A few examples of appraisal values for
HOUSES

• JAMES A. MCNEILL WHISTLER, THAMES
  JAMES A. MCNEILL WHISTLER, THAMES WAREHOUSESJames A. McNeill Whistler(American, 1834-1903)Thames Warehouses and The Pool, 1859 (2)etching with drypoint on japan laid paperlot includes two etchings from the seriesSixteen Etchings of Scenes on th
• BOOKS ON INTERIOR DESIGN AND
  BOOKS ON INTERIOR DESIGN AND ARCHITECTUREA large group of books on Interior Design and Architecturelot includes: 1. Enchanted Visions: Fantastic Houses and Their Treasures. Claude Arthaud. NY: Putnam, 1972. 2. Michael Smith Houses. Christine
• EIGHT ARCHITECTURAL REFERENCE
  EIGHT ARCHITECTURAL REFERENCE FOLIOSEight architectural reference folioslot includes: 1. Provincial Houses in Spain. Arthur Byne; Mildred Stapley. NY: William Helburn Inc., 1925. folio. minimal text with 190 photographic plates. bound i
• APPROX 100 BOOKS ON ARCHITECTURE
  APPROX 100 BOOKS ON ARCHITECTURE AND DESIGNA group of approximately one hundred books on architecture and designlot includes: 1. William and Mary and their House. NY: The Pierpont Morgan Library, 1979. 2. Great Houses of the Western World. Nig
• KRIS JOHNSON, CONTEMPORARY OIL ON
  KRIS JOHNSON, CONTEMPORARY OIL ON CANVAS OF HOUSESKris Johnson, contemporary oil on canvas of houses in a wooded landscape, Memorial Day , canvas - 24" x 18", frame - 27" x 21". Competitive in-house shipping is available for this lot.
• PAUL SCHICK OIL ON ARTIST
  PAUL SCHICK OIL ON ARTIST BOARDca. 1940; winter scene with stream, woods and barn houses, signed lower left in a gold frame, 29 1/2"x 23 1/2" sight, 34"x 28" overall; Condition: dirty
• FRAMED REPRODUCTION "ABRAHAM
  FRAMED REPRODUCTION "ABRAHAM HUTH" FRAKTUR BY SUSAca. late 20th century; beautiful replicated ink and watercolor Fraktur of 1828 birth and baptism certificate for Jon Reber, born 1828 in Berks Co. (the original by Abraham Huth) on screen laid aged paper featuring birds on stem, houses and multi-floral design of bright colors, framed in a red stained frame, 15"x 11" framed; Condition: faux aged surface but maker's signature "S" is clearly marked in lower right corner
• A South East Asian melon shaped
  A South East Asian melon shaped silver repousse box, late 19th c, the lid with elephant knop, chased with jungle animals, huts and houses amidst foliage, on three serpent feet, 90mm h, 6ozs 8dwts More Information Undamaged, no repair
• A collection of postcards, early
  A collection of postcards, early 20th c, including real photographic (social history and street scenes), art, coast, Bakewell and other picturesque locations, London, waterfalls, Wentworth Woodhouse and other country houses, Ireland, churches, Wales, the Lake District and coats of arms, used and unused, in album (approximately 350)
• Books. Four shelves of general
  Books. Four shelves of general stock, 20th c, including five unexamined Country Life folios, c. 1900, issues of The World of Interiors, country houses, their interiors and architecture, etc., mixed bindings and sizes
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) "GOING TO PASTURE" Oil on canvas. Signed 'Chas P. Gruppe' (lower left). Original giltwood frame.Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) LOW TIDE, MASSACHUSETTS Oil on canvas. Signed 'Chas P. Gruppe' (lower right). Giltwood frame. Paper label inscribed 'Low Tide ... (illegible)'. Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas P. Gruppe' (lower left).Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) "MEDITATION AT TWILIGHT" Oil on canvas. Signed (lower left). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) OLD LANDMARKS, CALEDONIA CREEK Oil on canvas. Signed 'Chas. P. Gruppe' (lower right). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• CHARLES GRUPPE (AMERICAN,
  CHARLES GRUPPE (AMERICAN, 1860-1940) HARBOR SCENE Oil on canvas. Signed 'Chas. P. Gruppe' (lower left). Charles Gruppe (American, 1860-1940) Landscape and marine painter Charles Paul Gruppe was born in Picton, Canada, September 3rd, 1860. When Gruppe was ten, he moved with his family to Rochester, New York, after the death of his father. Interested in painting from an early age, he spent much of his time sketching and creating watercolors and oils. To help support his mother and sisters, he worked in a sign-painting shop, soon mastering the craft. Eventually, at age twenty-one, he had earned enough money to travel steerage to Europe, where he traveled through France, Germany, and Holland, searching for a place to settle and practice his art. He was taken with Holland, perhaps attracted to its fishing villages with their picturesque boats and quaint houses and decided to stay. He built a home and studio in the little fishing village of Katwyk Ann Zee and painted much of his European work in the vicinity of that town. Altogether, Gruppe spent over twenty years in Holland, becoming a celebrity artist and ultimately being patronized by the royalty of Europe. His work is represented in many museums in America and Europe. Charles P. Gruppe died at age 80 in Rockport, Massachusetts, on September 30th, 1940 at his studio where he had been established during the summers for 15 years. The remainder of each of those years, he had spent in New York City, where he was an active member of the Salmagundi Club.
• AMERICAN WATERCOLOR AND INK ON
  AMERICAN WATERCOLOR AND INK ON PAPER ILLUSTRATIONAmerican watercolor and ink on paper illustration of a brewery, 19th c. , with a large red brick building in the center of activity with figures and wagons transporting barrels, set amongst houses, pond, and pastures in a green country town, inscribed lower right H. Keller /N. 257 , 17 1/2" x 27 1/2". Competitive in-house shipping is available for this lot. Condition: Good condition overall with some toning and discoloration, mainly to areas of sky. Smaller amounts of water staining. NEOOF.
• UNSIGNED, ROCKY SEASCAPE WITH
  UNSIGNED, ROCKY SEASCAPE WITH LIGHTHOUSES, O/CUnsigned, Rocky Seascape with Lighthouses, Oil on Canvas, unsigned, depicting a rocky shoreline with motorboat and sailboat, with lighthouses in the distance. Frame size: 29 1/2 in. x 35 3/8 in. MEASU
• KEN HERRINGTON, WHITAKER ARISING,
  KEN HERRINGTON, WHITAKER ARISING, WATERCOLORKen Herrington, Whitaker Arising, Watercolor, (Savannah, b. 1948), signed lower right, depicting Victorian houses along Whitaker St. Savannah, matted and framed. Frame size: 30 1/2 in. x 37 3/4 in. Bo
• MYRTLE JONES, WEST GASTON ST,
  MYRTLE JONES, WEST GASTON ST, ACRYLIC ON CANVASMyrtle Jones, West Gaston St, Acrylic on Canvas, 1984, signed and dated '84 lower left, depicting houses with tree on Gaston St., in a giltwood frame. Frame size: 42 in. x 31 3/4 in.
• N. DU BOIS, EUROPEAN STREET
  N. DU BOIS, EUROPEAN STREET SCENE, OIL ON BOARDProperty from a Private Collector, Hilton Head Island, SC N. Du Bois, European Street Scene, Oil on Board, depicting a figure, houses and steps. Frame size: 19 in. x 12 7/8 in.< Height: by sight 15 7/
• DUTCH SCHOOL, SNOW SCENE WITH
  DUTCH SCHOOL, SNOW SCENE WITH WAGON, OIL ON BOARDProperty of a Private Collection, Savannah, GA illegibly signed lower right, depicting horse and wagon with houses in the background. Frame size: 9 1/2 in. x 11 1/4 in. By sight: H. 3 3/4 in. x W. 5 1
• INDISTINCTLY SIGNED, PINK HOUSES,
  INDISTINCTLY SIGNED, PINK HOUSES, OIL ON CANVASProperty from a Savannah, GA Estate Pink Houses with Harbor in the Distance, signed lower left, with roadway leading down to dock and boats. Frame size: 28 1/4 in. x 33 in. By sight: H. 21 in. x D. 25
• MYRTLE JONES, ABERCORN ST,
  MYRTLE JONES, ABERCORN ST, WATERCOLOR ON PAPERProperty of a Private Collection, Savannah, GA (GA, 1913-2005), pencil signed lower left, depicting Victorian houses along Abercorn st, matted and framed. Frame size: 28 3/8 in. x 33 3/4 in. By sight:
• ALFRED VILLIERS FARNSWORTH, MT.
  ALFRED VILLIERS FARNSWORTH, MT. TAMALPAIS, MILL VALLEYAlfred Villiers Farnsworth (Eng./Am. 1809-1908), Mt. Tamalpais from Mill Valley with duck hunters and houses, 1907, watercolor on paper, signed and dated lower right and titled verso. Viewed: 9 3/4" x
• JAMES MCNEILL WHISTLER, "THAMES
  JAMES MCNEILL WHISTLER, "THAMES WAREHOUSES" ENGRAVINGJames McNeill Whistler, "Thames Warehouses" engraving. Not examined out of frame. Plate size measures appx 3" x 7 7/8", and 11 1/2" x 13 1/4" in frame.
• ERNEST FREDERICKS OIL ON CANVAS
  ERNEST FREDERICKS OIL ON CANVAS WINTER LANDSCAPEErnest Fredericks (American, 1877-1959). Oil on canvas, houses in winter landscape. Signed lower left and in pencil on stretcher. 23 1/2" x 35 1/2" (with frame 29 5/8" x 41 5/8"). Minor paint loss along edges. Provenance: From the Estate of Angela Gross Folk.
• ANN YOST WHITESELL OIL ON CANVAS
  ANN YOST WHITESELL OIL ON CANVAS LAKE LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, houses in lake landscape. Signed and dated lower left Ann Y. Whitesell 1985 and titled Along the Robinhood on label on verso. 24" x 30". Flake to paint along edge lower right. Provenance: From the Estate of Angela Gross Folk.
• ANN YOST WHITESELL OIL ON CANVAS
  ANN YOST WHITESELL OIL ON CANVAS LANDSCAPEAnn Yost Whitesell (American, 20th century), student of Pennsylvania artist Walter Emerson Baum. Oil on canvas, houses in landscape, with figures fishing lower left. Signed and dated lower right Ann Y. Whitesell 1983. 24" x 30". Provenance: From the Estate of Angela Gross Folk.
• 2 PASTEL DRAWINGS GLOUBERMAN &
  2 PASTEL DRAWINGS GLOUBERMAN & ZADOWSKI2 pastel drawings on paper. Houses in landscape, signed lower left Ph. Glouberman, 17" x 22 1/2" (with frame 21" x 26 1/2"); Statue of Liberty, signed lower right Paul Zadowski, 15 1/2" x 19 1/2" (20 1/2" x 24 1/2"). Both with scratches, chips and losses to frames.
• Lot 2 JUNE ALEXANDER, RICHARD C
  Lot 2 JUNE ALEXANDER, RICHARD C MILLER Photographs. 1) Two Houses. 2) Industrial. PATRICK PARRISH Gallery labels. Dimensions: Frame Height: 21.5 inches, Frame Width: 17 inches. - Image Size: Image Height: 9.25 inches, Image Width: 7.5 inches. --- US Packing and Shipping charge: In house shipping available. Will be calculated once destination known. Plus insurance at a rate of $1 per hundred. Condition: Light wear. Framed.
• PRINT, RYOHEI TANAKA (lot of 2)
  PRINT, RYOHEI TANAKA (lot of 2) Ryohei Tanaka (Japanese, 1933-2019), Thatched Roof House and Tree/Thatched Roof Houses in Field, 1975/1982, etchings, each pencil signed and dated, edition 27/100 and 9/250, largest image: 14.25"h x 7.5"w, largest overall (with frame): 20.75"h x 13.75"w
• TEN COFFEE TABLE BOOKS ON
  TEN COFFEE TABLE BOOKS ON MIDCENTURY DESIGN Lot of ten books on design of the 1950s and 1960s, including, The New Look: Design in the Fifties by Leslie Jackson, printed 1991 by Thames and Hudson; 50s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; 60s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; 70s Decorative Art by Charlotte and Peter Fiell, printed 2000 by Taschen; Op to Pop: Furniture of the 1960s by Cara Greenberg, printed 1999 by Bulfinch; The Sixties by Lesley Jackson, printed 1998 by Phaidon; Contemporary: Architecture and Interiors of the 1950s by Lesley Jackson, printed 1994 by Phaidon; Sixties Design by Philippe Garner, printed 1996 by Taschen; Eichler: Modernism Rebuilds the American Dream by Paul Adamson, printed 2002 by Gibbs Smith; Case Study Houses: The Complete CSH Program 1945-1966, printed 2002 by Taschen.Approximate Dimensions:Case Study Houses: l. 16", w. 12.5" Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• SEVEN COFFEE TABLE BOOKS ON
  SEVEN COFFEE TABLE BOOKS ON ARCHITECTURE Lof of seven coffee table books on architecture, including Cabin Porn, printed 2015 by Little, Brown; Between Earth and Heaven: The Architecture of John Lautner, printed 2008 by Rizzoli; Modern American Houses: Four Decades of Award-Winning Design, printed 1996 by Abrams; The Modern A Frame, printed 2018 by Gibbs Smith; The Un-Private House, printed 1999 by Museum of Modern Art; Carlo Mollino Arabesques, printed 2006 by Electra; Retreat: The Modern House in Nature by Ron Broadhurst, published 2015 by Rizzoli. Approximate Dimensions:Retreat: h. 11.25", w. 9.25" Provenance: Private Collection of Bill Stewart, Atlanta, GA.
• US CONSTITUTION, JEFFERSON'S MANUAL
  US CONSTITUTION, JEFFERSON'S MANUAL 1837 Constitution of the United States of America: Rules of the House of Representatives, Joint Rules of the Two Houses and Rules of the Senate, with Jefferson's Manual. Printed by Order of the House of Representatives, 1837, by Thomas Allen, Printer to the House. Book is fully bound in tan calf with raised bands on the spine. Gilt titling on a field of black on the spine. Book has signatures from previous owners on the front paper, including George C. Clitherall, Secretary of the Alabama Senate and Congressman William H. Washington. 8vo. 222pp.
• JOHN ADAMS, MESSAGE OF THE
  JOHN ADAMS, MESSAGE OF THE PRESIDENT, 1798 Message of the President of the United States to Both Houses of Congress. April 3d, 1798. Printed 1798. President John Adams' report to Congress on the infamous "XYZ Affair," in which the negotiators for the French government attempted to extort bribes from the American envoys in return for treaty concessions. Largely made up of the reports of the American envoys, including Charles Cotesworth Pinckney, John Marshall, and Elbridge Gerry, providing a blow-by-blow description of the whole sordid affair. First, Mr. X demanded that "a sum of money was required for the pocket of the Directory and ministers, which would be at the disposal of the M. Talleyrand: and that a loan would also be insisted on. Mr. X said, if we acceded to these measures, M. Talleyrand had no doubt that all our differences with France might be accommodated." Mr. Y then advised, "You must pay money, you must pay a great deal of money." The work also includes President Adams' letters credentialing the ministers. Adams asked Congress to keep this document secret while an appropriate response was considered; as such, only 500 copies were printed. Along with the "Gen?t Affair," this event was the important Franco-American diplomatic crisis of the 1790s, and served to harden the differences between the two emergent American political parties, the "pro- French" Democratic Republicans, and the "pro- British" Federalists. Early stitching still present. 71pp. Evans 34812. Howes A199. ESTC W19508.