A few examples of appraisal values for
IN CONTACT

• Andrew Hare ''Contact'' Oil on
  Andrew Hare ''Contact'' Oil on Canvas 12''x12''
• NICK VACCARO "CONTAC" (1972
  NICK VACCARO "CONTAC" (1972 ASSEMBLAGE)Nick Vaccaro (Kansas, 1931-2002) Contac , 1972 "Magic Box" assemblage 24 1/2" x 13" x 9" Signed, titled, and dated to the reverse. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Wear and grime to the truck and the printed sheet metal that wraps the box.
• CONTAX RTS CAMERA. Together with
  CONTAX RTS CAMERA. Together with two lenses and a Lumix digital camera Condition: No Specific Condition Recorded - Sold As Is
• Reproduction desk top telephone ,
  Reproduction desk top telephone , modern connection
• VICTOR PASMORE (1908-1998): "POINTS
  VICTOR PASMORE (1908-1998): "POINTS OF CONTACT #4" Serigraph 22 3/4 x 94 in. numbered 20/50. Provenance: Barney Weinger Gallery NY.
• GROUP OF EARLY CONTACT IROQUOIS
  GROUP OF EARLY CONTACT IROQUOIS INDIAN ARTIFACTSGroup of early contact Iroquois Indian artifacts, to include a bone "September Morn" figure, 2 1/4" h.; single trade silver earring, brass trade buttons, etc.; together with three stone hand axes, longest - 5". Provenance - small artifacts: Mike Taylor, Blasdell New York, collection. Competitive in-house shipping is available for this lot. Condition: Axes - as found. Others - as expected.
• VICTOR PASMORE SCREENPRINTVICTOR
  VICTOR PASMORE SCREENPRINTVICTOR PASMORE (United Kingdom/Malta, 1908-1998) screenprint, "Points of Contact #5." Initialed lower left, dated 1961, edition 37/70, artist label verso and label from Kulicke Frames, NY, 84" x 20" (paper), in a metal frame.
• 2010: THE YEAR WE MAKE CONTACT
  2010: THE YEAR WE MAKE CONTACT (MGM/UA, 1984). Original 40" x 60" movie poster, rolled. Few creases and fading.
• TWO PHONESTwo working rotary dial
  TWO PHONESTwo working rotary dial phones, one French and the other candlestick
• A pair of Lemaire field glasses
  A pair of Lemaire field glasses in a leather case, a Rexoflex camera in a case, five other cameras and an induced current battery
• VICTOR PASMORE (1908-1998): "POINTS
  VICTOR PASMORE (1908-1998): "POINTS OF CONTACT #8" Serigraph in colors 23 x 66 in. (sheet sight) initialled dated 1966 and numbered 33/70.
• A pair of field glasses in a
  A pair of field glasses in a leather case a leather writing case a leather covered box and two others
• VICTOR PASMORE (1908-1998): "POINTS
  VICTOR PASMORE (1908-1998): "POINTS OF CONTACT #5" Serigraph 83 1/4 x 19 1/2 in. (sight) initialed dated 1965 and numbered 54/70.
• VICTOR PASMORE (BRITISH 1908-1998),
  VICTOR PASMORE (BRITISH 1908-1998), POINTS OF CONTACT NO. 33 AND BLUE IMAGE: TWO WORKS, SCREENPRINT IN COLOR AND AN ETCHING AND AQUATINT IN COLOR, LARGER SIGHT SIZE: 673 X 864 MM (26-1/2 X 34 IN)Victor Pasmore, (British, 1908-1998) Points of Contact No. 33 and Blue Image: Two Works (Lynton G7 and G39), The first, a screenprint in color on Arches paper, 1980, printed by Kelpra Studio, London and published by Marlborough Fine Art Ltd., London on the occasion of the Tate Gallery retrospective; and the second, an etching and aquatint in color on Fabriano paper, 1986, printed by Vigna Antoniniana Stamperia d'arte, Rome and published by Marlborough Fine Art Ltd., London; each apparently in good condition. Each framed.* Each signed with artist's initials VP in graphite l.r., the first, dated 80 in graphite l.r. and numbered 5/100 in graphite l.l.; the second, dated 86 in graphite l.r. and numbered 34/90 in graphite l.l. The first, a screenprint in color on Arches paper, 1980, printed by Kelpra Studio, London and published by Marlborough Fine Art Ltd., London on the occasion of the Tate Gallery retrospective; and the second, an etching and aquatint in color on Fabriano paper, 1986, printed by Vigna Antoniniana Stamperia d'arte, Rome and published by Marlborough Fine Art Ltd., London; each apparently in good condition. Each framed.* Dimensions: Sight size of larger: 673 x 864 mm (26-1/2 x 34 in)
• CONTAX T VSIII & CONTAX T2
  CONTAX T VSIII & CONTAX T2 CAMERASCondition: Both cameras in good condition with some minor wear to rubber grip panels due to normal wear. Also, each camera includes original pouch. 4 1/2 inches wide; 1 1/2 inches deep; 2 1/2 inches high Condition:
• US ARMY AIR FORCE CONTACT PRINTER
  US ARMY AIR FORCE CONTACT PRINTER US Army Air Force Contact Printer, Type A-10, by Agfa. Circa 1943. Untested.
• LOT OF 7 KODAK AUTO MASK CONTACT
  LOT OF 7 KODAK AUTO MASK CONTACT FRAMES Lot of 7 Kodak Auto Mask contact printing frames.
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• 20TH C. SCHOOL: UNTITLED (HEAD OF
  20TH C. SCHOOL: UNTITLED (HEAD OF MAN GRIPPING PHONE RECEIVER) Black and white photographic print of a sculptural bas relief fragment unsigned; 35 x 27 1/2 in. (image).
• A yellow metal (tests 9 ct gold)
  A yellow metal (tests 9 ct gold) propelling pencil together with two silver examples.
• A daguerrotype of a gentleman in
  A daguerrotype of a gentleman in moulded Union case the image with hand coloured additions.
• Jul
  Jul