A few examples of appraisal values for
HERRMANN

• HERRMANN, ALEXANDER. PROFESSOR
  HERRMANN, ALEXANDER. PROFESSOR HERRMANN PROGRAM AND PRE...Herrmann, Alexander. Professor Herrmann Program and Press Notice at Egyptian Hall. London, 1871. Two pieces, letterpress 8vos decoratively embossed, including a bi-fold program for daily performances by Herrmann, the fifty-part conjuring program enumerated on the interior pages, rear advertising for Rimmel's Perfumery; and a bi-fold press notice with reviews from London papers and magazines drawn from 1871. Minor discoloration from scrapbook removal.
• HERRMANN, LEON. HERRMANN THE
  HERRMANN, LEON. HERRMANN THE GREAT.New York: The Metropolitan Printing Co., ca. 1900. Half-length portrait of the famous French magician and nephew of Alexander Herrmann. Three tiny demons climb over a handsome magic wand held between his hands while a third demon whispers in his ear. 30 3/8 x 20 1/8". Expert restoration to central folds and borders; upper right corner recreated including portions of text. B-. Rare.
• HERRMANN, ALEXANDER. AUTOGRAPH
  HERRMANN, ALEXANDER. AUTOGRAPH LETTER OF ALEXANDER HERR...Herrmann, Alexander. Autograph letter of Alexander Herrmann. Dated January 12, 1891, Herrmann writes regarding an appearance at an upcoming reunion, and alludes to a performance he is giving in New York. On an uncommon sheet of Herrmann's engraved letterhead bearing his engraved portrait and the name of his own short-lived New York Theatre, undoubtedly where he will be giving the performance he mentions in the letter. Minor wear and scrapbook remnants on verso. Boldly signed by Herrmann.
• HANS HERRMANN (GERMAN, 1858 -
  HANS HERRMANN (GERMAN, 1858 - 1942), WORKING AT THE PIE...Hans Herrmann (German, 1858 - 1942), Working at the Pier, oil on board, signed and dated lower right 'Hans Herrmann 1917,' 18 1/2" x 15". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• HERRMANN, ALEXANDER. AUTOGRAPH OF
  HERRMANN, ALEXANDER. AUTOGRAPH OF MAGICIAN ALEXANDER HE...Herrmann, Alexander. Autograph of magician Alexander Herrmann. Bold and embellished signature of the famous French magician and master of impromptu miracles, in pencil on a large piece of card stock. Trimmed to 7 x 5 _Ó.
• HERMANN WERNER (GERMAN,
  HERMANN WERNER (GERMAN, 1816-1905) "A HELPFUL PLAYMATE" oil on canvas. signed (lower left).
• RUDOLF HERRMANN (GERMAN,
  RUDOLF HERRMANN (GERMAN, 1879-1964), GERMAN Etching, pencil signed, titled, and inscribed, matted and framed.
• FRANK HERRMANN (AMERICAN
  FRANK HERRMANN (AMERICAN 1866-1942), EUROPEAN VILLAGE, WATERCOLOR 19 X 22 INCHESFrank Herrmann (American 1866-1942), European Village, Watercolor 19 x 22 inches
• HERMANN, O/C IMPRESSIONIST MANOR
  HERMANN, O/C IMPRESSIONIST MANOR SCENEMax Hermann (German, 1879-1954), signed lower left. Frame size: 28 3/4" high, 34" wide. Repairs, frame wear. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• HERRMANN Hans. 1922 O/C ''Stroud
  HERRMANN Hans. 1922 O/C ''Stroud DeiBlankenberghe.'' Signed lower right. Inscribed with title on stretcher verso. Old labels and stencils verso. Hans Herrmann German 1858 - 1942 From a Garden City NY location. Dimensions: 31.75'' high x 47.5'' wide. Condition: Small puncture lower center to left otherwise good condition.
• HERMANN KERN (1838-1912)Hermann
  HERMANN KERN (1838-1912)Hermann Kern (Slavic ,1838-1912) was an academic painter and was one of the most popular Austrian Genre Painters of his time and court painter at the court of Franz Josef I in Vienna. The Instrument Maker depicts a luthier working on a violin in his workshop. Medium: Oil on Panel. Signed "Kern H" on lower left and signed with his initials. Measurements: Unframed 21x29 Framed:25" x 33" Oil on Panel Provenance: Austria
• PAUL HERRMANN, SALOME, (3) ETCHINGS
  PAUL HERRMANN, SALOME, (3) ETCHINGS Paul Herrmann [aka Henri Heran, Paul Hermann] (German, 1864-1940), three scenes from Salome, c. 1922, etching and drypoint on paper, pencil signed lower right and each numbered "74" lower left; 25.5"h x 19"w (sheet)
• HERRMANN, ALEXANDER. PLAYING CARD
  HERRMANN, ALEXANDER. PLAYING CARD USED IN PERFORMANCE B...Herrmann, Alexander. Playing Card Used in Performance by Herrmann. Ten of diamonds (10D) used by Alexander Herrmann at the National Theatre (Washington, D.C.) in performance on Oct. 14, 1886. Signed and annotated on the verso by the original owner, Hon. William Joseph Hughes. Tape repairs, minor creases. Hughes (1863 Ð 1938) served as the first president of Washington D.C. Assembly (No. 23) of the Society of American Magicians at its inception in 1930. He was a long-serving attorney at the Department of Justice at the Office of the Solicitor General of Washington. Editors of the Linking Ring and The Sphinx profiled him on the publication of his fourteen-volume work ÒFederal Practice, Jurisdiction, and Procedure,Ó noting his lifelong interest in magic. [Linking Ring V11 N12 (pp. 41 Ð 42), The Sphinx V30 N5 (p. 25)]
• HERMANN (ARMIN) KERN (HUNGARY,
  HERMANN (ARMIN) KERN (HUNGARY, 1838-1912), THE BLACKSMITH., OIL ON CANVAS, 16.5" X 21". FRAMED 22" X 26.5".HERMANN (ARMIN) KERN, Hungary, 1838-1912, The Blacksmith. Signed lower left "Kern H." and dated illegibly. Dimensions: Oil on canvas, 16.5" x 21". Framed 22" x 26.5".
• HERRMANN, ALEXANDER. BUSINESS CHECK
  HERRMANN, ALEXANDER. BUSINESS CHECK FOR THE GREAT HERRM...Herrmann, Alexander. Business Check for The Great Herrmann. 1890s. Pictorial check, with stub attached, number 419, bearing a bust portrait of the famous magician in the background. 10 x 3 _Ó overall.
• HERMANN MAX PECHSTEIN (GERMAN
  HERMANN MAX PECHSTEIN (GERMAN 1881-1955) A COLOR LITHOG...HERMANN MAX PECHSTEIN (German 1881-1955) A COLOR LITHOGRAPH "Auf den Leger," 1947, on paper, signed and dated L/R, image: 8 3/4" x 13 1/2"; sheet: 12 3/4" x 19 7/8". Note: Max Pechstein's significance as a major figure in German Expressionist art was well established by 1933 when his work was banned by the political regime, which included sixteen of his works in the infamous Entartete Kunst ("Degenerate Art") exhibition of 1937. Created in 1947 not long after the end of the war, this very dark, colorful impression of the black over blue/green lithograph from the edition of 100 was published by Graphik-Verlag Dr. Heinrich Mock, Alterburg, Thuringen, with publisher's stamp verso. Krüger 415. Provenance: Property from the Ismar Littmann Family Collection. Condition: Very good condition overall with very light toning from former matting. Hinged to backing board and matted.The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Hermann (Armin) Kern (1838-1912
  Hermann (Armin) Kern (1838-1912 Hungary) 'Violin Player' Oil on Canvas. Unsigned. Canvas 19x12.5'', framed 26x20''. Some old restoration with inpainting in background and below violin.
• PAINTING, ROBERT HERRMANN Robert
  PAINTING, ROBERT HERRMANN Robert Herrmann (American, 1922-1996), "Buildings," 1955, oil on canvas, signed and dated verso, canvas (unframed): 12"h x 16"w.
• Hermann Herzog
  Hermann Herzog (Pennsylvania/California/Germany, 1831-1932) Evening Coastal Landscape, fisherman on shore, 1871, signed lower left "H. Herzog 1871", oil on Winsor Newton Mill board, 13-7/8 x 20 in.; 19th century gilt wood and composition frame,
• Hermann Ritter (German,
  Hermann Ritter (German, 1879-1927) Fisherman on Shore, signed lower right "H. Ritter/Munchen", oil on panel, 9-5/8 x 8-3/4 in.; modern frame,
• HERRMANN, ADELAIDE. ADELAIDE
  HERRMANN, ADELAIDE. ADELAIDE HERRMANN AND COMPANY. HIND...New York: The Metropolitan Printing Co., ca. 1905. Most likely a representation of a feat of true “black art,” the poster depicts Adelaide Herrmann performing the Decapitation illusion. She holds a sword in her hands while her headless assistant gestures toward a pedestal on which rests her own head. A skeleton floats in the background while a devil flies overhead. 20 ¼ x 30". Margins over-colored significantly; B. Scarce. Adelaide Herrmann (1853 – 1932) began her stage career as a dancer and trick cyclist. After marrying Alexander Herrmann, the great French magician, she became an adept magician in her own right. After Alexander’s unexpected death in 1896, Adelaide took her own magic shows on tour, first with her nephew, Leon Herrmann, and later as the sole star performer. She retired from the stage in 1928.
• HERMANN MULLER (b. 1839): MAN
  HERMANN MULLER (b. 1839): MAN WITH SPADE Bronze signed and impressed Kunst Erzgiesserei Wien; modeled bare-chested holding the spade on rockwork stand. 18 x 7 in. (overall).
• Hermann Post (American, 20th
  Hermann Post (American, 20th century) "Hans Imglueck: surrealist illustration from Grimm's Fairy Tales" watercolor on paper signed "H. Post" lr, titled and signed on verso 12 x 16 1/4 in., framed
• Hermann Herzog (German/American,
  Hermann Herzog (German/American, 1832-1932) "Atlantic City", pencil on paper, sight 4" x 6", titled lower left, retains gallery label en verso "Chapellier Galleries, Inc., NY". Glazed, matted and framed. Provenance: The estates of David and Eula Wintermann.
• HERMANN OTTOMAR HERZOG
  HERMANN OTTOMAR HERZOG (GERMAN/AMERICAN 1832-1932) A PA...HERMANN OTTOMAR HERZOG (German/American 1832-1932) A PAINTING, "Mountain Lake," 19TH/20TH CENTURY, oil on artist's board, signed at L/L, "H. Herzog;" 9'' x 15 1/2'', framed 15 1/2'' x 22''. Note: Hermann Herzog was born in Bremen, Germany and trained at the Dusseldorf Academy, but moved to the United States in the late 1860s. He settled in Philadelphia but traveled widely in the western US and in Mexico. His work is often compared to artists of the Hudson River School such as Albert Bierstadt though it is usually smaller in scale and more influenced by realism. Provenance: Collection of Orinda Hetherington, Houston, Texas Condition: There is some surface dirt, but no visible signs of damage. Under UV no signs of alteration. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• Hermann Herzog
  Hermann Herzog (Pennsylvania/California/Germany, 1831-1932) Southern River Landscape, signed lower right "H. Herzog," oil on canvas, 12 x 8-7/8 in.; ripple molding frame,
• MANNER OF HERMANN KAULBACH (GERMAN,
  MANNER OF HERMANN KAULBACH (GERMAN, 1846-1909), STORY TIME Oil on mahogany panel, signed "Herman Kaulbach" at lower right, presented in a gilt frame with gallery plaque.
• HERRMANN, ADELAIDE. INSCRIBED AND
  HERRMANN, ADELAIDE. INSCRIBED AND SIGNED PORTRAIT OF AD...Herrmann, Adelaide. Inscribed and signed portrait of Adelaide Herrmann. New York: Apeda, ca. 1917. Three-quarter length image shows Adelaide peeking out behind a veil held before her smiling face. 8 x 10Ó. Extremities worn; old paper tape remnants on verso. Foxed. Inscribed and signed by Adelaide Herrmann.
• HERMANN MAX PECHSTEIN (GERMAN
  HERMANN MAX PECHSTEIN (GERMAN 1881-1955) A COLOR LITHOG...HERMANN MAX PECHSTEIN (German 1881-1955) A COLOR LITHOGRAPH, "Wartende," 1946, on paper, signed and dated in pencil L/L, image: 18" x 10"; sheet: 19 5/8" x 12 7/8". Note: Max Pechstein's significance as a major figure in German Expressionist art was well established by 1933 when his work was banned by the political regime, who included sixteen of his works in the infamous Entartete Kunst ("Degenerate Art") exhibition of 1937. This very clean impression of Pechstein's black over tan lithograph from the edition of 200, was published by Graphik-Verlag Dr. Heinrich Mock in Alterburg, Thuringen in 1946, shortly after his return to public exposure, and bears the publisher's stamp verso. Krüger 413. Provenance: Property from the Ismar Littmann Family Collection. Condition: Very good condition overall with very light toning from former matting. Hinged to backing board and matted.The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• HANS PURRMANN (GERMAN 1880-1966)
  HANS PURRMANN (GERMAN 1880-1966) TWO ETCHINGS, "VIER BA...HANS PURRMANN (German 1880-1966) TWO ETCHINGS, "Vier Badende Frauen (Sommer)," AND "Sechs Badende Frauen am Strand," 1918, on paper, each signed L/R, blindstamp of "Die Schaffenden" L/L of sheets, images: 6 7/8" x 9 1/4" and 6 5/8 x 7 3/4"; sheets: 12 1/4 x 16" and 12 1/4" x 15 3/4". Note: Hans Purrmann's close friendship with Henri Matisse developed while he lived in Paris from 1906 to 1916 and had significant influence on Purrmann's work, as can be seen in the figural styling of the present 1918 etchings and the colorful palette of his paintings. These etchings come from the "Die Schaffenden" (1.Jahrgang 2.Mappe) Portfolio of 1919. Edition of 125. Heilmann 60,61; Söhn 72703-6. Provenance: Property from the Ismar Littmann Family Collection. Condition: Very good condition overall. Each with minor staining in margins, hinged to backing board and matted.The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• HERMANN HESSE (1877-1962): ZWöLF
  HERMANN HESSE (1877-1962): ZWöLF GEDICHTEThe bound book of hand-written poems with watercolor illustrations, 1948-49, signed and titled on the title page, signed, dated and inscribed 'Für Frau Elisabeth Stabel-Schmid', leather-bound with gilt lettering on the spine. 9 1/4 x 6 in. Condition In very good condition. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• HERMANN HERZOG 'FISHERMAN ON A
  HERMANN HERZOG 'FISHERMAN ON A MTN LAKE' O/C Hermann Herzog (German/American/PA CA. 1832-1932), 'Fisherman on a Mountain Lake', oil on canvas, depicting two fisherman on the banks of a lake with snow capped mountains in the background (possibly Lake Lucerne), signed to lower right, Chapellier Galleries NY label en verso, in a gilt frame. Approximate dimensions: canvas h. 15', w. 22"; frame h. 22", w. 28.875", d. 2.75" to eye hooks.
• 1 vol. (Pennsylvania-German
  1 vol. (Pennsylvania-German Printing.) Habermann, Johann. Christlich Gebat-Buch. Germantown: Peter Leibert, 1794. 12mo, orig.? blind ruled black calf over wooden bds., leather & brass clasps; scuffed, occasionally rubbed. Some internal dust soiling & browning. Intact & complete. Evans 27078; Arndt
• HERMANN KAULBACH (GERMAN,
  HERMANN KAULBACH (GERMAN, 1846–1909), PORTRAIT OF AN OLD MAN Oil on canvas, with monogram at lower right, preparatory sketch to canvas verso, inscribed in an unknown later hand to stretcher, in antique gilt wood frame.
• HERMANN MAX PECHSTEIN (GERMAN
  HERMANN MAX PECHSTEIN (GERMAN 1881-1955) A LITHOGRAPH, ...HERMANN MAX PECHSTEIN (German 1881-1955) A LITHOGRAPH, "Stehender Akt am Wasser," 1917, on paper, signed and dated L/R, inscribed "Probedruck" L/L, image: 9 1/2" x 9 1/2"; sheet: 12 5/8" x 13 1/4". Note: A rare artist's proof aside from the edition of 130. Created as an illustration for page 11 of "Die Samländische Ode", published by Verlag Gurlitt, Berlin in 1918. Important German Expressionist painter and printmaker Max Pechstein derived the imagery for the illustrations from his 1914 trip to the South Pacific islands of Palau. Krüger 235. Provenance: Property from the Ismar Littmann Family Collection. Condition: Very good condition overall with light toning from former matting and small stain spots outside of image lower left. Hinged to backing board and matted.The Ismar Littmann Family Collection was originally amassed by famed German patron of the arts and attorney Ismar Littmann and then later by other family members. A friend to many of the artists he collected, Littmann did most of his acquiring of avant-garde art during the 15 years preceding the 1933 installation of the political regime, which forcibly removed and sold a large part of his collection that totaled over 6,000 works. Although Littmann died in 1934, part of the family was able to emigrate to the United States and Israel with a portion of the collection and a continued interest in European art of the early 20th century. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• REHMANN, Erwin, (German, b.
  REHMANN, Erwin, (German, b. 1921): ''The Call IV'', 18.25'' in height, signed on the base, numbered 8/350.