A few examples of appraisal values for
HOPKINS AND ALLEN 16

• Allen Stringfellow (American
  Allen Stringfellow (American 1923-2004) The Ball 1998 mixed media collage signed Stringfellow and dated (lower right) titled (lower left) 16 1/4 x 10 inches.
• CURRIER & IVES: ''ETHAN ALLEN AND
  CURRIER & IVES: ''ETHAN ALLEN AND MATE AND DEXTER'' Lithograph with hand-coloring. 20 x 28 in. (sight) 28 1/2 x 36 1/2 x 1in. (frame).
• HENRY ALKEN, SR.: "THE STEEPLE
  HENRY ALKEN, SR.: "THE STEEPLE CHASE SCENES" (SIX WORKS)circa 1847 watercolor on paper comprising: "The Warren Wall", "Wattle Fence with a Deep Drop", "The Brook", "The Starting Field", "In and Out of the Lane" and "The Run In " Provenance: each with gallery label verso from Richard Green, London Condition: each good. Wear to frames. Not examined out of frames each sight: 10 1/4 x 14 1/4 inches; each frame: 19 x 22 1/2 inches Condition:
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, rebound, full cloth.
• JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH
  JOHNS HOPKINS, HOMEWOOD, PHOTOGRAPH 35 1/2 x 27 in., framed.
• Group of sixteen 19th century
  Group of sixteen 19th century colored lithograph etching collection, including work by, Charlotte Weeks, Francis Barraud, L. Hopkins, N. E. E., and others; overall good condition, age wear, surface wear; largest sight L 6" H 8" (Approx.)
• RARE DOUBLE PORTRAIT OF ALFRED
  RARE DOUBLE PORTRAIT OF ALFRED AND JAMES J. COLLINS BY MILTON W. HOPKINS (CONNECTICUT/NEW YORK/OHIO 1789-1844). Oil on canvas signed on the back. The two sons of the Collins family identified on the back with their ages of six and four in 1842. The boys hold a small whip and the pet dog. Conservation report available. 25 1/4''h. 30''w. in its original gilt frame 29 1/2''h. 35 1/2''w. Ex Sumpter Priddy III (Virginia). Milton W. Hopkins and the Collins Family The Connecticut-born artist Milton W. Hopkins (1789-1844) spent most of his life in Connecticut and New York. He began his career as a portraitist in earnest when he advertised himself as a portrait painter and instructor in Albion New York in 1833. In 1836 Hopkins packed up his wife and ten children and headed west to Ohio settling in Clermont County. Though he never sold the Clermont County farm (he would die there in 1844) he would later set up a studio in Columbus (1840-1843) and then in Cincinnati (1843-1844). Based on identified portraits Hopkins clearly traveled throughout the region for commissions. Hopkins was a fervent anti-Mason and temperance advocate and according to research by Jacquelyn Oak it may have been his growing abolitionist sentiment that drove him to Ohio. She further postulates that it is through his anti-slavery efforts that Hopkins met fellow abolitionist and lawyer James Collins Jr. while in Clermont County. Collins (b. 1802 or 1803) a lawyer married Angelina (apparently sometimes called Margaret) in 1830 and had four children. Documenting their location(s) is somewhat challenging but Oak's research places them in Clermont County during Hopkins's residency and later in Illinois (always as an active member of the abolition movement). As an attorney Collins may well have spent time in Columbus (perhaps visiting Hopkins in his studio which was very near the Ohio Statehouse). The 1850 Federal Census locates the Collins family in New Albany Indiana along the Ohio River (and in their household was an African-American girl named Anne Robertson). Hopkins painted portraits Mr. and Mrs. Collins and of their sons Alfred and James in 1842. The portrait of the younger child was painted by another artist after Hopkins's death. All of the present portraits remained together and were ''discovered'' in a Missouri attic years ago. These portraits are among the few identified examples from Hopkins's Midwestern period a fact made more important because of the shared abolitionist efforts of both artist and sitter. Additionally the double portrait of James and Alfred is the only known double portrait by Hopkins. In short this family group of portraits should be considered among the most significant Midwestern portraits of the 1840s period. References: Face to Face: M.W. Hopkins and Noah North 1988 Joy-Dyer Cornelia C. Some Records of the Dyer Family 1884 Williams Byron History of Clermont and Brown Counties Ohio 1913. Complete conservation report available including before and after photos. Conservation performed by Richmond Conservation Studio (Virginia) in 1996. Addtional information is included with the lot. For a Hopkins portrait with a similar dog see Sotheby's (New York) January 2004 lot 32.
• Wynn Hopkins (20th century) Western
  Wynn Hopkins (20th century) Western Tree 1980 mixed media signed Wynn Hopkins and dated (lower right) 14 3/4 x 4 inches.
• Allen Jones serigraph, multicolor
  Allen Jones serigraph, multicolor abstract design with hat, signed in pencil lower right dated ‘64, numbered 31/75. Condition: not examined out of frame, good CT Transfer Fee $20
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards. Exlibris Burleigh or Hammond Family, Burleigh, 1878.
• HOPKINS, ATLAS OF…HOWARD COUNTY,
  HOPKINS, ATLAS OF…HOWARD COUNTY, 1878 G.M. Hopkins ATLAS OF FIFTEEN AROUND BALTIMORE INCLUDING HOWARD COUNTY MARYLAND (Philadelphia: Hopkins 1878) Folio, leather spine, cloth boards.
• LINTON HOPKINS (1886-1968)
  LINTON HOPKINS (1886-1968) ETCHING BUFFALO HUNTFramed etching on paper, "Buffalo Hunt," signed lower right Lin Hopkins (Linton Hopkins, American, 1886-1968), dated [19]31, sight: approx 6.25"h, 11.25"w, overall: 11.25"h, 16.25"w, 1.75lbs **Provenance: A prominent Dallas, Texas estate**
• Lithograph "Dexter Ethan Allen
  Lithograph "Dexter Ethan Allen and Mate" by Haskell & Allen 61 Hanover Street Boston. 21.5"x27.5"
• Al Hirschfeld lithograph “Keaton
  Al Hirschfeld lithograph “Keaton and Allen” depicting Diane Keaton and Woody Allen, numbered 186/200, and signed lower right Hirschfeld, with Certificates of Authenticity. Image 11” x 13” Frame 21.5” x 18” Condition: very good CT Transfer Fee $10
• WILLIAM H. HOPKINS (English
  WILLIAM H. HOPKINS (English 1853-1890). IN THE STRAWYARD oil on canvas - Framed 14 in. x 18 1/2 in.
• 16 Old Ink Bottles or Inkwells.
  16 Old Ink Bottles or Inkwells.
• Set of four color lithograph
  Set of four color lithograph hunting scenes after H. Alken 10 1/2" x 16 1/2". ?
• Hopkins and Allen Hammerless Double
  Hopkins and Allen Hammerless Double Gun Accordion-Fold Circular printed by the Earon Chase & Co. Norwich Conn. 12 panels 6 in color. Condition: Very good.
• 1 vol. (Philadelphia Property
  1 vol. (Philadelphia Property Atlas.) Hopkins, G.M. Atlas of West Philadelphia, including the 24th & 27th Wards. Philadelphia, 1872. Folio, orig. gilt-lettered cloth, morocco back & corners; heavily rubbed. With color outline & index map + 15 color maps (13 double-page). Contents mostly loose, minor toning, occasional light chipping to edges. Le Gear L-
• Currier & Ives "The Celebrated
  Currier & Ives "The Celebrated Trotting Stallions 'Ethan Allen and George M. Patchen'" 1858. 19.5"x27.5"
• BUDD HOPKINSAmerican
  BUDD HOPKINSAmerican 1931-2011Abstract. Signed and dated lower left center Hopkins 62''.Provenance:Private Collection Massachusetts.Oil on paper 14'' x 11''. Unframed.''
• Allison Stewart (American/New
  Allison Stewart (American/New Orleans b. 1941) two prints including "Path 15" lithograph on paper pencil-signed and titled and "Urban Wall" serigraph on paper pencil-signed titled and numbered "164/350" sight 11 in. x 17 in. and 23 5/8 in. x 18 1/2 in. both attractively matted and framed.
• Charles Herbert Allen
  Charles Herbert Allen (Massachusetts, 1848-1934) oil on canvas landscape with bridge, signed lower left 12"L x 16"H sight size
• HARRY A. EVANS. "JOHNS HOPKINS,"
  HARRY A. EVANS. "JOHNS HOPKINS," GOUACHE (American, 1926-1995). Gouache on paper, signed lr, sight size: 12 1/2 x 8 in., framed.
• Two frames of miscellaneous
  Two frames of miscellaneous points one North Carolina the other Ohio 16" x 13". ?
• HOPKINS Bud.1972 Geometric Oil on
  HOPKINS Bud.1972 Geometric Oil on Canvas.Signed and dated lower right. Bud Hopkins American 1931 - 2011. From a Stamford CT estate. Dimensions: 21'' high x 19'' wide. Condition: Good minor surface stain in yellow segment.
• MARK HOPKINS, SNOW PACK, WOLVES,
  MARK HOPKINS, SNOW PACK, WOLVES, BRONZE, 1997 Mark Hopkins (American/Colorado/Georgia, 20th/21st century). "Snow Pack" -1997, bronze. Signed, dated and numbered 73. Approx. h. 12". w. 16"
• AARON SOPHER. TWO FRAMED PEN AND
  AARON SOPHER. TWO FRAMED PEN AND INK DRAWINGS One depicting Hopkins Plaza, the other a hospital waiting room, pen and ink, one signed and dated ll, sight size of largest: 10 1/2 x 13 in., framed.
• C. ALLEN (AMERICAN, 20TH CENTURY)
  C. ALLEN (AMERICAN, 20TH CENTURY) 16" x 20" "Hot Day". Oil on canvas, signed lower left corner, in wood frame with maroon velvet liner, overall 22" x 26".
• TWO FRAMED HOPKINS UNIVERSITY
  TWO FRAMED HOPKINS UNIVERSITY PHOTOGRAPHS Including the Hutzler Reading Room and a stained glass window there; the larger measures 35 1/2 x 27 in., both framed.
• AFTER H. ALKEN ENGRAVED BY J.
  AFTER H. ALKEN ENGRAVED BY J. HARRIS THE STARTING FIELD Engraving: (sight) 15 1/2 x 21 in. Framed: lower right signed J. Harris Other Notes: TPC
• SIX GROTESQUE JUGS. Southern 20th
  SIX GROTESQUE JUGS. Southern 20th and 21st century. All are signed. Makers include ''Mike Henning'' ''Jeny Baenn AL'' ''Grace Hewell'' and three by ''W.A. Flowers NC''. 6 1/2'' to 10''h.
• DENNIS LYALL (B. 1946) "JOHNS
  DENNIS LYALL (B. 1946) "JOHNS HOPKINS" ORIGINALDennis Lyall (American, B. 1946) "Johns Hopkins" Signed lower left. Original Oil painting on Canvasboard. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. $1 Johns Hopkins stamp issued June 7, 1989. Even though he had little education, Johns Hopkins managed to become a successful entrepreneur. Hopkins, known to his friends as Johnsie, began his lucrative career working for his uncle as a humble grocery merchant. During the recession of 1819, he recognized the advantages of taking whiskey as payment for groceries from people who otherwise could not afford to eat. Both sides benefited from this arrangement -- his grateful patrons turned whiskey into food and he turned whiskey into profit, reselling it under the brand name, "Hopkins' Best."Hopkins uncle disapproved of this business practice. The two men parted ways and Hopkins' business success continued. He feathered his nest with wise investments, and became the largest private stockholder in the fledgling Baltimore & Ohio Railroad. Upon his death in 1873, Hopkins was able to provide generously for his relatives and still bequeath a sizable sum to create The Johns Hopkins University and The Johns Hopkins Hospital. The University, a foundation for research and advanced studies, opened formally in 1876. The medical facility began to operate in 1883, and the Hospital and School of Nursing opened its doors in 1889. The School of Medicine, from the beginning closely linked with the Hospital, opened in 1893. All this thanks to Johns Hopkins, who, though lacking in education himself, left his riches to be used in founding a prestigious institution for higher education. Image Size: 16.75 x 14.5 in. Overall Size: 17.25 x 14.75 in. Unframed. (B12003) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• PRINT, AFTER HENRY ALKEN After
  PRINT, AFTER HENRY ALKEN After Henry Alken (British, 1785-1851), "Symptoms of Learning to do the Thing Genteel," 1822, lithograph in colors, published by Thomas McLean, Haymarket, overall (with frame): 13.25"h x 15.25"w
• HOPKINS, G.M., PARTIAL 1877 CITY
  HOPKINS, G.M., PARTIAL 1877 CITY ATLAS OF ALEXANDRIA, VA.HOPKINS, G.M., PARTIAL 1877 CITY ATLAS OF ALEXANDRIA, VA., lithographed title-page, contents, business notices and 11 double-page hand-colored lithographed ward maps showing names of residents and businesses. Folio, 17 1/2 x 14 inches, publisher's roan backed gilt-lettered cloth boards, early ownership inscription on front endpaper; Philadelphia: G.M. Hopkins, 1877
• Allen Sapp (1929-2015), Cree THE
  Allen Sapp (1929-2015), Cree THE MEN GATHERED BEHIND THE HOUSE signed lower right 24 x 30 in — 61 x 76.2 cm