), HARE IN THE STUBBLE Title: Edwin Penny (1930-2016), Hare in the Stubble Dimensions: 14 x 20 Frame dimensions: 23 1/4 x 29 1/4 x 1
• WHIELDON PLATE. England 2nd
  WHIELDON PLATE. England 2nd half-18th century. Molded edge and tortoiseshell glaze. Hairlines. 9''d.
• A Derby figure of Dr Syntax,
  A Derby figure of Dr Syntax, Stevenson & Hancock, chased by a bull and another Stevenson & Hancock figure of a Greenwich pensioner, 18cm high
• SEYMOUR HADEN (BRITISH)
  SEYMOUR HADEN (BRITISH) 1818-1910. THE INN, PURFLEET. ETCHING AND DRYPOINT, 1869. SCHNEIDERMANN 127, X/XI, BEFORE THE PLATE WAS SUBS...Seymour Haden (British) 1818-1910. The Inn, Purfleet. Etching and drypoint, 1869. Schneidermann 127, x/XI, before the plate was substantially reduced.; Harrington 122. Ref: Haden 139. Ed: Unknown in this state, although this seems to be the published state. If so, it is noted that Frederick Goulding published it in 1876. Signed with pencil, l.r. Signed in the plate, l.l. Printed in black ink on cream laid paper with complete margins. 94 x 253 mm. (7 x 10 in.) Framed Breaking Up of the Agememnon. no.1. Etching and drypoint, 1870. Schneidermann 133, ix/XI. Ed: Probably 200-300 in all states. Signed with pencil, l.r. Signed and dated in the plate, l.l. Printed in black ink on BLAW paper by Frederick Goulding and published by Colnaghi's, London. 197 x 197 mm. (7 3/4 x 16 1/2 in.) Framed (2)
• Shakespeare, William. Venus and
  Shakespeare, William. Venus and Adonis, No 117 of 502, Shakespeare Head press Stratford on Avon, 1905. Small 4to., orig. vellum backed boards/Provenance: Spetchley Park
• Beswick Huntslady on Grey Horse
  Beswick Huntslady on Grey Horse 1730
• Habington (William) The Historie of
  Habington (William) The Historie of Edward the Fourth, 1640. Small folio, cont. calf (front cover loosening). Engraved portrait frontispiece. Inscribed on front flyleaf ''Status mea Christi hostia Tho: Dyke.''