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William J. McCloskey (1859-1941
William J. McCloskey (1859-1941 Orange CA) Apples on a Table
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Frederick Hale McDuff (American
Frederick Hale McDuff (American 1931-2011) Apple. Oil on canvas signed and dated '65 at the lower left in a decorative gilt frame with linen liner overall 13" x 15".
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Nicholas Richard Brewer portrait,
Nicholas Richard Brewer portrait, (Minnesota, 1857-1949), "Dr. Joseph Charles Appleton" (Virginia), signed verso canvas "N.R. Brewer-1880", oil on canvas, 30 x 25-1/8 in.; modern gilt wood frame. Original stretcher with Shattauck keys and tacking edge, craquelure, flaking, retouch at flaking in background and at bottom edge; frame with abrasions. The Collection of Gene and Linda Kopf.
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Jack Appleton (American, 20th
Jack Appleton (American, 20th century), coastal scene with a lighthouse; watercolor; 15 1/2" x 29"; signed lower right. Appleton, a South Bend, Indiana artist, is a graduate of the American Academy of Art in Chicago. He was selected one of Indiana's outstanding artists by the Indiana State Museum.
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PORTRAIT OF JOHN APPLETON SWETT
PORTRAIT OF JOHN APPLETON SWETT (1809 - 1854), OIL ON C...Portrait of John Appleton Swett (1809 - 1854), oil on canvas attached to panel. 40"x 32" Provenance: The New York Academy of Medicine.
Condition:
All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
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J.G. APPLETON (AMERICA, 19TH
J.G. APPLETON (AMERICA, 19TH CENTURY), MINOTS LIGHT., OIL ON BOARD, 8" X 12". FRAMED 13.5" X 17.5".J.G. APPLETON, America, 19th Century, Minots Light. Unsigned. Inscribed in pencil verso "By J.G. Appleton Minots Light August 1870". Dimensions: Oil on board, 8" x 12". Framed 13.5" x 17.5". Provenance: The Estate of Sandra L. Moran of Yarmouth Port, Massachusetts.
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Appleton's Cyclopedia of American
Appleton's Cyclopedia of American Biography edited by James Grant Wilson and John Fiske, D. Appleton and Co., New York, 1887-1889, six volumes, numerous in-text illustrations and steel-engraved plates, full calf, marbled endpapers and edges, 10-1/4 x 7-1/4 in. Professionally repaired at hinges and ends of spines, small exterior scuffs and stains. Collection of H. Donald Nelson, Williamsburg, Virginia.
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John Appleton Brown (MA
John Appleton Brown (MA 1844-1902) Landscapeoil on canvas (lined) monogrammed and dated 1866 at lower left old paper label on the verso identifies the artist presented in a later gilt frame with linen liner.SS 9.5 x 18.25 in.; DOA 15.25 x 24 in.Minor craquelure to sky professionally cleaned and restored some minor touch-ups visible under black light inspection.Private Collection
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JAMES WELLS CHAMPNEY (MA/NY,
JAMES WELLS CHAMPNEY (MA/NY, 1843-1903), THE RED APPLE Oil on canvas, lined, signed and dated 1875 at lower left, presented in a later gilt frame, retaining old hand-written label to the verso.
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Continental porcelain figure of
Continental porcelain figure of apple harvester 19th century young man in 18th century costume holding bushel of fruit; marked indistinctly. H12 1/4'' Provenance: North Carolina private collection.
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Harold Everette Bayer outsider
Harold Everette Bayer outsider art (Ohio, born 1900), Apple Harvest, signed lower right "H.E. Bayer 1978", oil over pencil on Masonite, American, 20th century, 16 x 20 in.; painted wood frame. Crayon accretion left side, light grime.
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Harry Orlyk (American b. 1947)
Harry Orlyk (American b. 1947) "Seth Pruning Apple Trees". Oil on canvas signed at the lower right apprx. 9" x 12" framed in a wide gilt frame overall apprx. 16-1/4" x 19-1/4". Prov: from the collection of Frederick Hale McDuff.
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John Appleton Brown (American,
John Appleton Brown
(American, 1844-1902)
Cattle in a Landscape
oil on panel
signed lower left J Appleton Brown
8 x 12 inches.
Property from the Collection of Harry Peterson, Lantana, Florida
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AMERICAN SCHOOL, MID-CENTURY
AMERICAN SCHOOL, MID-CENTURY PORTRAIT OF A GENTLEMAN Oil on canvas, signed and dated "A. T. Appleton '54" at lower right, presented in rustic wooden frame.
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Attributed to George Harvey
Attributed to George Harvey (American, 1800-1878), Apples in a Landscape, signed lower left "Geo. Harvey", oil with dried paint flakes on canvas, 14-1/8 x 18-1/8 in.; painted wood and composition frame,
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(17) D. APPLETON & CO. AUTHOR'S
(17) D. APPLETON & CO. AUTHOR'S EDITIONS, HUXLEY(lot of 17) Author's Editions published by D. (Daniel) Appleton and Company, New York, all numbered 271/ 1000, with quarter leather binding, gilt lettering and accents, marbleized exterior and interior covers, several with detached cover, including: (7) by Thomas H. Huxley, "Discourses: Biological and Geological," "Method and Results," "Darwiniana," "Man’s Place in Nature," "Science and Hebrew Tradition," "Science and Christian Tradition," "Science and Education," (5) by Charles Darwin, "The Life and Letters of Charles Darwin," vols I and II, "Journal of Researches Into the Natural History and Geology," "The Different Forms of Flowers," "The Formation of Vegetable Mould," (1) "The Doctrine of Descent and Darwinism," by Oscar Schmidt, (1) "The Female Offender," by Cesare Lombroso and Guglielmo Ferrero, (1) "The Principles of Psychology," by Herbert Spencer, (1) "Evolution," by Joseph Le Conte, (1) "Money and the Mechanism of Exchange," by W. Stanley Jevons, largest: approx 8.75"h, 5.75"w, 1.5"d, 38lbs total **Note: Additional lot of 23 Daniel Appleton and Company Author's Editions offered in this auction** **Provenance: A prominent Houstonian's River Oaks Estate**
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VICTOR APPLETON, TOM SWIFT,
VICTOR APPLETON, TOM SWIFT, PUBLISHED BY GROSSET AND DUNLAP, C 1920, 5 VOLUMESVictor Appleton, Tom Swift, Published by Grosset and Dunlap, C 1920, 5 Volumes
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BRIAN PETRO (American 20th
BRIAN PETRO (American 20th century). APPLE and PEAR: TWO WORKS each signed lower right. Mixed media photographs - Framed sheet: 30 in. x 22 1/2 in.
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SET APPLETON'S JOURNALS, FIRST 15
SET APPLETON'S JOURNALS, FIRST 15 VOL. RUNDICKENS, Charles; HUGO, Victor; et al. Appleton's Journal of Literature, Science, and Art (Complete First 15 Volume Run). New York: D. Appleton and Company, 1869 - 1876. 8 1/4" H X 11 1/4" W (Imperial Octavo). Original First Edition set of the yearly compendium volumes of the monthly magazine. A highly popular lifestyle magazine in the late 19th Century, Appleton's Journal became Appleton's Booklovers Magazine in 1905. Each volume here bound in the period leather quarter binding and tips over marbled boards. Five raised hubs and title in gold to each volume. The first fifteen included represent the first series. The second series started with volume 16 and ran until the end of the publication in 1881. Thousands of illustrations and many fold-outs. Artists include Winslow Homer, John Filmer and many more. Provides a glimpse of fashion, art, science and city life in the late 19th century. Provenance: the estate of Sarah Hunter Hicks Green, formerly of Historic Devon Farm, Nashville, Tennessee. (Higher-resolution photos are available at www.caseantiques.com)
Condition:
Condition: varies. The volumes themselves are roughly very good with minor foxing, scuffing, and general wear. The plates and illustrations exhibit wear and chipping, tearing on occasion.
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French School (Late 18th
French School (Late 18th Century) "Apples", suite of four hand-colored engravings by Henri Du Monceau (1700-1782), sight 11" x 9". Glazed, matted and handsomely framed en suite.
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Pair of Sharp & Son Bookplate
Pair of Sharp & Son Bookplate Chromolithographs, depicting apples, 19th century, including \"The Early Harvest Apple\" and \"The Porter Apple\", sight 9-3/4\" x 6-1/2\". Glazed, French matted and presented in carved giltwood frames.
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Reginald Marsh American,
Reginald Marsh American, 1898-1954 Apple Cider Tavern: A Double-Sided Work, 1946
Estimate:$12,000-$18,000
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BRYANT CHAPIN (1859-1927, MA) STILL
BRYANT CHAPIN (1859-1927, MA) STILL LIFE WITHapples, titled "Quartet", oil painting on artist's board, depicting 4 apples. Late 19th-early 20th c. Unsigned, artist is identified on plaque. Chapin was a student of Robert Spear Dunning of the Fall River School. Sight size 7 1/2" x 12", overall 14" x 19". In a modern silver gilt frame. Minor inpainting in lower left corner. Otherwise good condition. Provenance: Roger King Fine Art, Newport, RI.
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SIGNED "HENRY TROTTMAN, PHILA"
SIGNED "HENRY TROTTMAN, PHILA" COPPER APPLE BUTTERca. mid 19th century; large copper dipper ladle with socket handle, impressed with maker's mark, deep bowl with three copper rivets to socket handle with home crafted rounded handle, 8"x 48"; Condition: cleaned and polished surface, good
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Chas A. Dost, (American, b. 1907)
Chas A. Dost, (American, b. 1907) "Apple", oil/canvas, 10" x 8", signed and dated.
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BRYANT CHAPIN, (AMERICAN,
BRYANT CHAPIN, (AMERICAN, 1859-1927), STILL LIFE WITH THREE APPLES, 1910, OIL ON CANVAS, 9 X 12 IN., FRAME: 15 X 18 IN.BRYANT CHAPIN, (American, 1859-1927) Still Life with Three Apples, 1910, oil on canvas signed and dated Bryant Chapin ''10, l.l. 9 x 12 in., frame: 15 x 18 in. Provenance: The Estate of Dr. Edward Sleeper, Boston, Massachusetts. Condition: Condition: Craquelure with corresponding flaking paint and a few losses in leftmost apple.
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Hezekiah Anthony Dyer (American
Hezekiah Anthony Dyer (American 1872-1943) Apple Blossom Time gouache on cardboard signed H. A. Dyer (lower left) 21 1/2 x 27 1/2 inches.
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TWO BRONZE-FINISH SCULPTURES BY
TWO BRONZE-FINISH SCULPTURES BY PHIL COTE (AMERICAN, 20TH C.), ONE DEPICTING "JOHN CHAPMAN, KNOWN AS JOHNNY APPLESEED", A YOUNG MAN...Two bronze-finish sculptures by Phil Cote (American, 20th C.), one depicting "John Chapman, known as Johnny Appleseed", a young man holding a basketful of apples, titled at feet, inscription verso by artist thanking "Greg" for his help, 17 1/2" h.; along with sculpture of slender man standing contrapposto wearing a flat-brimmed hat with one hand on hip and the other holding his beard, fixed to wooden base, 18 1/2" h.; wear on both consistent with age and use.
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Wallace Nutting Print ''Apple
Wallace Nutting Print ''Apple Orchard'' image area 3 3/4'' x 3'' signed.
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STILL LIFE WITH APPLES (AMERICAN
STILL LIFE WITH APPLES (AMERICAN SCHOOL 2ND HALF-19TH CENTURY). Oil on canvas unsigned. Red apples tumbling out of a straw lined basket. 10''h. 18''w. in a 19th-century frame 15 1/2''h. 23''w. Older patched repairs
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AMERICAN SCHOOL: STILL LIFES OF
AMERICAN SCHOOL: STILL LIFES OF APPLES AND PEARS Three watercolors on paper unsigned. Provenance: Property from the Collection of Gerald Kornblau. 7 3/4 x 5 1/2 in. (sight) 16 1/2 x 13 1/2 in. (frame).
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In the manner of Charles Ethan
In the manner of Charles Ethan Porter (American 1847-1923) oil on canvas apples and grape vines inscribed verso ''C.E. Porter'' ss: 19 1/2'' h. x 23 3/4'' w. framed. [Provenance: This painting was discovered in the early 1980's by Constance Davis and her daughter. It was in the home of long time Vernon Conn. resident Myrtle St. Pierre. The daughter purchased Myrtle St. Pierre's home along with its contents.]
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HAMILTON, James, (Irish,
HAMILTON, James, (Irish, 1819-1878): A Young Girl with a Basket of Apples Under a Shady Apple Tree Outside the City, Oil/Canvas, 14'' x 10'', signed lower right, also marked on the canvas verso, fine gilded frame is 21.50'' x 17.50''.
CONDITION: Minor scattered craquelure, frame shows minor wear.
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HAMILTON, James, (Irish,
HAMILTON, James, (Irish, 1819-1878): A Young Girl with a Basket of Apples Under a Shady Apple Tree Outside the City, Oil/Canvas, 14'' x 10'', signed lower right, also marked on the canvas verso, fine gilded frame is 21.50'' x 17.50''.
CONDITION: Minor scattered craquelure, frame shows minor wear.
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BUELL WHITEHEAD (AMERICAN,
BUELL WHITEHEAD (AMERICAN, 1919-1993), APPLE MARKET AND CHENILLE FACTORY (TWO WORKS) Lithographs in color, pencil signed and titled, labels on the verso indicate these used to hang at the Grove Park Inn in Asheville, North Carolina.
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William M. Apple post Civil War
William M. Apple post Civil War historical memorabilia including two tintypes (Apple in civilian clothes and also his two sisters), five Indiana ribbons (4 G.A.R.), wedding rings, a pin, gingham fabric from his mother's cape, and an album of Washington, D.C. Tintype: 3 1/4" x 2 1/2".