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HEINRICH VOGELER. "DIE LERCHE,"
HEINRICH VOGELER. "DIE LERCHE," ETCHING (German, 1872-1942). Etching, unsigned, plate size: 6 x 6 in., framed.
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HENK WILLEMESE (dutch
HENK WILLEMESE (dutch 1915-1980) STILL LIFE OF FLOWERS Signed bottom left, signed and dated "1957" verso, oil on canvas 35 1/2 x 15 in. provenance: Private Collection, North Carolina. Good original
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HANS FIGURA. "HEIDELBURG," COLOR
HANS FIGURA. "HEIDELBURG," COLOR ETCHING ON SILK Signed in pencil lr, 10 1/4 x 12 3/4 in., framed.
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HENK (HENDRIK JOHANNES) BELLAARD,
HENK (HENDRIK JOHANNES) BELLAARD, (DUTCH 1896-1975), TABLE TOP STILL LIFE, FRAMED OIL ON CANVAS, SIGNED L.R. FRAME: 32 X 39 1/2 IN. (81.3 X 100.3 CM.)Henk (Hendrik Johannes) Bellaard, (Dutch 1896-1975), Table Top Still Life, Framed Oil on Canvas, Signed l.r., Dimensions: Frame: 32 x 39 1/2 in. (81.3 x 100.3 cm.)
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HEINRICH CAMPENDONK, DUTCH/GERMAN
HEINRICH CAMPENDONK, DUTCH/GERMAN (1889-1957), DIE BETTLER (AFTER BRUEGHEL), 1922, WOODCUTHeinrich Campendonk, Dutch/German, (1889-1957) Die Bettler (after Brueghel), 1922, woodcut loose, unframed. Provenance: From a private collector, Indianapolis. From the archives of AskArt: After his studies under Dutch artist Johan Thorn Prikker at the Krefeld "Kunstgewerbeschule", Heinrich Campendonk followed Franz Marc's invitation to the Bavarian village of Sindelsdorf and moved there in 1911. At that time Heinrich Campendonk already found the basic subject of his works: the depiction of harmony between man and beast, Creation, the infinite circle of life and death. He produced paintings, watercolors, gouaches and his first woodcuts. In Sindelsdorf the artist met other members of the "Blauer Reiter" group and participated in one of the group's exhibitions that very same year. Two years later, Heinrich Campendonk also showed his work together with the "Blauer Reiter" at the "Erster Deutscher Herbstsalon" at Herwarth Walden's gallery "Der Sturm" in Berlin. During these years Campendonk's artwork was influenced by Marc, Macke and Kandinsky. A stiff geometrical form language was combined with color in pure complementary contrasts to a dynamic, rhythmic form language. In 1916 Heinrich Campendonk moved to Seeshaupt at the Starnberger See, from where he went on extensive travels. At that point Campendonk's painting was marked by softly flowing forms, large calm areas of intensive light and lyrical, often fairytale-like mood. He also produced works in glass painting. In 1926 Campendonk was appointed professor at the Düsseldorf Art Academy. Campendonk gained acclaim as an artist since the mid-1920s particularly through numerous glass windows he made for churches and public buildings (such as the Düsseldorf parliament building and the Paulskirche and the Essen Münster etc.). When he was dismissed from his teaching profession in 1933, he emigrated to the Netherlands, where he accepted a teaching position for "monumental and decorative art" at the "Rijksakademie van beeldende Kunsten" in Amsterdam. After the end of the war, Campendonk did not return to Germany. He continued to work as a teacher and received numerous orders for glass windows in the Netherlands and Germany. In 1956 Campendonk was awarded the Quellinus Prize by the city of Amsterdam and made knight of the order "De Nederlandse Leeuw". woodcut
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HENDRICK VALKENBURG (DUTCH,
HENDRICK VALKENBURG (DUTCH, 1826-1896) L'ECUELLE CASSEE - BROKEN POT OIL ON BOARD: 8 1/2 X 10 1/2 IN.HENDRICK VALKENBURG, (DUTCH, 1826-1896) L'ECUELLE CASSEE - BROKEN POT, Oil on board: 8 1/2 x 10 1/2 in. Framed; lower right signed: H. Valkenburg Provenance: Private Collection, Georgia
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HEINRICH BURKEL (German 1802-1833).
HEINRICH BURKEL (German 1802-1833). PRUNCH SCHEPEN AM ZIRLER BERG indentified dated 1833 and titled on label verso. Oil on canvas - Framed 16 in. x 22 in.
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HENDRIK HULK (DUTCH 1842-1937),
HENDRIK HULK (DUTCH 1842-1937), FISHING BOATS IN AN INLET, OIL ON PANEL, 12 X 18 IN (30.5 X 45.7 CM)Hendrik Hulk, (Dutch, 1842-1937) Fishing Boats in an Inlet, Oil on panel Signed H. Hulk l.r. Oil on panel Dimensions: 12 x 18 in (30.5 x 45.7 cm) Provenance: Property of a Northern Virginia Collector
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GERMAN NON-COMMISSONED OFFICER'S
GERMAN NON-COMMISSONED OFFICER'S PICKELHAUBER circa 1890.
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ALBERT HENKE, AMERICAN 1865-1936, A
ALBERT HENKE, AMERICAN 1865-1936, A GROUP OF SIX PHOTO REPRODUCTIONSALBERT HENKE, AMERICAN, 1865-1936 A GROUP OF SIX PHOTO REPRODUCTIONS, (6)
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THREE GERMAN PORCELAIN CHARACTER
THREE GERMAN PORCELAIN CHARACTER BEER STEINSA lot of three German porcelain character beer steins including Merkelbach & Wick. To include:
Reinhold Hanke, Die Kehl Kost Veel, 0.5 liter
M&WG, Saytre, 0.5 liter, cover inscribed
Rosskopf & Gerz, Englishman, 0.5 liter
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GERMAN MERKELBACH & WICK
GERMAN MERKELBACH & WICK STONEWARE STEINGerman stoneware 1 1/2 liter stein, Merkelbach and Wick, c.1879-1921, domed pewter lid with floral thumb rest, polychrome painted incised design with man rowing boat, banner reading: "die wellen umschmeicheln den schlanken kahn gluck zu! gluck zu! aufder spiegelnden bahn," impressed roundel mark, approx 10"h, 2lbs
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TWO GERMAN PORCELAIN BEER STEINS
TWO GERMAN PORCELAIN BEER STEINS REINHOLD HANKEA lot of two German porcelain beer steins including Reinhold Hanke. To include:
Target girl, 0.5 liter, unmarked
Reinhold Hanke, Woman and baby, 0.5 liter
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F. Herink (Austrian 1843-1902)
F. Herink (Austrian 1843-1902) Beyrut Landscape Oil on canvas signed l.l. F. Henrink who was primarily known as Karl Kaufmann; 12 x 20.5 in. ?Label on verso reading??Vue of Beyrut. Condition: Craquelure.
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HUMMEL WITH HAMMER IN HAND.
HUMMEL WITH HAMMER IN HAND.
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ERICH HECKEL, (GERMAN,
ERICH HECKEL, (GERMAN, 1883-1970), BILDNIS M.H., 1914, DRYPOINT, 9 3/8 X 7 IN.ERICH HECKEL, (German, 1883-1970) Bildnis M.H., 1914, drypoint signed and dated Erich Heckel 14 in pencil, l.r.; dated Feb. 23 and inscribed in pencil, l.l. 9 3/8 x 7 in. Provenance: The artist, to Lyonel Feininger (1871-1956); by descent to his son, T. Lux Feininger; The Estate of T. Lux Feininger. Condition: Condition: Overall good condition; very slight toning along left and right edges.
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DIETER HACKER (b. 1942): ''DER
DIETER HACKER (b. 1942): ''DER HIMMEL'' Oil on canvas signed and dated 1984 on verso and with Marlborough Gallery exhibition label. 78 3/4 x 78 3/4 in.
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MICHAEL WENNING (GERMANY,
MICHAEL WENNING (GERMANY, 1645-1718) (2) Architectural Prints: "Schloss Heidenberg" & "Hoch Brast: Toringilche Herrschaft und Schloss Lambt dem Marcth Au", handcolored engravings on wove paper. In modern museum mounts by Ursula Hobson of Philadelphia, consisting of water gilt molded frames, french lined mats, UV plexiglass. OS: 18 1/2" x 36 1/2", SS: 9 1/4" x 27 1/4", good condition,
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HENK PANDER (OREGON/NETHERLANDS,
HENK PANDER (OREGON/NETHERLANDS, BORN 1937) WATERCHENK PANDER (Oregon/Netherlands, born 1937) watercolor on paper, irises. Signed lower right and dated 1982. Opening measures 29.75" x 48.5". In a wood frame; 38.25" x 56.75" overall.
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HENK PANDER WATERCOLOR ON PAPERHENK
HENK PANDER WATERCOLOR ON PAPERHENK PANDER (Oregon/Netherlands, born 1937) watercolor on paper, still-life. Signed lower right, dated 1982, 25.5" x 38.5" (image), matted but unframed.
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HENK PANDER (OREGON/NETHERLANDS,
HENK PANDER (OREGON/NETHERLANDS, BORN 1937) OIL ONHENK PANDER (Oregon/Netherlands, born 1937) oil on canvas, street scene and ship. Signed lower right and dated 1993, signed again verso. Image measures 24" x 30". In a thin wood frame.
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Henk Bos painting (Dutch,
Henk Bos painting (Dutch, 1901-1979), still life with oranges, broken cup and pewter tankard, signed lower right "Henk Bos", oil on canvas, 12 x 13-3/4 in.; linen and gilt silver frame. Original stretcher and tacking edge, some areas of retouch on objects and ground; frame with abrasions. Collection of Mr. And Mrs. Alderson Magee.
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Henkel imprints, some colored,
Henkel imprints, some colored, printed covers, other pages, printed by S. [Salomon] Henkel, New Market, Virginia, early 19th century: Dr. M. Luther's Smaller Catechism , two covers with applied orange paint, uncut, one includes eight uncut pages, 7-3/4 x 9-1/4 in. open, losses to edges , and five pieces tipped in on board; one orange painted Smaller Catechism cover, 7-1/2 x 9-1/4 in.; four blue-gray pages from children's ABC books, printed in German, prints of roosters, elephant and lion, uncut, approximately 7-3/4 x 4-1/2 in., good condition , (seven pieces). The Comstock-Miller Collection; Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
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HEUPEL-SIEGEN (GERMAN, 1864 - 1945)
HEUPEL-SIEGEN (GERMAN, 1864 - 1945) STILL LIFELudwig Wilhelm Heupel-Siegen (German, 1864 - 1945) Still life with fruit and game with a landscape beyond oil on canvas signed and dated 9 Mai 1905 lower left 47 3/4 x 68in (121.5 x 172.5cm)
Condition:
Darkening, buckling and crazing to surface overall. With a patched repair to lower center of canvas. Areas of overpainting. Scattered flaked losses to pigment overall. Would benefit from conservation.
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BRAUN & HOGENBERG, LOEVEN, 16TH
BRAUN & HOGENBERG, LOEVEN, 16TH C. ENGRAVING German, likely 1595 edition, hand-colored engraving on paper, 5"h x 18.5"w (sight), 7.75"h x 21.75"w (frame)
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HENK BOS (1901-1979) STILL LIFE
HENK BOS (1901-1979) STILL LIFE WITH ORANGES. Oil on canvas signed 9.5''x11'' Condition: No Specific Condition Recorded - Sold As Is
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Seven 19th century Henkel imprints,
Seven 19th century Henkel imprints, all printed in New Market, Virginia: Clarence H. Urner, The Thrush , The Henkel Press, 1927, cloth binding, 6-3/4 x 5 in., good condition ; two copies Casper Miller MD, The Ether…The Structure of Matter , Henkel Press, 1929 and 1932, red clothing bindings, 9-1/4 x 6-3/8 in., both in good condition ; a church hymnbook by The Reverend Paul Henkel, fourth edition, published by S.G. Henkel and Br., 1857, printed in English, leather with gilt devices, 5-1/2 x 3-1/4 in.; David Henkel, Answer to Mr. Joseph Moore, the Methodist, With a Few Fragments on the Doctrine of Justification , 1825, marbled paper boards, 8-5/8 x 5-1/2 in., scattered to severe foxing and imprinting ; The Christian Confession of the Faith of the harmless Christians in the Netherlands known by the name of Mennonists , Amsterdam, reprinted by Ambrose Henkel, 1810, paper boards, 6-5/8 x 4-1/4 in., covers with wear and losses ; A Conversation Between a Pilgrim and a Citizen , printed in German, Ambrosius Henkel, 1812, paper covers, 67 pages, 6-3/8 x 4-1/4 in., covers with edge losses and tears . The Comstock-Miller Collection; Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
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German Stein - ''J. REINMANN
German Stein - ''J. REINMANN MUNCHEN GESETZLICH GESCHUTZT''. 1/2L.
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HENK BOS (1901-1979) STILL LIFE
HENK BOS (1901-1979) STILL LIFE WITH LEMONS. Oil on canvas signed 12.5''x16'' Condition: No Specific Condition Recorded - Sold As Is
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HANS WACKER-ELSEN (GERMANY,
HANS WACKER-ELSEN (GERMANY, 1868-1958), FIGURES IN A SAILBOAT IN THE OPEN WATER., OIL ON CANVAS, 13.5" X 18.5". UNFRAMED.HANS WACKER-ELSEN, Germany, 1868-1958, Figures in a sailboat in the open water. Signed lower left "H. Wacker, DF". Dimensions: Oil on canvas, 13.5" x 18.5". Unframed.
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HEINE HEINRICH Words. New York:
HEINE HEINRICH Words. New York: Groscup & Sterline n.d. [circa 1900] 20 vols. Limited edition number 7 of 250 on handmade paper with plates in 2 states.
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H.A. Van Valkenburgh (American,
H.A. Van Valkenburgh (American, 20th century), Charl
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HENK JASPERS (DUTCH, 1905-1977),
HENK JASPERS (DUTCH, 1905-1977), WOMAN IN PROFILE Oil on board, 1944, signed lower left, inscribed "Holland" and dated at upper left, framed.
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Heinrich Engelhard (Southeastern
Heinrich Engelhard (Southeastern Pennsylvania active 1819-1836) watercolor and ink on paper fraktur for Peter Umbehauer 1830 with... ?
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HENRI HECHT MAIK (1922-1993),
HENRI HECHT MAIK (1922-1993), "PAYSAGE AU BORD DE L'EAU," 1977, OIL ON CANVAS, 18" H X 22" WHenri Hecht Maik, (1922-1993) "Paysage au Bord de l'eau," 1977, Oil on canvas Signed and dated lower right: Maik; titled on a correspondence paper from the gallery Oil on canvas Dimensions: 18" H x 22" W Provenance: Wally Findlay Galleries, Beverly Hills, CA
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HEINECKE CUSTOM FIXED BLADE KNIFE .
HEINECKE CUSTOM FIXED BLADE KNIFE .