A few examples of appraisal values for
HOUSE M A HADLEY

• MARGUERITE E. FALCONER
  MARGUERITE E. FALCONER (MASSACHUSETTS, LATE 20TH CENTURY), “HOUSE ON THE CORNER”., OIL ON CANVAS, 9” X 12”. FRAMED 13” X 16”.MARGUERITE E. FALCONER, Massachusetts, Late 20th Century, "House on the Corner". Signed lower right "M.E. Falconer". Titled and dated 2000 on stretcher. Dimensions: Oil on canvas, 9" x 12". Framed 13" x 16".
• Paul Hadley (American, 1880-1971)
  Paul Hadley (American, 1880-1971) Indiana summer home watercolor signed lower right Born in Indianapolis, Hadley first studied under Otto Stark. He then attended the Pennsylvania Museum and School of Industrial Arts in Philadelphia and the Philadelphia Academy of Fine Arts. He taught at the Herron Art Institute for ten years, and as an artist, he specialized in painting murals in homes using rural Indiana scenes as his theme. 13 1/4" x 13 1/4"
• JOSEPH HARRY WHEATER
  JOSEPH HARRY WHEATER (MASSACHUSETTS, 1885-1959), HOUSE BY A STREAM., WATERCOLOR ON PAPER, 6.75" X 9.5" SIGHT. FRAMED 14" X 16.5".JOSEPH HARRY WHEATER, Massachusetts, 1885-1959, House by a stream. Signed lower right "J.H. Wheater". Dimensions: Watercolor on paper, 6.75" x 9.5" sight. Framed 14" x 16.5".
• GEORGE LOFTUS NOYES
  GEORGE LOFTUS NOYES (MASSACHUSETTS/NEW HAMPSHIRE, 1864-1954), HOUSES IN A LANDSCAPE., OIL ON BOARD, 12" X 10". FRAMED 15.5" X 13.25".GEORGE LOFTUS NOYES, Massachusetts/New Hampshire, 1864-1954, Houses in a landscape. Signed lower right "G.L. Noyes". Dimensions: Oil on board, 12" x 10". Framed 15.5" x 13.25".
• WILLIAM PENHALLOW HENDERSON,
  WILLIAM PENHALLOW HENDERSON, STATE HOUSE, BOSTONWilliam Penhallow Henderson, (1877 - 1943) State House, Boston, pastel and gouache on paper pastel and gouache on paper Dimensions: 10 5/8 x 6 3/4 in. (27 x 17.1 cm.), Frame: 16 1/2 x 12 3/4 x 3/4 in. (41.9 x 32.4 x 1.9 cm.) Provenance: Private Collection, Virginia
• Gerald Mynott (British, born
  Gerald Mynott (British, born 1957)/View of Ham House/signed/watercolour and gouache, 30cm x 23cm/Note: Ham House is the ancestral seat of the Tollmache family but latterly a branch of the Victoria and Albert Museum when Sir Roy Strong was director. Always notorious for being haunted, a ghost flits across the composition. It is now wholly a property of the National Trust
• (VIEW) MASSACHUSETTS - HADLEY
  (VIEW) MASSACHUSETTS - HADLEY THROUGH HINGHAM: 82 POSTCARDS EARLY TO MID-20TH CENTURY(VIEW) MASSACHUSETTS - HADLEY THROUGH HINGHAM: 82 POSTCARDS, Early to Mid-20th Century, Early Hadley: store and post office, Elmwood House, DuBuc's Kenels (sic), Peterson Lodge and more. Hanover: Fire Station, Railroad Station, Cook's Auction Galleries, Barlow's Forge, Dickerman of Overland Pony Express and Broadway from the Corner. Harding's Corner and Waiting Room (Hanson), Harding Post Office, four Hardwick views, Cold Spring Sandwich Shoppe (W. Hatfield), steamboat "Merrimac" at her dock, Hutch & Son Overnight Cabins (Haverhill), Hingham: Wompatuck Club, Broad Cove Ballroom, Ye Olde Mill Grill and more. Real photo: Track (?) team (Hopkins School), five Halifax: Packard Place and Cove, beach view, "A Country Home" and Camp Qusamequin. Three differing Hancock Main Street views. "The Old E.V. Perry Store" (So. Hanover). Hanson: two views of "Gordon Rest", view of Wilkie's Camps, Main St. and Harding's Corner. Guernsey Herd Mixter Farm (Hardwick) So. Main Street Haydenville and Hingham Square. Haverhill: E.L. Plouf Horse Shoer, Pentucket Orchestra, Eagle House, High School, "Ye Old Haverhill Bridge" and "First Train over New Elevated Bridge". Provenance: The Estate of Hilary Bamford.
• ARLENE M. GADE (MASSACHUSETTS,
  ARLENE M. GADE (MASSACHUSETTS, 20TH/21ST CENTURY), “HOUSE ON THE MARSH”., OIL ON CANVAS, 14” X 18”. FRAMED 18” X 21”.ARLENE M. GADE, Massachusetts, 20th/21st Century, "House on The Marsh". Signed lower left "A. Gade". Titled on card verso. Dimensions: Oil on canvas, 14" x 18". Framed 18" x 21".
• H. Anthony Dyer watercolor
  H. Anthony Dyer watercolor (Hezekiah Anthony Dyer, Rhode Island, 1872-1943), view of Martha's Vineyard, Massachusetts, man with dog walking down a dirt road towards a house, signed lower right "H.A.D…", watercolor and gouache on watercolor board, 11 x 14-7/8 in.; late 19th/early 20th century burlwood ogee frame with gilt liner. Light toning and fading; frame with abrasions. Madden and Company, Sandwich Village, Massachusetts, 1997
• WILLIAM A. HILL (MA/ME,
  WILLIAM A. HILL (MA/ME, 1886-1969) "House Portrait", depicting a New England Colonial Saltbox, with summer garden, oil on canvas, signed lower right, in dull gold molded panel Arts & Crafts frame, OS: 19" x 21", SS: 14" x 16".
• Babette Martino (American
  Babette Martino (American 1956-2011) "Two Houses in Belmont Hills". Oil on masonite signed on the front wall of the house to the right framed overall 23-1/2" x 27-1/2". A note to a former owner is affixed to the back of the framing stating this was one of her favorite paintings.
• MILTON H. WELT (MASSACHUSETTS,
  MILTON H. WELT (MASSACHUSETTS, 1914-2011), VICTORIAN HOUSE BY THE SHORE., WATERCOLOR ON PAPER, 10” X 14” SIGHT. FRAMED 22” X 26”.MILTON H. WELT, Massachusetts, 1914-2011, Victorian house by the shore. Signed lower right "Milton Welt". Dimensions: Watercolor on paper, 10" x 14" sight. Framed 22" x 26".
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Monhegan Island Meeting House, gouache on paper, unsigned, in blonde cove frame with roping, under tan mat, glazed, OS: 15 1/2" x 17 1/2", SS: 6" x 8 1/2", good condition.
• GEORGE HAUSHALTER (ME, 1862-1943)
  GEORGE HAUSHALTER (ME, 1862-1943) Row Houses, pastel on paper, signed lower right, in gilt faux bamboo frame, matted under glass, OS: 21" x 17", SS: 9 3/4" x 8".
• LESTER GEORGE HORNBY, THE STATE
  LESTER GEORGE HORNBY, THE STATE HOUSELester George Hornby(American, 1882-1956)The State House from the Public Gardenoil on boardsigned lower left L.G. Hornby13 x 16in (33 x 40.5cm)
• W*** HADLEY (BRITISH, LATE
  W*** HADLEY (BRITISH, LATE 19TH/EARLY 20TH CENTURY) (2) French Trawlers in Torbay; Trawlers Entering Plymouth Barbican, a pair each signed, dated and titled 'W. Hadley /99' (lower left) watercolour heightened with bodycolour each 30 x 53cm (2)
• Hildegarde Hume Hamilton
  Hildegarde Hume Hamilton (American/Florida, 1898-1970) "Mayor Harper's House, 4 Gramercy Park, New York", October 1962, oil on canvas, signed and dated lower left "Hildegarde Hamilton 1962", titled, dated and extensively inscribed en verso, 15" x 18-1/4". Handsomely framed.
• Milton H. Lowell (American,
  Milton H. Lowell (American, 1848-1927) House in the Country oil on canvas signed M. H. Lowell (lower right) 12 x 18 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• MARILYN CHACE (PETERS) SCHOFIELD
  MARILYN CHACE (PETERS) SCHOFIELD (MASSACHUSETTS, 1936-2011), "THE OUTERMOST HOUSE"., OIL ON CANVAS, 12" X 16". FRAMED 16" X 20".MARILYN CHACE (PETERS) SCHOFIELD, Massachusetts, 1936-2011, "The Outermost House". Signed and dated lower left "Marilyn Schofield '76". Titled on artist's label verso. Dimensions: Oil on canvas, 12" x 16". Framed 16" x 20". Provenance: The beach cottage located off Coast Guard Beach in Eastham, Massachusetts served as the setting for Henry Beston's The Outermost House,. It was built in June 1925, and was then claimed by the sea in February 1978.
• TOM HUGHES (MASSACHUSETTS,
  TOM HUGHES (MASSACHUSETTS, 1965-), HILLSIDE HOME., OIL ON MASONITE, 18" X 10". FRAMED 23" X 15".TOM HUGHES, Massachusetts, 1965-, Hillside home. Signed lower left "Tom Hughes". Dimensions: Oil on masonite, 18" x 10". Framed 23" x 15".
• MURRAY HANTMAN (NY/ME, 1904-1999)
  MURRAY HANTMAN (NY/ME, 1904-1999) Maine Downeast Island House, gouache on paper, unsigned, in blonde cove frame with roping, under tan mat, glazed, OS: 15 1/2" x 17 1/2", SS: 5 3/4" x 8 1/2", good condition.
• JOHN DOWD (MASSACHUSETTS, B. 1960),
  JOHN DOWD (MASSACHUSETTS, B. 1960), “HOPPER HOUSE, TRURO”., OIL ON LINEN, 16” X 20”. FRAMED 18” X 22”.JOHN DOWD, Massachusetts, b. 1960, "Hopper House, Truro". Signed lower right "J. Dowd". Titled verso. Dimensions: Oil on linen, 16" x 20". Framed 18" x 22". Provenance: Private Massachusetts Collection.
• AMERICAN SCHOOL (LATE 19TH/EARLY
  AMERICAN SCHOOL (LATE 19TH/EARLY 20TH CENTURY), "HOUSE IN HOLDEN, MASSACHUSETTS"., WATERCOLOR ON PAPER, 8.25" X 13.25". FRAMED 9.5" X 14.5".AMERICAN SCHOOL Late 19th/Early 20th Century "House in Holden, Massachusetts". Unsigned. Inscribed verso "House in Holden, Mass. where my father was from". Watercolor on paper, 8.25" x 13.25". Framed 9.5" x 14.5". Dimensions: Watercolor on paper, 8.25" x 13.25". Framed 9.5" x 14.5".
• A. Hays Town (1903-2005) The
  A. Hays Town (1903-2005) The Architectural Style of A. Hays Town, Baton Rouge: Amdulaine Publications Inc., 1985, first printing, introduction by Blanche Town Gladney, consisting of 105 preliminary sketches for residences, and a cabana, an excellent copy retaining the original color dust jacket, h. 11".
• MOLLY TOBY MASSACHUSETTS MARSH BIRD
  MOLLY TOBY MASSACHUSETTS MARSH BIRD HOUSE PAINTING Massachusetts,1893-1984Monochromatic work depicting a birdhouse standing above the water's surface with tall grass in the background.
• RUTH HAVILAND SUTTON
  RUTH HAVILAND SUTTON (MASSACHUSETTS, 1898-1960), JARED COFFIN HOUSE, NANTUCKET., OIL ON BOARD, 8" X 10". FRAMED 9.5" X 11.5".RUTH HAVILAND SUTTON, Massachusetts, 1898-1960, Jared Coffin House, Nantucket. Signed lower left "R.H. Sutton". Dimensions: Oil on board, 8" x 10". Framed 9.5" x 11.5".
• Clarence Millet (American/New
  Clarence Millet (American/New Orleans, 1897-1959) "Maison Haute - French Quarter", oil on board, 11" x 13", signed lower right "C. Millet", titled lower left, inscribed on the reverse "Old Haunted House, New Orleans, LA. I lived in this house from September 1886 to April 1887 and occupied this second corner room.". Presented in a giltwood frame.
• ANGELE E. MYRER (MASSACHUSETTS,
  ANGELE E. MYRER (MASSACHUSETTS, 1896-1970), "WHARF HOUSE"., WHITELINE COLOR WOODBLOCK PRINT, 8" X 10". FRAMED.ANGELE E. MYRER, Massachusetts, 1896-1970, "Wharf House". Titled lower left. Signed and dated lower right "Angele Myrer 1954". Titled on Cape Cod Art Association label verso. Dimensions: Whiteline color woodblock print, 8" x 10". Framed. Provenance: Provincetown Art Association.Private Cape Cod, Massachusetts Collection.
• CHRISTOPHER STEPHENS (20TH C.)
  CHRISTOPHER STEPHENS (20TH C.) "HOUSE", 1985, OIL ON PAPER, A LARGE WHITE HOUSE WITH DEEP WRAP AROUND FRONT PORCH, SHADED BY NEARBY...Christopher Stephens (20th C.) "House", 1985, oil on paper, a large white house with deep wrap around front porch, shaded by nearby trees, signed and dated lower left corner, framed and matted behind glass, wear consistent with age, some loss to frame, ss: 22" h. x 29 1/4" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• HOMESTEAD BY HATTIE M. JONES
  HOMESTEAD BY HATTIE M. JONES (AMERICAN 19TH CENTURY). Oil on canvas signed lower right. Folksy rural house with couple in the yard. Rebacked on canvas. 20''h. 26''w. in a frame 25 3/4''h. 32''w. Placed on new stretcher when rebacked.
• ADELEINE WOLEVER BAXTER
  ADELEINE WOLEVER BAXTER (MASSACHUSETTS/ONTARIO, 1890-1946), "ILLUMINATION (THE BOSTON STATE HOUSE), C. 1916"., OIL ON BOARD, 8" X 10". UNFRAMED.ADELEINE WOLEVER BAXTER, Massachusetts/Ontario, 1890-1946, "Illumination (The Boston State House), c. 1916". Unsigned. Identified on a label verso for the Concord Annual Exhibition, Concord, Massachusetts, 1916. Titled on gallery label verso. Dimensions: Oil on board, 8" x 10". Unframed.
• KAREN CAPPOTTO (NEW
  KAREN CAPPOTTO (NEW YORK/MASSACHUSETTS, 1955-), HOUSES AND A STICK FIGURE., MIXED MEDIA ON PAPER, 34” X 40” SIGHT. FRAMED 39.5” X 45.5”.KAREN CAPPOTTO, New York/Massachusetts, 1955-, Houses and a stick figure. Signed lower right "Cappotto KC". Dimensions: Mixed media on paper, 34" x 40" sight. Framed 39.5" x 45.5".
• OUTSIDER ART, WILLIE MASSEY, RED
  OUTSIDER ART, WILLIE MASSEY, RED AND GREEN HOUSEMassey, Willie, b. 1906, d. 1990, Red and Green House, 22"x17"x16", 1980s, acrylic on wood and foil
• OLD HOUSE BY JOHN WARD DUNSMORE
  OLD HOUSE BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945). Oil on canvas unsigned. Study of one of the few houses left standing in Fairfield Connecticut. Crazing. 12''h. 16''w. in a frame 20''h. 24''w.
• HOMESTEAD BY GEORGE MURRAY
  HOMESTEAD BY GEORGE MURRAY (UNITED KINGDOM LATE 19TH-EARLY 20TH CENTURY). Oil on canvas signed lower left. Family outside a thatched roof cottage. Imperfections. 20''h. 30''w. in a frame 23 1/2''h. 33 1/2''w.
• Babette Martino (American b.
  Babette Martino (American b. 1956) "Study for Back of Houses on Airy". Oil on masonite panel signed at the lower left apprx. 11" x 15-1/2" framed with a linen liner gilt inner linter black and gilt frame overall apprx. 18" x 22-1/4". Labels verso from The Bonfoey Gallery and from the Butler Institute of American Art Midyear Show 1985.