A few examples of appraisal values for
HILE

• NEMESIO ANTUNEZ, FESTIVAL
  NEMESIO ANTUNEZ, FESTIVAL ANDINONemesio Antunez (Chile, 1918-1993)Festival Andino, circa 1959lithograph in colors on wove papersigned, titled, and numbered 138/210 in pencil16 1/4 x 12 1/2in (41 x 32cm) Provenance:
• ATTRIBUTED TO ERNESTO BARREDA,
  ATTRIBUTED TO ERNESTO BARREDA, ABSTRACTAttributed to Ernesto Barreda (Chile, b. 1927)Abstractoil on board6 1/2 x 9 in (16.5 x 23cm)
• DELAWARE SILK ON LINEN FAMILY
  DELAWARE SILK ON LINEN FAMILY RECORD SAMPLERDelaware silk on linen family record sampler, wrought by Philemon Draper, 1856, 16 3/4" x 17 1/4", frame - 22" x 22 1/2". Competitive in-house shipping is available for this lot. Condition: Staining top left and along bottom edge.
• FOUR STONE INDIAN POINTSFour
  FOUR STONE INDIAN POINTSFour stone Indian points, with tag inscribed Found while digging garden by Mrs. Grady, Madison Ohio, Ashtabula Co. Ohio, August 24 1969 , longest - 4 1/2". Competitive in-house shipping is available for this lot.
• Fine antique 19th century
  Fine antique 19th century Japanese figure of a male fisherman, the head, hands & fish are of ivory, while the body & base is bronze, approx 28cm H
• PUNCH & JUDY IRON MECHANICAL BANK
  PUNCH & JUDY IRON MECHANICAL BANK CA. 1884 LASTpatent date; attributed to Shepard Mfg. Co., the early Punch and Judy bank is a theatrical shaped building bank with two comical figures, Punch & Judy who operate by lever, Judy holds a pan and Punch attempts to grasp coin while Judy revolves to deposit it into slot, 6 1/4"x 3 3/4"x 7 1/2"; Condition: operating at cataloging, retains 75-80% original surface
• An Ivory Netsuke of an Oni and
  An Ivory Netsuke of an Oni and Monkey, Signed Tomochika, Late 19th Century The oni demon carrying an oversized mokugyo bell while a small monkey climbs up his legs, signed 'Tomochika' ?? on the demon's rear height 2.4 in — 6.2 cm
• MEDIEVAL STYLE TAPESTRY Screen
  MEDIEVAL STYLE TAPESTRY Screen printed reproduction of a 15th century tapestry and represents a lady and her Demoiselle on a mille-fleurs background (a thousand flowers). The mistress embroiders days of her youth while her servant tends her mirror.
• HARRY GOTTLIEB (AMERICAN,
  HARRY GOTTLIEB (AMERICAN, 1895-1992) Oil on canvas. Signed 'H. Gottlieb' (lower right). Harry Gottlieb (American, 1895-1992) Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born September 23rd, 1895 in Bucharest, Rumania. He immigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City. He became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. Gottlieb was one of America's first Social Realist painters, influenced by the Robert Henri-led movement in New York City. He was also a pioneer in screen printing, which he learned while working for the Works Progress Administration (WPA).
• ROY MASON (AMERICAN, 1886-1972)
  ROY MASON (AMERICAN, 1886-1972) LANDSCAPE Oil on masonite. Signed (lower right). Roy Mason (American, 1886-1972) Roy Mason was a self-taught artist from Gilbert Mills, New York. As well as hunting and fishing scenes, he also did illustrations for magazines including Collier’s, True, and Reader’s Digest. Mason had firsthand knowledge of wildfowl, shooting and fishing for sport provided themes for most of his paintings. His use of the medium of watercolor enabled him to create landscapes and wildlife paintings that reached a large audience outside of the sporting community. While maintaining a studio in Batavia, New York, he began spending long periods in southern California in the 1930s. He began to exhibit his paintings with local and national art associations and to produce artwork for nationally distributed periodicals.
• CARL W. PETERS (AMERICAN,
  CARL W. PETERS (AMERICAN, 1897-1980) "MEADOW BROOK" Oil on canvas. Signed 'Carl W. Peters' (lower left) and titled 'Meadow Brook' on reverse. Original frame. Carl W. Peters (American, 1897-1980) Carl Peters was an American artist who learned about sign painting, set design, illustration, and landscape painting while attending the Rochester Mechanics Institute (now the Rochester Institute of Technology). Most of his painting was done in the rural countryside around his hometown of Fairport, New York and around Cape Ann, and the town of Rockport, Massachusetts where he spent his summers painting the harbor and rocky seaside with bold contrasting colors. In the fall, winter, and spring Peters would paint the landscape around his childhood home. He was especially fond of painting the snow-covered rooftops and icy streams of the region in the winter months. Peters painted images based on the landscapes of Fairport and Rochester and insisted on sketching on the spot, even in severe weather.
• JOHN ENCINIAS (AMERICAN, B. 1949)
  JOHN ENCINIAS (AMERICAN, B. 1949) "BLUE AND WHITE VASE" Oil on artist board. Signed 'J. Encinias' (lower left). Giltwood frame.Artist BioJohn Encinias (American, b. 1949) John Encinias is a self-taught artist who started painting at the age of 15. He was encouraged to show his work by professional artists he met while working at a paint supply store. A show at a small gallery in Cherry Creek, Colorado led to Encinias quitting his job to begin working as a full-time professional artist at the age of 25. His paintings are characterized by a subdued and subtle quality, a natural quietness. Encinias, who describes his technique as "impressionistic realism", prefers painting directly from his subjects, whether still-life or landscapes. He works to bring his subjects to life at the level of the senses, using paint to convey smell, touch, temperature - even sound. Encinias restricts his palette to warm and cool versions of the primary colors, softer colors which capture the nuances of color of nature, the hues which change with the seasons. When painting plein air, Encinias works quickly to capture the effect of light. He has said that the most difficult part in painting plein air is avoiding over-refinement before capturing the basic light and color of a given scene.
• ALBERT CARRIER-BELLEUSE (FRENCH,
  ALBERT CARRIER-BELLEUSE (FRENCH, 1824-1887) NYMPH IN THE REEDS Two-toned patinaed bronze. Signed 'A. Carrier' at base. Albert Carrier-Belleuse (French, 1824-1887) Albert Carrier-Belleuse was a French sculptor. He was one of the most important and innovative sculptors of 19th century France. Dr. Anita Brookner called him a ‘manipulator of styles’, an epithet addressing Carrier-Belleuse's versatility and fearless experimentation in the fine and decorative arts. Carrier-Belleuse is the name used by this sculptor - born Carrier de Belleuse - on his mature pieces, after initially signing works "A. Carrier." Carrier-Belleuse was an established internationally as a high-art sculptor. He produced abundantly for a variety of international patrons in most categories of three-dimensional work - public monuments, for example, Masséna (1867, Nice), allegorical reliefs for Parisian buildings (Palais des Tuileries and Banque de France, 1865-1866), tombs for foreign heroes (San Martín Cathedral, Buenos Aires, Argentina), and classicizing figure subjects such as Sleeping Hebe for the Salon (1869, marble; Musée d'Orsay, Paris) - while simultaneously maintaining high visibility in the applied arts. Carrier-Belleuse made many terra cotta pieces, the most famous of which may be The Abduction of Hippodameia depicting the Greek mythological scene of a centaur kidnapping Hippodameia on her wedding day.
• BYRON (GEORGE BYRON) BROWNE
  BYRON (GEORGE BYRON) BROWNE (AMERICAN/NEW YORK, 1907-1961) "SACROMONTE" 1954, oil on canvas. Signed (lower left) and signed, dated, and titled (on reverse). Byron (George Byron) Browne (American/New York, 1907-1961) Byron Brown was a modernist painter and one of the founders of American Abstract Artists, a New York City organization devoted to exhibiting abstract art. Browne specialized in still life in the style of Synthetic Cubism, influenced by his friends John Graham, Arshile Gorky, and Willem de Kooning.
• DALE CHIHULY (AMERICAN, B. 1941)
  DALE CHIHULY (AMERICAN, B. 1941) BLOWN GLASS FORM Signed and initialed 'P.P. -94' (to underside). Dale Chihuly (American, b. 1941) Dale Chihuly has become an internationally celebrated personality in contemporary art and design, whose prominence in the field of contemporary studio glass is unmatched. During his many years as a teacher, Chihuly made a point of gathering artists from all media to work with him and with glass, with the aim of introducing new points of view and infusing new energy into the process of glassworking. In 1969, he took leadership of an important glass program at the Rhode Island School of Design (RISD) in Providence, and two years later, he founded Pilchuck Glass School, the premier international school for glass artists, with the Seattle art patrons Anne Gould Hauberg and John Hauberg. Students combined glass and other media in both glassblowing and installation work—often compensating in creative presentation for what they lacked in technique—and they were always encouraged by Chihuly to approach the material in unorthodox ways. With these achievements alone, Chihuly would be recognized for his enduring impact on the American studio glass movement, but he has been able to pursue a prolific and successful career as an artist as well. While Chihuly’s work has changed dramatically throughout his nearly 50-year career, certain preferences have remained the same. He has always worked glass in a variety of sizes, from small vessels to room-size installations. He has always been interested in sculpture and in outdoor projects where the landscape may be used as a point of departure. Color, on the other hand, has been a gradual acquisition, from the muted, relatively monochromatic 1970s works, such as the Blanket Cylinders and early Seaforms, to the brilliant colors of the Macchias and Venetians in the 1980s and beyond.
• CARL PETERS (AMERICAN, 1897-1980)
  CARL PETERS (AMERICAN, 1897-1980) WINTER LANDSCAPE Oil on canvas. Signed 'Carl W. Peters' (lower left). Carl W. Peters (American, 1897-1980) Carl Peters was an American artist who learned about sign painting, set design, illustration, and landscape painting while attending the Rochester Mechanics Institute (now the Rochester Institute of Technology). Most of his painting was done in the rural countryside around his hometown of Fairport, New York and around Cape Ann, and the town of Rockport, Massachusetts where he spent his summers painting the harbor and rocky seaside with bold contrasting colors. In the fall, winter, and spring Peters would paint the landscape around his childhood home. He was especially fond of painting the snow-covered rooftops and icy streams of the region in the winter months. Peters painted images based on the landscapes of Fairport and Rochester and insisted on sketching on the spot, even in severe weather.
• (6) WOODY CRUMBO (NATIVE
  (6) WOODY CRUMBO (NATIVE AMERICAN, NEW MEXICO, 1912-1989) ETCHINGS Etchings, each pencil signed. Woody Crumbo was an artist, Native American flute player, and dancer who lived and worked mostly in the West of the United States. He attended government schools as a child and showed such promise that he received a scholarship to the American Indian Institute in Wichita for his last two years of high school. While at the Institute, he became interested in expressing Indian tradition and culture through his art. At the early age of 21, Crumbo was appointed Director of Indian Art at Bacone College, the only institute of higher learning exclusively for Indians. Bacone offered Crumbo the unique opportunity to familiarize himself with his heritage and to instill in him cultural pride. At that time he conducted research into Indian design and revived ancient techniques of silverwork, vegetable dying, and weaving. A Pottawatomie Indian, Crumbo explores in his art the traditions and ceremonies of his own tribe as well as those of the Creek, Sioux, and Kiowa nations. Crumbo works in oil and egg tempera, as well as in watercolor, sculpture, stained glass, and silkscreen. Under the guidance of Olle Nordmark, he also learned etching. The largest collection of Crumbo's work, about 175 paintings, is owned by the Gilcrease Museum in Tulsa, although his work has been exhibited in many museums throughout the United States.
• EDWIN WILLARD DEMING (AMERICAN,
  EDWIN WILLARD DEMING (AMERICAN, 1860-1942) WINTER LANDSCAPE WITH NATIVE AMERICANS ON HORSEBACK Oil on academy board. Signed (artist's cipher) 'E.W. Deming' (lower right). Edwin Willard Deming (American, 1860-1942) Edwin Willard Deming was an American painter and sculptor. While in his teens, Deming traveled to Indian territory in Oklahoma and sketched extensively. Determined to become a painter of Indians, he enrolled at the Art Students League, then spend a year at the Academie Julian in Paris studying under Gustave Boulanger and Jules Lefebvre. His active career of painting and illustrating took him repeatedly to the lands of the Blackfoot, Crow, and Sioux, as well as to Arizona and New Mexico. After the turn of the century, Deming devoted more time to sculpture but also began work on a series of romantic murals of Indian life, which were subsequently installed in the American Museum of Natural History and the Museum of the American Indian in New York.
• PAIR OF SOUTH AMERICAN HAND WROUGHT
  PAIR OF SOUTH AMERICAN HAND WROUGHT IRON SPURSPair of South American hand wrought damascene iron spurs inscribed Gerald Smith Chile, Setbre. 1953 ___ Club de Santiago , 9 3/4" l. Provenance: A Bryn Mawr, Pennsylvania Estate. Competitive in-house shipping is available for this lot. Condition: Good condition. No apparent damages or repairs.
• PAIR OF CHILEAN HUASO SPURSPair
  PAIR OF CHILEAN HUASO SPURSPair of Chilean Huaso Silver-Metal Spurs. Stamped Chile. Measures 7" x 3-1/2". Condition: Good condition. Estimate 40 - 120 Domestic shipping Third party
• VINTAGE CHILEAN 900 SILVER
  VINTAGE CHILEAN 900 SILVER DISHVintage Chilean 900 Silver Round Dish. Stamped 900 Chile. Measures 6-5/8". Approx. weight: 6.71 troy ounces. Condition: Needs cleaning otherwise good condition. Estimate 100.00 - 300.00 Domestic shipp
• SAWASDI TANTISUK (THAILAND
  SAWASDI TANTISUK (THAILAND 1925-2009) PAINTING OF WOMEN AT THE RIVERMid-century modernist Southeast Asian painting by Sawasdi Tantisuk (Thailand 1925-2009). Oil on thin masonite panel. Framed. Appears to be signed, indistinctly, inscribed into the paint while wet, low
• LARGE MID-CENTURY FRENCH IRIDESCENT
  LARGE MID-CENTURY FRENCH IRIDESCENT ART GLASS VASE BY MARCEL SABALarge art glass vase by well-known French glassmaker, Marcel Saba of Biot, France. 1970's -1980's. Signed on the bottom “Marcel Saba” engraved into the glass. Hand-blown and fabricated while t
• ANTIQUE JAPANESE NETSUKE, OJIME
  ANTIQUE JAPANESE NETSUKE, OJIME OR MINIATURE FIGURAL CARVINGMiniature figural wood carving, possibly an Ojime or Netsuke. Japan 18th - 19th century. Depicting a man who appears to be wrestling with a mythological creature while standing on its head. Carved fro
• SILVER CHARGER MARKED "900 PLATA
  SILVER CHARGER MARKED "900 PLATA FINA CHILE", 15" DIASilver Charger marked "900 Plata Fina Chile", 15" diameter. 33.66 ozt. Very good condition.
• THEOPHILE STEINLEN, FREEDOM
  THEOPHILE STEINLEN, FREEDOM STRETCHING ITS FLAG, LITHOTheophile Alexandre Steinlen(1859-1923), Freedom stretching its flag, Lithograph in black and white, signed lower right, numbered 63/100. Sheet size: 21 1/2" x 26 1/4"; frame: 30 1/2" x 35 1/2". Good
• A PAIR OF MAPUCHE CARVED WOOD
  A PAIR OF MAPUCHE CARVED WOOD STIRRUPSA pair of Mapuche carved wood stirrups19th century; Chile/ArgentinaAfter Spanish Colonial design, the wood stirrups with cast iron hardware and carved motifs from Mapuche symbolismEach: 7.25" H x
• A Pharmacist's Porcelain
  A Pharmacist's Porcelain Occupational Shaving Mug Late 19th/Early 20th Century with the name J.C. Gay in gilt lettering, and depicting a gentleman behind the counter of a pharmacy in a lab coat while talking to a customer. underside marked T&V Limoges France. Height 3 5/8 inches. Property from the Collection of James Carpenter, Montague, New Jersey
• NICK VACCARO "XXIII (FOR
  NICK VACCARO "XXIII (FOR ARSHILE)" (1982 OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) XXIII (For Arshile), 1982 Oil on canvas 72" x 68" Signed, titled, and dated to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Very good condition, with no in-painting or touch-ups.
• JIM KNOWLTON "PENISES OF THE ANIMAL
  JIM KNOWLTON "PENISES OF THE ANIMAL KINGDOM” (1985 LITHOGRAPH)Jim Knowlton (American, 20th/21st c.) Penises of the Animal Kingdom , 1985 Lithograph on paper 23" x 35" A dryly offbeat scientific chart of relative anatomies, which gained a cult following and earned its creator an "Ig-Nobel Prize" in 1992. Knowlton conceptualized, illustrated, and produced the posters himself while in graduate school, which he sold under the moniker "The Scientific Novelty Co." for $10. When Knowlton tried to publish an advert promoting his poster in Playboy Magazine, he was denied on the grounds of inappropriate content. Condition Curled ends and creasing from rolled storage. The edges of the poster are bumped, with two resulting small tears.
• CHINESE FAMILLE ROSE PLATE W/
  CHINESE FAMILLE ROSE PLATE W/ FIGURE,18TH C. A Chinese famille rose plate with figures, dating from the 18th century. Design showing a beauty in front of a house greeting a visitor while another looks onto them from a window. Red flowers in the design with pink border around the edge. Underside has three small line designs. With old Sotheby's sticker on the recessed base and a Sotheby's tag attached: 3/16/23 Lot 825. D. 9" (22.8 cm) Provenance: Sotheby's New York according to the sticker Link to HD Natural Light photos:Click here for high resolution imagesCondition: in good condition overall with tiny nicks and frits to the foot ring
• CHINESE BAMBOO CARVED MESSAGE
  CHINESE BAMBOO CARVED MESSAGE HOLDER, 18/19TH C. A Chinese bamboo carved message holder, dating from the 18-19th C, cylindrical form delicately carved and reticulated with two scholar seated under a pine tree, one holding a brush while the other watches, and an attendant stands nearby, a two character seal mark "Zong Yu", is incised next to the scene ,come with a customize box L. 3 7/8" (9.8 cm) Provenance: The Ian and Susan Wilson Collection, Christie's New York, March 17,2016 Sale 11929 Lot 1213 ( one of the lot) Catalogue Note: An example of a bamboo brushpot dated to the Kangxi Period and carved with a Zong Yu seal, though the style is slightly different , is in the Seattle Art Museum and illustrated by Ip Yee and Lawerence C.S.Tam, Chinese Bamboo Carving ,Part I, Hong Kong, 1978,P.89,col.pl.19 Link to HD Natural Light photos:Click here for high resolution imagesCondition: in good condition with minor bamboo crack to the lower section
• 3 VINTAGE OUTFITS BONWIT
  3 VINTAGE OUTFITS BONWIT RICHILENE MID MOD3 vintage outfits Bonwit black and orange, blue sequin dress and long shawl. Shoulder to shoulder 17", arm length 21", total Length 57". Peach and sequin dress by Richilene New York with cape sleeves. Shoulder to shoulder 18", total length 61" and cape sleeve 40". Some pulls in the cape and staining on bottom. Vintage mid mod Lord and Taylor hot pink and green chiffon 1920s ILGWU label - Int'l Ladies Garment Workers Union. Total length 50". Provenance: From the Estate of Angela Gross Folk.
• SERGIO CASTILLO METAL SCULPTURE
  SERGIO CASTILLO METAL SCULPTURE ROOSTERSergio Castillo (Chilean, 1925-2010). Metal sculpture, Gallo (Rooster). Appears unsigned. 15"H x 20"L. Provenance: From the Estate of Angela Gross Folk.
• CHINESE RUYI FORM JADE BELT HOOK
  CHINESE RUYI FORM JADE BELT HOOK WITH FOO LIONS Chinese Jade Clothes Hook, carved in the form of a ruyi scepter, an orb between two foo lions below. 3.25" H x 0.75" W x 1" D. Provenance: Property from the Manhattan estate of Indrani Yogasundram who lived in many different countries with her husband, Yogaraj, during his decades-long career as a Sri Lankan diplomat. In addition to the heirloom jewelry she possessed, Indrani acquired jewelry, art, and ornaments while stationed in China (1960-63), Sri Lanka (1963-65), and Iraq (1965-1967). Keywords: Asian art, Antique, Stone carving, Nephrite, Russet, Celadon
• 18K YELLOW GOLD RUBY WHITE SAPPHIRE
  18K YELLOW GOLD RUBY WHITE SAPPHIRE EARRINGS 18K Yellow Gold Earrings, brightly polished and engraved, designed in the Jadau style, featuring 8 bead set round rubies and 8 bead set round white sapphires, their combined total weight approx. 0.95 carat, worn through pierced earlobes with threaded posts and backs. Gold tested. Measuring approx. 1" x 1/2", approx. 3.6 dwt. Provenance: Property from the Manhattan estate of Indrani Yogasundram who lived in many different countries with her husband, Yogaraj, during his decades-long career as a Sri Lankan diplomat. In addition to the heirloom jewelry she possessed, Indrani acquired jewelry, art, and ornaments while stationed in China (1960-63), Sri Lanka (1963-65), and Iraq (1965-1967). Keywords: Fine jewelry, Precious stones, Fashion, Accessories