A few examples of appraisal values for
HOME IN THE ROCKIES

• AFTER BIRGER SANDZEN ROCKY MOUNTAIN
  AFTER BIRGER SANDZEN ROCKY MOUNTAIN PARK OIL PAINTING Fauvist landscape depicting Rocky Mountain National Park, Colorado with two sloped trees amongst rockery on the edge of a river with mountains in the background.
• 19TH C. ALBERT BIERSTADT ENGRAVING,
  19TH C. ALBERT BIERSTADT ENGRAVING, ROCKY MOUNTAINS. 19th C. colored engraving, “The Rocky Mountains”, after 1863 oil painting by Albert Bierstadt, engraved by J. Smillie. Depicts a Native American encampment in front of a mountain lake landscape. Image 16.75” x 27.75”, Overall 27.5” x 38.5”.
• 1885 ROCKY MOUNTAINS MAP LITHOGRAPH
  1885 ROCKY MOUNTAINS MAP LITHOGRAPH "Map of the Rocky Mountain Region showing the Approximate Location and Extant of Forest Areas and Irrigation Ditches in 1885," lithograph, published by A. Hoen & Co., Baltimore MD. Image: 31" H x 19" H; frame: 39" H x 29" W
• JOHN CHARLES TERELAK (NEW
  JOHN CHARLES TERELAK (NEW YORK/MASSACHUSETTS, B. 1942), "IN THE ROCKIES"., OIL ON CANVAS, 48" X 72". FRAMED 59" X 82".JOHN CHARLES TERELAK, New York/Massachusetts, b. 1942, "In the Rockies". Signed and dated lower left "J.C. Terelak '96". Dimensions: Oil on canvas, 48" x 72". Framed 59" x 82".
• BOOK: ROCKY MOUNTAIN SCENERY. A
  BOOK: ROCKY MOUNTAIN SCENERY. A BRIEF DESCRIPTION OF PROMINENT PLACES OF INTEREST ALONG THE DENVER & RIO GRANDE RAILROAD WITH PHOTOGRAPH PLATES BY WILLIAM HENRY JACKSON, 1888. 9"H X 12"W X 3/4"DBook: Rocky Mountain Scenery. A Brief Description of Prominent Places of Interest Along the Denver & Rio Grande Railroad with photograph plates by William Henry Jackson, 1888. Press of The American Bank Note Co, New YorkTwelve Albertype photographic plate images by the Forbes Co. Boston. Illustrated with photographs, a map of the railroad route, and illustrated advertisements. Dark brown pebble hardcover with gilt illustrated title and "Denver & Rio Grande R R Scenic Line of the World" seal on the front board. Restored. 8 of the 12 plates were photographed by William Henry Jackson. Views include Pike's Peak, Garden of the Gods, Royal Gorge, Marshall Pass, etc. 9"H x 12"W x 3/4"D Dimensions: 9"H x 12"W x 3/4"D
• BIERSTADT - "THE ROCKY MOUNTAINS
  BIERSTADT - "THE ROCKY MOUNTAINS LANDERS PEAK" (1869)**This is an oversized piece that may require special shipping. Please inquire for a quote prior to bidding. Albert Bierstadt (German-American, 1830-1902). "The Rocky Mountains Landers Peak" chromolithograph by H.M. Long, published by Thomas McLean, London, UK, 1869. Signed and dated in the plate. A grand chromolithograph of Albert Bierstadt's famous "The Rocky Mountains, Lander's Peak" - the landscape that established Bierstadt as the most beloved painter of the American West during the 19th century. In 1863, nearly 1,000 people attended the exhibition of this painting, and in 1865 it sold for an impressive $25 000. The composition features a Native American campsite, including figures in traditional dress, tepees, and horses occupying the verdant meadow in the foreground as well as the majestic snow-peaked Rocky Mountains beyond, all delineated in Bierstadt's remarkably realistic style. A very special piece set in a custom, museum-quality frame behind glass. Size (sight view): 19" L x 32" W (48.3 cm x 81.3 cm) Size (frame): 33.75" L x 46.75" W (85.7 cm x 118.7 cm) Albert Bierstadt (1830-1902) was born in Germany, near Dusseldorf; however, he grew up in the United States. In his twenties he returned to Germany to study at the reputable Dusseldorf Academy. In addition to this school's tradition of heroic painting, the Hudson River School tradition would greatly impact the young Bierstadt who would go on to be best known for his grand paintings of the American West. Depicting the breathtaking beauty of such awe-inspiring locales as the Rocky Mountains and Yosemite Valley, Bierstadt's art also reflected the notion of Manifest Destiny in support of westward expansion. Despite spending his formative years in Europe, Albert Bierstadt was best known for his mesmerizing landscape paintings of the American West. Bierstadt's painting "The Rocky Mountains, Lander's Peak" (1863) was collected by the Metropolitan Museum of Art (accession number 07.123). The Met's curatorial department provides the following description, "This and other popular canvases by the German-born Albert Bierstadt shaped the visual identity of the American West in the United States and abroad. In early 1859 he accompanied a government survey expedition, headed by Frederick W. Lander, to the Nebraska Territory. By summer, the party had reached the Wind River Range of the Rocky Mountains in present-day Wyoming. Painted in New York after Bierstadt’s return from these travels, this work advertised the landscape as a frontier destined to be claimed by White settlers, according to the doctrine of Manifest Destiny. This belief that Americans were the divinely ordained "masters" of the continent systematically ignored with dire consequences the presence of Indigenous populations, such as the Shoshone peoples depicted in the picture’s foreground. Publicly exhibited to great acclaim, this monumental painting established Bierstadt as a key competitor of the preeminent landscape painter, Frederic Edwin Church (see, for example, 09.95). It was purchased in 1865 for the then-astounding sum of $25,000 by James McHenry, an American living in London. Bierstadt later bought it back and gave or sold it to his brother Edward." Provenance: private Albuquerque, New Mexico, USA collection; ex-Hugh K. Tirrell estate, representative Priscilla T. Bisher All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175645 Condition: Signed and dated in the plate. Mounted in a custom, museum-quality frame with a linen matte behind glass. Chromolithograph has not been examined outside the frame but appears to be in overall excellent condition. Framing is excellent. Professional suspension hardware (Wallbuddies) on verso and ready to display.
• ''Snow Capped Mountains Taos N.M.''
  ''Snow Capped Mountains Taos N.M.'' adobe house with a smoking chimney in a Southwest landscape oil on canvasboard. 15.5'' H x 17.25'' W.
• DON BALKE (B. 1933) "ROCKY MOUNTAIN
  DON BALKE (B. 1933) "ROCKY MOUNTAIN ELK"Don Balke (North Carolina, B. 1933) "Rocky Mountain Elk" Signed lower right. Original Watercolor on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood commemorative cover for the Baby Wildlife of the 50 States, postmarked January 4, 1984. A gentle mountain stream trickles through an alpine meadow fragrant with the perfume of spring flowers. Winter's cold has passed and the green of summer awakens from its deep sleep. Nature renews herself in the spring when tender seedlings sprout through last autumn's fallen leaves and pastures turn lush and green. The wilderness areas of Utah are enriched with the fresh, new life of spring and especially with the arrival of the wildlife babies. One of the most beautiful wildlife infants that roams the meadows of Utah is the Rocky Mountain Elk. Born in the early spring, the Elk calf is dappled with snowy spots to camouflage the baby in shadowy thickets where it often hides. The young elk follows its mother closely for the first months of its life for it is solely dependent upon her for food and protection. When the calf reaches four months of age, its dappled baby fur is gone, and the youngster is weaned. Young elk spend their first summer in Utah's high mountain ranges. But when the winter snows start to fall, the herds begin their annual descent from the mountainous summer homes to winter ranges in the valleys and live quietly in small matriarchal groups. After their first birthdays, yearling bulls begin to grow their first pair of antlers. By autumn the antlers reach full growth and the yearling elk join the herd as adults. Image Size: 10.75 x 12.5 in. Overall Size: 20 x 21.25 in. Unframed. (B08485) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• BIERSTADT - "STORM IN THE
  BIERSTADT - "STORM IN THE ROCKIES, MT. ROSALIE" (1869)**This is an oversized piece that may require special shipping. Please inquire for a quote prior to bidding. Albert Bierstadt (German-American, 1830-1902). "Storm in the Rocky Mountains, Mt. Rosalie" chromolithograph by H.M. Long, published by Thomas McLean, London, UK, 1869. Signed & dated 1866 (date for the original painting) in plate. A grand chromolithograph of Albert Bierstadt's "Storm in the Rocky Mountains, Mt. Rosalie" presenting a landscape inspired by sketches created during an 1863 expedition to the Colorado Rockies capturing Mt. Rosalie (now Mount Evans). The composition features a Native American hunting scene in the foreground, a waterfall leading to a lake (based on the Upper and Lower Chicago Lakes near Denver) in the middle ground, and Mt. Rosalie (now Mt. Evans) amidst threatening storm clouds but spot lit by a magical break in the clouds at the upper left. A grand landscape of the American West that reflects Bierstadt's understanding of Manifest Destiny as well as his audience's appetite for the dramatic sublime and, somewhat paradoxically, nearly photographic details, set in a custom, museum-quality frame behind glass. Size (sight view): 18" L x 32" W (45.7 cm x 81.3 cm) Size (frame): 32.75" L x 46.75" W (83.2 cm x 118.7 cm) Albert Bierstadt (1830-1902) was born in Germany, near Dusseldorf; however, he grew up in the United States. In his twenties he returned to Germany to study at the reputable Dusseldorf Academy. In addition to this school's tradition of heroic painting, the Hudson River School tradition would greatly impact the young Bierstadt who would go on to be best known for his grand paintings of the American West. Depicting the breathtaking beauty of such awe-inspiring locales as the Rocky Mountains and Yosemite Valley, Bierstadt's art also reflected the notion of Manifest Destiny in support of westward expansion. The original painting "Storm in the Rocky Mountains, Mt. Rosalie" is in the collection of the Brooklyn Museum of Art (accession number 76.79). As noted on their website, "In 1863, Albert Bierstadt made an arduous expedition to Colorado in order to gather studies of the region for this monumental painting, executed three years later in his New York studio. For the final canvas, he exercised artistic license-rearranging some landmarks and exaggerating the scale of others-to maximize the visual interest of this Rocky Mountain landscape. The picture toured the country on a yearlong exhibition and thrilled audiences with its dual effects of sublime grandeur and reportorial detail. Soaring peaks, expansive valleys, and turbulent weather conditions create a dramatic backdrop for the meticulously detailed flora and a Native American hunting scene in the foreground. Mt. Rosalie (now Mt. Evans) appears in spotlight within a ring of dark clouds in the upper left corner of the composition. Bierstadt established his artistic reputation with 'Great Pictures' of the American West that embodied the national agenda of expansionism known as Manifest Destiny." Of note: According to the Brooklyn Museum of Art, "The painting had a personal significance, for 'Mt. Rosalie' (now Mount Evans) was named by the artist in honor of his traveling companion's wife, Rosalie Osborne Ludlow, whom Bierstadt would marry in 1866 following her divorce." An invoice from Selker Fine Art, Cleveland, Ohio dated December 16, 2006 lists the price of this chromolithograph (with a different frame) at $9500. Provenance: private Albuquerque, New Mexico, USA collection; ex-Hugh K. Tirrell estate, representative Priscilla T. Bisher, purchased from Selker Fine Art, Cleveland, Ohio, USA All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #175644 Condition: Signed and dated 1866 in the plate (one boulder at lower right). Mounted in a custom, museum-quality frame with a linen matte behind glass. Chromolithograph has not been examined outside the frame but appears to be in overall excellent condition. Framing is excellent. Professional suspension hardware (Wallbuddies) on verso and ready to display.
• R.C. GORMAN "COLORADO"
  R.C. GORMAN "COLORADO" LITHOGRAPHDESCRIPTION: Lithograph of "Colorado" by R.C. Gorman. Piece depicts a woman sitting on a river bank in a canyon and holing a stout, round vase. Piece is signed by the artist at the bottom left in pencil, marked "11/225" at the bottom right, a raised stamp of the artist's initials along the bottom left of the piece, and a raised stamp of the letters "OP" along the bottom right of the piece. The piece is framed with a brass and red-fabric-covered board frame. CIRCA: 20th Century. ORIGIN: USA DIMENSIONS: L: 39.25" W: 31.5" H: 0.75". Have a similar item to sell? Contact: Info@Akibaantiques.com. CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS(305)-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• CURRIER AND IVES PRINT. ''The Rocky
  CURRIER AND IVES PRINT. ''The Rocky Mountains Emigrants crossing the Plains''. 9 1/4'' h. 14 1/4'' w. In a gilt frame. 14 1/4'' h. 18 3/4'' w.
• George Ernest Colby (American, 1859
  George Ernest Colby (American, 1859 - 1955) large oil on canvas titled "View of the Rockies," signed lower left and dated 1880, mounted in an ornate gilt frame, sight 40 1/2"h x 58 1/2"w
• Vaclav Vytla?il (American,
  Vaclav Vytla?il (American, 1892-1984) Rocky Mountain Series oil and mixed media on paper signed Vaclav Vytlacil (lower right) 22 x 28 inches Property from the Estate of Adele Feingold of Scarsdale, New York
• Mountain landscape likely San
  Mountain landscape likely San Juan Mountains Colorado oil on canvas. 12'' H x 18'' W.
• DAVE MCGARY WESTERN BRONZE(New
  DAVE MCGARY WESTERN BRONZE(New Mexico/Arizona, 1958-2013) Home Sweet Home, 1998, edition 70/250, from the Artifact Series , signed on naturalistic base "Dave McGary '9_" , with thumb print, cold painted and patinated bronze, 5 x 8 x 8 in. with wood base Provenance: Dave and Chris Knoke, Marietta, Georgia Condition: good condition
• Thomas Moran (American,
  Thomas Moran (American, 1837-1926) View of the Rocky Mountains Color print Signed and dated '96 in the plate 21 1/2" x 27 1/2"
• BIRGER SANDZEN 'LAKE IN THE
  BIRGER SANDZEN 'LAKE IN THE ROCKIES' SIGNED LITHOGRAPHBirger Sandzen (Swedish-American, 1871-1954) Lake in the Rockies, 1948 Lithograph on paper Edition unknown 7" x 10 1/16" A pencil-signed and titled Colorado lake scene, executed on cream wove paper, created for the Friends of Art, Manhattan, Kansas. Framed to archival standards in a wooden frame with an acid free mat, museum mount, and conservation glass, by the American Legacy Gallery in Kansas City, Missouri, measuring 15 5/8" x 17 7/8" in total. Literature: Charles Pelham Greenough, The Graphic Work of Birger Sandzen, Birger Sandzen Memorial Foundation, 2001, L - 194 Condition Not removed from the frame. Very mild toning from previous framing.
• GEORGE BERTRAND MITCHELL (AMERICAN,
  GEORGE BERTRAND MITCHELL (AMERICAN, 1874-1946) CAMP SCENE - 'A ROCKIES' ALPINE CAMP, 1939 OIL ON BOARD: 12 X 16 IN.GEORGE BERTRAND MITCHELL, (AMERICAN, 1874-1946) CAMP SCENE - 'A ROCKIES' ALPINE CAMP, 1939, Oil on board: 12 x 16 in. Framed; lower left signed: G B Mitchell; Verso inscribed: G B MITCHELL-'39 / On Glacier Valley Plateau-/ in the Canadian Rockes. / Member of N.Y. Watercolor Soc./ Salamagundi Club / Mystic Art Assoc-/ ----- Verso label: G.B. Mitchell/ "A Rockies" Alpine Camp
• PAT WOODALL "ROCKY MOUNTAIN
  PAT WOODALL "ROCKY MOUNTAIN RANCHITO" PAINTINGPat Woodall (American, 20th/21st c). Oil on canvas titled "Rocky Mountain Ranchito," 2007, depicting a snowy mountain landscape with a farm in the foreground. Signed along the lower left. Further signed, titled, and dated along the verso. Provenance: Distinguished corporate collection, Minnesota. Sight; height: 47 1/2 in x width: 47 1/2 in. Framed; height: 54 1/2 in x width: 54 1/2 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• NEVA FISCHER (CO, 20TH CENTURY),
  NEVA FISCHER (CO, 20TH CENTURY), ROCKY MOUNTAIN LANDSCAPE Graphite, gouache and watercolor on textured mat board, signed at lower right, matted and framed under glass, with gallery label to the verso.
• LANDSCAPE PAINTING (AMERICAN
  LANDSCAPE PAINTING (AMERICAN 20TH CENTURY). Watercolor on paper signed ''Gaspar'' lower right. Depicting the Sangre de Cristo mountain range of the Rocky Mountains. In a frame 19''h. 22''w.
• BIRGER SANDZEN (1871-1954) OIL ON
  BIRGER SANDZEN (1871-1954) OIL ON CANVAS CIRCA 1920Birger Sandzén (1871-1954)Mountains and Red Rocks (1920)The large oil on canvas Rocky Mountain view at tree line is signed lower right front and painted in a unique palette of clean, attractive colors applied in the near-sculptural technique typical of Birger Sandzen's earlier works, though it dates to what scholars refer to as his Middle Period.The following is from the Birger Sandzén Memorial Gallery web site:Middle Years (1910-1929): This period is often considered the most dynamic and important of Sandzén's career. Kansas and Colorado landscapes came to the forefront during this time and his importance and recognition as a painter increased. In a letter from March 20, 1912 Sandzén wrote to his brother Gustaf: 'My paintings have, to tell the truth, aroused a great deal of attention. They are not, however, if one reads the reviews 'sensational' - even if the color usage is a little individual. They are simply nature studies. I adhere strictly to nature, but strive for the simplest possible means of expression.' Birger Sandzén to Gustaf Sandzén, 20 Mar 1912, Sandzén Archives, Birger Sandzén Memorial Gallery, Lindsborg, KS.The canvas measures 28 x 30 inches.Very good original untouched condition. There are no issues of scratches, losses, repairs, in-painting, chipping, loss of impasto tips, puncture, lifting, touch-up or condition issue of any type to any degree. Normal minor stable craquelure in some areas.Provenance: A private Mission Hills, Kansas estate, acquired from American Legacy Gallery. American Legacy represented the estate of Birger Sandzen.
• Carl Beck (American, 20th
  Carl Beck (American, 20th century) Pair of Colorado Fall Landscapes Oil on board One titled "Autumn Time in the San Juan Mountains, Colorado" 9 1/2" x 7 1/2"
• WILL COLLINS PAINTING - COLORADO
  WILL COLLINS PAINTING - COLORADO ROCKY MOUNTAINS**Originally Listed At $1000** Will Collins (American, 1892-1979). Oil on canvas board, n.d. Signed on lower right. A captivating oil painting of Colorado's high country by American artist Will Collins. The composition welcomes the viewer to traverse the snow-covered terrain of what appears to be Estes Park, Colorado, inviting us to visually amble between charming log homes and verdant evergreens, zigzagging through the picturesque landscape with the proud Colorado Rockies in the distance crowned by billowing clouds in the azure skies above. All is delineated with expressive brushwork, brilliant color, and a wonderful command of light and shadow. Size (sight view): 21.2" L x 27.375" W (53.8 cm x 69.5 cm) Size (frame): 27.375" L x 33.5" W (69.5 cm x 85.1 cm) Born in Ohio, Will Collins studied at Kansas State University as well as Columbia University, and eventually settled in Boulder, Colorado. In the 1930s, Collins published "Sun Over a City" - a limited edition book of drawings depicting Akron, Ohio. While living in Columbus, Ohio, the Ohio State Historical Society commissioned Collins to create a survey of the state's covered bridges. Collins made an illustrated map featuring drawings of the covered bridges. In 1953, Collins moved to Boulder, Colorado and focussed on landscapes of the high country in Colorado, Wyoming, and New Mexico. Collins was an active member of the Boulder Art Association as well as the Boulder Artists Guild and exhibited throughout the Rocky Mountain region. (Source: Jeff Jeremias Fine Arts) Provenance: ex-private Boulder, Colorado, USA collection, acquired in the mid-20th century All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #176779 Condition: Painting is overall excellent. Signed on lower right. Mounted in custom frame and fit with suspension wire. Minor tears to gallery paper on verso, otherwise frame is very nice.
• GENE KLOSS (american 1903-1996)
  GENE KLOSS (american 1903-1996) "ROCKY MOUNTAIN VILLAGE" Pencil signed and titled in the margin. Aquatint. 8 3/4 x 12 in. Unframed provenance: Estate of Alan S. Kushner, Wyndmoor, Pennsylvania. ,000 Sheet: 10 3/4 x 15 7/16 in. Sheet with margins. Affixed to backing board via two brown paper tape pieces at upper left and right corners recto. Margins are slightly uneven. Upper right edge of sheet is slightly rippled near tape piece. There is a smudge mark in lower right corner of sheet. There are some areas of smudging on verso of sheet. Impression is clean and dark.
• Marie Atkinson Hull
  Marie Atkinson Hull (American/Mississippi 1890-1980) "Mountainous Landscape Probably Colorado" oil on canvas board signed lower right 19 7/8 in. x 22 in. in a period frame. Note: Marie Hull spent two summers studying at the Colorado Springs Art Center with John Carlson and Robert Reid. This painting of the mountainous terrain of Colorado is representational by nature but shows the beginnings of the expressive brushwork that she uses in her later abstract paintings.
• DAVE MCGARY WESTERN BRONZE(New
  DAVE MCGARY WESTERN BRONZE(New Mexico/Arizona, 1958-2013) Home Sweet Home, 1998, edition 2/250, from the Artifact Series , signed on naturalistic base "Dave McGary '9_" , with thumb print, cold painted and patinated bronze, 5 x 8 x 8, with wood base Condition: good condition
• HOMER INNESS ABSTRACT POLE SPIKE
  HOMER INNESS ABSTRACT POLE SPIKE SKIER SCULPTURE Colorado,Circa 1972Retains original museum label on bottom.
• PAINTING, ROCKY COAST American
  PAINTING, ROCKY COAST American School (20th century), Rocky Coast, oil on board, inscribed "Cove" lower left, overall (with frame): 20"h x 23.75"w. Provenance: Property of a prominent Hillsbrough, CA estate.
• ALBERT BIERSTADT (AMERICAN,
  ALBERT BIERSTADT (AMERICAN, 1830-1902), STORM IN THE ROCKY MOUNTAINS, MT. ROSEALIE Chromolithograph, mounted to stretched canvas, 1869, printed in London, presented in period giltwood frame.
• EXPRESSIONIST LANDSCAPE ROCK FORM
  EXPRESSIONIST LANDSCAPE ROCK FORM PASTEL DRAWING United States,20th CenturyDepicts a a mountain range comprised of green, orange, gray, and black strokes against bright blue skies.
• GEORGE E VARIAN MOUNTAIN HOME
  GEORGE E VARIAN MOUNTAIN HOME LANDSCAPE PAINTING New York,1865-1923Summer landscape depicting a large house with several additions nestled amongst trees on a cloudy day.
• HANS KLEIBER. "SUMMER IN THE
  HANS KLEIBER. "SUMMER IN THE ROCKIES," ETCHING Signed lr, 7 1/2 x 10 3/4 in., framed.
• ROCKY MOUNTAIN LANDSCAPE, OIL ON
  ROCKY MOUNTAIN LANDSCAPE, OIL ON PANEL, FRAMED R. Schnakler, 20th century. "Mountainous Landscape", oil on masonite. Signed lower right; framed. Approx. 31" x 27" (frame), 23.5" x 19.675" (panel)
• 1 piece. Color Print.
  1 piece. Color Print. (Bierstadt, Albert, after.) Western scene, Plains Indian camp at foot of Rocky Mountains. 17 1/2 x 30 3/4 inches (445 x 780 mm). Clean. Mounted to bd.
• STANLEY MULLEN (COLORADO,
  STANLEY MULLEN (COLORADO, 1911-1973) SEVEN STONE LSTANLEY MULLEN (Colorado, 1911-1973) seven stone lithographs: "Yacht Race," "Glenwood Canyon," "Shoshone Point - Glenwood Canyon," "The Smuggler," and three lithographs titled "Dories Away!" Each pencil signed and titled, one lithograph dated 1936. Images measure from 11" x 10" to 10" x 13.75". Unframed.