1941 WHY WEREN'T YOU OUT YESTERDAY?1941 WHY WEREN'T YOU OUT YESTERDAY? Print: 18 1/2 X 23 2/3 in. Framed Provenance: from a Georgetown collection
James Gobel b.1972. I Would HaveJames Gobel b.1972. I Would Have Let Go, Had This Not Been All I Will Ever Need. 2004, acrylic on canvas. 67 h × 46¾ w in. result: $1,890. estimate: $2,000–3,000. Provenance: Kravets Wehby Gallery, New York
Dana Frankfort b.1971. You ShouldDana Frankfort b.1971. You Should Have My Luck. 2007, oil on wood panel. 30 h × 36 w in. result: $1,250. estimate: $1,200–1,800. Signed, titled and dated to verso ‘You Should Have My Luck 2007 Dana Frankfort’.
Michael P. Smith (American/NewMichael P. Smith (American/New Orleans 1937-2008) six "Jazz and Heritage Festival" photographic prints "There was a time for all sweet Mamas: Mahalia Jackson" "There was a time when sweat meant respect: Clifton Chenier" "Time is a shadow on the wall: Professor Longhair" "There was a time when the sun was joy: Stevie Wonder" "There was a time when the elders sang: Roosevelt Sykes" and "There was a time when the horns were bright: Fairview Brass Band" silver gelatin prints title labels en verso sight 7 in. x 8 1/2 in. matted and framed alike; with original paper sleeve.
ROY LICHTENSTEIN (1923-1997): THAT'SROY LICHTENSTEIN (1923-1997): THAT'S THE WAY IT SHOULD HAVE BEGUN!Roy Lichtenstein, American, (1923-1997) That's The Way It Should Have Begun! But It's Helpless!, color screenprint on wove paper unsigned color screenprint on wove paper Dimensions: 36 1/4 x 36 1/4 in. (92.1 x 92.1 cm.) Condition:
MATTHIAS REINMUTH (B. 1974), "YOUMATTHIAS REINMUTH (B. 1974), "YOU COULD HAVE BEEN NUMBER ONE," 2007, ACRYLIC ON CANVAS, 51" H X 59" WMatthias Reinmuth, (b. 1974) "You Could Have Been Number One," 2007, Acrylic on canvas Signed, titled, and dated, all verso: Reinmuth Acrylic on canvas Dimensions: 51" H x 59" W
An Early Pettipoint Picture DepictingAn Early Pettipoint Picture Depicting a young girl resting in a landscape, with pink flowers in her hair and holding her straw hat by the pink ribbon, framed in an oval gilt frame under glass overall approx. 11-1/2" x 13-1/2".
Robert Arneson. I Should Have KnownRobert Arneson. I Should Have Known Where I Was Going. 1969, celadon-glazed porcelain. 10¼ h × 8 w × 6 d in. estimate: $7,000–9,000. Impressed signature and date to base ‘Arneson 1969’. Impressed inscription around top ‘I should have known where I was going.’. Provenance: Private Collection, California
OFFICIAL U.S. NAVY "COULDN'T HAVEOFFICIAL U.S. NAVY "COULDN'T HAVE DONE IT WITHOUT YOU!" PROPAGANDA POSTER 1943 COLOR LITHOGRAPH POSTER, 40" X 28.75". UNFRAMED.OFFICIAL U.S. NAVY "COULDN'T HAVE DONE IT WITHOUT YOU!" PROPAGANDA POSTER, 1943, "Couldn't Have Done It Without You! Full Speed Ahead We've Still Got A Big Job to Do!" by Howard Scott for the Industrial Incentive Division, published by the U.S. Government Printing Office. Dimensions: Color lithograph poster, 40" x 28.75". Unframed.
Elliott Daingerfield painting (NewElliott Daingerfield painting (New York/Blowing Rock, North Carolina, 1859-1932), label verso "Could Ye Not Watch With Me One Hour", titled derived from Matthew 24:40, infant with angel, unsigned, 24 x 34 in.; late 19th/early 20th century gilt wood and composition frame. Restretched on newer stretcher, some crackle, cupping and cleavage, canvas slightly loose, some yellowing of varnish; frame with abrasions. Collection of the artist; Private Collection, Asheville, North Carolina
Sir Alfred Munnings print "WhySir Alfred Munnings print "Why Weren't You Out Yesterday?" published by Frost & Reed Ltd. 1841. 20"x25"
THERE'S OPPORTUNITY IN YOUR JOB.THERE'S OPPORTUNITY IN YOUR JOB. DIG IT OUT!Anonymous. Thereês Opportunity in Your Job. Dig it Out! Circa 1930s. Acrylic and pencil on board. Original WPA-era work-incentive poster artwork. 15 x 20 inches. Light soiling and chips on board edges not affecting art.
JOSEPH SHULDINER (20TH / 21ST CENTURY):JOSEPH SHULDINER (20TH / 21ST CENTURY): "FRAGMENTS II"2005; willow and waxed linen thread on canvas; unsigned; titled and dated to label verso; Provenance: Chuck Fries, Godfather of the Television Movie, and Ava Fries Estate, Beverly Hills; 24 x 57 inches frame Condition:
IT CAN'T BE DONE MEANS NOTHINGIT CAN'T BE DONE MEANS NOTHING TO THE MAN WHO TRIESAnonymous. It Canêt Be Done Means Nothing to the Man Who Tries. Circa 1930s. Acrylic and pencil on board. 15 x 20 inches. Original WPA-era work-incentive poster artwork. Some marginal scuffs.
JACOB GLUSHAKOW. WOMAN STANDINGJACOB GLUSHAKOW. WOMAN STANDING IN DOORWAY, PEN AND INK Pen and ink with conte crayon, signed lr, sight size: 8 3/4 x 5 in., framed.
ATTRIBUTED TO RICHARD KEMBLE (AMERICANATTRIBUTED TO RICHARD KEMBLE (AMERICAN 1932 - 2007), 'AS IT MIGHT HAVE BEEN', '69, 23/25, WOODCUT ON PAPER, FRAMED: 19-1/4 X 26-1/4 INAttributed to Richard Kemble (American 1932 - 2007), 'as it might have been', '69, 23/25, Woodcut on Paper, Framed: 19-1/4 x 26-1/4 in
Robert Arneson. I Should Have KnownRobert Arneson. I Should Have Known Where I Was Going. 1969, celadon-glazed porcelain. 10¼ h × 8 w × 6 d in. result: $3,780. estimate: $3,000–5,000. Impressed signature and date to base ‘Arneson 1969’. Impressed inscription around top ‘I Should Have Known Where I Was Going’. Provenance: Private Collection, California
EDE TELCS (HUNGARIAN, 1872 - 1948)EDE TELCS (HUNGARIAN, 1872 - 1948) 20" x 15" Patinated metal wall plaque with gilt finish, "Mikor en eg legeny voltam", or "When I was not so drunk". Mounted into a shaped wooden frame, high relief of a couple, artist's signature upper right corner, ca. 1901.
English School circa 1800 A YoungEnglish School circa 1800 A Young Girl profile to the right full length standing a colour painted daffodil in her left hand and basket of flowers in her right hand silhouette cut out on paper with wash base 22cm x 14cm (8.75" x 5.5")
English Primitive School oil onEnglish Primitive School oil on canvas Study of a farmer with his heifer and pet dog 19 x 23in. Estimate ?1 500-2 000 Cleaned relined and restored within the past 10 to 20 years still in very good clean condition with no faults noted in a period maple frame. Iona Antiques label verso. FURTHER IMAGES ALREADY AVAILABLE AT WWW.GORRINGES.CO.UK Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?1 900
STREETER BLAIR, (1888-1966), "HOPESTREETER BLAIR, (1888-1966), "HOPE THE FIRE DIDN'T GO OUT," 1969, OIL ON CANVAS, 12" H X 24" WStreeter Blair, (1888-1966) "Hope the Fire Didn't Go Out," 1964, Oil on canvas Signed, dated, and with the copyright lower right: © Streeter Blair; titled lower left Oil on canvas Dimensions: 12" H x 24" W Provenance: Lorraine Gallery, Encino, CA
UNSIGNED OIL ON CANVAS, PORTRAITUNSIGNED OIL ON CANVAS, PORTRAIT OF WOMAN IN MALE-PRESENTING POSTURE AND CLOTHES LIKE A NEWSBOY CAP AND VEST WITH TIE, SHE'S SEATED...Unsigned oil on canvas, portrait of woman in male-presenting posture and clothes like a newsboy cap and vest with tie, she's seated with feet raised on stack of books, one sits higher than the other with her arm resting atop, a table in background with wine bottle and glass, no signature viewed, not examined out of frame, wear consistent with age, including cracks and damages to frame, etc., ss: 27 1/2" h. x 21 1/2" w.
PR OF 19TH C. AMERICAN SCHOOLGIRLPR OF 19TH C. AMERICAN SCHOOLGIRL SENTIMENTAL DRAWINGS Kate Greenaway influenced, both on chamfered hardboard with inked figures on paper glued to black with white ink surround and captions "I don't care what a daisy says, I'm sure to get married one of these days" & "Gin a body Kiss a body, Need a body cry?", unsigned, 7 1/4" x 3 3/4" each. Scuffed, corners bumped.
JOHN MORAN, 'WHEN REASON FAILS'JOHN MORAN, 'WHEN REASON FAILS' MM SCULPTURE, 2016 John Moran, 'When Reason Fails,' 2016, mixed media figurative sculpture, in hot sculpted glass, epoxy resin, fabric, paint, and bullets, depicting a kneeling young African American boy posed in the attitude of a Catholic martyr or saint with one hand raised in blessing, wearing a gold bullet 'halo', the child also wears a grey hoodie, jeans, and Nike tennis shoes, and seems to have been shot in the stomach. Provenance: Acquired from Habitat Galleria in Royal Oak MI; Morris Museum of Art, Augusta, GA, deaccessioned July 2023. Approximate dimensions: h. 34", w. 14", d. 24".
ENGLISH SCHOOL: PORTRAIT OF A LADYENGLISH SCHOOL: PORTRAIT OF A LADY HOLDING A WREATH OF FLOWERS Oil on canvas 50 x 40 1/2 in. framed.
OOB - Portrait of a Young LadyOOB - Portrait of a Young Lady Prior Hamblin School a bust portrait with swagged and corded drape to left the girl in a black dress with grey ribbon trim lace collar gold heart necklace her auburn hair up in braids in period molded walnut frame wit
ENGLISH SCHOOL PRIMITIVE O/C PORTRAITENGLISH SCHOOL PRIMITIVE O/C PORTRAIT OF YOUNG GIRL ENGLISH SCHOOL PRIMITIVE OIL ON CANVAS PORTRAIT OF YOUNG GIRL HOLDING FLOWERS WITH A FINCH PERCHED ON HER HAND, 19TH C.; 24"H 20"W; CONDITION: WORK HAS BEEN RELINED, STRETCHER NOT ORIGINAL
EARLY 19TH C. PORTRAIT OF A CHILDEARLY 19TH C. PORTRAIT OF A CHILD BY AN AMERICAN ITINERANT ARTIST Portrait of a Young Ginger Haired Girl in a Red Dress with frogged trim, staring complacently at the viewer, oil on canvas, unsigned, circa 1830, she holds a gold watch and a bell suspended by a chain from her belt, her black slippers and blue and white striped socks peeking out between the legs of the stool on which she sits, she is set against a plain olive green background, housed in a replica folk art painted frame, OS: 33 1/2" x 28 1/2", SS: 29 1/2" x 24 1/2". Fine condition.
THEODOR KURZWEIL "IDLE MOMENTS",THEODOR KURZWEIL "IDLE MOMENTS", OIL PORTRAIT Theodor Kurzweil (Austrian/European 19th/20th century", "Idle Moments", undated, oil on canvas three quarter length portrait depicting a young beauty in a garden, signed and placed lower right, in a giltwood, gesso, and composition frame. Canvas approx. h. 34", w. 25.75"; Overall h. 50", w. 42", d. 5.5".
WORK ON PAPER, YOU MAY VIEW THEWORK ON PAPER, YOU MAY VIEW THE STIFF American School (20th century), "You May View the Stiff", ink on paper, unsigned, overall (with frame): 12.25"h x 15"w
EFFIE GERENY. TWO WORKS, MIXEDEFFIE GERENY. TWO WORKS, MIXED MEDIA (American, 20th century). 1) "I Might As Well Be Talking to the Wall" 1998, mixed media on wood, signed, dated and titled on verso, gallery label on verso, 8 x 7 in., framed, 2) Wood Doll, sticks and painted burlap wall hanging, unsigned, approximately 12 x 7 1/2.
AMERICAN SCHOOL: PORTRAIT OF AAMERICAN SCHOOL: PORTRAIT OF A WOMAN WITH BONNET Oil on canvs 32 x 26 in. unsigned.
KENNETH GATEWOOD. "ON DADDY'S SHOULDERS,"KENNETH GATEWOOD. "ON DADDY'S SHOULDERS," LITHO (American, 20th century). Lithograph in colors, 2001, pencil signed and dated lr, image size: 20 3/4 x 16 1/2 in., framed.
PORTRAIT BY LATE 19TH C. ITINERANTPORTRAIT BY LATE 19TH C. ITINERANT MAINE ARTIST Little Girl in a blue silk dress, with huge doleful eyes, seated in a red chair in front of a posh draped landscape, her hat on the floor. Purported to be a child from a Wiscasset, ME family. In gold cove frame, OS: 34 1/2" x 29", SS: 29 1/2" x 24". Overall craquelure.
20TH C. PORTRAIT, OIL ON MASONITE,20TH C. PORTRAIT, OIL ON MASONITE, DEPICTS A GIRL WITH SHOULDER LENGTH DARK HAIR AND SHADOWED EYES, SHE WEARS A BLUE TOP WITH SCOOP...20th C. Portrait, oil on Masonite, depicts a girl with shoulder length dark hair and shadowed eyes, she wears a blue top with scoop neck, blue sky above buildings can be seen in the background, no signature viewed, in gilt wood frame, wear consistent with age including some surface scratches, ss: 15 1/2" h x 11 3/4" w.
PAINTING, JILL DAVENPORT Jill DavenportPAINTING, JILL DAVENPORT Jill Davenport (American, 20th Century), "Attic Series: I Could Have Danced All Night," 1986, oil on canvas, signed and dated lower right, artist label with title affixed verso, overall (with frame): 20.75"h x 14.5"w