A few examples of appraisal values for
HORSE RIDER

• JAMES GROODY MIXED MEDIA PAINTING
  JAMES GROODY MIXED MEDIA PAINTING OF HORSE RIDER James Groody, Mounted Rider, Mixed Media on Paper, in a silver-tone metal frame. Image: 4.5" H x 3.25" W; frame: 12.25" H x 10.5" W. Keywords: Paintings, Equestrian, Figures
• SAM THAL "CIRCUS SCENE" MIXED MEDIA
  SAM THAL "CIRCUS SCENE" MIXED MEDIA ON PAPER Samuel Thal (American, 1903-1964) "Circus Scene," mixed media on paper, signed lower left: "Thal," depicting acrobats, horse riders and musician. Image: 17.5" H x 11.5" W; frame: 28.25" H x 21.5" W x 1" D.
• (2) HUNT SCENE BRASS TASSA &
  (2) HUNT SCENE BRASS TASSA & ANTIQUE IRON OIL LAMP(lot of 2) Brass tazza or card tray, the circular bowl sculptured with a relief hunt scene, horse riders, dogs, a boar, signed "Paclet," the pedestal with with firearms, saddles and hunt horns, set on a circular base, approx 6"h, 8"diam; (1) Cast iron lamp, believed to be 18th c., circular with a decorative rooster finial, wick hole, mounted tilting frame, 8"h, 5.5"w, 5"d, total: 3.5lbs
• DAN MCCAW (B.1942) NAVAJO HORSE
  DAN MCCAW (B.1942) NAVAJO HORSE RIDER PAINTINGFramed oil painting on linen, "Alone with His Thoughts", signed lower right D. McCaw (Dan McCaw, California, Montana, b.1942), titled at back stretcher, sight: 29.5"h, 29.5"w, overall: 40.5"h, 40.5"w, 15.5lbs
• (4) Framed horse related items to
  (4) Framed horse related items to include 1843 letter from mother to son with hand cut horse rider and jump silhouettes applied, reading "Original 1843 document hand cut silhouettes of family of Mrs. Patricia Taylor", in custom 19th c style frame, 14-1/2"H;11-1/2"W, framed picture depicting By Saams daughter and two friends on horseback titled, "My Last Three Thoroughbreds", framed photograph of famed actress Raimonda Orselli on horseback and early 20th C riders on horseback with dog, 14"H;11"W
• An Ivory Carving of a Horse
  An Ivory Carving of a Horse Rider, Early to Mid 20th Century ?? ???????? height 8.4 in — 21.4 cm
• KAREL APPEL (DUTCH, 1921-2006)
  KAREL APPEL (DUTCH, 1921-2006) 22" x 28" "Wild Horse Rider", 1965. Color lithograph on Arches paper, signed in pencil lower right, numbered 42/200 in pencil lower left, Arches watermark, unframed.
• PAINTING, ANDRE BORATKO Andre
  PAINTING, ANDRE BORATKO Andre Boratko (Austrian, 1912-1990), Horse Rider, 1970, oil on canvas board, signed and dated lower right, overall (with frame): 12.5"h x 14.5"w
• BRONZE SCULPTURE, BRONCO BUSTER
  BRONZE SCULPTURE, BRONCO BUSTER COWBOY HORSEMAN, CARL K...A finely detailed horse rider on a marble base, possibly after Remington. An early 20th century bronze Americana sculpture by Austrian artist Carl Kauba (1865-1922), artist signed to bronze base. A contemporaneous piece modeled after the same motif that inspired Frederic Remington. #BronzeSculpture #Americana #CarlKauba #BroncoBuster #Cowboys #FredericRemington #AustrianBronzes Artist: Carl Kauba Issued: c. 1900 Dimensions: 8"H x 5"W Country of Origin: Austria
• OLSZEWSKI STUDIO'S MINIATURE
  OLSZEWSKI STUDIO'S MINIATURE FIGURINE, THE FOX HUNTScene depicts horse rider, dogs, and fox amid countryside background. Base has gold coloring with felt underneath. Comes with original box. Olszewski imprinted backstamp on side of figurine. Limited 1st Edition of 500. #Olszewski Issued: 1996 Dimensions: 2"H Manufacturer: Olszewski Studio's Condition: Good.
• AFTER FREDERIC REMINGTON LARGE
  AFTER FREDERIC REMINGTON LARGE BRONZE SCULPTURE NORTHER...Large sculpture of a horse rider. Mounted on a marble base. Signed on the base. #Art #Sculptures Artist: Frederic Remington Issued: 20th c. Dimensions: 17" L x 10" W x 23" H Condition: Good.
• 3PC GROUPING OF VINTAGE WHITE &
  3PC GROUPING OF VINTAGE WHITE & BLUE PORCELAIN FIGURINE...Two courting couples. One gentleman is riding a horse. Gold tone accents. All figurines are approx. 7.5"H. Figure with a horse rider is 7"L. #Porcelain #Art #Vintage Issued: 20th c. Condition: Good.
• BESWICK PORCELAIN FIGURINE NATIVE
  BESWICK PORCELAIN FIGURINE NATIVE AMERICAN HORSE RIDERRare model number 1391. Chief in his traditional costume riding a horse. Beswick backstamp. Dimensions: 8" L9" H Edition Number: 20th c. Manufacturer: Beswick Country of Origin: England Condition: Age related wear.
• HALCYON DAYS ENAMELS TRINKET BOX
  HALCYON DAYS ENAMELS TRINKET BOX THE JOCKEY CLUBBeige body with an image of a horse rider on the top. Le Paddock de Longchamp. An 1857 painting by Le Baron Finot from the collection at The Jockey Club, Paris. Halcyon Days Enamels backstamp. #TrinketBox #Enamel #Art Issued: 20th c. Dimensions: 2.75"L x 1.75"W x 1"H Manufacturer: Halcyon Days Enamels Country of Origin: England Condition: Good.
• HALCYON DAYS ENAMELS TRINKET BOX
  HALCYON DAYS ENAMELS TRINKET BOX THE JOCKEY CLUBBeige body with an image of a horse rider on the top. Le Paddock de Longchamp. An 1857 painting by Le Baron Finot from the collection at The Jockey Club, Paris. Halcyon Days Enamels backstamp. #TrinketBox #Enamel #Art Issued: 20th c. Dimensions: 2.75"L x 1.75"W x 1"H Manufacturer: Halcyon Days Enamels Country of Origin: England Condition: Good.
• RARE GOLDSCHEIDER SCULPTURE,
  RARE GOLDSCHEIDER SCULPTURE, WOMAN ON HORSEA beautiful sculpture of a female horse rider on a white mare. Goldscheider backstamp. Issued: Circa 1940 Dimensions: 16.5"L x 6.25"W x 14.5"H Manufacturer: Goldscheider Country of Origin: Austria Condition: Age related wear.
• (5 PC) GERMAN STONEWARE
  (5 PC) GERMAN STONEWARE STEINSDESCRIPTION: A group of five German Stoneware steins decorated with scenes of courting couple and horse riders, accented by green and burgundy enamel. Stamped along the underside "Germany" with edition number. CIRCA: Early 20th Cent. ORIGIN: Germany DIMENSIONS: (Larger: H: 14.75" W: 7") (Smaller: 6.5" x 4.5") Have a similar item to sell? Contact: Info@Akibaantiques.com CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS (305) 333-4134. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• JEAN LAREUSE, O/C HUNT
  JEAN LAREUSE, O/C HUNT SCENE(French,1925-2016), signed and dated lower right, plaque at center. Impressionist style with large estate, horse riders, fox hunt scene. Frame size: 36 3/4" high, 29 1/8" wide. Gouging to frame, soiling to linen part of frame. Wally Findlay Galleries sticker verso. Provenance: From the Estate of William Kenny III. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• REUVEN RUBIN (ISRAELI
  REUVEN RUBIN (ISRAELI 1893-1974)REUVEN RUBIN (ISRAELI 1893-1974) Wild Horse Riders , lithograph, offset print on Arches 48 x 63 cm (18 7/8 x 24 3/4 in.) [sight] framed dimensions: 73.3 x 87 cm signed in image; signed and inscribed with edition 17/250 lower left in pencil PROVENANCE Estate of Mrs. Harry N. Abrams Phillips, New York, 7 April 2010, part of lot 200 Acquired at the above by the present owner
• CHINESE HAN HORSE RIDER CERAMIC EX.
  CHINESE HAN HORSE RIDER CERAMIC EX. MALCOLM LEINChinese Han or Tang dynasty ceramic pottery statue depicting a horse with rider. With sancai green and ochre glazes. This lot can be seen in the background of an image of Malcolm Lein in an article written about him on November 23, 1983. Provenance: From the collection of Malcolm E. Lein, former director of the Minnesota Museum of American Art. Malcolm Emil Lein (1913-2003) was the director of the Minnesota Museum of American Art during its early and formative years. During his 30-year tenure, he fought to procure the museum funding, grow its permanent collection, and establish it as St. Paul's premiere gallery. Along with his wife Miriam, who worked at the Walker Art Center, he was a fixture in the Twin Cities artistic community throughout his life. Height: 13 1/2 in x width: 4 in x depth: 10 1/2 in. Condition: Heavy wear and restorations throughout. Large repaired cracks along the neck of the horse, the torso of the figure, and the neck of the figure. Signs of repair to all four legs of the horse. One of the ears of the horse is missing. There are chips throughout. Crazing to the glaze throughout and losses to the glaze throughout. Mineral deposits throughout.
• CHIEF SITTING BULL'S C. SHARPS 1859
  CHIEF SITTING BULL'S C. SHARPS 1859 PEPPERBOXThis historic and important lot includes the C. Sharps four-barrel derringer circa 1859-1862 owned by Hunkpapa Sioux Chief Sitting Bull marked in Togia language as such as well as being marked with the Silent Eaters Society symbols. The firearm is a Christian Sharps Model 4B Pepperbox four-shot derringer pistol chambered in .32 RF (rimfire) with 2 ½ inch barrel, bird’s head grip frames, serial number of 10157, and marked on the side C. SHARPS PATENT JAN. 25, 1859.” The pistol has been examined by Wendell Grangaard from The Guns of History, Inc., in Sioux Falls, South Dakota and was found to be marked in Lakota Togia language as follows: On the left side of the frame shows the Silent Eaters Society mark, Hunkpapa Sitting Bull, Sitting Bull / Slow, and One Bull (Illustration 1); the right side of the frame shows the Silent Eaters Society mark, Sitting Bull / Slow Hunkpapa, and One Bull mark again (Illustration 2); under the frame shows Slow / Sitting Bull, Silent Eater Society mark, Hunkpapa and One Bull (Illustration 3); under the frame near the serial number marked Sitting Bull / Slow (illustration 4); one the top of the barrel at the end of the left side is marked Sitting Bull / Slow (illustration 5); and on the back side of both the left and right of the grips marked Sitting Bull / Slow Hunkpapa, Silent Eaters mark (illustration 6). In the late 1960’s Wendell Grangaard met with David Bald Eagle, grandson to White Bull, on the Cheyenne River Reservation in South Dakota. White Bull was nephew of Sitting Bull and fought at Little Bighorn, David retold the stories handed down to him when he was a child, in the traditional manner. At this meeting David brought out a box and its contents which he inherited in 1947 after his grandfather and great uncle One Bull died. Inside the box Wendell asked about a fancy beaded bag he saw and David’s wife Josey noted it had a small derringer inside, Wendell noted this as being a Model 4B 4-barreled pistol with serial number of 10157. David Bald Eagle noted the ownership history as such: The firearm was part of the Sioux annual annuities in possession by Agent Samuel Latta in May 1862 at Fort Pierre who arrived there by steamboat. Agent Samuel Latta hosted a special gathering of the tribal chiefs aboard the steamboat on May 27th, 1862 with a feast and gift ceremony, the annuity payment being part of the treaty with the U.S. Government to stop the Sioux from attacking the whites on the “Holy Road”. At this time, on May 27th Sitting Bull received this Sharps 4-barreled derringer. Later Sitting Bull’s mother, Her Holy Door, made him a bag to carry the pistol in. A drawing of the bag is included. The bag shows a red heart, representing the Strong Heart Society and inside the heart are the names of Sitting Bull in the language of Togia; these names were Sitting Bull, Slow and Jumping Bull. Below the red heart on the left in blue beads was the Silent Eaters symbol and on the right in white beads was White Horse Riders symbol. The black beaded crosses were Lakota Sioux symbols and the large black “W” represented the Hunkpapa. The symbol for Wakan Tanka / Paha Sapa was below the “W” in black beads and above the “W” was the symbol for the Thunder Being in black beads. The illustrations of the bag were made with the help of David Bald Eagle by Wendell Grangaard. In December 1890 a Standing Rock Indian Agent, James McLaughlin ordered the arrest of Sitting Bull. Early in the morning of December 15, 1890, Sitting Bull was sleeping with his oldest wife, Seen By The Nations in their log home alongside the Grand River, south of the Wagon Road. They were awoken suddenly by Shaved Head, an Indian Police sergeant, who rushed in the door and shouted, “Brother – we have come for you!” Two policemen grabbed Sitting Bull, he was noted as trying to get something from under his bed, and took him outside into the cold night, being barely clothed. His wife, Seen By The Nations saw Sitting Bull looking under the bed and knew he was looking for his Sharps derringer, she wrapped it in a blanket and went outside. She tried to conceal the gun and give it to Sitting Bull and he shook his head saying “no”, so she put the gun in her pocket and wrapped him in the blanket. Sitting Bull yelled, “Let me go” and Seen By The Nations yelled, “What do you want of my husband.” Little Soldier, their son watched in shock. Just then Catch The Bear came running up with his Winchester rifle so Little Soldier rushed to protect his mother and pulled her away just before Catch The Bear started shooting at the policemen. They returned fire and Sitting Bull was killed by Red Tomahawk, along with many of their friends and guards being killed as well, including Catch The Bear. Little Soldier saw his mother start to pull at the derringer to shoot at the policemen as well, but he stopped her and took the gun from her. They went back and got the bag and brought both to give to One Bull later, One Bull was not there the day Sitting Bull was killed. They gave the gun to One Bull as he was also in the Silent Eater society. Ownership Provenance: Agent Samuel Latta gave the gun in the annuity payment on May 27th 1862 and Sitting Bull received it. Sitting Bull kept it with him during his lifetime. He had it the day he was killed, his wife Seen By The Nations gave it to their son Little Solider, who in 1890 gave the pistol to One Bull. The information was handed down from One Bull, the great uncle, and White Bull, the grandfather, to David Bald Eagle. When both One Bull and White Bull died, the box including this gun were given to David Bald Eagle in 1947 and shown to Wendell Grangaard in the late 1960’s, as was the transmission of the history. Later Wenedell saw the gun come up for sale and purchased it, examining the piece and noting its Togia language markings. This C. Sharps Model 4B is in well kept condition. The barrel slides out, the hammer pulls back, rotating the rim fire pin or mechanism to the next barrel. The spur trigger correctly releases the hammer. The hammer has two clicks. These Model 4A and 4B with the 2 ½ inch barrel clusters were commonly referred to as “Bull Dog” pepperboxes. The pistol is accompanied by the photograph illustrations, the drawn illustrations of the bag Sitting Bull kept the gun, and the written testimony and historical examination of the gun signed by Wendell Grangaard. It should also be noted that at this meeting in the late 1960’s David Bald Eagle gave Wendell Grangaard a 32 RF shell from the gun as a present, which was also marked on the end in Togia, “Hunkpapa / Sitting Bull / Slow” as noted in Illustration 7. This bullet casing is in Grangaard’s personal collection. It should also be noted that David Bald Eagle stated that Sitting Bull carried the bag with the special derringer at his side thought most of his life, one could easily surmise that Sitting Bull then might have had this sidearm with him we he and Crazy Horse attached the U.S. 7th Cavalry at the Battle of the Little Bighorn, that to be said, this is not noted in the paperwork. Sitting Bull attributed pieces are exceedingly rare with only a few pieces being brought to the public market such as the Winchester 1st Model 1876 taken from Sitting Bull’s cabin on December 15, 1890 and turned in to Standing Rock Reservation Indian Agent Major James McLaughlin (1842-1923) which sold at Cowans in June 2022 for $136,400 (shown w/ bp) from the Larry Ness collection and the Sioux Twisted Pipe Stem attributed to being owned by Sitting Bull from the Forrest Fenn collection sold by Hindman in June 2022 for $129,000 (shown w/ bp). This is an Antique Firearm that does not require an FFL.
• BRIGITTE LANGEVIN (FRENCH, EARLY
  BRIGITTE LANGEVIN (FRENCH, EARLY 1900'S)Brigitte Langevin (French, early 1900's), horse rider by a pond, oil on canvas, signed lower left "B. Langevin", not dated, 9 3/4" x 13 1/4", William Haines Picture Framing label on back. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• 20TH C. CHINESE POLYCHROME VASE
  20TH C. CHINESE POLYCHROME VASE W/ BATTLE SCENEEast Asia, China, Qing Dynasty to early Republic, ca. 20th century CE. A lovely ceramic vase, beautifully hand-painted with an intricate battle scene comprised of a horse rider and warriors, all in hues of cobalt, emerald, seafoam, aubergine, magenta, and others on a white ground. The elegant vessel presents a wide, slanted shoulder, an elongated, convex neck, and a flared spout, all atop a flat, narrow base. Elaborate floral and butterfly motifs adorn the neck and area near the base, while handles in the form of olive branches sit below the rim. A black maker's mark has been stamped on the base. Size: 4.5" Diameter x 9.8" H (11.4 cm x 24.9 cm) Provenance: private Ventura County, California, USA collection, acquired in the 1990 to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #157516 Condition: Small area of in-fill material along rim as shown. Minor abrasions to neck, body, and foot, with very light fading to original pigment. Great craquelure to glazed surfaces throughout.
• 12TH C. KASHAN LUSTERWARE EWER
  12TH C. KASHAN LUSTERWARE EWER HORSES, RIDERS, LEOPARDS...**First Time At Auction** Western Asia, Iran, Kashan, ca. 12th to early 13th century CE. A delightful lusterware ewer, elaborately hand-painted with a main register of princely horse riders beneath a band of leopards. Dressed in ornate robes, the horsemen face left, surrounded by intricate decoration of arabesque and vegetal motifs. The vessel itself presents a broad hip that narrows to a sloped shoulder and gently flared rim with a petite spout projecting from one side and a ribbon-form handle at the other. A ring of pseudo-Kufic script encircles the interior of the rim, while a floral motif adorns the basin. Leopards were a symbol of power, strength, and royalty in medieval Islamic culture, making them a perfect motif for this opulent vessel. Size: 6.5" W x 5.3" H (16.5 cm x 13.5 cm) Luster Ware was produced in Kashan, a major pottery production center from the 11th through the 17th century. This technique required the application of pigments over a glaze after the first firing. Potters then fired the pieces at lower temperatures a second time. The pigments used were silver and copper mixed with an earthy medium, resulting in an earthy color and a mother of pearl effect. This tradition continued into the 14th century. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Provenance: private Vero Beach, Florida, USA collection, acquired before 2003 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #177617 Condition: Professionally repaired with restoration and repainting in areas. Some small chips, nicks, and abrasions to surface. Otherwise, excellent with impressive preservation of painted detail and nice areas of iridescence and earthen deposits.
• LURI PICTORAL RUNNER WEST PERSIA,
  LURI PICTORAL RUNNER WEST PERSIA, MID 20TH CENTURY the cream field with three horse riders, within indigo border, signature to one end.378cm x 135cm
• LURI PICTORAL RUNNER WEST PERSIA,
  LURI PICTORAL RUNNER WEST PERSIA, MID 20TH CENTURY the cream field with three horse riders, within indigo border365cm x 135cm
• ASSORTED DECORATIVE ITEMS Including
  ASSORTED DECORATIVE ITEMS Including a pair of carved wood monk-form bookends, 11 in. H., 4 1/4 in. L., 4 in. W.; a pair of tall vine decorated vases, 9 1/2 in. H.; brass wall mount candlestick, 11 in. H.; Lenox vase, 7 1/4 in. H.; silver plated serving pieces, largest 18 x 10 in.; book form bookends, 5 1/2 in. H., 3 in. L., 3 1/2 in. D.; silver plated dish, 2 1/2 in. H., 4 3/4 in. L., 3 1/2 in. W.; Asian style dish, 5 3/4 in. Diam.; Asian style bowl, 2 1/2 in. H., 8 3 /4 in. Diam.; and horse rider lidded jar, approximately 3 in. H.
• ANDY VAN TSINAJINNIE, UNTITLED
  ANDY VAN TSINAJINNIE, UNTITLED (HORSE RIDERS)Andy Van Tsinajinnie, (Diné [Navajo], 1916 - 2000) Untitled (Horse Riders), watercolor and ink on paper signed lower right: TSINAjiNiE watercolor and ink on paper Dimensions: 14 3/4 x 19 3/4 in. (37.47 x 50.17 cm.), Frame: 22 x 27 x 1 1/4 in. (55.88 x 68.58 x 3.18 cm.) Provenance: Private Collection, California
• (3) MEDIEVAL HORSE RIDER SPURS, ONE
  (3) MEDIEVAL HORSE RIDER SPURS, ONE WITH SOME GILT(lot of 3) Medieval and Carolingian horse rider spurs, 9th and 10th century, European, including: (1) retaining small amount of gilt at shank; (1) retaining some silver finish; all with pointed shanks, largest yoke: approx 4.1/8"w, 3.75"d, all mounted on a display board: approx 12.25"h, 19"w, 2.5lbs **Provenance: from a prominent Dallas, Texas estate. Purchased at Peter Finer Gallery, St. James, London with letter**
• ITALIAN PAINT DECORATED LOW
  ITALIAN PAINT DECORATED LOW CORNER CABINET Early 19th century, bow front molded top with faux marble paint decoration, two hinged conforming paneled doors, each panel with scenes of decoupaged figures and horse riders, scalloped skirt, straight feet from the side.
• LATON ALTON HUFFMAN
  LATON ALTON HUFFMAN (1854-1931)Laton Alton Huffman (1854-1931) , A Native American camp by a body of water Black and white collotype on paper From the edition of unknown size and date Appears unsigned Sight: 22.5" H x 34.5" W Two Native American horse riders Black and white collotype on paper From the edition of unknown size and date Appears unsigned Sight: 19.5" H x 29.5" W A Native American horse rider in a landscape Black and white collotype on paper From the edition of unknown size and date Appears unsigned Sight: 22.5" H x 34.5" W 3 pieces Notes: These works previously hung in the Browning, MT office of Robert Scriver, a sculptor and scholar of Blackfoot Indian culture and history.
• 2 PAINTED PALEKH BOXES2 painted
  2 PAINTED PALEKH BOXES2 painted Palekh boxes with equestrian scenes on the top panels, gold flourish border on the bottom. Red lacquered interior. Both signed by different artists ,dated '1971'and numbered under the illustrations in gold paint. Box with horse rider: 5 3/4" L x 3 7/8" W x 1 3/4" H. Box with flute player: 6 1/2" L x 3 7/8" W X 1 3/4" H
• CHINESE GRISAILLE GLAZED WASHER,
  CHINESE GRISAILLE GLAZED WASHER, SIGNED BY" LUYAN" Chinese glazed washer, painted on monochrome dark Grisaille technique, of a horse rider in a detailed natural environment. Signature of "LuYan" and Chinese characters inside bowl. Rim, which curves inwards, beautifully decorated with pattern. Chinese stamp in red on base. D. 3.5" (8.9 cm) Condition: good condition overall for age and use.
• MIDDLE EASTERN SCHOOL, 20TH
  MIDDLE EASTERN SCHOOL, 20TH CENTURY, HORSE RIDERS BY A STREAM, OIL ON BOARD, FRAME: 16 1/2 X 20 IN. (41.91 X 50.80 CM.)Middle Eastern School, 20th Century, Horse Riders by a Stream, Oil on Board,, Dimensions: Frame: 16 1/2 x 20 in. (41.91 x 50.80 cm.)
• THREE CAST IRON HORSE DRAWN
  THREE CAST IRON HORSE DRAWN WAGONSThree cast iron horse drawn wagons, to include a Fire Patrol , 13 3/4" l.; hansom cab, 9" l., and a Kenton Overland Circus cage wagon, with polar bear, driver and front horse rider, 14". Condition: All - paint loss throughout.
• KIOWA, RAY DARBY [HUNTING HORSE],
  KIOWA, RAY DARBY [HUNTING HORSE], UNTITLED (HORSE RIDER), 1973Ray Darby [Hunting Horse], (Kiowa, 1938 - 2016) Untitled (Horse Rider), 1973, gouache on paper signed and dated lower right: HUNtINg HORSE 73' gouache on paper Dimensions: 14 3/4 x 26 in. (37.5 x 66 cm.), Mat: 20 3/4 x 32 in. (52.7 x 81.3 cm.) Provenance: Private Collection, New Mexico