A few examples of appraisal values for
HIROSHIGE

• Hiroshige (Japanese 1797-1858)
  Hiroshige (Japanese 1797-1858) "Shun'en Oigawa (Oi River between Suruga and Totomi)" hand-colored woodblock print from the series Thirty-Six Views of Mount Fuji sheet 14 1/2 in. x 10 in.
• Hiroshige (Japanese 1797-1858)
  Hiroshige (Japanese 1797-1858) two hand-colored woodblock prints including "May: The Ryogoku River Festival" from the series Annual Events and Sights of Interest in Edo sight 13 1/8 in. x 8 3/4 in. and "#55 Kyoto" from the series The Fifty-Three Stations of the Tokaido Road known as Tate-e Tokaido later edition sight 12 3/4 in. x 8 3/8 in. each triple matted and framed alike.
• Utagawa HiroshigeJapanese
  Utagawa HiroshigeJapanese (1797-1858)woodcut in colors13 1/4 x 8 3/4 inches
• Utagawa HiroshigeJapanese
  Utagawa HiroshigeJapanese (1797-1858)woodcutimage: 13 1/4 x 8 7/8 inches
• Hiroshige (Japanese 1797-1858)
  Hiroshige (Japanese 1797-1858) two hand-colored woodblock prints including "#14 Hara" from the series The Fifty-Three Stations of the Tokaido Road known as Gyosho Tokaido sight 7 1/2 in. x 12 1/8 in. sheet 12 3/8 in. x 8 5/8 in. and "#33 Shirasuka" from the series The Fifty-Three Stations of the Tokaido Road known as Hoedo Tokaido later edition sight 8 1/2 in. x 12 in. sheet 14 1/4 in. x 9 3/8 in. each similarly triple matted and framed.
• Ando Hiroshige (Japanese 1797-1858)
  Ando Hiroshige (Japanese 1797-1858) Takashi Beach in Izumi Province (from Famous Views of the Sixty-Odd Provinces) 1853 woodblock print; Koshibei Edo pub. 14 x 9 1/2 inches.
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Asakusa tanbo Torinomachi mode (Asakusa Ricefields and Torinomachi Festival), Dated 1857 From the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei); colour woodblock print Signed Hiroshige ga; Censor's seal aratame; Published by Uoya Eikichi, 11th month 1857 vertical oban 14.1 x 9.4 in — 35.7 x 24 cm
• Hiroshige (Japanese 1797-1858)
  Hiroshige (Japanese 1797-1858) three hand-colored woodblock prints including "Kinryuzan Temple at Asakusa" sight 8 1/4 in. x 13 1/4 in.; "Cherry Blossoms Viewing at Gotenyama" sight 8 1/4 in. x 13 1/2 in.; and "Cherry Blossoms by Shinobazu Pond" sight 8 1/4 in. x 13 1/4 in. each triple matted and similarly framed (3 pcs.)
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Two Harimaze Sheets in the Stone Rubbing Style, Circa 1845 Both in the style of Chinese stone rubbings (ishizuri); the first sheet with four pictures of New Year Decorations, Pine Trees on Rocks, Butterflies, and Winterberry and Dried Fish, by Hiroshige I and Hiroshige II (Shigenobu); the second sheet with a View of Mount Fuji and a River Landscape sheet 13.6 x 9.3 in — 34.5 x 23.5 cm
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Fukagawa Susaki Jumantsubo (Jumantsubo Plain at Fukagawa Susaki), Dated 1857 From the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei); colour woodblock print Signed Hiroshige ga; Published by Uoya Eikichi, intercalary 5th month 1857 vertical oban 13.9 x 9.3 in — 35.3 x 23.6 cm
• UTAGAWA HIROSHIGE (JAPANESE
  UTAGAWA HIROSHIGE (JAPANESE 1797-1858), TRAVELERS IN A MOUNTAIN LANDSCAPE, WOODBLOCK PRINT, FRAME: 20 X14-3/4 INUtagawa Hiroshige (Japanese 1797-1858), Travelers in a Mountain Landscape, Woodblock Print, Frame: 20 x14-3/4 in
• Hiroshige (Japanese 1797-1858) five
  Hiroshige (Japanese 1797-1858) five hand-colored woodblock prints from the series The Fifty-Three Stations of the Tokaido Road known as Gyosho Tokaido including "#1 Nihonbashi" sight 7 3/8 in. x 12 in.; "#22 Okabe" sight 7 3/8 in. x 12 1/8 in.; "#33 Shirasuka" sight 7 3/8 in. x 12 1/8 in.; "#44 Yokkaichi" sight 7 3/8 in. x 11 7/8 in.; and "#46 Shono" sight 7 3/8 in. x 12 in.; each triple matted and framed alike (5 pcs.)
• UTAGAWA HIROSHIGE, (1797-1858),
  UTAGAWA HIROSHIGE, (1797-1858), "IRIS GARDEN AT HORIKIRI (ONE HUNDRED FAMOUS VIEWS OF EDO NO. 64)," THE OUTSKIRTS OF KOSHIGAYA IN MUSASUtagawa Hiroshige, (1797-1858) "Iris Garden at Horikiri (one hundred famous views of edo no. 64)," The Outskirts of Koshigaya in Musashi Province (Musashi Koshigaya zai), from the series "Thirty-six Views of Mount Fuji (Fuji sanjurokkei)," Figures in a landscape with cherry blossoms; 3 pieces Each: Woodblock on paper Each: Signed Sight of each: 12.75" H x 8.25" W Provenance: The Estate of George David Sturges Each: Woodblock on paper Dimensions: Sight of each: 12.75" H x 8.25" W Provenance: The Estate of George David Sturges
• UTAGAWA HIROSHIGE II (JAPAN,
  UTAGAWA HIROSHIGE II (JAPAN, 1826-1869) Oban Yoko-E Landscape by Hiroshige Utagawa, view across rolling grassy hills past pines and cherry trees to large temple complex, top edge mounted to card, full margins, 10" x 14 1/2". Heavily toned, wrinkled, wormage to margins.
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Narumi, 19th Century From the series 'Fifty-three Stations of the Tokaido Road' (aka the Kyoka Tokaido), colour woodblock print, framed; together with No. 16 'Kanbara: Night Snow' and No. 21 'Mariko: Famous Tea Shop' from the 'Great Tokaido' series, 20th century woodblocks, framed; and a framed set of three digital prints of ukiyo-e beauties largest overall 28 x 34 in — 71 x 86.4 cm
• Utagawa HiroshigeJapanese
  Utagawa HiroshigeJapanese (1797-1858)woodcutplate: 8 5/8 x 13 5/8 inches
• UTAGAWA HIROSHIGE (JAPAN,
  UTAGAWA HIROSHIGE (JAPAN, 1797-1858) "Arashiyama Manka" or Cherry-blossom on the banks at Arashiyama, from Kyoto Meisho. Views of Kyoto. A set of 10. Publisher, Yeisendo. Oban Yokoye. In a black faux bamboo frame, matted and glazed, OS: 12 3/4" x 18", SS: 8" x 13 1/4". Good condition.
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Sumidagawa Hashiba no watashi kawaragama (Hashiba ferry and the kilns at Sumida River), Dated 1857 From the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei); colour woodblock print Signed Hiroshige ga; Censor's seal aratame; Published by Uoya Eikichi, 4th month 1857 vertical oban 14.6 x 9.9 in — 37.2 x 25.1 cm
• TWO UTAGAWA HIROSHIGE (JAPANESE,
  TWO UTAGAWA HIROSHIGE (JAPANESE, 1797-1858) WOODBLOCK PRINTS Includes: Utagawa Hiroshige II, "Tenjin Festival on the Yodo River in Osaka" & Utagawa Hiroshige, Kakegawa, "Crossing the Forty-eight Rapids on the Akiba Road"Utagawa Hiroshige was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-Three Stations of the Tokaido and for his vertical format landscapes series One Hundred Famous Views of Edo. The subjects of his work were atypical of the uikyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s Edo period. The series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige’s choice of subject, though Hiroshige’s approach was more poetic and ambient than Hokusai’s bolder, more formal prints. Subtle use of color was essential in Hiroshige’s prints, often printed with multiple impressions in the same area with extensive use of bokashi, both of which were rather labor-intensive techniques.
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Three Woodblock Prints, Edo Period, 19th Century Consisting of 'Hara, no. 14' and 'Fujieda, No. 23' from the series 'Fifty-Three Stations of Tokaido' (aka Reisho Tokaido); and 'Mount Oyama in Sagami Province', from the series 'Wrestling Matches between Mountains and Seas' (Sankai mitate zumo) 9.6 x 14.4 in — 24.3 x 36.5 cm
• Utagawa Hiroshige (1797-1858) and
  Utagawa Hiroshige (1797-1858) and Yoshitsuru (active 1840-1850), Three Woodblock Prints Consisting of 'Kanda Myojin' from the series 'Famous Views of the Eastern Capital' (Toto meisho) by Hiroshige; a woodblock print of two children by Yoshitsuru; and a later woodblock print of 'Great Sanjo Bridge' by Hiroshige largest frame 15.9 x 20.8 in — 40.3 x 52.9 cm
• A Japanese Woodblock Print
  A Japanese Woodblock Print Hiroshige depicting a band of travelers in a mountainous landscape together with an associated print. Height 8 5/8 x width 13 1/2 inches.
• Utagawa Hiroshige (Japanese,
  Utagawa Hiroshige (Japanese, 1797-1858) The Okitsu River from the series The Fifty-Three Stations of the Tokaido Road colored woodblock print signed and sealed 9 1/2 × 14 1/4 in
• UTAGAWA HIROSHIGE (JAPANESE,
  UTAGAWA HIROSHIGE (JAPANESE, 1797-1858) TWO WOODBLOCK PRINTS Ink and colors on paper, woodblock prints, later vintage reproductions from the series "Fifty Three Stations of the Tokaido Road," includes Narumi, Meibutsu Arimatsu Shibori and Yoshida, Toyokawabashi, scenes of daily life and architecture of Japan along the Tokaido Road during the mid-19th century captured by the famous woodblock print artist Utagawa Hiroshige, framed identically with mats, not examined outside of the frames.
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Yoshiwara, Fujieda, and Goten-yama, Edo Period, 19th Century Consisting of No. 15 'Yoshiwara: Floating Islands of Fuji Marsh' (Fuji no numa ukishima ga hara) and No. 23 'Fujieda: Fording the Seto River' (Setogawa kachiwatari), both from the series 'Famous Sights of the Fifty-three Stations' (Gojusan tsugi meisho zue), Circa 1855; together with 'Cherry Blossom Viewing at Goten-yama' (Goten-yama hanami no zu), from the series 'Famous Places in the Eastern Capital' (Toto meisho), circa 1843-47; colour woodblock prints, framed horizontal image 9.1 x 14.2 in — 23 x 36 cm
• Utagawa Hiroshige and One Other
  Utagawa Hiroshige and One Other (Japanese, 1797-1858) Meguro Taikobashi Yuhinooka (Meguro Drum Bridge and Sunset Hill) from the series Meisho Edo hyakkei (100 Famous Views of Edo); Boats underneath Bridge two colored woodblock prints, framed the first example signed Hiroshige ga, published by Uoya Eikichi. Image of first 13 3/4 x 9 1/2 in., 35 x 24 cm. Property from the Estate of Paul B. Dombrowski, Monona, Wisconsin
• Japanese woodblock memorial
  Japanese woodblock memorial portrait of Ichiryusai Hiroshige by Utagawa Toyokuni II (1777–1835), mounted and framed, with details written on verso; overall excellent condition, age wear, surface wear, toning; sight L 3 1/2" H 5 1/2" (Approx.)
• AFTER UTAGAWA HIROSHIGE
  AFTER UTAGAWA HIROSHIGE (JAPANESE, 1797-1858)After Utagawa Hiroshige (Japanese, 1797-1858) , 20th c., 2 woodblock prints incl. "Gion Shrine in Snow" from the series "Famous Views of Kyoto"; and "Snow at Akabane Bridge in Shiba" from the series "Famous Places in the Eastern Capital", sight 8 1/8 in. x 13 in., matted , framed and glazed alike (2 pcs.)
• UTAGAWA HIROSHIGE VIEW OF ZOZOJI
  UTAGAWA HIROSHIGE VIEW OF ZOZOJI PAGODA PRINT Japan,1797-1858From the "100 Famous views of Edo" series, number 53. Hiroshige was one of two Japanese master landscape print makers next to Hokusai (1760-1849).
• *A Group of Four Japanese Woodblock
  *A Group of Four Japanese Woodblock Prints Hiroshige each depicting a landscape scene with figures interspersed throughout having artist mark and publisher's seal at top. Height 9 x width 13 1/2 inches.
• UTAGAWA HIROSHIGE VIEW OF SHITAYA
  UTAGAWA HIROSHIGE VIEW OF SHITAYA HIROKOJI PRINT Japan,1797-1858From the "100 Famous Views of Edo" series, number 13. Utagawa Hiroshige was one of two Japanese master landscape print makers next to Hokusai (1760-1849).
• A Japanese Woodblock Print
  A Japanese Woodblock Print Utagawa Hiroshige (1797-1858) depicting figures in a park with flowering trees framed. Height visible 13 x width 8 3/4 inches.
• Utagawa Hiroshige (Japanese,
  Utagawa Hiroshige (Japanese, 1797-1858) five color woodblock prints each signed, sealed and framed 18 7/8 x 6 in., 47.9 x 15.24 cm (largest image). Property from the Estate of W.M. Bogdanowicz, Madison, Wisconsin and Naples, Florida
• Utagawa Hiroshige (1797-1858),
  Utagawa Hiroshige (1797-1858), Yatsumi no hashi (Yatsumi Bridge), 1856 From the series 'One Hundred Famous Views of Edo' (Meisho Edo hyakkei), signed 'Hiroshige ga', published by Uoya Eikichi vertical oban 13.8 x 9.4 in — 35 x 24 cm
• Utagawa Hiroshige (Japanese,
  Utagawa Hiroshige (Japanese, 1797-1858) "Kameido Shrine in Snow" from the series "Toto Meisho" (Famous Places of Edo). Woodblock print in colors, approx. 10-1/4" x 15-1/4", not framed.
• UTAGAWA HIROSHIGE (1797-1858)
  UTAGAWA HIROSHIGE (1797-1858) "Cherry blossoms in the Grove of Suijin Temple and View of Massaki on the Sumida River", #35 of "100 Views of Edo", 1856. In gold stick frame, paper mat, glazed, OS: 19 1/4" x 13 1/2", SS: 13" x 8 1/2". Good condition.